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Calypsonian
Celebrating Our Calypso Monarchs 1939- 1980
Music, Politics, and Power in Grenada, West Indies Danielle Sirek University of Windsor
Music, Mas, and the Film and Video Segments
Cultural Maintenance and the Politics of Fulfillment in Barbados’S Junior Calypso Monarch Programme
Reading Diaspora and Sundar Popo's Chutney Lyrics As Indo
Popular Culture and the Remapping of Barbadian Identity
Danielle Sirek, Phd Candidate
[email protected]
418-5340 Supervisor: Dr
Calypso Buys a Bungalow Author(S): Michael Eldridge Source: Callaloo, Vol
Child Abuse, Bling Addiction and Soca Music in Trinidad and Tobago
Music As Sound, Music As Archive: Performing Creolization in Trinidad
American Music Review the H
199 Hope Munro What She Go Do Takes Its Title from a 1973 Song By
Narratives of Resistance in Trinidad's Calypso and Soca Music Meagan A. Sylvester, UWI, St. Augustine Trinidad and Tobago Drma
THE CALYPSO AS 'POLITICAL FOOTBALL' in TRINIDAD and TOBAGO: the STATUS of CONTEMPORARY POLITICAL COMMENTARY (A Work in Progress)
The Calypsonian As Artist: Freedom and Responsibility Gordon Rohlehr
Biographies of Some Major Calypsonians
Calypso and the Bacchanal Connection Earl Lovelace
[email protected]
Top 20Th Century Other Awards
Top View
Music from Trinidad and Tobago
Calypso and the World Music Market Gordon Rohlehr
«Forged from the Love of Liberty» Popular Music, Resistance, and Identity in Trinidad and Tobago’S Carnival
Chutney and Indo-Trinidadian Cultural Identity
Calypso As a Vehicle for Political Commentary: an Endangered Musical Species
Sample Quiz Questions
The Construction and Deconstruction of National Identity in the Trinidad
Love and Anxiety: Gender Negotiations in Chutney-Soca Lyrics in Trinidad
Calypso in the Tent and on the Road
From Trinidad and Tobago to the World: Determining the Role of Calypso in a New Era Malek Abdel-Shehid
Information to Users
Popular Music: Identity, Social Change and Human Rights
The Cultural Work of Party Music in Trinidad
By Kevin Jeanville
Moses Document Final Submit
This Paper Is Concerned with Women's Participation in Trinidad Calypso, Which Is Part of My Broader Interest in Gender and Expressive Culture in the Caribbean
September 2002 a Thesis Submitted in Fulfilment of the Requirements of the University of London for the Award of the Degree of Doctor of Philosophy
The Calypsonian (Chalkdust) As Political Opposition in the Caribbean
The Calypsonian Returns: Rethinking Social Transformation in Earl
Unmasking the Chantwell Narrator in Earl Lovelaceâ•Žs Fiction
The Music Industry in Trinidad and Tobago
GRENADA: CREOLE and YORUBA VOICES Morton Marks and Kenneth Bilby
Joseph “Lingo” La Placeliere
Calypsonian Women: a Mode of Resistance That Empowers Femininity Davina Battistelli
The Music Industry Is One of the Largest Cultural Industries and Makes a Significant Contribution to the World-Economy
The Consumption of Calypso Music in Trinidad
Bibliography
Calypso: Speaking Truth to Power, 1962-2012
Imagined Futures: Interpretation, Imagination, And
Gender and Performativity: Calypso and the Culture of Masculinity