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Home , Alison Wilding, Bill Woodrow, Brian Sewell, David Lee (art critic), Iwona Blazwick, Jon Thompson

Richard Deacon b. 1949 Bangor, Wales

Education

1968-69 Somerset College of Art, Taunton, UK 1969-72 St Martins School of Art, , UK, UK 1974-77 , London, UK, UK 1977-78 Chelsea School of Art, London, UK, UK (part-time) 1987 Awarded , London, UK, UK 1994 Visiting Professor, London, UK Institute (Chelsea School of Art), UK 1996 Chevalier de l’Ordre des Arts et Lettres, Ministry of Culture, France 1998 Elected as a member of the Royal Academy, London, UK, UK 1999-date Professor, Ecole Nationale Superieure des Beaux Arts, , France 1999 CBE award 2005 D.Litt University of Leicester, UK

Solo Exhibitions

1975 Royal College of Art Galleries, London, UK

1976 Royal College of Art Galleries, London, UK

1978 ‘Studio Exhibition’, The Gallery, Brixton, London, UK

1980 ‘Spring Programme’, The Gallery, Brixton, London, UK

1981 Sheffield City Polytechnic Gallery, Sheffield, UK

1983 , London, UK The Orchard Gallery, Londonderry, Northern Ireland (exh cat.)

1984 Riverside Studios, London, UK Chapter Arts Centre, Cardiff, Wales (exh cat.) ‘Richard Deacon. 1980-1984’, Fruitmarket Gallery, Edinburgh, Scotland (exh cat.) (travelled to Le Nouveau Musée, Lyon/Villeurbanne, France)

1985 ‘Contemporary Sculpture’, Donald Young Gallery, Chicago, IL, USA ‘Five Recent ’, Gallery of New Art, The Gallery, London, UK (exh cat.) Le Centre International du Verre, Aix-en-Provence, France ‘Sculptors' Drawings’, Margarete Roeder Fine Arts, New York, NY, USA ‘Blind, Deaf and Dumb. An Installation in Collaboration with Richard Rogers and John Tchalenko’, Serpentine Gallery, London, UK

1986 Marian Goodman Gallery, New York, NY, USA ‘Sculpture for Exterior & Interior’, Interim Art, London, UK Galerie Arlogos, Nantes, France (exh cat.)

1987 ‘For Those Who Have Eyes. Richard Deacon Sculptures 1980-86’, Aberystwyth Arts Centre, Aberystwyth, Wales, UK (exh cat.) (travelled to Glynn Vivian Gallery, Swansea, Wales, UK; Turner , National Museum of Wales; Mostyn Art Gallery, Llandudno, Wales, UK; Warwick Art Centre, Warwick, UK; City Museum and Art Gallery, Stoke on Trent, UK) Lisson Gallery, London, UK

1987-88 ‘Richard Deacon. Recent Sculpture 1985-1987’, Bonnefanten Museum, Maastricht, Netherlands (exh cat.) (travelling to Kunstmuseum, Luzern, Switzerland; Fundacion Caja de Pensiones, Madrid, Spain and Museum van Hedendaagse Kunst Antwerp, Belgium) Whitechapel Art Gallery, London, UK (exh cat.)

1988 ‘Richard Deacon. Prints and Drawings’, Lisson Gallery, London, UK ‘3 Sculptures’, Ecole des Beaux Arts de Mâcon, Macon, France Marian Goodman Gallery, New York, NY, USA (exh cat.) The Carnegie Museum of Art, Pittsburgh, PA, USA (exh cat.) (travelled to The Museum of Contemporary Art, , CA, USA and Art Gallery of Ontario, Toronto, ON, Canada) ‘Sculpture in the Garden’, Tate Gallery, London, UK ‘Richard Deacon. Distance no Object’, The Museum of Contemporary Art, Los Angeles, CA, USA

1989 ‘Richard Deacon. 10 sculptures 1987/89’, Musée d'art moderne de la Ville de Paris, Paris, France (exh cat.) ‘New Sculpture’, Plymouth Art Centre, Plymouth, UK (exh cat.) Kunstmuseum, St.Gallen, Switzerland

1990 ‘Richard Deacon. Nye Arbeider/New Works’, Kunstnernes Hus, Oslo, Norway (artist book) Marian Goodman Gallery, New York, NY, USA Galleria Locus Solus, Genoa, Italy Moderna Galerija, Mala Galerija, Ljubljana, Slovenia (exh cat.)

1991 ‘Drawings 1974-91’, Mead Gallery, University of Warwick, Coventry, UK ‘Skulpturen und Zeichnungen’, Museum Haus Lange und Museum Haus Esters, Krefeld, Germany (exh cat.) Galerie Konrad Fischer, Düsseldorf, Germany

1992 ‘Foursome’, Lisson Gallery, London, UK ‘Three Recent Works’, The Economist Building Plaza, London, UK ‘Art for Other People’, Musée d'art moderne, Villeneuve d'Ascq, France (exh cat.) ‘The Interior is Always More Difficult’, Ecole Regionale d'Art de Dunkerque, Dunkerque Marian Goodman Gallery, New York ‘Richard Deacon works on paper and sculpture’, Städtische Galerie, Nordhorn, Germany

‘This is not a story’, Museum der Stadt Waiblingen, Waiblingen, Germany Galerie Arlogos, Nantes, France ‘Only the Lonely and other Shared Sculptures’, ( and Richard Deacon), Chisenhale Gallery, London, UK (tour to Aspex Gallery, Portsmouth, UK) (exh cat.) ‘Skulpturen 1987-1993’, Kunstverein Hannover, Germany ‘Two new sculptures for the Orangerie’, Orangerie, Herrenhauser Garten, Hannover, Germany ‘Richard Deacon and European Silver Tea and Coffeepots’, Feuerle, Cologne, Germany

1993 ‘Kiss and Tell’, South Bank National Touring Exhibition

1993-4 ‘What could make me feel this way’, The , Italy

1994 ‘Bill Woodrow and Richard Deacon’, Sabine Watchers Fine Arts, , Belgium

1995 ‘Not Yet Beautiful’, L.A. Louver Gallery, Los Angeles, CA, USA ‘ATLAS: This is not a story’, Customs House Trust Exhibition, South Shields, Tyne & Wear, UK ‘Drawing, Prints and Sculpture’, La Filature, Nouvel Espace Culturel, Mulhouse, France ‘Them and Us’, Lisson Gallery, London, UK (with Thomas Schütte)

1996-97 ‘Richard Deacon, Esculturas 1984-95’, MACCSI, Caracas, Venezuela (Touring to Wilfredo Lam Arts Centre, Havana, Cuba; Museo de Arte Moderna, Bogota, Colombia; Museo Nacional des Bellas Artes, Santiago de Chile; Tamayo Museum, Mexico), organized by the (exh cat.)

1997 Marian Goodman Gallery, New York, NY, USA ‘Serpentine: Inside Out’, Serpentine Gallery, London, UK ‘Richard Deacon, Show and Tell’, Musee Departemental de Rochechouart, Haute-Vienne, France

1998 Galerie Arlogos, Paris, France (with Tony Grand) SCAI the Bathhouse, Tokyo, Japan

1999 ‘New World Order: Richard Deacon’, Tate Gallery, ‘No Stone Unturned’, Kleine Galeries Kunstkeller, Liestal, Switzerland Lisson Gallery, London, UK Galleri Susanne Ottesen, Copenhagen, Denmark (with Ian McKeever)

2000 Contemporary art at the Millenium Dome, London, UK ‘Umhh’, Fig 1, London, UK ‘Tomorrow, and Tomorrow, and Tomorrow’, LA Louver, Los Angeles, CA, USA

2001 ‘’Richard Deacon: Sculpture’ Dundee Contemporary Arts, Scotland, UK ‘Image & Idol-Medieval Sculpture’ Exhibition co-curated with Philip Lindley: Installation and bases designed by Richard Deacon. , London, UK ‘Richard Deacon’, PS1 Contemporary Art Center, New York, NY, USA

‘Between the Two of Us’ collaborative exhibiton with Henk Visch, Stedelijk Museum, Schiedam, Netherlands (exh cat.)

2002 Lisson Gallery, London, UK ‘Richard Deacon’, Glynn Vivien Art Gallery, Swansea, Wales, UK ‘Richard Deacon: Continent’, Galerie Arlogos, Paris, France

2003 ‘AC: Richard Deacon Made in Cologne’, Museum Ludwig, Cologne, Germany ‘Richard Deacon, Passage de la mer rouge’ Centre Pompidou, Paris, France ‘UW84DC’ Galerie Thomas Schulte, , Germany ‘Richard Deacon’ Galerie Stadtpark, Krems, Austria ‘New Bases’, Galerie de/di/bY. Paris, France ‘From Tomorrow’, Galerie Susanne Ottesen, Copenhagen, Denmark

2004 ‘Richard Deacon: Beyond the clouds’, May 2004 at Art 35 Basel, Switzerland ‘Lead Astray: New Shared Sculptures by Bill Woodrow & Richard Deacon’ New Art Centre Sculpture Park & Gallery, Roche Court, Salisbury, UK; Palacio Nacional de Quelez, Lisbon, Portugal; Yorkshire Sculpture Park, Wakefield, UK (exh cat.) (2006); City Museum & Art Gallery, Plymouth, UK (2006); Musee du Chateau, Dieppe, France (2007); Pier Arts Centre, Stromness, Orkney, UK (2008) ‘Richard Deacon’ Marian Goodman Gallery, New York, NY, USA ‘Richard Deacon, Slippery When Wet’, Distrito 4, Madrid, Spain ‘Beyond the Clouds’, LA Louver, Los Angeles, CA, USA

2005 ‘Richard Deacon: Out of Order’, Tate St. Ives, Cornwall. (exh cat.) ‘The Size of It’, Museo Artium, Vitoria, Spain touring to Sara Hilden Art Museum, Finland and ARP Museum Bahnhof Rolandseck, Germany ‘Richard Deacon, Infinity x 2’, Galerie Daniel Templon, Paris. ‘Richard Deacon, Range’, Lisson Gallery London. ‘Masters of the Universe: Screen Version’, Doris C. Freedman Plaza, Central Park, New York. Presented by Public . ‘Infinityx2’ Galerie Templon, Paris ‘Richard Deacon’ Courtyard and Skyroom, L.A. Louver, Venice, CA

2006 Ruth Benzacar Gallery, Buenos Aires ‘Richard Deacon New Drawings’, The Drawing Gallery, London, UK ‘Richard Deacon: Beyond the Clouds’, LA Louver Gallery, Venice, USA 16 November 2006 – 5 February 2007, USA

2007 ‘Richard Deacon : Personals’, , Birmingham ‘How Much Does Your Mind weigh’, Thomas Schulte Gallery, Berlin, 24 March – 5 May 2007 LA Louver Gallery, Venice, CA, September 2007 ‘Richard Deacon’, Galerie Thaddaeus Ropac, Salzburg ‘Richard Deacon’ Wales Pavilion, 52nd Venice Biennale, Venice ‘Orinoco’ (two person exhibition with David Ward) New Art Centre, Roche Court, Salisbury

2008 ‘Richard Deacon, Border Traffic’, Fondation Maeght, Saint-Paul de Vence, France ‘Richard Deacon: Seven Works’, Madison Square Park, New York ‘Richard Deacon – sculpture’, SM – Stedelijk Museum’s, Hertogenbosch

‘Richard Deacon – North’, Galleri Susanne Ottesen, Copenhagen ‘Richard Deacon‘, Portland Art Museum, Portland, OR ‘Richard Deacon - NEW BASES 2.0’, ColletPark, Paris ‘Richard Deacon’, TR3 Ljubljana, Slovenia ‘On the Rocks’, Shared Sculpture by Bill Woodrow and Richard Deacon, Bloomberg Space, London, UK ‘Dead Leg’, in association with Matthew Perry, La Louver Gallery, Venice, CA

2009 ‘Add & Subtract’, Galerie Thomas Schulte, Berlin ‘Richard Deacon’, Dead Leg, Arts Club of Chicago, Illinois ‘Siamese Connection’, Galerie Distrito 4, Madrid ‘Kalemegdan Bridge Collaboration’ (with Mrdjan Bajic) Skupstina Grada, Belgrade and Galerija ULUS, Belgrade, Republic of Serbia (cat.)

2010 ‘Richard Deacon, The Missing Part’, Musee d’art Moderne et Contemporain, Strasbourg ‘Richard Deacon’, The Inside - New Art Centre, Salisbury ‘Twist and Shout’, Galerie Thaddaeus Ropac, Paris ‘How Much Does Your Mind Weight?’, Richard Deacon, Halle, Galerie Thaddaeus Ropac, Salzburg

2011 ‘Richard Deacon’, L.A. Louver Gallery, Venice ‘Richard Deacon - The Missing Part’, The Sprengel Museum, Hannover ‘Richard Deacon – Dead leg’, University of New Mexico Art Museum, Albuquerque, Septermber 9 – December 19

2012 ‘Associations’, L.isson Gallery, London, UK (exh cat.) ‘Beware of the Dog’, STPI, Singapore (exh cat.) Galleri Susan Ottesen, Copenhagen ‘Richard Deacon’, CAC Malaga, Spain (exh cat.)

Public Commissions

1990 ‘Between the Eyes’. Yonge Square International Plaza, No 1 Yonge Street, Toronto. Commissioned by Camrost Developments Corporation. ‘Once upon a time...’. Former Redheugh Bridge Abutment, , England. Commissioned by Gateshead Metropolitan Borough Council. ‘Moor’; Victoria Park, Plymouth, Commisioned by TSWA for New Works for New Places: Four Cities Projects

1991 ‘Let's not be stupid’. Former Air Hall Site, University of Warwick, Coventry, England. Commissioned by the University of Warwick. ‘Nobody here but us’. Office Tower Plaza, 135 Albert Street, Auckland, New Zealand. Commissioned by ASB Properties Limited and Albert Street Developments Limited.

1992 ‘Building From The Inside’. Voltaplatz, Krefeld, Germany. Commissioned by the Krefeld Kunstmuseum. ‘Between Fiction and Fact’. Musée d'art Moderne, Villeneuve d'Ascq, France. Commissioned by the Ministry of Culture and the City of Villeneuve d'Ascq. ‘This is not a Story’. Museum der Stadt, Waiblingen, Germany. Commissioned by the Region of Stuttgart.

‘One step, two step’. Landspitze and Nieuwmarkt, Nordhorn. Commissioned by Stadt Nordhorn.

1993 ‘Zeitweise’. Mexicoplatz, Vienna. Commissioned by Stadt Wien. ‘Never Mind’. Middelheim Park, Antwerp. Comissioned by the City of Antwerp

1996 ‘One Is Asleep, One Is Awake’, The Tokyo International Forum Art Collection, Gates & Railings for Custom House Arts Centre, South Shields. Commissioned by the Tyne & Wear Development Authority.

1999 ‘No Stone Unturned’; Bemalter Stahl Platz, Liestal. Commissoned by UBS Switzerland ‘How Much Does Your Mind Weigh; Mind Zone, Millenium Dome, Greenwich. Commissioned by the New Millenium Experience Company.

2000 ‘Just Us’, commissioned by Cosco Corporation, Beijing 2002 ‘Richard Deacon’, Gutspark Böckel, Garten_Landschaft OstWestfalen Lippe, Germany ‘Can’t See the Wood for the Trees; A9/N22 Neupunkt, Haarlem, Netherlands. Commissioned by Provincie Noort-Holland. ‘Richard Deacon: Continent’, Galerie Arlogos, Paris

2003 ‘Not Out of the Woods Yet’ 1st & Howard, San Francisco, Commissioned by Wilson Equity

2005-06 ‘Richard Deacon - Masters of the Universe: Screen Version’, Doris C. Freedman Plaza, New York, Public Art Fund Projects

2006 ‘Mountain’, outdoor stainless steel piece. Commissioned by Niigata Prefecture in connection with Echigo-Tsumari Art Triennial, Niigata, Japan The Same But Different’, two sculptures along the N381 Hoogesmilde

2008 ‘Nosotros Tres’ (The Three of Us): Museo Wurth La Rioja. Lograno, Spain. Commissioned by Wurth Spain Inc. ‘Water Under the Bridge’: Puenta de la Union, Zaragoza, Spain. Commissioned by ExpoZaragoza 2008

2012 Beware of the Dog, STPI, Singapore Tyler Print Institute, Singapore

Group Exhibitions

1970 New Arts Lab, London, UK (performance with C Walters and I Kirkwood)

1972 Essex University (performance)

1974 Artists' Meeting Place, London, UK (performance with Manydeed Group)

1978 ‘Staff Sculpture’, Central School of Art, London, UK

1980 ‘Lambeth Summer Festival’, Winchester School of Art (with A Davies and I Kirkwood)

1981 Drawings by staff in the Fine Art Department, Central School of Art, London, UK ‘Objects and Sculpture: Richard Deacon, , , Peter Randall-Page’, Institute of Contemporary Art, London, UK (exh cat) (toured to Arnolfini Gallery, Bristol)

1982 ‘Arteder '82’, Bilbao ‘South Bank Show’, London, UK ‘Hayward Annual, British Drawing’, , London, UK ‘Sculpture at the Park’, Cheltenham ‘Englische Plastik Heute/British Sculpture Now’, Kunstmuseum, Luzern, Switzerland (exh cat.) ‘Objects and Figures. New Sculpture in Britain’, Fruitmarket Gallery, Edinburgh (organized by the Scottish Arts Council) (exh cat.)

1983 ‘Figures and Objects: Recent Developments in British Sculpture’, John Hansard Gallery, Southampton (exh cat.) ‘Sculpture in a Country Park’, Margam Castle, Wales (organized by the Welsh Sculpture Trust) (exh cat.) ‘Making Sculpture’, Tate Gallery, London, UK ‘The Sculpture Show’, Hayward and , London, UK (exh cat.) ‘Trigon '83’, Graz, Austria (exh cat.) ‘New Art’, Tate Gallery, London, UK (exh cat.) ‘Transformations: New Sculpture From Britain’, XVII Biennal de Sao Paulo, Brazil (organized by the British Council) (exh cat.) (toured to Museo de Arte Moderna, Rio de Janeiro; Museo de Arte Moderna, Mexico, Fundacao Calouste Gulbenkien, Lisbon) ‘Why Sculpture’, Part II, West Surrey College of Art and Design, Surrey

1984 ‘International Garden Festival’, Liverpool ‘An International Survey of Recent Painting and Sculpture’, , New York (exh cat.) ‘Skulptur im 20 Jahrhundert’, Merian Park, Basel (exh cat.) ‘Through the Summer’, Lisson Gallery, London, UK ‘Premiers Ateliers Internationaux d'Art Vivant de Fontevraud’, Abbaye Royale de Fontevraud, FRAC des Pays de le Loire, France (exh cat.) ‘The British Art Show: Old Allegiances and New Directions, 1979-1984’, (organized by the Arts Council of Great Britain) (exh cat.) (toured to City of Birmingham Museum and Art Gallery, Birmingham; IKON Gallery, Birmingham; Royal Scottish Academy, Edinburgh; Mappin Art Gallery, Sheffield; Southampton Art Gallery) ‘Turner Prize Exhibition of shortlisted artists’, Tate Gallery, London, UK ‘Sculpture’, GLAA & London Borough of Bexley, touring London Docklands / RIBA Festival

1985 Collection du Fonds Regional D'Art Contemporain des Pays de la Loire, Abbaye de L'Epau ‘The British Show’, (organized by Art Gallery of New South Wales, Sydney and The British Council) (exh cat.) (toured to Art Gallery of Western Australia, Perth; Art Gallery of New South Wales, Sydney; Queensland Art Gallery, Brisbane; The Exhibition Hall, Melbourne; National Art Gallery, Wellington, New Zealand)

Nouvelle Biennale de Paris, Paris ‘Beyond Appearances. Sculpture for the visually handicapped and sighted to share’, Castle Museum, Nottingham ‘Sculptures et Meubles Contemporain’, Hôtel de Matignon, Paris ‘A Sculpture Show’, Marian Goodman Gallery, New York ‘Three British Sculptors: Richard Deacon, , Richard Wentworth’, The Israel Museum, Jerusalem ‘Place Saint Lambert Investigations’, Espace Nord, Liège, Belgium ‘20 Sculptures du FRAC Rhône-Alpes’, l'Abbaye de Tournus, France ‘Sculptures, première approche pour un parc’, Fondation Cartier, Jouy-en-Josas, France ‘1985 Carnegie International’, Carnegie Museum of Art, Carnegie Institute, Pittsburgh ‘Transformations in Sculpture: Four Decades of American and European Art’, Solomon R Guggenheim Museum, New York ‘20 Oeuvres de la Collection Rhône-Alpes’, Centre d'Art Contemporain, Geneva 1985-86 ‘The Poetic Object: Richard Deacon, and Anish Kapoor’, The Douglas Hyde Gallery, Dublin (exh cat.) (toured to Arts Council Gallery, Belfast)

1986 ‘Out of Line. Peter Moores Liverpool Project 8’, Walker Art Gallery, Liverpool ‘Entre el Objeto y la Imagen. Escultura britanica contemporanea’, Palacio Velasquez, Madrid and Fundacion Caja de Pensiones, Barcelona (organized by the British Council and Ministerio de Cultura, Spain) (exh cat.) ‘Skulptur - 9 Kunstnere fra Storbrittanien’, Louisiana Museum of Modern Art, Humlebaek, Denmark (exh cat.) ‘New Art, New World’, London, UK ‘Falls the Shadow: Recent British and European Art’, Hayward gallery, London, UK Hayward Annual’, Hayward Gallery, London, UK (organized by the Arts Council of Great Britain) (exh cat.) ‘Ateliers Internationaux des Pays de Loire: Deux Ans d'Aquisitions’, Centre National des Arts Plastiques, Paris ‘Collection Souvenir’, Le Nouveau Musée, Villeurbanne ‘Sculpture in the City 1986’, Bath ‘Sonsbeek 1986. International Sculpture Exhibition’, Arnhem, The Netherlands (exh cat.) ‘Prospect 86. Eine internationale Austellung aktueller Kunst’, Frankfurter Kunstverein, Frankfurt (exh cat.) ‘Correspondentie Europa’, Stedelijk Museum, Amsterdam (exh cat.)

1987 ‘Casting an Eye’, Cornerhouse, Manchester (exh cat.) ‘British Sculpture Since 1965’, Museum of Contemporary Art, Chicago and San Francisco Museum of Modern Art (exh cat.) (toured to Newport Harbour Art Museum, Newport Beach, ; Hirshhorn Museum, Washington; Albright- Knox Art Gallery, Buffalo) ‘Current Affairs: British Painting and Sculpture in the 1980s’, Museum of Modern Art, Oxford (organized by the British Council) (exh cat.) (toured to Mucsarnok, Budapest; , Prague;Zachesta, Warsaw) ‘Juxtapositions: Recent Sculpture from England and Germany’, PSI, The Institute for Art and Urban Resources Inc, New York (exh cat.)

‘Britannia. Paintings and Sculptures from the 1980s’, Liljevalchs Konsthall, Stockholm (organized by the British Council) (exh cat.) (toured to Sara Hilden Art Museum, Tampere, Finland) ‘20th Anniversary Exhibition’, Lisson Gallery, London, UK ‘Skulptur Projekte in Munster’, Munster ‘Andere Leute Kunst’, Museum Haus Lange, Krefeld (exh cat.) ‘Des Goûts et des Couleurs’, Château Giscours, Bordeaux ‘Turner Prize, Exhibition of Shortlisted artists’, Tate Gallery, London, UK ‘Bilder, Zeichnungen, Skulpturen, Objekte’, Harry Zellweger, Basel

1987-88 ‘Edinburgh International. Reason and Emotion in Contemporary Art’, Royal Scottish Academy, Edinburgh (organized by the Scottish Arts Council) (exh cat.) ‘The Analytical Theatre: New Art From Britain’, (organized by Independent Curators Incorporated, New York) (exh cat.) (toured to The Akron Art Museum,Ohio; Alberta College of Art Gallery, Alberta; University Art Museum, California; Institute of Contemporary Art, ) ‘Viewpoint. L'art contemporain en Grande Bretagne’, Musée d'Art Moderne, Brussels (organized by the British Council) (exh cat.) 1988 ‘All That Matters’, Art Gallery of Windsor, Ontario (exh cat.) (toured to Mendel Art Gallery, Saskatoon; Saidye Bronfman Centre, Montreal, Quebec) ‘Schlaf der Vernunft’, Museum Fridericianum, Kassel (exh cat.) ‘Something Solid’, Cornerhouse, Manchester (exh cat.) ‘A Sculpture Show’, changing exhibition, Marian Goodman Gallery, New York ‘Made to Measure’, Kettle's Yard Gallery, (exh cat.) ‘Art in the Garden, The Glasgow Garden Festival 1988’, Glasgow (exh cat.) ‘Accademia’, Bonnefantenmuseum, Maastricht ‘Britannica. 30 Ans de Sculpture’, Musée des Beaux Arts André Malraux, Le Havre; Ecole d'Architecture de Normandie, Rouen; Musée de l'Evreux, Evreux (exh cat.) ‘Rosc '88’, Guiness Hop Store, Dublin (exh cat.) ‘Six Sculptors’, St Louis Art Museum, St Louis, Missouri ‘Starlit Waters: British Sculpture. An International Art 1968-1988’, Tate Gallery, Liverpool (exh cat.) ‘From the Southern Cross: The Biennale of Sydney’, Art Gallery of New South Wales, Sydney ‘Skulptur fur Krefeld’, Museum Haus Esters, Krefeld, (exh cat.)

1988-89 ‘British Now: sculpture et autres dessins’, Musée d'art contemporain de Montréal, Montréal, Quebec (exh cat.)

1989 ‘Richard III’, Galerie Arlogos, Nantes ‘British Sculpture 1960-1988’, Museum Van Hedendaagse Kunst, Antwerpen Grob Gallery, London, UK ‘’, Austellungsraum Harry Zellweger, Basel (exh cat.) ‘Sculpture Anglaise’, Centre d'Art Contemporain, Labege Toulouse, France ‘Melencolia’, Galerie Grita Insam, Vienna ‘Sculpture Chicago '89’, Cityfront Center, Chicago ‘Objet/Objectif’, Galerie Daniel Templon, Paris ‘Skulpturen fur Krefeld I’, Museum Haus Esters, Krefeld, Germany ‘New Sculpture’, Donald Young Gallery, Chicago

1990 ‘Terskel I/Threshold I’, Museet for Samtidskunst, Oslo, Norway (exh cat.)

‘Frank Auerbach, Lucian Freud, Richard Deacon’, The Saatchi Collection, London, UK (exh cat.) ‘Reiner Bergman, Richard Deacon, Imi Knoebel’, Philippe Casini, Paris ‘Now for the Future. Purchases for the Arts Council Collection since 1984’, Hayward Gallery, London, UK (exh cat.) ‘Robin Collyer, Richard Deacon, Richard Monnier’, Galerie Arlogos, Nantes ‘Affinities and Intuitions. The Gerald S. Elliott Collection of Contemporary Art’, The Art Institute of Chicago, Chicago (exh cat.) ‘A Group Show’, Marian Goodman Gallery, New York ‘New Works for Different Places: Four Cities Project’, (organized by TSWA in association of Orchard Gallery, Derry; Third Eye Centre, Glasgow; Projects UK, Newcastle; Plymouth Arts Centre, Plymouth), Plymouth Arts Centre, Plymouth (exh cat.) ‘Before Sculpture - Sculptor's Drawings’, New York Studio School Gallery, New York (exh cat.) ‘Work in Progress: Arte Internacional en la Coleccion de la Fundacion Caja de Pensiones’, Fundacion Caja de Pensiones, Madrid

1990-91 ‘Weitersehen’, Museum Haus Esters and Museum HausLange, Krefeld (exh cat.) ‘British Art Now: A Subjective View’, (organized by the British Council) (exh cat.) (toured to Setegaya Museum, Tokyo, Fukuoka Art Museum, Nagoya City Museum, Tochigi Prefectural Museum of Fine Arts, Hyogo Prefectural Museum, Hiroshima City Museum

1991 ‘Inheritance and Transformation’, New Museum of Contemporary Art for Ireland, Dublin ‘La Sculpture Contemporaine après 1970’, Fréjus, France (exh cat.) ‘Recent Acquisitions 1988-91. Currents in Contemporary Art’, Museet for Samtidskunst, Oslo ‘L'Espai i la Idea’, Centre Cultural de la Fundacio ‘La Caixa’, Barcelona Galleria Locus Solus, Genoa, Italy ‘Skulpturenweg Nordhorn: Projekt Landspitze’, Städtischen Galerie Nordhorn, Nordhorn, Germany ‘Fabricators’, Grace Borgenicht Gallery, New York Galleria Locus Solus, Genova

1991-92 ‘Carnegie International 1991’, The Carnegie Museum of Art, Pittsburgh (exh cat.) ‘in anderen Räumen’, Museum Haus Lange and Museum Haus Esters, Krefeld (exh cat.) ‘Devil on the Stairs: Art from the 80s’, ICA Philadelphia (toured to Newport Harbor Art Museum, Newport Harbor (exh cat.) ‘Allegories of Modernism, Contemporary Drawing’, Museum of Modern Art, New York (exh cat.) ‘Regard Multiple: acquisitions de la Société des Amis du Musée national d'art moderne’, Musée national d'art moderne, Centre Georges Pompidou, Paris ‘Transform’, Kunstmuseum and Kunsthalle Basel (exh cat.) Documenta IX, Kassel (exh cat.) ‘Platzverführung’, Museum der Stadt, Waiblingen (organised by the Kultur Region, Stuttgart) (exh cat.) ‘Acquisitions 1991’, Fonds régional d'art contemporain de Picardie, Amiens

‘New Voices, New Works for the British Council Collection’, Centre de Conférences Albert Borschette, Brussels (exhibition and tour organised by the British Council) (exh cat.) ‘Les collections du Fonds Règional d'Art Contemporain des Pays de la Loire au Musée des Beaux-arts de Nantes’, Nantes ‘Schwerpunkt Skulptur’, Kaiser Wilhelm Museum, Krefeld ‘Faux Mouvement, FRAC Lorraine, 4 acquisitions récentes’, Metz ‘Los 80 en la coleccion de la Fundación `La Caixa'‘,

1992 Estacion de Plaza de Armas, Seville ‘Art against AIDS’, 45th Venice Biennale, Peggy Guggenheim Collection, Venice (exh cat.) ‘Traces of the Figure’, City Museum and Art Gallery,

1992-93 Stoke on Trent and Cartwright Hall, Bradford (exh cat.) ‘Natural order: Recent European sculpture from the Tate's collection’, Tate Gallery, Liverpool (exh cat.) ‘Entre Actes’, Centre d'Art Contemporain, La Ferme du Buisson, Noisiel, France (exh cat.) ‘British Sculpture from the Arts Council Collection’, organised by the Arts Council of Great Britain, Derby Museum and Art Gallery (tour) (exh cat.) ‘New Sculptures/Nieuwe Beelden’, Middelheim Park, Antwerp (exh cat.) ‘Sculpture’, Leo Castelli Gallery, New York ‘The Body of Drawings’, South Bank Touring exhibition ‘Magazin im Magazin’, Vorarlberger Kunstverein - Magazin 4, Bregenz, Austria (exh cat.) ‘Magazin’, Architectur Zentrum, Vienna ‘Only the Lonely’, Chisenhale Gallery

1994 ‘En Miniature’, Galerie Schönewald und Beuse, Krefeld ‘Till Brancusi’, Mälmo Konsthall, Sweden ‘A Sculpture Show’, Marian Goodman Gallery, New York ‘Sculptor's Drawings’, Tate Gallery ‘Re Rebaudengo Sandretto Collection’, S. Antonio di Susa, Turin ‘Prospect/Retrospect’, Museum of Art, Lucerne

1995 ‘Drawing the Line’, South Bank Centre touring exhibition (exh cat.). Touring to Southampton City Art Gallery, Manchester City Art Galleries Ferens Art Gallery, Hull, Whitechapel Art Gallery. ‘Ars 95’, Museum of Contemporary Art, Helsinki ‘British Art of the 1980s & 1990s - works from The WeltKunst Collection’, The Irish Museum of Modern Art, Dublin ‘De ós anos 90. Escultura británica contemporánea’, Auditorio de Galicia, Santiago de Compostella, Spain (touring to Serralves Foundation, Oporto, Portugal); (exh cat.) ‘Here and Now’, Serpentine Gallery, London, UK (exh cat.) ‘A Changing World - Fifty Years of Sculpture from the British Council Collection’, Castle Riding Hall, Prague ‘British Abstract Art Part II: Sculpture’, Flowers East, London, UK ‘Regards croisés’, ELAC, Lyon ‘Le domaine du diaphane’, Le Domaine de Kerguehennec, Centre d’Art Contemporain, Bignan (France)

‘Decadence’, Konsthall Trondheim, Tronheim

1996 ‘Un siècle de sculpture anglaise’, Jeu de Paume, Paris (exh cat.) ‘Sculptures: 7 Attitudes’, Casino Luxembourg, Forum d’Art Contemporain, Luxembourg ‘Sculpture from the Arts Council Collection’, Whitworth Art Gallery, Manchester ‘10 Sculptures Monumentales à l’Échelle d’une Région’, Hôtel de Région, Montpellier, FRAC Languedoc-Roussillon ‘Sarajevo’, Moderna Galeria Ljubljana ‘Cut, Cast, Assemble: Contemporary Sculpture From the Permanent Collection’, SFMOMA, San Francisco ‘New Art on Paper 2’, Philadelphia Museum of Art, Philadelphia ‘Die Abstraktion in Den Funfzinger Jahren Und Ihre Folgen’, Kulturhaus, Graz

1996-97 ‘New Sculpture at Sculpture at Goodwood’, Hat Hill Sculpture Foundation, Goodwood (exh cat.)

1997 ‘Barely Made’, Norwich School of Art & Design ‘Material Culture’, Hayward Gallery ‘Processus éprouvés’, FRAC Bretagne Scottish National Gallery of Modern Art, Edinburgh ‘The Berardo Collection’ Sintra Museum of Modern Art, Sintra, Portugal ‘Skulpturen Projekte 97’, Munster 1998 ‘Richard Deacon, Toni Grand’ Galerie Arlogos, Nantes, France ‘Anos 80’, Culturgest, Lisbon ‘Towards Sculpture’, Centro de Arte Moderna, Gulbenkian Foundation (exh cat.) Text by Rui Sanchez. ‘Thinking Aloud’, Kettle’s Yard, Cambridge ‘A space between trough: 8.8.98’, Margarete Roeder Gallery, New York ‘Then and Now’, Lisson Gallery, London, UK ‘Breaking Ground’, Marian Goodman Gallery, New York ‘Drawing Itself’, London, UK Institute Gallery, London, UK ’10 Intensita In Europa’, Museo Pecci, Prato ‘Treasures of England’, , London, UK ‘PhotoImage – Printmaking 60s-90s’, Museum of Fine Arts, Boston (cat).

1999 ‘Thinking Aloud’, Corner House, Manchester; touring to Camden Art Centre, London, UK ‘Forjar el Espacio’, IVAM Centre Julio Gonzalez, Valencia, Spain ‘A summer show’, Marian Goodman Gallery, New York ‘Richard Deacon and Ian McKeever’, Galleri Susanne Ottensen, Copenhagen, Denmark ‘am horizont’, Kaiser Wilhelm Museum, Krefeld

2000 ‘Prélèvement d’Espaces’, Galerie de la Friche La Belle de Mai, FRAC Provence- Alpes- Côte d’Azur, Marlseille, France ‘The Eye of the Storm’, Parco La Mandria, Turin

2001 ‘Signatures of the Invisible’, London, UK Institute, London, UK ‘This Side of Paradise’, Marian Goodman Gallery, New York ‘Field Day: Sculpture from Britain’, Tapei Fine Art Museum, Japan. Organized by the Taipei Fine Arts and The British Councl (exh cat.)

‘Sculpture Conemporaine: Œuvres de la Collection Frac Rhône-Alpes de l’Institut d’art contemporain’, Substances, Lyon ‘Full moon’, Stedelijk Museum, The Netherlands ‘Sculpture’, LA Louver from 30 November – 5th Jan with John McCracken ‘From Beuys to Hirst: art works form the Deutsche Bank collection’, Dean Gallery, Edinburgh ‘Art Unlimited/ Art 32/ Basel’, Basel

2002 ‘The Saatchi Gift’, Talbot Rice, Edinburgh, Jan ‘02 ‘Life is Beautiful’, Laing Art Gallery, Newcastle, UK ‘Summer Programme: New Art Centre Sculpture Park and Gallery’, Salisburty ‘Imagine you are standing here in front of me’, The Caldic Collection in the Boijmans van Beuningen Museum, Rotterdam. (cat.) ‘Blast to : British Art in the 20th Century’, Kunstmuseum, Wolfburg,,Germany Distritocuatro, Galeria de Arte, Madrid ‘Blast to Freeze: British Art in the 20th Century’, Les Abattoirs, Toulouse, ‘Kunstof(f)f’ Broelmuseum, Kortrijk, toured to M.ART.A Harford ‘Garten_Landschaft OstWestfalenLippe’, Gottspark Bockel, Bielefeld ‘Independence’, , London, UK ‘August 2002’ LA Louver, Venice, California ‘The Galleries Show 2002’ Royal Academy of Arts, London, UK ‘In Print – Contemporary British Art from the Paragon Press’, The Art Pavilion Gallery, Belgrade, former Yugoslavia and touring to venues in Russia, Israel, Slovenia, Japan, Singapore, Australia, and New Zealand (British Council Touring Exhibition) ‘The Galleries Show 2002’, Royal Academy of Arts, London, UK

2003 ‘Back in Shape’, Southampton City Art Gallery, Hampshire, U.K ‘Contemporary Collecting: New Art for Manchester’, , England ‘Other Criteria’, Henry Moore Institute, ‘Lead Astray’, New Art Centre Sculpture Park and Gallery, Salisbury ‘Richard Deacon, Steve Martland, Gerard Williams’, Medievalmodern `Days Like These`, Tate Britain, London, UK (cat) `four in One - Deacon, Kuitca, Nauman, Struth`, Distrito 4, Galeria de Arte Contemporaneo, Madrid, Spain. (cat) 'Sculpture' (de Derain a Sechas), Carree d'Art – Musee d'art contemporaine de Nimes, Nimes, France. (cat) 'Sculptures et dessins' oeuvres du Frac Picardie, Arsenal, Abbaye Saint-Jean-des- Vignes, Soissons, France. 'In Good Form' Recent Sculpture from the Arts Council Collection, Longside Gallery, Yorkshire Sculpture Park, Wakefield, Yorkshire. (cat) 'de collectie', M HKA, Antwerp, Belgium. 'A Bigger Splash: British Art from Tate 1960-2003' Pavilhao Luca Nogueira Garcez – Oca Parque Ibirapuera, Sao Paulo, Brazil. (cat) 'Happiness', Mori Art Museum, Tokyo, Japan. (cat)

2004 'Turning Points: 20th Century British Sculpture.' Tehran Museum of Contemporary Art, Tehran, . (cat) 'Fragments': Richard Deacon, Steve Martland & Gerrard Williams medievalmodern Gallery, London, UK.

'Ain't no love in the heart of the City…' CBAT Gallery, Cardiff, 'InnenAussen – sechs Positionen – drei Dimensionen' Stadtmseum im Spital, Crailsheim, Germany. ‘Navy Pier Walk’ 2004, Chicago International Sculpture Exhibition, Peter Schjeldahl, Juror; Navy Pier, Chicago, USA. (cat) 'A Secret History of Clay', , England. (cat.) 'Sammlung Plum': Museum Kurhaus, Kleve, Germany. (cat.) The Discerning Eye 2004’ (invited by Peter Randall Page),The Mall Galleries, London, UK, (cat.) ’25 Artists – 25 Drawings’, The Drawing Gallery, London, UK ‘Muzej Stedelijk Amsterdam na Uscu’, Museum of Contemporary Art, Belgrade (cat). ‘Kunst in Schokolade – Chocolate Art’, Museum Ludwig & Imhoff , Stollwerck Museum, Cologne (cat).

2005 ‘Kunst in Schokolade – Chocolate Art’ Museum Ludwig & Imhoff- Stollwerck Museum, Cologne, Germany. (cat.) ‘my-earth.org.uk’, UK Pavilion, Expo 2005, Aichi, Japan (cat). ‘Henry Moore: Epoche und Echo’, Englische Bildhaueri im 20. Jahrhundert, Kunsthalle Wurth, Schwabisch Hall, Germany. (cat) ‘Effervescence’, la sculpture ‘anglaise’ dans les collections publiques francaises de 1969 a 1989; Musée des Beaux-Arts d’Angers, Angers, France. (cat) ‘Sculpture : Time and Process’ ; Study Gallery, Poole, Dorset, England. ‘Raised Awareness’ , London, UK, England (toured within London Boroughs). ‘XS distritocu4tro’, Galeria De Arte, Madrid 2006 ‘Last Call’, Galerie Thomas Schulte, Berlin. ‘The 80s: A Topology’, Museu Serralves, Porto ’60: Sixty Year of Sculpture in the Arts Council Collection’, Longside Gallery, Yorkshire Park ‘Selections form the Collection of Edward R. Broida’, National Gallery of Art, Washington D.C. L.A. Louver at Art 37 Basel, The International Art Show, Messe Basel, Messeplatz, Basel ‘Recent Acquisitions: British Art Display’, Tate Britain, London, UK 'Nature in Vivo' touring exhibition by frac Provence - Alpes - Cote d'Azur; E.S.P.A.C.E Cezanne, Brignoles, France; E.S.P.A.C.E. Curie, La Seyne, France; E.S.P.A.C.E. Le Fenouillet, La Crau, France. 'Artists for Chinati' exhibition and auction, Phillips de Pury, New York 'Drawing Inspiration', Abbot Hall Art Gallery, Cumbria (cat). 'Homage to Chillida', Guggenheim Bilbao (cat). 'Freundschaftsspiel, Skulptur 06' Galerie Thaddaeus Ropac, Salzburg (cat). Royal Academy Summer Show 2006; London (cat). 'Eldorado', MUDAM, Luxembourg (cat). 'Lines of Enquiry - thinking through drawing', Kettles Yard Gallery, Cambridge, (cat). 'Motion on Paper' Ben Brown Fine Arts, London, UK Echigo-Tsumari Art Triennial 2006, Echigo-Tsumari Region, Niigata Prefecture (cat). XII Biennale of Visual Arts: 'Odbrana Prirode - Protection of Nature' Cultural Centre, Pancevo (cat).

'How to Improve the World - 60 Years of British Art' Hayward Gallery, London, UK, (cat). 'Defining The Contemporary - The Whitechapel Auction' Whitechapel Art Gallery, London, UK (cat). 'On The Road Again' CBK Drenthe, Assen (cat). Handel St. Projects, Opening show, 5 Handel Street, London, UK 'Chere Louise' Omaggi a , Museo Communale d'Arte Moderna di Ascona, Ascona 'Pairs' The Drawing Gallery, London, UK,

2007 ‘Le Pre Urbain’, Amilly, France ‘Lead Astray’, Chateau – Musée de Dieppe ‘Counterpoint III, De la Sculpture’, Louvre, Paris ‘Rummage’, Winchester Art Gallery Wales Pavilion at the 52nd Venice Bienalle of Art ‘Towards a new Laocoon’, Henry Moore Foundation, Leeds ‘St. Martins Sculpture 1964-71; An Alternative History’, Archive display, Tate Britain, London, UK ‘Sculpture at McLaren: Works from the Arts Council Collection’, McLaren Group Technology Centre, Woking ‘Fabrique(s) du Lieu’, Les Tanneries & Galerie L’Agart, Amilly ‘Kissing Cousins’, Fellowship Project by Jane Simpson & Sarah Staton, Henry Moore Institute, Leeds ‘Material Affinities’, USC Fisher Gallery, Los Angeles ‘30/40’, Marian Goodman Gallery, New York ‘Made at DCA’, Hannah Maclure Centre, University of Abertay, Dundee ‘Turner Prize: A Retrospective’, Tate Britain, London, UK ‘Gabs Art 2007’, Thapong Visual Arts Centre, Gabarone, Botswana

2008 ‘Heavy Metal. Die unerklärliche Leichtigkeit eines Materials’ - Kunsthalle zu Kiel der Christian-Albrechts-Universität, Kiel ‘Des certitudes, sans doute(s’ - FRAC - Picardie, Amiens ‘History in the Making’ - Mori Art Museum, Tokyo ‘run run’ - Collins Gallery, Glasgow ‘Beyond Measure: conversations across art and science’ - Kettle's Yard, Cambridge, Cambridgeshire ‘And so it goes: Richard Deacon, Merlin James and Heather & Ivan Morison’ - Chapter Gallery, Cardiff ‘On the Rocks’, Bloomberg SPACE, London, UK ‘Hugh Stoneman; Master Printer’, Tate St Ives Biennale International de Ceramique Contemporaine de Vallauris, invited artist, Musee National de Picasso ‘La Guerre et la paix’, Vallauris ‘Clair-obscur/Chiaroscuro’, Le Chateau de la Batie d’Urfe, France ‘Invention[s]’, Oeuvres de la collection du Frac Bretagne, Centre Internatioal d’Art Contemporain, Pont-Aven FIAC 2008, Jardin des Tuileries, Paris ‘Academia’, Ecole Nationale des Beaux-arts, Paris ‘Sculptors Drawings: Moore to Gormley’, Department of Prints & Drawings, , London, UK ‘Farmers Market’, Handel Street Projects at First Floor, 72 Wigmore Street, London, UK

2009 ‘Lisson Presents 3’, Lisson Gallery, London, UK ‘The Unexpected - van Picasso tot Penck, van Appel tot Koons’ - SM's -Stedelijk Museum, 's-Hertogenbosch ‘Boule to Braid’, curated by Richard Wentworth, Lisson Gallery, London, UK ’Lisson Presents 7’, Lisson Gallery, London, UK ‘Art Now: Beating The Bounds’, Tate Britain, London, UK ‘British Council Collection: The Third Dimension’, Whitechapel Art Gallery, London, UK ‘Im Blick des Sammlers’, Museum Würth, Künzelsau ‘Tracking Traces – Oikeilla Jaljilla’, Kiasma Museum of Contemporary Art, Helsinki ‘This is Sculpture’, DLA Piper Series, Tate Liverpool, Liverpool ‘Upside down/Inside Out’, Kettle’s Yard, Cambridge

2010 Sculpture by Richard Deacon, Joel Shapiro and Peter Shelton, Painting by Imi Knoebel,, Robert Mangold and Jason Martin’, LA Louver Gallery, Venice, CA ‘From floor to sky’, curated by Peter Kardia, Ambika P3, London, UK ‘Calder to Warhol: Introducing the Fisher Collection’, San Francisco Museum of Modern Art - SFMOMA, San Francisco ‘Drawing to form: Art from the Weltkunst Collection Irish Museum of Modern Art’, Crawford Art Gallery, Cork ‘Le Meilleur des Mondes’, MUDAM - Musée d’Art Moderne Grand-Duc Jean, Luxembourg ‘3 x 3’, L.A. Louver Gallery, Venice, CA ‘The Gathering’, Arts Council of England Longside Gallery, YSP, Wakefield ‘The Future Demands Your Participation’, Contemporary Art From the British Council Collection, Minsheng Art Museum, Shanghai ‘En mai, fais ce qu’il to plait!’, Musee Bourdelle, Paris (cat). Endowment Fund, Sothebys Amsterdam (cat). ‘Untitled’, MUHKA Collection at the Mawazine Festival, Galerie Bab Rouah and Musee des Oudayas, Rabat, Morocco

‘Super Farmers’ Market’, Handel Street Projects, Sicilian Avenue, London, UK ‘Sensoralites Excentriques’, Musee Departemental d’Art Contemporain, Rocheouart ‘DLA Piper Series: This is Sculpture: The Sculpture of Language’, co-curated by Carol Ann Duffy, Tate Liverpool ‘Klasse Deacon’, Raum fur Vollendete Tatsachen, Dusseldorf 2012 ‘News from Nowhere’, Firstsite, Colchester, UK ‘Encounter: The Royal Academy in Asia’, Institute of Contemporary Arts, Singapore ‘In Situ, Patrimoine et Art Contemporain’, Abbaye de Gellone, Saint-Guilhem-le- Désert

Collaborations

1987 Set design for Rambert Dance Company; Replacing, choreographed by Lucy Bethune, performed at the Riverside Studios, London, UK, September

1993 Factory, created by Richard Deacon and Hervé Robbe;set design by Richard Deacon; costumes by RichardDeacon and Dominique Fabrègue; supported by the British Council and DRAC Ile-de-France; performed by La Compagnie le

Marietta Secret, La Ferme du Buisson, Marne-la-Vallée, Paris, and tour throughFrance

1995 Them and Us, Lisson Gallery, London, UK (with Thomas Schütte)

2001 ‘Image and Idol: Medieval Sculpture’, Tate Britain, London, UK; plinths, exhibition cases and barriers designed by Richad Deacon Objects and Sculpture. Institute of Contemporary Art, London, UK and Arnolfini Gallery, Bristol (exh cat.). Interview with Iwona Blaszwyck.

1982 *Catalogue Statement. The South Bank Show ‘Sara Radstone, Ceramics’, Crafts, No 62

1984 ‘Richard Slee, Katherine Virgils’, BBC Newsletter, May-June *’Statements: Richard Deacon’, Link, No 39, July-August *Stuff Box Object. Richard Deacon 1971/2. Chapter Arts Centre, Cardiff (exh cat.)

1985 ‘Carol McNicoll: An Appreciation’, in catalogue Carol McNicoll Ceramics. Crafts Council *Richard Deacon Talking About `For Those Who Have Ears No 2' and other works. Patrons of New Art, Tate Gallery, London, UK (exh cat.)

1986 ‘Sculpture and National Identity’, Sonsbeek 1986, Arnhem (exh cat.) *For Those Who Have Eyes: Richard Deacon Sculpture 1980-86. Aberystwyth Arts Centre, Wales (exh cat.)

1987 Meaning Making, Making Meaning - Recent works by Anne Lydiate. Ikon Gallery, Birmingham (exh cat.) Transcripts of talks given by Richard Deacon and Christopher Lebrun. Sara Hildèn Art Museum,Tampere, Finland, (Sara Hildèn Art Museum publication 42)

1988 *Richard Deacon. The Carnegie Museum of Art, Pittsburgh, (exh cat.)

1990 *Atlas: Gondwanaland and Laurasia. Kunstnernes Hus, Oslo ‘A Sculptor's View, Living in a Material World’. The Non-Objective World South Bank Centre, London, UK exh cat)

1992 Gordon Young - the artist in conversation with Richard Deacon. Yorkshire Sculpture Park, (published to coincide with the exhibition ‘Carry on Carving. Stone carving, painting and Drawings by Gordon Young’.) ‘En Ragardent Laurens’. Henri Laurens, Musée d'art Moderne, Villeneuve d'Ascq (exh cat.), pp.84-87. *Richard Deacon. Centre National des Arts Plastiques and Editions du Regard. Text by and Richard Deacon. ‘Richard Deacon (What car)’: published by Editions du Regard, Carnets de la commande publique, Paris

1993 Only the Lonely and Other Shared Sculptures. Chisenhale Gallery, London, UK (exh cat.). Text byRichard Deacon and Bill Wood

‘Knock Knock’ (with Bill Woodrow): Only the Lonely and other shared sculptures, Published by Chisenhale Gallery, London, UK

1994 ‘My Sculpture’, Architect's Journal, London, UK, 8 June, p.62

Bibliography: Publications & Articles by Richard Deacon * on Richard Deacon

1971-72 *Stuff Box Object November 1970-December 1970, I first met Paul.... St Martins School of Art, London, UK. Re-edited and published by the Chapter Arts Centre, Cardiff

1975 *’Presentation to the Department of Design Research’ (with Peter Venn), Royal College of Art

1977 *’Notes on a Piece of Sculpture’, Journal from the Royal College of Art, No 1, January ‘Notes on a Painting by Poussin’, Royal College ofArt ‘The Department of Environmental Media’, Journal from the Royal College of Art, No 2 ‘Welsby, Hearne, Raban and Sobel at Acme’, , No 6 ‘Richard Layzell at Acme’, Artscribe No 8 ‘David Pye’, Artscribe, No 10

1981 Jacqui Poncelet, New Ceramics. Crafts Council (exh cat.) ‘Henry Pim. Ceramics’, Crafts, No 52 ‘Martin Smith. Forms Around a Vessel’, Crafts, No 53

Bibliography: Publications on Richard Deacon Books and Catalogues

1980 Richard Deacon. Winchester School of Art, Winchester (exh cat.). Text by Peter Kardia.

1981 Objects and Sculpture. Institute of Contemporary Art, London, UK and Arnolfini Gallery, Bristol (exh cat.). Text by Lewis Biggs.

1982 Englische Plastik Heute - British Sculpture Now. Kunstmuseum, Luzern (exh cat.). Texts by Martin Kunz and Michael Newman. Objects and Figures. New Sculpture in Britain. The Scottish Arts Council, Edinburgh (exh cat.). Text by Michael Newman.

1983 Figures and Objects. Recent Developments in British Sculpture. John Hansard Gallery (exh cat.). Text by Michael Newman. Sculpture in a Country Park. The Welsh Sculpture Trust, Wales (exh cat.). Texts by Shelagh Hourabane, Rudi Oxenaar and Moelwyn Merchant. Richard Deacon. Sculpture. The Orchard Gallery, London, UKDerry (exh cat.). Text by Lynne Cooke. The Sculpture Show. Hayward Gallery and Serpentine Gallery, London, UK (exh cat.). Texts by Kate Blacker, Fenella Crichton, Paul de Monchaux, Nena

Dimitrijevic, Stuart Morgan, Deanna Petherbridge,Bryan Robertson and Nicholas Wadley. Eros, Mythos, Ironie: Europaische Kunst Heute. Biennale Trigon '83, Graz, Austria (exh cat.). Text by Michael Newman. Transformations: New Sculpture from Britain. The British Council, London, UK (exh cat.). Text by Lynne Cooke ‘Richard Deacon Taking Shape’. New Art. Tate Gallery, London, UK (exh cat.) 1984 . ‘Introduction’, in Cat. Festival Sculpture. London Skulptur im 20 Jahrhundert. Merian Park, Basel (exh cat.). Texts by Martin Schwander and TheodoraVischer. An International Survey of Recent Painting and Sculpture. Museum of Modern Art, New York (exh cat.). Text by Kynaston McShine. Richard Deacon. Sculpture 1980-84. Fruitmarket Gallery, Edinburgh and Le Nouveau Musee, Lyon/Villeurbanne (exh cat.). Text by Michael Newman. The British Art Show: Old Allegiances and New Directions, 1979-1984. Arts Council of GreatBritain, London, UK (exh cat.). Text by , Alexander Moffat and Marjorie Allthorpe-Guyton. Premiers Ateliers Internationaux d'Art Vivant de Fontevraud. Abbaye Royale de Fontevraud, FRAC des Pays de la Loire, France (exh cat.). Text by Michel Enrici.

1984 Art of our Time: Vol 4. The Saatchi Collection. The Saatchi Collection, London, UK. Text by Lynne Cooke. Stuff Box Object. Richard Deacon 1971/2. Chapter Arts Centre, Cardiff (exh cat.). Text by Richard Deacon.

1985 The Poetic Object. Douglas Hyde Gallery, Dublin (exh cat.). Text by Richard Francis.

1985 Richard Deacon. Talking About Those Who Have Ears, No 2 and Other Works. Patrons of New Art, Tate Gallery, London, UK. Interview by Richard Francis. The British Show. Art Gallery of New South Wales, Sydney (exh cat.). Text by Waldemar Januszczak. Richard Deacon. Tate Gallery Publications, London, UK (exh cat.). Text by Richard Francis.

1986 Robert J Fusillo. Sculpture by Richard Deacon. The Exchange, High Museum of Art, Atlanta, Spring For Those Who Have Eyes. Richard Deacon Sculptures1980-86. Aberystwyth Arts Centre, Wales (exh cat.). Text by Richard Deacon. Entre el Objeto y la Imagen. Escultura britanica contemporanea. The British Council and Ministerio de Cultura, Spain (exh cat.). Texts by Jon Thompson, Lewis Biggs and Juan Munoz. Skulptur - 9 Kunstnere fra Storbrittanien. Louisiana Museum of Modern Art, Humlebaek, Denmark (exh cat.) Falls the Shadow: Recent British and European Art. Hayward Annual. The Arts Council of Great Britain, London, UK (exh cat.). Texts by Barry Barker and Jon Thompson. Sonsbeek 1986. International Sculpture Exhibition. Arnhem, The Netherlands (exh cat.). Text by Richard Deacon. Prospect 86. Eine internationale Austellung aktueller Kunst. Frankfurter Kunstverein,Frankfurt (exh cat.)

Correspondentie Europa. Stedelijk Museum, Amsterdam (exh cat.). Text by Alexander van Grevenstein.

1987 A Quiet Revolution: British Sculpture Since 1965. Museum of Contemporary Art, Chicago and San Francisco Museum of Modern Art (exh cat.). Text by Mary Jane Jacob ‘Richard Deacon: The Skin of Sculpture’. Richard Deacon. Recent Sculpture 1985-87.Bonnefanten museum, Maastricht and Kunstmuseum, Luzern (exh cat.). Text by Charles Harrison. Richard Deacon: The back of My Hand I-V, Other Men's Eyes I. Galerie Arlogos, Nantes (exh cat.). Text by Michel Enrici. Andere Leute Kunst. Krefelder Kunstmuseen, Krefeld (exh cat.). Text by Julian Heynen. Richard Deacon. The Air Hall Site. University of Warwick. Casting an Eye, Cornerhouse, Manchester (exh cat.).Text by Richard Deacon and . Current Affairs: British Painting and Sculpture in the 1980s. Museum of Modern Art, Oxford and British Council, London, UK (exh cat.). Texts by Lewis Biggs, David Elliott and Andrew Brighton. Juxtapositions: Recent Sculpture from England and Germany. The Institute for Art and UrbanResources Inc, New York (exh cat.). Edinburgh International. Reason and Emotion in Contemporary Art. Scottish Arts Council (exh cat.). Text Rainer Maria Rilke. Britannia. Paintings and Sculptures from the 1980s. The British Council (exh cat.). Text by Richard Francis. The Analytical Theatre: New Art From Britain. Independent Curators Incorporated, New York (exh cat.). Text by Michael Newman. Viewpoint. L'art contemporain en Grande Bretagne. The British Council and Museum of Modern Art, Brussels (exh cat.). Text by Richard Cork.

1988 Schlaf der Vernunft. Museum Fridiericianum, Kassel (exh cat.). Text by Hubertus Gassner. Something Solid. Cornerhouse, Manchester (exh cat.). Richard Deacon. Marian Goodman Gallery, New York (exh cat.). Text by Peter Schjeldahl. Made to Measure. Kettle's Yard Gallery, Cambridge(exh cat.). Text by Hilary Gresty. All That Matters. Art Gallery of Windsor, Ontario (exh cat.). Texts by Greg Salzman and Stuart Morgan. Richard Deacon. Esculturas y Dibujos 1985-1988. Fundacion Caja de Pensiones, Madrid (exh cat.). Texts by Charles Harrison and Peter Schjeldahl. Richard Deacon. Whitechapel Art Gallery, London, UK (exh cat.). Texts by Lynne Cooke and Marjorie Allthorpe-Guyton. Britannica. 30 Ans de Sculpture. Musee des Beaux Arts Andre Malraux, Le Havre; Ecole d'Architecture de Normandie, Rouen; Musee de l'Evreux, Evreux (exh cat.). Texts by Catherine Grenier, Francoise Cohen and Lynne Cooke. Richard Deacon. The Carnegie Museum of Art, Pittsburgh, Pennsylvania (exh cat.). Texts by Richard Deacon, Lynne Cooke, Michael Newman, Peter Schjeldahl and John Caldwell. Starlit Waters: British Sculpture. An International Art 1968-1988. Tate Gallery, Liverpool (exh cat.). Text by Lynne Cooke. Rosc '88. Guiness Hop Store, Dublin (exh cat.)

British Now: sculpture et autres dessins. Musée d'art contemporain de Montréal, Montréal, Quebec (exh cat.). Text by Sandra Grant Marchand. Art in the Garden, installations. The Glasgow Garden Festival. Graeme Murray, Edinburgh (exh cat.)

1989 New British Sculpture. Austellungsraum Harry Zellweger, Basel (exh cat.) Synnyt. Sources of Contemporary Art. Museum of Contemporary Art, Helsinki Richard Deacon. 10 sculptures 1987/89. Musee d'Art Moderne de la Ville de Paris, Paris (exh cat.). Texts by Suzanne Page and Jerome Sans. British Object Sculptors of the '80s I. ArT Random, edited by Marco Livingstone, Kyoto, Japan ‘New British Art in the Saatchi Collection’, Alistair Hicks, Thames and Hudson. ‘Metal and Wood’ Published by the Bonnefanten Museum

1990 Terskel/Threshold. Museet for samtidskunst, Oslo, Norway (exh cat.) Frank Auerbach, Lucian Freud, Richard Deacon. The Saatchi collection, London, UK (exh cat.). Text by Joanna Skip. Arts Council Collection Acquisitions 1984-88. Arts Council of Great Britain, London, UK (exh cat.) Affinities and Intuitions. The Gerald S. Elliott Collection of Contemporary Art. Neal Benezra (ed), The Art Institute of Chicago and Thames and Hudson (exh cat.). Text by Lynne Cooke. New Works for Different Places: Derry, Glasgow, Newcastle, Plymouth. TSWA – Four Cities Project, London, UK (exh cat.) Weitersehen. Museum Haus Esters and Museum Haus Lang, Krefeld (exh cat.) Richard Deacon. Mala Galerija and Moderna Galerija, Ljubljana (exh cat.). Text by Michael Newman. Eighty. Sculpture des années 80 / Sculpture of the 80's. Eighty Magazine, Paris

1991 Richard Deacon. Museum haus Lange und haus Esters, Krefeld (exh cat.). Interview by Julian Heynen. La Sculpture contemporaine après 1970. Fréjus, France (exh cat.) Carnegie International 1991. The Carnegie Museum of Art, Pittsburgh (exh cat.) Let's not be stupid. Warwick University, Coventry, (exh cat.). Text by Michael Newman and Katherine Eustace.

1992 Art for Other People. Musée d'art moderne de la Communauté Urbaine de Lille, Villeneuve d'Ascq (exh cat.). Text by Joëlle Pijaudier and Jean de Loisy. This is not a Story. Stadt Waiblingen, Hugo Matthaes Verlag, Stuttgart. Text by Helmut Herbst. New Voices, New Works for the British Council Collection. Organised by the British Council, Centre de Conférences Albert Borschette, Brussels (exh cat.). Text by Gill Hedley. Entre/Actes Collection de l'Ange #1. Centre d'art Contemporain, La Ferme du Buisson, Noisiel, (exh cat.). Text by Hervé Gauville

1993 Traces of the Figure. City Museum and Art Gallery, Stoke on Trent and Cartwright Hall, Bradford with funding from the Arts Council (exh cat.). Die Stiftungen der sparkasse Krefeld. Krefelder Kulturstiftung. Text by Julian Heynen. Art against AIDS, 45th Venice Biennale, Peggy Guggenheim Collection, Venice (exh cat.)

1992-93 Natural order: Recent European sculpture from the Tate's collection, Tate Gallery, Liverpool (exh cat.). Text by Penelope Curtis.

1994 Richard Deacon/Hervé Robbe, Collection de l'ange #2. Centre d'Art Contemporain, La Ferme du Buisson. Text by Laurence Louppe. British Sculpture from the Arts Council Collection. Organised by the Arts Council of Great Britain (exh cat.). Niew Sculpture/Nieuwe Beelder, Middelheim Park, Antwerp, (exh cat.). Text by Michael Tarantino. Building from the Inside, Krefelder Kulturstiftung, Text by Julian Heynen Magazin im Magazin, Vorarlberger Kunstverein - Magazin 4, Bregenz, Austria; (exh cat.). En Miniature, Galerie Schönewald und Beuse, Krefeld (exh cat.) Till Brancusi, Mälmo Konsthall, Sweden (exh cat.) A Changing World: Fifty Years of Sculpture from the British Council Collection, The British Council, (exh cat.)

1995 RICHARD DEACON. Monograph published by Phaidon Press (expanded 2nd edition 2000). Texts by Pier-Luigi Tazzi, Jon Thompson, Peter Schejeldahl, Mary Douglas, Richard Deacon & Penelope Curtis. Drawing the Line, The South Bank Centre (exh cat.). Edited by Michael Craig- Martin Here and Now, Serpentine Gallery, London, UK (exh cat.); text by De Henry Moore ós anos 90. Escultura británica contemporánea, Auditorio de Galicia, Santiago de Compostella, Spain (touring to Serralves Foundation, Oporto, Portugal); (exh cat.) Arte Inglese d’oggi, Galleria Civica, Modena (exh cat.); Milano, Mazzotta Brandon Taylor, Avant-Garde and After. Rethinking Art Now, New York, Abrams, pp.84, 85, 87, 106

1996 Contemporary Art at Deutsche Bank London, London, UK, Deutsche Bank Un siècle de sculpture anglaise, Jeu de Paume, Paris (exh cat.) Richard Deacon. Esculturas 1984-95, The British Council (exh cat.)

1998 Zeitgenossische Skulptur Europa Afrika, 7 Triennale der Kleinplastik 1998, Germany (exh cat.) 'In praise of television': Published by Association des Amis du Musee Departmental de Rochechouart. Breaking the Mould, British Art of the 1980s and 1990, The Weltkunst Collection, London, UK Vision. 50 years British creativity, Thames & Hudson. Texts by David Sylvester, , Melvyn Bragg, Michael Crig-Martin, New World Order/Richard Deacon, Tate Gallery Liverpool, UK (Out of Print)

2000 'Putting It Together' Catlogue text in Projekt Pariz-London 2000 Miroslav Perkovic & Milica Lukic: Published by Salon Muzeja Savremene Umetnosti Beograd, Belgrade, Yugoslav Federation.

2001 `New Bases For Old Sculpture` Catalogue text in `Image And Idol: Medieval Sculpture` Published by Tate Gallery, London, UK fig-1, published in association with Tate: The Art Magazine, 2001

Richard Deacon, Gutspark Bockel Field Day: Sculpture from Britain’, Tapei Fine Art Museum, Japan (exh cat.) ISBN: 957-02-8172-3 'Die strasse absuchen - Searching the Street' in 'Public Art – Kunst im Offentlichen Raum' Florian Matzner ed. Pp 526-529.Hatje Cantz Verlag . ‘Richard Deacon Sculpture’, Dundee Contemporary Art, 2001

2002 ‘Blast to Freeze. British Art in the 20th century’, Kunstmuseum Wolfsburg, Wolfsburg, Germany, ISBN 3-7757-1248-8 ‘Sculpture at Goddwood: a vision for twenty-first century British sculpture’, edited by Sue Hubbard, ISBN 0-9537794-2-4 Imagine you are standing here in front of me, The Caldic Collection in the Boijmans van Beuningen Museum, Rotterdam. (cat.) Essays by Boris Groys and Sven Lütticken, interview with the collector by Brooke Alexander Between the two of us: Henk Visch & Richard Deacon, Stedelijk Museum 'Mass Production, Distribution and Destination' Edited transcript, in 'Contemporary Art and The Home', Ed. Colin Painter, Berg Publishing, Oxford.

2003 'Garths Good Housekeeping' Sculpture in 20th Century Britain vol 2 pp 98-99, published by the Henry Moore Institute, Leeds. ‘Richard Deacon AC: Made in Cologne’, Verlag deer Buchhandlung Walther Konig, 2003

2004 'Richard Deacon – February 19, 1997' edited transcript of artists talk in 'Inside the Studio – Two Decades of Talks With Artists in New York' ed. Judith Richards pp. 178 –181; ICI (Independent Curators International), New York. ‘ Sculpture Now’ Round table discussion on contemporary sculpture between Mark Godfrey, Phyllida Barlow, Sotiris Kyriacou, Richard Deacon, Laura Cull, Raimi Gbadamosi, Charles Harrison, William Potter and Naomi Salaman. Edited transcript published in ‘Objects For… And Other Things: Phyllida Barlow’, Black Dog Publishing, London, UK 2004 pp. 224-239.

2005 ‘Slippery When Wet’ Published as catalogue to the exhibition at Galeria distritocu4tro, Madrid, Spain. Catalogue essays by Javier Gonzalez de Durana, Phyllis Tuchmann and Richard Deacon interview with Kevin Power. Madrid 2005. ‘Interfacing – Guillaume Constantin’ published as a catalogue essay to accompany the exhibition ‘Memoire Collective – Guillaume Constantin, Frederique Decombe, Richard Ducker, Christine Finn; St. Pancras Church, London, UK 2005. ‘Seeing things differently’ Richard Deacon looks back over forty years of visiting the British Museum; British Museum Magazine Spring 2005, pp 5. ‘Out Of Order’ Interview with Susan Daniel-McElroy published in the broadsheet accompanying the exhibition ‘Out Of Order – Richard Deacon’ at Tate St.Ives, England, May 14 – September 26 2005 ‘The Size Of It’ published as catalogue to the exhibition at the Museum Artium (Spanish/Basque); Art Museum Sara Hilden (Finnish/English); Arp Museum Bahnof Rolandseck (German English). Texts by Raimund Stecker, Timo Valjecka, Richard Deacon interview with Javier Gonzalez de Durana. Richter Verlag, Dusseldorf, Germany 2005. Ian Barker Von Moore bis Kapoor, catalogue text in Henry Moore Epoche und Echo, Swiridoff Verlag, Kunzelsau, Germany 2005 pp151-163, artist pages 236- 244.

‘About The Size Of It’ Richard Deacon & Niels Dietrich; Artists book published in an edition of 1500, Richter Verlag, Dusseldorf, Germany ‘apprendre le francais’ in catalogue to the exhibition ‘effervescence – la sculpture « anglaise » dans les collections publiques francaises de 1969 a 1989’ published by Musee des Beaux-Arts d’Angers 2005 pp 127-129. ‘pressPLAY contemporary artists in conversation’ Richard Deacon in conversation with Pier Luigi Tazzi, pp 106-121. Phaidon Press, London, UK & New York, 2005. 2006 ‘Richard Deacon: The Size Of It’, Essays by Javier Gonzalez de Durana, Raimund Stecker and Timo Valjakka, Richter Verlag, 2006

2008 Ferbos-Nokov, Catherine, Richard Deacon en boucle, La Revue de la céramique et du verre, n. 161, july-august 2008, p. 44-49 Powers, Alan. Art and Print: The Curwen Story, Tate Publishing, 2008, p 162.

2009 ‘Richard Deacon – The Missing Part’, Sprengel Museum Hannover, 2010

2012 ‘Richard Deacon, Association’, Lisson Gallery, 2012 ‘Richard Deacon, Beware of the Dog’, STPI, 2012 ‘Richard Decaon’, CAC Malaga, 2012

Bibliography: Publications on Richard Deacon Articles and Reviews

1978 Ben Jones. ‘Sculpture at Central’, Artscribe, No 15.

1980 Lynne Cooke. ‘Carolyne Kardia at Felicity Samuel, Richard Deacon at The Gallery, Brixton’, Artscribe, No 24.

1981 Mark Francis, ‘Objects & Sculpture’, Art Monthly, No 48. John Roberts, ‘Objects & Sculpture’, Artscribe, No 30. Peter Fisher, ‘Moore und die Erben - Die Neue Englische Plastik’, Nurnberger Zeitung, Nurnberg, 12 June. Lewis Bigg. ‘Objects & Sculpture’, Arnolfini review, June-July.

1982 Caryn Faure-Walker. ‘Interview with Richard Deacon’, Aspects, No 17. Michael Newman. ‘New Sculpture in Britain’, Art in America, September. Martin Kunz. ‘Neue Skulptur am Beispiel Englischer Kunstler’, Kunstbulletin, No 6. Harry Zellweger. ‘Englische Plastik Heute’, Das Kunstwerk, October.

1983 Raimond Tiobellido. ‘Une Nouvelle Sculpture Anglaise’, Axe Sud, Winter, No 7. Lynne Cooke. ‘Richard Deacon: Lisson Gallery’, Art Monthly, No 64, March. Sandra Miller. ‘Richard Deacon, Galerie Lisson’, Art Press, No 70, May. Michael Newman. ‘Figuren en Objecten’, Museum Journaal, No 2. Micky Donnely. ‘Richard Deacon Sculpture, Orchard Gallery’, Circa, No 11. Lynne Cooke. ‘Reconsidering the New Sculpture’, Artscribe, No 42. Michael Newman. ‘Objekt, Bild und Beschworung’, Archithese, No 5.

1984 Michael Newman. ‘Discourse and Desire, Recent British Sculpture’, Flash Art International,January. Waldemar Januszczak. ‘Richard Deacon’, , London, UK, 7 February. William Feaver. ‘Sculptural Mutations’, The Observer, London, UK, 12 February. Sanda Miller. ‘Richard Deacon, Riverside Studios’, Art Press, No 80. Caroline Collier. ‘Richard Deacon at the Riverside Studio’, Studio International, vol 196, No 1004. Michael Newman. ‘Le Spectacle de la Melancolie dans la Consommation de Masse: Signification et Objectifs dans la Sculpture Britannique Actuelle’, Artistes, No 18, March. Nena Dimitrijevik. ‘Sculpture after Evolution’, Flash Art International, April-May. Martin Heller. ‘`Skulptur im 20 Jahrhundert' Zu den Auftragswerken’, Kunst Bulletin, July-August. Lynne Cooke. ‘Richard Deacon at the Riverside Studios’, Art in America, September. Gordon Burn. ‘The Tate's Bold Stroke for British Art?’, The Sunday Times Magazine, London, UK, 4 November. Laurence Marks. ‘In the Name of Turner’, The Observer, London, UK, 4 November 1984. Lynda Morris. ‘Hot Art’, Radio Times, London, UK, 4-9 November. Waldemar Januszczak. ‘The Tate Gallery Stakes’, The Guardian, London, UK, 6 November. Waldemar Januszczak. ‘Shoot the Jury, Not the Painter’, The Guardian, London, UK, 10 November. John McEwan. ‘London Round up, Richard Deacon’, Art in America, November. ‘Skulptur als Reiszklima’, Arte Factum, No 6.

1984-85 Philippe Piguet. ‘Premiers Ateliers Internationaux d'Art Vivant’, Flash Art, Winter.

1985 Waldemar Januszczak. ‘The Church of the New Art’, Flash Art International, January. Mona Thomas, ‘Villeurbanne: Richard Deacon’, Beaux-Arts, 20 January. Patricia Bickers. ‘A Conversation with Richard Deacon’, Art Monthly No 83, February. Waldemar Januszczak. ‘For Those Who Have Eyes’, The Guardian, London, UK, 20 March. Michael Newman. ‘Richard Deacon, La Face des Choses’, Art Press, March. Alan G. Artner, ‘Sculptors appeal to the eye - through the mind’, Chicago Tribune, 21 March. Annelie Pohlen. ‘Skulptur '85, Section 2. Abstraction, Konstruction, Projection’, Kunstforum International, May-June. Judith Russi Kirshner. ‘, Richard Deacon at Donald Young Gallery, Chicago’,Artforum, Summer. Gijs van Hensbergen. ‘Richard Deacon Organische Constructies’, Metropolis M, No 3. Meir Ronnen, ‘Life as a pun’, The Jerusalem Post Magazine, 16 August. Jon Thompson, ‘Richard Deacon in conversation with Jon Thompson/Richard Deacon in conversazione con Jon Thompson’, Lo Spazio Umano, No 3, August- September. ‘Maison de Verre. Blind, Deaf and Dumb’, Building Design, 4 October.

Marjorie Allthorpe-Guyton. ‘Richard Deacon, Serpentine Gallery’, Arts Review, 25 October. Bruce Arnold, ‘Close look at new British Sculpture’, Sunday Independent, London, UK, 24 November. Brian Fallon, ‘The Poetic Object at TCD’, The Irish Times, 28 November. Aidan Dunne, ‘Ambiguous Objects just being Themselves’, The Sunday Press, London, UK, 24 November. Sean McCrum, ‘Art’, Sunday Tribune, London, UK, 8 Dec. Victoria Lyn. ‘Six British Sculptors’, Art and Australia, December.

1986 Tim Hilton. ‘Mixed Offerings’, The Observer, London, UK, 2 February. Peter Plagens. ‘I just dropped in to see what condition my condition was in’, Artscribe International, February-March. Lothian Murdoch, ‘Peter Moores’, The Guardian, London, UK, 12 February. Michael Newman. ‘Tigenes Ansigt. Tilgenet mindet om min faber’, Louisiana Revy, 26/2, Mar 1986, pp.12-17. Michael Brenson. ‘Richard Deacon at Marian Goodman’, New York Times, New York, 16 May. Charles Harrison. ‘Sculpture, Design and Three-Dimensional Work’, Artscribe International, June-July. Michael Newman. ‘Fallen Haloes’, Artscribe No 58, June-July, pp.54-57. Richard Cork. ‘In Situ - The Bath Festival Sculpture Show’, The Listener, London, UK, 5 June. Olivier Kaepplin, ‘Richard Deacon comme un oiseau’,Opus International,, Autumn, p.41. Margaret Garlake. ‘Ruszkowski, Deacon, Jones’, Art Monthly, No 101, October- November. Lynne Cooke. ‘Impresa’, Flash Art International, No 130, October-November. Dan Cameron. ‘Armleder, Martin, Deacon’, Flash Art International, No 130, October-November. Lynne Cooke, ‘What is Modern Sculpture?’, Artscribe International, November- December. Michael Brenson. ‘Sculpture Breaks the Mold of Minimalism’, (Art & Leisure), New York, 23 November. Jan Smiley, ‘First Time for Giles’, Visual Arts. Adrian Henri, ‘Figuring out the common denominator’, Daily Post, London, UK. ‘Liverpool 1. Peter Moores Liverpool Project 8: Out of Line’, Arts Review. Mona Thomas. ‘Nantes, Richard Deacon’, Beaux Arts Magazine, Paris, December

1986-87 Mona Thomas, with additional notes by Jean de Loisy. ‘Deacon: Le Parti Pris des Choses’, Artstudio, No 3, Winter.

1987 Michael Phillipson. ‘Richard Deacon at Interim Art’, Artscribe International, January-February. Brook Adams. ‘Richard Deacon at Marian Goodman’, Art in America, January. Victoria Lautman, ‘British Sculptors stage a `Quiet Revolution'‘, USA Today, 26 January. Dalya Alberge, ‘Liverpool painting, Manchester Sculpture’, , London, UK, 23 January. Gilbert Jimenez, ‘Art Institute, Terra herald arrival of exciting new shows’, Chicago Sun-Times, 23 January.

Mary Rose Beaumont. ‘Beyond Tradition: Sculpture Since Caro’, Art & Design, February. John Teets, ‘Artist carves niche in nature’, Chicago Tribune, 4 February. Sue Taylor, ‘Scavenging artists send a message’, Chicago Sun-Times, 12 February. Mary Cameron Frey, ‘British Modern Art on display here is just`smashing'‘, Chicago Sun-Times, 15 February. Pierre Giquel, ‘Exposition Richard Deacon, Galerie Arlogos, Nantes’, Art Press, February. ‘The Quiet Revolutionaries’, mixed review, The Independent, London, UK, 9 March. William Feaver. ‘Richard Deacon’, Vogue, London, UK, March, p.22. , ‘Gross by any Other Name’, The Standard, London, UK, March. Birgitta Rubin, ‘Humor heter arbetsmethoden’, DN. Pa Stan, 11 April. William Feaver. ‘Double Take, Triple Somersault’, The Observer, London, UK, 12 April. Richard Cork. ‘Backgrounds’, The Listener, London, UK, April. Sarah Kent. ‘Richard Deacon - Lisson Gallery’, Time Out, London, UK, 15-22 April. Alistair Hicks. ‘Sculpture's Springtime’, The Spectator, London, UK, 18 April. Mary Rose Beaumont. ‘Richard Deacon’, Arts Review, April. Richard Cork, ‘Cragg, Woodrow and Deacon: Three Individuals’, Arts and Design, No 11/12. Peter Watson, ‘Home is where the Art is’, The Observer, London, UK, 7 May. Michael Brenson. ‘`Juxtapositions', Eight Sculptors’, New York Times, May. Kay Larson. ‘Border Lines’, New York Magazine, 25 May. Monica Bohm-Duchen. ‘Lijn, Ackling, Wentworth, Deacon’, Art Monthly, May. Patricia Bickers. ‘In the Mind's Eye’, Art Monthly, No 106, May. Dorothy Burkhart. ‘Inventing Dimensions’, Mercury News, 12 June. Christiane Bergob, ‘Brief aus London’, Kunstforum, June-July. Richard Dorment, ‘Shortcomings of the Turner Prize Shortlist’, , London, UK, 3 July. Maria Porges. ‘Tracing a Different Path’, Artweek, 11 July. Paul Bonaventura, ‘An Introduction to Recent British Sculpture’, Artefactum, September-October. Juan Vincente Aliaga. ‘Richard Deacon, Metafora y estructura del objeto’, Lapiz, No 41. Barry Barker. ‘Richard Deacon, Lisson Gallery London’, Flash Art, No 135, Summer. Olivier Kaeppelin. ‘L'Agonie au Jardin’, La Revue des Pays de la Loire, 2nd Trimestre.’The Quiet Revolution’, Studio International, August. ‘The Critic's Way - Munster’, Artforum, September. ‘The Turner Prize’, Vogue, London, UK, October. ‘Kinder des Olymp’, Capital, November. Anthony Thorncroft, ‘I know what I Like’, Financial Times, London, UK, 14 November. ‘Runners and Riders for the Turner Prize’, The Independent, London, UK, 17 November. Lynda Murdin, ‘Model Sculptor wins art prize’, , London, UK, 25 November. Richard Dorment, ‘The Turner Prize: Time for a Change’, Daily Telegraph, London, UK, 26 November.

William Packer, ‘A Confusion of Principle’, Financial Times, London, UK, 26 November. Anna Tilroe. ‘Deacon, Gijsbers en Schouten’, de Volkskrant, Amsterdam, 27 November. Judith Higgins. ‘Britain's New Generation’, Art News, December. Kenneth Baker. ‘A Revolution in British Sculpture’, San Francisco Examiner. John Cornall. ‘Very like A Whale: Meaning in Sculpture of Richard Deacon’, Alba, No 6, Winter. Edna Van Dorgu. ‘Lectures on Sculpture’, De Appel, No 2. ‘Richard Deacon’, Print Collector's Newsletter, vol 18, No 5, November- December. Alan G. Artner, ‘Branching Out. The MCA opens its arms to British Sculpture’, Chicago Tribune. Marjorie Walker, ‘Richard Deacon. Winner of the Turner Prize 1987’, Newsletter. Tate Gallery Patrons of New Art, No 10, Winter. Giles Auty, ‘The Stamp of ‘Official' Approval’, Spectator, London, UK, 5 December.

1988 Mary Rose Beaumont. ‘Classicism through contemporary eyes’, Financial Times, London, UK, 14 January. Sarah Kent. ‘Prints and Drawings’, Time Out, London, UK. D.B., ‘Best Brits’, House and Garden, January. ‘Richard Deacon Reviews of The Sleep of Reason’, Flash Art, No 139. Margaret Garlake, Galleries, February. Michael Brenson, ‘Richard Deacon's Sculptures at the Marian Goodman Gallery’, The New York Times, New York, 14 March. Juan Manuel Bonet. ‘Richard Deacon: La nueva escultura británica’, Diario 16, Madrid, 15 April Fietta Jarque. ‘Richard Deacon establece un dialogo continuo entre las esculturas y sus titulos’, El Pais, Madrid, 11 April. Miguel Ángel Trenas. ‘Richard Deacon: ‘Mis esculturas no esconden, permiten conocer su piel’, La Vanguardia, Spain, 12 April ‘El escultor británico Deacon expone en Madrid sus obras más recientes’, La Voz de Galicia, Spain, 12 April Daniel Dobbels, ‘Deacon, apres le déluge’, Libération, Paris, 18 April. ‘Richard Deacon: Disciplina Inglesa’, Epoca, Madrid, 2 May Angel Gonzalez Garcia. ‘Ecce corpus’, Cambio, Madrid, 23 May Renate Puvogel. ‘Richard Deacon’, Kunstforum, April/May, p.274 Waldemar Janusczak. ‘Tony Cragg and Richard Deacon’, Modern Painters, Vol 1, No 3, Spring, pp.68-9. Brian Sewell. ‘Turner Prize’, Modern Painters, Vol 1, No 1, Spring, p.83. Jane Lee, ‘Glasgow Garden Festival’, Art Monthly, September. Jan Fonce. ‘For Those Who Have Eyes’, Artefactum September-October, pp. 22- 25. ‘A New Look at the Architecture of Space’, The Guardian, London, UK, 22 October. Sean McCrum. ‘Rosc 88’, Artefactum. Christof Blase. ‘Schlaf und Stress der Vernunft’, Wolkenkrantzer, No 3, p.54. Frédéric Paul. ‘Richard Deacon, un exercice d'auto-critique d'art’, Artstudio, No 10, Autumn. Mark Currah. ‘Reviews. Richard Deacon: Whitechapel Art Gallery’, City Limits, London, UK, 15 December.

Catherine Ferbos, ‘Sculptures ‘in between’ – le paysage’, Artstudio, autumn Renate Puvogel, ‘Richard Deacon’, Kunstforum International, April/May

1989 Christopher Knight. Los Angeles Herald Examiner, Los Angeles, January. Amanda Sebestyen. ‘Urban Alchemists’, New Statesman and Society, London, UK, 6 January, pp.44-45. Peter Fisher. ‘Auf der Suche nach neuen Moglichkeiten’, Nurnberger Zeitung, Nurnberg, 5 January. Julian Exner. ‘Grubeln mit den Handen’, Der Tagesspiegel, Berlin, 18 January, p.4. Richard Shone. ‘London, Whitechapel. Sculpture by Richard Deacon’, Burlington Magazine, London, UK February, pp.160-161. Charles Harrison. Arts Magazine, No 109, March, pp.108-109. Regis Durand. ‘Richard Deacon: le grand ‘fabricateur'‘, Art Press 134, March. Michael Archer. Review, Whitechapel, Art Monthly, March. Mona Thomas. ‘Richard Deacon: Portrait’, Beaux-Arts Paris, No 66, March. ‘Richard Deacon Whitechapel Art Gallery’, Artforum, March. ‘L'interview Richard Deacon’, Art Press, 134, March, p.8. William Feaver. ‘Richard Deacon, Whitechapel Art gallery’, ARTnews, April ‘Zellweger: New British Sculpture’, Basler Zeitung, Basel, 29 April, p.51. Michel Enrici. ‘Richard Deacon: Un Pan de Labeur, Inestimable’, Galeries Magazine, No 30, April/May. Michael Anderson. ‘Richard Deacon at the Museum of Contemporary Art’, Art Issues, Los Angeles, April, p.22. Brian Hatton. ‘Richard Deacon, Whitechapel, London, UK’, Flash Art, May/June. ‘Deacon-Skulpturen in St.Gallen’, Appenzeller Zeitung, Switzerland, 10 June. ‘Immer im Spiel mit dem Betrachter’, St.Gallen Tagblatt, St. Gallen, 12 June. ‘Richard Deacon, u galleriji Whitechapel’, Moment, no.15, July-Sept. France Gascon, ‘Toronto in Situ’, ETC. Montréal, automne, pp.50-52 ‘Richard Deacon’, Atelier, Japan, October, pp.2-28. Tim Hilton. ‘A visiting aggression’, The Guardian, London, UK, 23November. . ‘King of the scrap metal sculptors’, The Times, London, UK, 24 November. William Feaver. ‘Clued in by Simile’, The Observer, London, UK, 27 November. William Packer. ‘Physical attraction’, Financial Times, London, UK, 29 November. Sarah Kent. ‘Superstructures’, 20-20, December, pp. 144-145. Andrew Graham-Dixon. ‘Riveting Stuff’, The Independent, London, UK, 3 December. Marina Vaizey. ‘Sculptors carve out an international place’, Sunday Times, London, UK, 4 December.

1989 Richard Cork. ‘Great and the Good’, The Listener, London, UK, 5 December. Michael Clarke. ‘Sculpting facts’, Times Educational Supplement, London, UK, 9 December. Martin Holman. ‘Galleries’, The Tablet, London, UK, 17 December. Sarah Kent. ‘Super Structures’, 20-20, December, pp.144-145. Tim Marlow. ‘Generation games in sculpture’, Art & Design, Vol 5, No 3/4, p.63.

1989-90 John Furse. ‘Richard Deacon’, Art Monthly, No 132, December - January, pp.30- 31.

1990 William Packer. ‘British talent brought to the fore’, Financial Times, London, UK, 3 April.

Marina Vaizey. ‘The vital signs of a British reawakening’, Sunday Times, London, UK, 8 April. Sarah Kent. ‘On the Saatchi Collection’, Time Out, London, UK, April Nadja Zgonik, Jure Mikuz. ‘To Lock the Look. To Look through the Lock’, MARS, Vol II, No 4 Summer, p.20. Richard Deacon Lecture, MARS, Vol II, No 4 Summer, p.33. Marjetica Potrc and Dusan Zidar, Interview, MARS, Vol II, No 4 Summer Michael Newman, ‘Od sveta k zemlji: Richard Deacon in konec narave’, MARS, Vol II, No 4 Summer Matjetica Potrc, ‘As the Experience of a Perspectively Arranged World Comes to an End’, MARS, Vol II, No 4 Summer Kazukiyo Matsuba. ‘Glittering Individualism Colourfully Expressed. British Art Now: A Subjective View’, Asahi Shimbun, 3 September, pp.16-17. William Packer. ‘British Artists Fly the Flag in Japan’, The Financial Times, 4 September. Kenneth Baker, ‘Physical Precision, notes on some recent sculpture’, Artspace, September/October Junichi Shioda. ‘Here's to Art! The Spirit of John Bull’, Geijutsu Shincho, p.12, October. John Furse. ‘TSWA: Plymouth Update’, Art Monthly,No.141, November, ‘In-Tershel/Threshold’, Journal of the National Museum of Contemporary Art, No. 2 ‘Ausstellung Richard Deacon’, Rhein Post, 15 December ‘eine Künstlerpremiere in Krefeld, Schau mit Richard Deacon / `Doppelohr' und `Skulpturen II'‘,Westdeutsche Zeitung, 29 December

1991 Richard Cork. ‘Grand Motto for Life’, The Times, 4 February. David Hughes, ‘Let's not be Stupid’, Arts Review, 8 February. Heinz-Norbert Jocks. ‘Weitersehen’, Kunstforum, Bd.111, January/February. pp.352-353. Paul Usherwood. ‘Deacon and Wodiczko on Tyneside’, Art Monthly, February. ‘The Arts Council goes East’, Arts Review, London, UK, 22 February. ‘'Touch Tours' at the Tate’, Arts Review, London, UK, 22 February. Adrian Lewis. ‘Interpreting Contemporary Art’, Artscribe, pp.99-100, April. ‘Sattelschlepper mit Skulpturen, Vorbereitungen zur grossen Schau mit Werken von Richard Deacon’, Westdeutsche Zeitung, 20 April ‘Richard Deacon aus England’, Rheinische Post, 25 April ‘Rätselhafte Objekte auf der Veranda, Skulpturen des Briten Richard Deacon in den Häusern Lange und Esters’, Westdeutsche Zeitung, 11 May ‘Richard Deacon an der Wilhelmshofallee: Gewichtige Kunst - Gewichtige Argumente’, Rheinische Post, 14 May Hans Martin Frese, ‘Deacon in Krefeld, Von Laokoon zu Theseus’, Rheinische Post, 16 May Bildhauer der internationalen Szene, Richard Deacon zeigt Skulpturen und Zeichnungen’, Schöne Sonntag, 18 MayArt Monthly, June Helga Meister, ‘Deacon in Krefeld: Silbrig glänzt das Aluminium’, Neues Rheinland, June ‘Verhülltes Konzept, Richard Deacons Skulpturen in Krefeld, Westdeutsch Zeitung, 8 June Julia Cassim. ‘Deacon's ‘Tear’ resonates’, The Japan Times, 16 June Veit-Mario Thiede, ‘Stationen der Wahrnehmung, Krefeld zeigt Skulpturen von Richard Deacon’,Frãnkischer Tag (and other newspapers), 19 June

‘Deacon-Katalog ist da’, Westdeutsche Zeitung and Rheinische Post, 20 June ‘Deacon-Katalog erschienen’, Krefelder Amtsblatt, 20 June Raimund Stecker, ‘Kurven recken sich im Raum,Deutsche Premiere: Plastiken von Richard Deacon in den Krefelder Museen’, Westdeutsche Zeitung, Rhenische Post and Frankfurter AllgemeineZeitung, 21 June ‘Sculpture takes up its space’, New Zealand Herald, New Zealand, 22 June Friedrich Meschede, ‘Richard Deacon im Museum Haus Lange/Haus Esters, Krefeld’, Kunst-Bulletin,July-August Jörg Restorff, ‘Richard Deacon, Museen Haus Lange und Esters, Krefeld’, Kunstforum International, July-August Peter Winter, ‘Richard Deacon, Museen Haus Lange und Haus Esters, Krefeld’, das Kunstwerk, September Miranda Carter, ‘Alderman with bottle’, Sunday Telegraph, 1 December Carin Kuoni, ‘Pittsburgh: Carnegie International’, Kunst Bulletin, December Friedrich Meschede, ‘Richard Deacon im Museum Haus Lange Haus Esters, Krefeld, Kunst Bulletin 7/8, p.47 Isobel Johnstone, ‘Art for Everyone’, Review

1991-92 Jerry Saltz, ‘Pittsburgh, Carnegie International’, Galeries Magazine, December\January

1992 David Deitcher, ‘Art on the Installation Plan’, Artforum International, January Martin Gayford, ‘Gallery Round-up’, Daily Telegraph, 12 February Richard Cork, ‘Guessing games and cheeky jokes’, The Times, 14 February William Feaver, ‘Mistress of the vessels’, The Observer, 16 February James Hall, ‘Organs of Desire’, The Independent, 18 February David Lillington, ‘Sculpture Club’, Time Out, 19 February Pipes and dreams with mass appeal’, and Highgate Express, 28 February Roger Bevan, ‘Richard Deacon’, Galleries, February Roger Bevan, ‘Deacon at Lisson’, The Art Newspaper, February Michael Archer, ‘Harmony and Dislocation’, Art Monthly, February Peter Schjeldahl. ‘Drawing Blood, Allegories of Modernism: Contemporary Drawing’, Village Voice, New York, 3 March Robin Dutt, ‘Richard Deacon and Hermione Wiltshire’, What's On In London, 4 March Charles Hall, ‘Hermione Wiltshire, Richard Deacon’, Arts Review, March, p.56 Francesca Borelli, ‘Oriente mon amour’, Wimbledon, no.23, March, pp.60-63 Roger Bevan. ‘Richard Deacon in London, Krefeld and Pittsburg’, Modern Painters, London, UK, March, pp.90-91 ‘Entre faits et fiction’, Nord Eclair, France, 28 March ‘Projet Richard Deacon FCB’, Le Journal de FCB, France, March James Hall, ‘London, Richard Deacon, Lisson’, ARTnews, April, p.131 ‘Sculptures’, Le Metropolitan, France, April Pascal Foveau, ‘Des ateliers au musée’, Liberte Dimanche, France, 5 April M. Desvaux, ‘Une sculpture qui a du poids: 30 tonnes!’ and ‘Trente tonnes d'acier, c'est très lourd at très léger’, La Voix du Nord, France, 29 April ‘La fiction prend Racine’, Nord Eclair, France, 29 April ‘Une sculpture monumentale!’, Liberte, France, 30 April Michel Enrici, ‘Richard Deacon, un pan de labeur,inestimable’, Galeries, Paris, April/May, pp.90-93 & 138-139

Olivier Kaeppelin. ‘Richard Deacon’, Galeries, Paris, April/May Roger Bevan, ‘Richard Deacon in London, Krefeld and Pittsburgh’, Modern Painters, Spring, pp.90-92 ‘Richard Deacon’, Nikkei Art, no.4, p.187 Julian Heynen. ‘Die schwierige Stadt und die öffentliche kunst-momente eines Konfliktes’, Die Stiftung der Sparhasse Krefeld, Krefeld, May, Dieter Pützhofen. ‘Krefelds Plätz brauchen Skulpturen’, Die Stiftung de Sparhasse Krefeld, Krefeld, May, pp.21-33 Michele Minne. ‘Le Paradoxe de l'Exposition’, Art et Culture, France, May ‘Œuvres de Richard Deacon’, Liberte, France, 17 May Frédéric Delage. ‘Quand la fiction `fait' trois tonnes’, Nord Eclair, France, 17 May ‘L'art pour les autres gens’, Nord Eclair, France,18 May J-P. Detroy, ‘Un `kolossal bidule' au Musée d'art moderne!’, La Voix du Nord France, 19 May ‘33 tonnes d'acier au musée de Villeneuve d'Ascq’,Croix Magazine Nord/Pas-de Calais, 22 May ‘Richard Deacon a Villeneuve d'Ascq’, Lettre d'Information, 25 May Jacques Meuris. ‘Deacon, entre fiction et fait’, La Libre Belgique, 27 May Andrew Renton, ‘Richard Deacon, Overwrought Iron’, Flash Art, May-June, p.109 Emma Dexter, ‘, Richard Deacon, Lisson Gallery, London, UK’, Sculpture, May-June, p.97 ‘Art Moderne: une sculpture de trois tonnes se pose au musée’, la Tribune de villeneuve d'Ascq, June Catherine Legallais. ‘Richard Deacon, Musée d'art Moderne’, Art Press, Paris, June Michele Minne, ‘Villeneuve d'Ascq, Richard Deacon’, Art et Culture, France, June ‘Richard Deacon’, Marianne le Magazine de l'Union, June Philippe Piguet. ‘Villeneuve d'Ascq’, L'Oeil, June John Bentley Mays. ‘A yearning for sculpture as architecture’, Toronto Globe & Mail, 12 June Bert Popelier. ‘Een postmodernistische Brit’, De Artsenkrant, 23 June ‘Richard Deacon in museum van Villeneuve d'Ascq’, De Morgen, 27 June Pascal Foveau. ‘Le fabricateur’, Liberte-Dimanche, 28 June ‘Expositions de l'été’, Le Metropolitain, July Dieter Pützhofen. ‘Irréguliers inclassables extravagants’, Le Monde, 16 July ‘Sculptures a Villeneuve d'Ascq’, Marie Claire Maison, July-August ‘Richard Deacon’, Mizue, summer, pp.108-114 Deke Dusinberre. ‘Sticky Comparisons?’, Art Monthly, London, UK, July/August, pp.2-5 Michael Archer. ‘Documenta IX’, Art Monthly,London, July/August, pp.7-11 Hiroshi Aoki, ‘Artmuseums' New Collection's -Tochigi Prefectural Museum of Fine Art’, Bijutsu Techno, Tokyo, August, pp.68-69 Wilma Süto. ‘Leef met in de tijd!’, de Volkskrant,21 August James Hall. ‘Making chaos out of order’, The Independent, London, UK, 25 August Patricia Bickers. ‘Richard Deacon, Interviewed by Patricia Bickers about his recent Public Sculpture’, Art Monthly, October, pp.3-7 Richard Francis. ‘Richard Deacon and Engels; three footnotes’, Forum International, Belgium, November-December, pp.57-61 Marjetica Potrc. ‘From an Interview with RichardDeacon’, Kunst & Museum Journaal, Germany, Vol.4,No.3, pp.11-16

Iwona Blazwick. ‘Living in a Material World (Madonna ‘Material Girl' 1985)’, Kunst and Museum Journaal, Germany, Vol.4, No.3, pp 32-37 Stephen Berg. ‘Transform’, Kunstforum, #120, pp.336-338 Bruce D. Kurtz. ‘Contemporary Art 1965-1990’, pp.212-214, Prentice Hall, New Jersey Geraldine Norman, ‘Eighties for sale’, The Independent on Sunday, London, UK, 3 May Richard Cork, ‘Public spaces shape up’, The Times, London, UK, 4 May

1992-93 Euan McArthur, ‘Richard Deacon. Twelve British Artists’, Art Monthly, London, UK, December-January, pp.22-23

1993 ‘Richard Deacon’, Art Watching (Freestyle), Japan, Winter George Melrod, ‘Richard Deacon at Marian Goodman’, Art in America, February, pp.103-104 Dominique Frétard. ‘Mariages dans L'Espace’, Le Monde, 18 March Laurence Louppe. ‘États de corps, états d'espaces’, Art Press, no.179, April Fabienne Arvers. ‘Factory á la Ferme’, Liberation, France, 30 April William Feaver. ‘The bottom line cuts up rough’, The Observer, London, UK, 23 May John McEwen. ‘From shadows to furrows lit by neon’, The Sunday Telegraph, London, UK, 30 May Hans Peitsch, ‘Richard Deacon, Einklang von Schwere und tanz’, Art, July, pp.34- 39 A.W. ‘Agitate: Culture Versus Nationalism’, Tate, issue no.1, Winter, p.16 Frank G. Kurzhals. ‘Richard Deacon: Ich bin ein erbauer, kein bildhauer oder plastiker’, Artis, September Richard Cork. ‘Bold New Forms of Adventure’, The Times, Tuesday November 16th, p.33 Sonia Casanova, ‘Impresiones de Viaje: Richard Deacon’, Estilo, Año 4, NO. 18, pp.46-47 Bericht von Hans Pietsch, ‘Richard Deacon; Einklang von Schwere und Tanz’, Art, das Kunstmagazin, no.7, Juli 1993, pp. 34-39 Kate Bernard, ‘Which way to Turner?’, Sunday Times, London, UK, 25 July Andrew Gibbon Williams, ‘Parts for art's sake’, Sunday Times, Scottish Section, 30 May Tanya Harrod, ‘The Five Best Exhibitions’, The Independent, London, UK, 19 Sept ‘Exporama’, Art Press, (International Edition), No 186, Dec. ‘Austellung Richard Deacon im Kunstverein Hannover’, Artis, October ‘Komplizierte Körper’, Nobilis, Sept ‘Hannover’, Intercity, Aug Karin Schwarz, ‘Zum Sehen un Zum Tasten’, Nobilis, Oct Waldemar Januszczak, ‘Schwebendes Stahlblech’, Kunst, Markt Su Hardt, ‘Es Pulsiert’, Prinz, Oct Alexandra Glanz, ‘Saumagen mit dem Goldenen Schnitt’, Hildesheimer Allgemeine Zeitung, 11 Oct Muller, Franz, ‘Der Öko-Modellbauer’, Schadelspalter, No 10 ‘Wasser und Dschungel’, Stern, No. 42, 14 Oct ‘Oberflächen-Forscher Richard Deacon’, Architektur & Wohne, Heft 5/93, October/November

Elke von Radziewsky, ‘Stahlpfütze und Gedankenkörper’, Die Ziet, No 43, 22 Oct ‘Unter die Haut’, Der Speigel, 25 Oct, No 43 ‘Doppelformen’, Forte, Oct ‘Richard Deacon’, Max, Oct Siegfried Barth, ‘Holzmonster, Pfütze aus Metall Zwei Plastiken für Herrenhausen’, Neue Presse, 8 Oct Klaus Zimmer, ‘Ein Kunstwerk soll für ihn als Ganzes Begreifbar sein’, Cellesche Zeitung, 13 Oct Veit-Mario Thiede, ‘Für die Sinne un den Verstand’, Neue Osnabrücker Zeitung, 14 Oct Gabriele Mackert, ‘Bildhauer und ‘fabricator’’, Braunschweiger Zeitung, 15 Oct Veit-Mario Thiede, ‘Reisige, vieldeutige Skulpturen’, AachenerNachrichten, 20 Oct Gerd Roth, ‘Durch Sehen der Arbeit näher als durch Anfassen’, Badisches Tagelblatt, 20 Oct Claudia Böer, ‘Kunstverein Hannover: Verschlungene Skulpturen von Richard Deacon’, Kieler Nachrichten, 21 Oct Veit-Mario Thiede, ‘Für Sinne, Verstand und Gefühle’, Straubinger Tageblatt, 25 Oct Peter Winter, ‘Auf der Achterbahn’, Donnerstag, 28 Oct, No 251, Seite 37 Peter Winter, ‘Richard Deacon oder die Lust an der gestörten Symmetrie’ Kunst und Antiquitaten, Nov. Michael Stoeber, ‘TausendfüBler und andere Monstrositäten’, Die Tageszeitung, 16 Nov ‘Kunst’, Die Zeit, Nr.47, 19 November Beatrix Nobis, ‘Deacons denkende Dinos’, Hannoversche Allgemeine Zeitung, 15 Nov Que, ‘Dickes Lob von der ‘Times’ für Hannovers Deacon-Schau’, Neue Presse, 24 November ‘Blickpunkt zeitgenössische Skulptur’, Cellesche Zeitung, 25 September ‘Zwei Ausstellungsorte - ein Künstler’, Hannoversche Allgemeine Zeitung, 7 October Harburger Anzeigen und Nachrichten, 8 October ‘Werkschau Deacons’, Kreiszeitung Wesermarsch, 8 October ‘Werkschau Deacons’, Ludwigsburger Kreiszeitung, 8 October ‘Werkschau Deacons’, Dithmarscher Landzeitung, 8 October ‘Plastiker mit Schrauben’, Leine Deister Zeitung, 9 October Münsterlander Tageszeitung, 12 October ‘Der Plastiker mit den vielen Schrauben’, Oldenburgische Volkszeitung, 9 October ‘Skulpturen aus fünf Jahren’, Lippische Landes-Zeitung, 9 October ‘Dem Bildhauer Richard Deacon’, GeiBener Anzeiger, 9 October Offenbach-Post, 9-10 October Westfalen-Blatt, 9-10 October Westfälisches Volksblatt, 9-10 October ‘Neiten und Schrauben’, Kreiszeitung Wesermarsch, 12 October ‘Neiten und Schrauben’, Nordsee-Zeitung, 12 October ‘Verschlungen, verschachtelt, verwirrend’, Rhein-Zeitung, 13 October ‘Skulpturen aus GroBbritannien’, Schwarzwälder Bote, 14 October ‘Skulpturen aus GroBbritannien’, Recklinghäuser Zeitung, 15 October ‘Deacon in Hannover’, Landeszeitung für die Lüneburger Heide, 15 October

‘Plastiker mit Schrauben’, Oranienburger Generlanzeiger, 9-10 October ‘Plastiker mit Schrauben’, Kreiszeitung Syke, 16-17 October ‘Plastiker mit Schrauben’, Verdener Aller-Zeitung, 16-17 October ‘Raumgreifende Objekte’, Hanauer Anzeiger, 23 October ‘Die Holzskulptur’, Soester Anzeiger, 23-24 October ‘Die Holzskulptur’, Westfälischer Anzeiger, 25 October ‘Die Holzskulptur’, Lüdenscheider Nachrichten, 25 October ‘Deacon in der Orangerie’, Hannoversche Allgemeine Zeitung, 5 Nov Fränkisches Volksblatt, 5 November Michael Stoeber, artist Kunstmagazin, Heft 17/18, 3/4 Brian Sewell, ‘Let's boot out the trotsky of the arts’, The Standard, London, UK, 23 December Jeremy Isaacs, ‘A sense of the future’, Modern Painters, Summer Hans Pietsch, ‘Richard Deacon: Einklang von Schwere und Tanz’, Kunstverein Hannover, February ‘Richard Deacon’, Kunstverein Hannover, January Ria Higgins, What's On In London, 25 August 1993 David Cohen, ‘Reviews’, Sculpture, London, UK, Vol.6, Nov-Dec, No.6, 1993, p.58 Marta Dalla Bernadina, ‘Lo Spettatore e l'Opera’, Segno, No.126, Summer 1993, pp.40-47

1994 James Bustard, ‘Antwerp: the cultural tally after a year’, The Art Newspaper, London, UK, January ‘Richard Deacon on Show’, Flash Art International, Vol.XXVI, No.174, January/February Norbert Messler, ‘New Sculptures’, Artforum, Vol.XXXII, No.7, March Luk Lambrecht, ‘Richard Deacon, Bill Woodrow: Sabine Wachters’, Flash Art, Vol.XXVII, No.176, May/June, p.123 Pilar Corrias, ‘Looking to the future: contemporary art in London’, The Society of London Art Dealers (1994/5 Yearbook & Directory of Members), London, UK, pp. 44-45 ‘Old Masters and Young Pretenders’, Time Out Visitors Guide, London, UK, p.33-36, 1994 Simon Corbin, ‘Sculptors' Drawings, Tate Gallery’, What's on in London, London, UK, p.19, 24 August 1994 Frankfurter Allgemeine Zeitung, No.184, 10 August 1994, p.23 Colin Gleadell, ‘Still Tough at the Top’, Art Monthly, London, UK, No.177, June 1994, p.42-43 ‘Die 100 Grobten’, Capital, Cologne, No.11, November pp.173-174 Andrew Ffrench, ‘Officials turn their nose up at sculpture’, Newcastle Journal, 26 October 1994 , ‘We Know You are in There’, The Independent, London, UK, 4 November 1994 ‘Richard Deacon’, Kunstverein Hannover Annual , Jan pp.3-5 Julian Haynen, ‘Ein Ort zwischen den Grenzen Skulptur und Sprache bei Richard Deacon, Harald Klingelhöller, Franz West’, Festschrift Lorenz Dittman, Peter Lang, Frankfurt, pp.199-215

1995 ‘Richard Deacon’, Bijutsu Techo, Japan, 1 Jan 1995, pp.190-191 William Feaver, ‘Little boxes made of ticky-tacky’, The Observer, London, UK,15 Jan 1995, p.12

Christopher Knight, ‘Playful Suggestive Sculptures From One Of Today's Finest’, Los Angeles Times, 28 Jan 1995 Adrian Searle, ‘Richard Deacon and Thomas Schütte’, Time Out, No.1292, London, UK, 24-31 May, p.50 Brian Fallon, ‘British sculpture here and now’, Irish Times, Dublin, 18 May Patricia Bickers, ‘Generations of British Sculpture: the British Sculpture Tradition’, Art Press, No.202, Paris, May 1995, pp.31-39 Robert Garnett, ‘Open House’, Art Monthly, No.185, London, UK, April, pp.30- 32 David Barrett, ‘Open House’, Everything, No.16, London, UK,p.7 Richard Cork, The Times, London, UK, 8 April Dean Hawkes, ‘The juxtaposition of life, art and setting’, The Architects’Journal, London, UK, 30 March, p.57 Philip Sanderson,’Richard Deacon and Thomas Schütte’, Art Monthly, No.188, London, UK, Jul-Aug, pp.34-35 Iain Gale,’Iain Gale on exhibitions’, The Independent, London, UK, 11 August Tim Hilton, ‘Abstract expressions’, The Independent on Sunday, London, UK, 13 August Martin Gayford, ‘The subject is anything’, The Daily Telegraph, London, UK, 16 August Rachel Campbell-Johnston, ‘Imagination blossoms in the garden’, The Times, London, UK, 23 August ‘Hervé Robbe/Richard Deacon’, Tandem, second issue, Paris, September- December, p.8 Keith Patrick, ‘The complex web’, RA Magazine, No.48, London, UK, Autumn, pp.24-25 ‘Audience Join in the Dance’, The European, London, UK, 21 September Colin Gleadell, ‘Footnotes to the October Calendar’, Art Monthly, No.190, London, UK, October, p.42 Jann Parry, ‘Synergy on the Factory floor’, The Review, The Observer’s weekly supplement, London, UK, 15 October Charles Hall,’Moving new forms of collaboration’, The Times, London, UK, 17 October Ismene Brown, ‘Dance’s fairy godmother’, The Daily Telegraph, London, UK, 12 October Judith Mackrell, ‘Steps in the dark’, The Guardian, London, UK, 23 October

1995 Ismene Brown, ‘Pick,n,mix from the old master’, The Daily Telegraph, London, UK, 26 October Piero Deggiovanni, ‘Arte Inglese Oggi’, Tema Celeste, No.53-54, Milan, Autumn, p.88 ‘Knees up at Riverside’, Ealing Gazette, Ealing, 20 October

1995-96 Floriana Piqué, ‘Factory e Talking Heads’, Flash Art, No.195, Milan, December- January ‘96 Colin Gleadell, ‘Little Jack Horner & the Wunder-Barn Kid’, Art Monthly, No.192,Dec.1995-Jan.1996, pp.46-47

1996 Roger Bevan, ‘Richard Deacon’, The Burlington Magazine, London, UK, January, pp.39-40 Libby Anson, ‘A new broom at Phaidon books’, Untitled, No.10, London, UK, Spring, p.6

Roger Bevan, ‘British beef goes to France’, The Art Newspaper, London, UK, May Ann Hindry, ‘Histoires anglaises’, Art Press, No.214, Paris, June Charles Penwarden, ‘At least the French want our sculpture’, The Daily Telegraph, London, UK, 1 June Martin Gayford, ‘Confusing for les rosbifs’, The Daily Telegraph, London, UK, 12 June SG, ‘Richard Deacon, Phaidon Press’, Times Literary Supplement, London, UK, 14 June Frank Whitford, ‘Albion market undersold’, Sunday Times, London, UK, 16 June William Feaver, ‘Impudence is bliss’, The Observer, London, UK, 23 June Richard Cork, ‘A brilliant century taken out of context’, The Times, London, UK, 25 June Paul Levy, ‘British Artists Teach Franch a Lesson’, Wall Street Journal, London, UK, 28 June Yves Abrioux, ‘A Century of British Sculpture’, Untitled, No.11, London, UK, Summer, pp.6-7 Éric de Chassey, ‘Entretien avec Daniel Abadie, directeur de la galerie nationale du Jeu de Paume’ Beaux Arts Magazine, published in conjunction with the exhibition ‘Un siècle de sculpture anglaise’, Jeu de Paume, Paris, pp 6-9 Mona Thomas, ‘Les années 80-90, jeunes sculptures anglaises’, Beaux Arts Magazine, Jeu de Paume, Paris, pp 48-55 Andrew Lambirth, ‘Richard Deacon, Serpentine Gallery Lawn’, What’s On in London, 9 April

1997 Das Kunstmagazin, Nr 1, January 1997 ‘For the record’, The Art Newspaper, No. 67, February 1997 ‘Western Front’, Art Monthly, February 1997 ‘Material Culture. The Object in British Art of the 1980 and 90s and Sculpture. Projects in Münster 1997, contemporary visual arts, issue 14 Mel Gooding, ‘Judging Turner’, contemporary visual arts, issue 14 Francesco Bonami, ‘Skulptur Projekte, Münster 1997. An interview with Kasper König, curator’, Flash Art, March-April 1997 Tim Hilton, ‘Largely immaterial’, The Independent on Sunday, 13 April Adrian Searle, ‘Isn’t it offal?’, The Guardian, April 8th John O’Reilly, ‘The object of seeing’, The Independent long weekend, April 5th John Stahtatos, ‘Material Culture at the Hayward’, Untitled, No 1 Donald Kuspit, ‘Richard Deacon, Marian Goodman Gallery’ Artforum, Summer 1997 Adrian Searle, ‘The Germans are coming’, The Guardian, September 30 Benjamin H.D. Buchloh, ‘Sculpture projects in Münster’, Artforum, September, pp.115-117.

1998 ‘Art Notes - Awards and Prizes’, Art Monthly, No.221

1999 Sigrid Feeser, ‘Triennale der Kleinplastik Europa-Afrika’,Kunstforum, January- February, pp. 398-399. Jane Levi, ‘Sculpture to DIY for’, The Times, 6 February, PP. 24-25 Lewis Biggs, ‘The World Made Sculpture’, Tate Magazine, Spring, pp. 64-68 ‘Sculpting Sensation’, Woman & Home, March Lynn MacRitchie, ‘Bend me, Shape me, Glue me’, The Independent on Sunday, 28 February

Louisa Buck, ‘Answered prayers: art to feed body and soul’, The Art Newspaper, March, p.37 Laura Cumming, ‘Out of the loop but too original to be out of fashion ...’, The Observer, 28 February Robert Clark, ‘Richard Deacon’, The Guardian, 2 March, p. 10 Louise Jury, ‘Bigger means better for the Tate’, The Independent on Sunday, 28 March O.W., ‘Richard Deacon imposes order on the organic’, The Art Newspaper, April ‘Carve up’, Womans Journal, April Tom Lubbock, ‘Don’t ask ‘why’, ask ‘how’’, The Independent, 30 March James Hall, ‘Life under the table top’, Times Literary Supplement, 2 April ‘Art with Heart’, Hotline, April Andrew Lambirth, ‘Organic engineering’, The Royal Academy Magazine, spring, no. 62, pp. 26-27 ‘50 years of British sculpture’, Les cahiers de la sculpture, no. 1, p.50 Richard Cork, ‘Power of a snake charmer’, The Times, March 24, ‘Richard Deacon’, Artclub, spring , pp. 4-5 ‘Appointments’, Art Monthly, May, no.226, p.18 ‘Richard Deacon: New World Order’, Sunday Telegraph, May 9, p.34 ‘Academicians’ round-up’, The Royal Academy Magazine, no. 63, Summer, p.27 Maddy Costa, Richard Deacon’, Hot Ticket - , 3 June, p.54 ‘Richard Deacon’, Evening Standard, 3 June, p.54, ‘Our choice of London contemporary galleries’, The Art Newspaper, June 1999, pp. 59-60 Vaughan Allen, ‘An alien utopia’, The Big Issue in the North, Frank G. Perry, ‘Vem ser pa vad? Vad ser pa vem?’,Svenska Dagbladet, 27 March ‘Richard Deacon’, Artforum, January, p. 53 ‘Richard Deacon’, Axiom, February John Russell Taylor, ‘The big show: Richard Deacon’, Metro, 6-12 March ‘Richard Deacon, Artist of the Month’, , p.38, August, 99 Malcom Handley, ‘Dali\s gone. Now for an even bigger attraction’, Daily Post, February 20, p.3 Malcolm Handley, ‘The bigger attraction’, Daily Post, February 26 Joe Riley, ‘Working wonders in wood’, Liverpool Echo, 23 February ‘Richard Deacon imposes order on the organic’, The Art Newspaper, April Francesca Lourie, ‘Richard Deacon - ‘New World Order’’, Bigmouth, February ‘Turner prize winner displays his talent at the Tate’, Wrexham Evening Leader & Chester Evening Leader, February 10 ‘Sculptor awarded with CBE’, South London Press, January 1 Rt Rev James Jones, ‘My cultural life’, The Guardian, March 26 Mark Irving, ‘Home is where the art is?’, The Express, p.81, London, UK, 16 Oct 99 Michael Glover, ‘Richard Deacon’, Art News, p.159, September 99 G. Roberts, ‘Making DIY a real art’, Portsmouth News, p.20, Oct 19 Clare Garner, ‘Leading Artists try their hand at DIY in appeal to the masses’, The Independent, Oct 30 C. Prentice, ‘Art throws in the towel’, Scotland on Sunday - Edinburgh, p.38-40, Nov 7 Tom Lubbock, ‘Home is where the art is’, The Independent, Nov 23 Lesley Jackson, ‘Square pegs, round holes’, The Independent, Nov 13

‘What National Acclaim has meant to Five Artists’, The Independent, p.14, Nov. 11, 99 M. Gayford, ‘Art escapes from the gallery’, The Daily Telegraph, Arts, Dec 8 Martin Bailey, ‘Dome Zones’, The Art Newspaper, Dec 99 Adrian Searle, ‘Arts in the dome’, The Guardian, p. 10, Dec 23, 99 Clare Henry, ‘Heads up for the Dome Show’, The Herald, Arts, p. 12, Jan 3, 00 Ossian Ward, ‘MM = 2000 = Massive Monuments’, The Arts Newspaper, ‘Public Art’, p.31, Dec 99 Doris Lockhart Saatchi, ‘The Dome in London’, The Art Quarterly of the National Collections Fund, pp. 60, Dec 99 Louise Jury, ‘Wanted: Homes for millenial scuptures’, The Independent, Early Edition, p.5, Dec 4, 99 ‘Dome Improvement’, Art Monthy, p.14, Jan 00 ‘Quantum art will join the leap into the Millennium’, The Herald, Glasgow, p.3, Oct 5, 99 Ian Tromp, ‘Undetermined Pleasure and Unnecessary Beauty’, Interview, Sculpture, vol. 18, No. 9, Nov. 99

2000 Claire Allfree, ‘The dome outside scuptures’, Metro, Jan 6, 00 Jean Poderos, ‘Plastic Man’, Beaux Arts, Paris, pp.62, Nr. 189, Feb. 00 Mike Parker, ‘Sculpture for public spaces’, Morning Star, Feb 15, 00 Judith Bumpus, ‘Beyond the Dome’, p. 92, Royal Academy Magazine, N. 66, Spring 2000 Andrew Graham Dixon, ‘The Art of Success’, Vogue, pp.179-92 London, May 2000 ‘Shock of the New’, Evening Standard, p.3, May 12, 00 Richard Cork, ‘Riverside des res with all mod icons’, The Times, p.18, May 10, 00 Michael Glover, ‘The back half’, New Statesman, pp.43, May 22, 00 Dave Beech,’On the Dome Front’, Art Monthly, pp.1-4, June 2000 Stephen Bury, ‘Between Object and Artwork’, Artmonthly, pp.52-53, Jul-Aug, 00 Ian Tromp, ‘Sculpture at the Millenium Dome’, Sculpture, p.76-79, July-Aug. 00 Brigitte Ulmer, ‘Kunstszene London: Explosion an Kreativitaet!’, Bolero, pp.26-32, Sept. 00 ‘Anglo-Chinese relations’, RA (Royal Academy Magazine), London, UK, sep. David Pagel, ‘Deacon’s Playful Sculptures Are Monuments to Creativity’, Los Angeles Times, November 2000

2001 Martin Gayford, ‘Richard Deacon on Caius Gabriel Cibber’s Melancholy Madness and Raving Madness (c. 1676)’, p. 12, The Daily Telegraph, 24 March 01 Rachel Campbell-Johnston, ‘They blinded me with science’, The Times, 21 March John Windsor, ‘Go forth - and buy multiples’, The Observer, 4 Feb 2001 Michael Benson, ‘To Atlantis and then...’, The London Institute Review 2000, pp. 20-21 ‘Amber Cowan’s choice: Richard Deacon’, The Times, 28 April 01 ‘Eighties Revival’, Graphics International, April 2000 Amber Cowan, ‘The five best shows nationwide’, The Times 5 May p. 26 Sue Wilson, ‘Richard Deacon: Sculpture’, Metro Scotland, 14 May Helen Monaghan, ‘Richard Deacon’, The List, Glasgow, 24 April ‘Richard Deacon’, Scotland on Sunday, 29 April Richard Dorment, ‘It’s a miracle! A tasteful Summer Exhibition’, The Daily Telegraph, 1 June ‘Richard Deacon’, Scotland on Sunday, 10 June

Graham Parker, ‘Richard Deacon’, Art Monthly, June 01,pp. 38-39 Rosie Millard, ‘Silly old Tom Stoppard. Has he overlooked the fact that contemporary art is more available than ever?’, The Times, 8 June Susannah Thompson, ‘Richard Deacon/DCA’, The List, Glasgow, 7 June Rob Hunter, ‘Richard Deacon - Sculpture’, AN Magazine, July. p. 8 ‘Top artist makes mark in Dundee’, Press & Journal, 10 April Alison Middleton, ‘One-man sculpture show proves a big draw’, Press and Journal, 19 June ‘If you’re only going to see one thing this week...’, The Guardian, 28 May Jack Mottram, ‘Against the grain’, Sunday Herald, 6 May Moira Jeffrey, ‘Made of the right stuff’, The Herald, 4 May Elisabeth Mahoney, ‘Richard Deacon’, The Guardian, 2 May Giles Sutherland, ‘Around the Galleries: Dundee’, The Times, 2 May Neil Cameron, ‘The Umhh Factor’, The Scotsman, 23 April EM, ‘Previews: Scotland’, Art Review, April Nick Hackworth, ‘See a pigephant, it’ll scare the s*** out of you’, Evening Standard, 18 Oct Tim Marlow, ‘Editorial: Treasure Island’, Tate: The Art Magazine, Issue 27, Winter Richard Dorment, ‘Gross Interference’, Modern Painters, Winter , p.24 James Hall, ‘A Moving Experience’, Tate: The Art Magazine, Issue 27, Winter 01, pp.60-66 Henry Bounameaux,‘Foire au spectre trop large’, L’Echo, Brussels 12 Oct Sue Wilson, ‘From Beuys to Hirst: art works at deutsche ’ Metro Scotland, 12 Nov 01 Nicholas Cranfield, ‘Ancient triumphs over modern’, Church Times, 09 November Sarah Baylis, ‘Art From Under The Hammer’, Country Life, 08 Nov 01 William Packer, ‘Cast aside but not fogotten’, Financial Times, 25 Sept Michael Glover, ‘Pieces of history brought to life’, Financial Times, 19 Sept 01 p.16 Sue Hubbard, ‘Rock of Ages’, New Statesman, 24 Sept 01, pp.43-44

2002 , ‘And the wooden spoon goes to…’ The Art Newspaper, No 212, January 02 Martin Gayford, ‘Shaken and Stirred’, The Spectator, 02 Feb 02 Waldemar Januszczack, ‘Down To Earth’, The Sunday Times, 17 March Richard Cork, ‘The Five Best Shows in London’, The Independent, 16 March Mira Hudson, ‘Material Language’, The Royal Academy Magazine, Number 74, Spring 2002 ‘Ricard Deacon’, Ally Magazine, London, UK, March 2002 Charles Darwent, ‘The Beauty is in the Detail’, Metro, London, UK, 18 march Sune Nordgren, ‘Richard Deacon and Sune Nordgen’, The Independent on Sunday, 24 March 2002 pp. 7-8 Morgan Falconer, ‘Skin and Bones’, What’s on in London, 20 March Charles Darwent, ‘Do go down to the wood today’, The Independent on Sunday, 24 March 2002 Martin Gayford, The Sunday Telegraph, 24 March 2002 Sue Hubbard, ‘A Series of Delicate Enquiries’, Art Review, April 200 Anne Colin, ‘Richard Deacon Thomas Schütte’, artpress, 280, Juin 2002, Nicholas Rena, ‘Wise Enough to Play the Fool’, Ceramic Review, issue number 196, July/August 2002 Richard Cork, ‘Spatial Contention’, RA, number 75, summer 2002,

Martin Gayford, ‘Twists and turns’, The Daily Telegraph, 3 April 2002 Rebecca Geldard, ‘Richard Deacon’, Time Out, 10 April 2002 Mira Hudson, ‘Material language’, RA, May 2002 Peter Chapman, ‘Richard Deacon’, The Independent, 30 March 2002 Richard Cork, ‘Telling it from the marine’, The Times, 27 March 2002 Rachel Campbell-Johnston, ‘Five best London exhibitions’, The Times, 9 March 2002 ‘Lisson Forms’, Tatler, April 2002 ‘Richard Deacon’, Hello, London, UK, 12 March 2002 ‘Richard Deacon’, Money Week, London, UK, 12 April 2002 Don’t miss… Richard Deacon’, The Independent, 2 April 2002 ‘Spatial contention’, Royal Academy Magazine, june 2002. Simon Tait, ‘Sensation seeker’, Museum Journal London, July 2002 Martin Gayford, ‘Add a little structure’, The Daily Telegraph, 27 April Alex Farquharson, ‘Near Favorite’, ArtForum, September 2002, p. 90 Peter Lewis, ‘Art or Craft’, Ceramic Review, September 2002, p. 12 Charlotte Mullins, ‘West to East and Back’, RA, no. 76, autumn 2002, Michael Glover, ‘Academy puts on a trade fair, but without the price tags’, The Independent, 13 Sept. 2002 William Packer, ‘When is a show not a show?’, Financial Times, 17 Sep. John McEwen, ‘Dealers in the temple’, The Sunday Telegraphs, 15 Sep. Martin Gayford, ‘Spotlight on the middleman’, The Daily Telegraph’, 13 Sep. 2002 ‘From Donatello to Deacon’, Ceramics in Society, Autumn 2002, 17-20. ‘Academicians round-up’, RA, No. 77, winter 2002, p. 35 ‘Everyone’s a winner, tunner prize history’, Tate, London, UK, Nov.2002.

2003 ‘Richard Deacon’, Jaguar, japan edition, spring 03, p.16-17 ‘Deacon’s nucleic acid’, Martin Kemp, Nature (journal of science), 29 May 03, p.483 ‘Baltic art gallery chief quits post for job in Norway’, The Independent, Ian Burrell, 3 July 03 ‘Deacon Nucleic Acid’, Nature, Vol. 423, 29-8-03, p.483.

2004 ‘Richard Deacon’, David Frankel, Art Forum November 2006

2005 ‘What’s, red white and wet all over?’, Adrian Searle, The Guardian G2, 10.01 pg.20-22 ‘The Material World’, Tony Cragg on Richard Deacon, Tate, Etc, Issue 4, Summer 2005

2006 ‘Richard Deacon’, Claudia Clare, Ceramic Review, March/April, 2006 ‘In the Studio’, Benjamin Secher, Daily Telegraph, 17th January, pp. 27 ‘Getting Personal’, Julian Anderson, RA Magazine, no.93 Winter 2006

2007 ‘Richard Deacon’, Matt Price, Art Monthly, no 304, March 07, pp. 35-36 ‘Who’s Shocking Now?’, Martin Hunter, The Guardian Weekend, 8 September 2007

2008 ‘Richard Deacon’, Shana Nys Dambrot, Art Review, March 2008, p162 ‘Richard Deacon’, Claire Foster, The Express, 28th May 2008, p30

‘Richard Deacon en boucle’, Catherine Ferbos-Nakov, La Revue de la Ceramic et du Verre, 161, July-August 2008 p45-48 ‘Richard Deacon and Bill Woodrow: on the rocks’, J.J. Charlesworth, Art Review, 1 October 2008

2009 ‘Richard Deacon’, James Langdom, Grafik, 1 February 2009, p60-65 ‘Comissions’, Art Monthly, 1May 2009, p20

Films and Videos

1985-6 Wall of Light, film made in collaboration with Richard Rogers and John Tchalenko

1991 The Interior is Always More Difficult, 30 minutes, VHS. Directed by Martin Kreyssig, produced by Richard Deacon. Made for exhibition at Museum Haus Lange and Haus Esters, Krefeld, Germany.

1993 ‘Factory 93’

1996 Them and Us, 5:25 min video produced by Richard Deacon, Thomas Shutte and Martin Kreyssig.

2006 Richard Deacon, interview based profile, The Eye, Illuminations approx 26 min

2007 L’Art et la Maniere – Richard Deacon, A film by Frederic Le Clair, Art et Image & Compagnie, 26 min Richard Deacon at the old Brewery, Venice, Interview filmed by Tate etc. http://www.tate.org.uk/tateetc/news/venice2007/richarddeacon.htm

Public Collections

Tate Gallery, London, UK Fonds National d'Art Contemporain, Puteaux Contemporary Art Society, London, UK The British Council Museum of Modern Art, New York Fonds régional d'art contemporain, Rhone-Alps Carnegie Museum of Art, Pittsburgh Louisiana Museum, Denmark Stedelijk Museum, Amsterdam Kunstmuseum, Luzern Tochigi Prefectural Museum, Japan Bonnefantemuseum, Maastricht Fundacion Caja de Pensiones, Madrid Saint Louis Art Museum, Missouri Museum van Hedendaagse Kunst, Antwerp Arts Council of Great Britain Museet for Samtidskunst, Oslo Kaiser Wilhelm Museum, Krefeld Fonds régional d'art contemporain, Picardie San Francisco Museum of Modern Art, San Francisco

The High Museum of Art, Atlanta Tokyo Forum Hiroshima Museum of Art Hirshorn Museum, Washington Fundacion Caja de Pensiones, Barcelona Centre Georges Pompidou, Paris Museum of Contemporary Art, Helsinki Weltkunst Foundation, Zurich Irish Museum of Modern Art, Dublin Art Gallery of Ontario, Toronto Kröller-Müller Museum, Otterlo ARC, Musée d’Art Moderne de la ville de Paris MUHKA, Antwerp Museum of Contemporary Art, Chicago Museum of Contemporary Art, Los Angeles Sprengel Museum, Hanover Setegaya Art Museum, Tokyo Centro de Arte Reina Sofia, Madrid Walker Art Gallery, Minneapolis Le Nouveau Musée, Lyon Fondazione Prada, Milan The Israel Museum, Jerusalem Kunstmuseum, Basel Middelheim Sculpture Park, Antwerp Kunsternes Hus, Oslo Berado Museum, Lisbon Musée d’Art Moderne, Villeneuve d’Ascq University of Warwick Art Gallery of New South Wales, Australia Cosco Corporation, Beijing, China Akron Museum and Art Gallery Manchester City Museum and Art Gallery Southampton City Museum and Art Gallery Sintra Museum, Portugal Astrup-Fearnley Museum, Oslo KIASAM, Finland K21, Dusseldorf FRAC Rhone-Alpes FRAC Picardie FNAC, Frances Samsung Museum, Seoul Auckland City Museum and Art Gallery Museum of Modern Kunstm Copenhagen K21 Kunstsammlung Nordrhein-Westfalen, Dusseldorf