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Brian Sewell

  • Who Owns the Art World? an Online Panel Discussion with Hayley Newman, Morgan Quaintance and Richard Parry. This Short Panel

    Who Owns the Art World? an Online Panel Discussion with Hayley Newman, Morgan Quaintance and Richard Parry. This Short Panel

  • My Article in the Last Issue of Finch's Quarterly About the Royal Academy's Summer Exhibition Achieved a Very Modest Degree

    My Article in the Last Issue of Finch's Quarterly About the Royal Academy's Summer Exhibition Achieved a Very Modest Degree

  • Conrad Shawcross

    Conrad Shawcross

  • REVISED 4/27/2013 VERTIGINOUS ACEDIE, CIRCA 2013 the Preternatural Beauty and Equipoise of the Post-War Alexander Calder Mobiles

    REVISED 4/27/2013 VERTIGINOUS ACEDIE, CIRCA 2013 the Preternatural Beauty and Equipoise of the Post-War Alexander Calder Mobiles

  • THBT Social Disgust Is Legitimate Grounds for Restriction of Artistic Expression

    THBT Social Disgust Is Legitimate Grounds for Restriction of Artistic Expression

  • Death, Dots & Dollars

    Death, Dots & Dollars

  • BRIAN SEWELL, LESLIE WADDINGTON and ART of the NINETIES: the COLLECTORS THAT DEFINED LONDON's ART WORLD from the 1950S TO

    BRIAN SEWELL, LESLIE WADDINGTON and ART of the NINETIES: the COLLECTORS THAT DEFINED LONDON's ART WORLD from the 1950S TO

  • Emmanuel Cooper Archive

    Emmanuel Cooper Archive

  • The Brian Sewell Archive an Introduction

    The Brian Sewell Archive an Introduction

  • Edwards' First Name at This Sensi

    Edwards' First Name at This Sensi

  • City Research Online

    City Research Online

  • Conceptualism – Intersectional Readings, Inter National Framings

    Conceptualism – Intersectional Readings, Inter National Framings

  • BRIAN SEWELL London, UK | Thursday 12 July 2012 for Immediate Release Described As

    BRIAN SEWELL London, UK | Thursday 12 July 2012 for Immediate Release Described As

  • British Society and the 'Tate War'

    British Society and the 'Tate War'

  • Nature, Art and Indifference Rob Bartram

    Nature, Art and Indifference Rob Bartram

  • 50 Paintings Explored

    50 Paintings Explored

  • Picasso's Happy Period Makes for a Great Show

    Picasso's Happy Period Makes for a Great Show

  • Banksy. Urban Art in a Material World

    Banksy. Urban Art in a Material World

Top View
  • Outsider Art & Grayson Perry
  • Graham, New American Film and Video Series”, Whitney Museum of American Art, New York
  • Saturday 22Nd to Sunday 30Th March 2014 at the Sheldonian Theatre and Christ Church OXFORD LITERARY FESTIVAL2014 LITERARY OXFORD
  • Turner Prize 2004 Tate Britain, 20 October – 23 December 2004
  • Dominic Beattie CV Bio 2021.Indd
  • Rachel Whiteread: 'I've Done the Same Thing Over and Over'
  • DOOMED and FAMOUS Selections from the Adrian Dannatt Collection
  • Richard Deacon B. 1949 Bangor, Wales Education 1968-69
  • {Download PDF} Kitaj
  • Dan Holdsworth
  • Jean Fisher, 'The Other Story and the Past Imperfect', Tate Papers, No. 12
  • Animals, Ethics, and the Art World
  • Damien Hirst and the Legacy of the Sublime in Contemporary Art and Culture
  • Ian Davenport
  • Corporeality, Subjectivity, and Empathy in Contemporary American Art Elissa Yukiko Weichbrodt Washington University in St
  • GRAYSON PERRY a NEW ART SEASON BEGINS Dafydd Jones 2013 Grayson Perry at Royal Academy Dinner
  • Modern Painters Autumn 2002 Pp. 112-117 Emin for Real What Does
  • Conrad Shawcross


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