DOCSLIB.ORG
  • Sign Up
  • Log In
  • Upload
  • Sign Up
  • Log In
  • Upload
  • Home
  • »  Tags
  • »  Basil Dearden

Basil Dearden

  • University of Huddersfield Repository

    University of Huddersfield Repository

  • EARL CAMERON Sapphire

    EARL CAMERON Sapphire

  • Woman of Straw Ending

    Woman of Straw Ending

  • British Movies from Austerity to Affluence, Which Deals Extensively with British films of the 1950S, Was Written in the Mid-1960S and Was Published in 1970

    British Movies from Austerity to Affluence, Which Deals Extensively with British films of the 1950S, Was Written in the Mid-1960S and Was Published in 1970

  • PROGRAMME NOTES VICTIM.Eps

    PROGRAMME NOTES VICTIM.Eps

  • Reconstructing Boundaries: Gender, War and Empire in British Cinema, 1945-1950

    Reconstructing Boundaries: Gender, War and Empire in British Cinema, 1945-1950

  • Black British Women Filmmakers in the Digital Era: New Production Strategies and Re-Presentations of Black Womanhood

    Black British Women Filmmakers in the Digital Era: New Production Strategies and Re-Presentations of Black Womanhood

  • Leighway September 2010.Pdf

    Leighway September 2010.Pdf

  • Third-World Movies

    Third-World Movies

  • Gregory Peck CENTENNIAL

    Gregory Peck CENTENNIAL

  • Robert Hartford-Davis and British Exploitation Cinema of the 1960S

    Robert Hartford-Davis and British Exploitation Cinema of the 1960S

  • Space, Gender & Hierarchy in British Gangland Film

    Space, Gender & Hierarchy in British Gangland Film

  • 1 Before the Colditz Myth: Telling POW Stories in Postwar British Cinema Gill Plain Gill Plain Is Professor of English Literatu

    1 Before the Colditz Myth: Telling POW Stories in Postwar British Cinema Gill Plain Gill Plain Is Professor of English Literatu

  • WRAP Theses Jesson 2018.Pdf

    WRAP Theses Jesson 2018.Pdf

  • Ealing Studios with Major New Project Ealing: Light & Dark

    Ealing Studios with Major New Project Ealing: Light & Dark

  • Genre, Iconography and British Legal Film Steve Greenfield University of Westminster School of Law, London, UK

    Genre, Iconography and British Legal Film Steve Greenfield University of Westminster School of Law, London, UK

  • “We Are the Real Countries”: Space and Identity in British, French, and American Prisoner of War Cinema by Mandy Elliott A

    “We Are the Real Countries”: Space and Identity in British, French, and American Prisoner of War Cinema by Mandy Elliott A

  • Bryanston Films : an Experiment in Cooperative Independent Production and Distribution

    Bryanston Films : an Experiment in Cooperative Independent Production and Distribution

Top View
  • "There'll Always Be an England": Representations Of
  • 'Social Problem' Film: 'Violent Playground'
  • Annual 'See It Big!' 70Mm Edition to Feature Classic And
  • Dead of Night
  • ARABS in HOLLYWOOD:ORIENTALISM in FILM By
  • The Representation of Transgressive Female Desire in Daughter Of
  • Film Club Sky 328 APRIL Newsletter Freesat 306 MAY 2019 Virgin 445
  • STARDUST on Talking Pictures TV Stars: David Essex, Adam Faith, Larry Hagman, Rosalind Ayres, Ines Des Longchamps, Karl Howman
  • Dirk Bogarde's Gamble
  • Moma to OCNCLUDE PART ONE of BRITISH FILM RETROSPECTIVE
  • The Ageing Woman in British Film Comedy of the Mid-Twentieth Century
  • Bryanston Films : an Experiment in Cooperative Independent Production and Distribution
  • The Cultural Construction of the Police 1
  • Boxing Filmography
  • Reluctant Imperialism: Depicting Empire in 1960S Anglo-American Film
  • 16.095 Film Calendar June-August 2016Rd.7.Qxp
  • Dirk Bogarde Program 2021. PDF. Approx 4MB
  • The Spectacle of Realism: Special Effects at Ealing Studios, 1940-45 Keywords: Ealing Studios; Special Effects; Second World


© 2024 Docslib.org    Feedback