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Boxing Filmography BOXING FILMOGRAPHY (in chronological order of general release—decade ‘champion’ in bold) 1895 The Boxing Kangaroo (Birt Acres, Robert Paul) Boxing Match (Birt Acres, Robert Paul) 1896 Boxing Match aka Glove Contest (Birt Acres) A Prize Fight by Jem Mace and Burke (Birt Acres) 1897 Boxing Match Between Toff Wall and Dido Plum (Robert Paul) 1898 Has He Hit Me? (William Dickson) 1899 Comic Boxing Match (Unknown) 1900 A Prize Fight or Glove Contest Between John Bull and President Kruger aka The Set-to Between John Bull and Paul Kruger (John Sloane Barnes) © The Author(s), under exclusive license to Springer Nature 235 Switzerland AG 2021 S. Glynn, The British Boxing Film, https://doi.org/10.1007/978-3-030-74210-2 236 BOXING FILMOGRAPHY 1902 The Interrupted Prize Fight (Unknown) 1903 The Pocket Boxers (W.R. Booth) 1908 There’s Life in the Old Dog Yet (S. Wormold) 1909 Boxing Fever (A.E. Coleby) The Boxing Waiter (Alf Collins?) 1910 Black and White (Unknown) The Great Black v. White Prize Fight (Unknown) The Great Fight at All-Sereno (W.R. Booth) Pimple Meets Jack Johnson (Joe and Fred Evans) The Man to Beat Jack Johnson (Unknown) 1911 Billy’s Book on Boxing (H.O. Martinek) The Great Fight for the Championship in Our Court (Unknown) 1912 The Night I Fought Jack Johnson (Unknown) Lieutenant Daring Defeats the Middleweight Champion (Charles Raymond) Battling Kelly (A.E. Coleby) The Knockout Blow (Floyd Martin Thornton?) 1913 Billy’s Boxing Gloves (David Aylott?) Pimple’s Sporting Chance (Fred and Joe Evans) The House of Temperley (Harold M. Shaw) 1914 The Third String (George Loane Tucker) The House of Distemperley (Fred and Joe Evans) BOXING FILMOGRAPHY 237 Asking for Trouble (Edwin J. Collins) The Last Round (Bert Haldane) Pimple Beats Jack Johnson (Fred and Joe Evans) How I Won the Belt (Harcourt Brown) The White Hope—On Championship (Andrew Heron) The Terrible Two on the Mash (Joe Evans) 1915 Coward! aka They Called Him Coward (Frank Wilson) They’re All After Flo (Frank Wilson?) Battling Brown of Birmingham (Charles Weston) The White Hope (Frank Wilson) The Winner (Charles Calvert) 1916 The Last Challenge (Harold M. Shaw) Kent the Fighting Man (A.E. Coleby) 1917 A Pit Boy’s Romance (A.E. Coleby, Arthur Rooke) The Happy Warrior (Floyd Martin Thornton) 1918 The Great Game (A.E. Coleby) 1920 A Son of David (Hay Plumb) Won By a Head (Percy Nash) Rodney Stone (Percy Nash) The Call of the Road (A.E. Coleby) The Pride of the Fancy (Richard Garrick, Albert Ward) 1921 Corinthian Jack (W. Courtney Rowden) The Croxley Master (Percy Nash) The Sport of Kings (Arthur Rooke) 1922 A Gipsy Cavalier (J. Stuart Blackton) The White Hope (Frank Wilson) 238 BOXING FILMOGRAPHY 1923 The Knockout (Alexander Butler) 1924 In the Blood (Walter West) Fighting Snub Reilly (Andrew P. Wilson) The Gay Corinthian (Arthur Rooke) 1925 Pongo’s Rodeo (Dudley Buxton) 1926 Romances of the Prize Ring (Harry B. Parkinson) For My ‘Lady’s’ Happiness / The Game Chicken / When Giants Fought / For a Woman’s Eyes / Gypsy Courage / The Phantom Foe / Find the Woman / The Fighting Gladiator 1928 The Ring (Alfred Hitchcock) 1929 Auld Lang Syne (George Pearson) 1930 Bingo the Battling Bruiser (Norman Cobb) 1932 The Third String (George Pearson) Self-Made Lady (George King) Splinters in the Navy (Walter Forde) Money Talks (Norman Lee) 1933 Side Streets (Ivar Campbell) The Fortunate Fool (Norman Walker) Mannequin (George A. Cooper) 1934 The Bermondsey Kid (Ralph Dawson) BOXING FILMOGRAPHY 239 1935 Blue Smoke (Ralph Ince) 1936 Excuse My Glove (Redd Davis) 1937 Fifty-Shilling Boxer (Maclean Rogers) Keep Fit (Anthony Kimmins) 1939 There Ain’t No Justice (Pen Tennyson) 1949 Meet the Duke (James Corbett) No Way Back (Stefan Osiecki) 1951 There is Another Sun (Lewis Gilbert) 1953 The Square Ring (Basil Dearden) 1955 One Good Turn (John Paddy Carstairs) 1957 Fighting Mad (Denis Kavanagh) 1960 And the Same to You (George Pollock) 1966 Run with the Wind (Lindsay Shonteff) 1990 The Big Man (David Leland) 1991 Blonde Fist (Frank Clarke) 240 Boxing Filmography 1992 Fighters (Ron Peck) 1996 Real Money (Ron Peck) 1997 The Boxer (Jim Sheridan) TwentyFourSeven (Shane Meadows) 1998 Like It Is (Paul Oremland) 2000 Snatch (Guy Ritchie) 2001 Shiner (John Irvin) 2004 The Calcium Kid (Alex de Rakoff) 2007 Blue Blood (Stevan Riley) 2008 Sucker Punch (Malcolm Martin) 2010 The Kid (Nick Moran) 2011 Risen (Neil Jones) On the Ropes (Hamdy Taha, Mark Noyce) 2012 The Man Inside (Dan Turner) Boxing Filmography 241 2016 Orthodox (David Leon) 2017 Jawbone (Thomas Napper) My Name is Lenny (Ron Scalpello) Journeyman (Paddy Considine) 2018 A Prayer Before Dawn (Jean-Stéphane Sauvaire) Gloves Off (Steve Nesbit) BIbLIOGRAPHY Abel, R. (Ed.). (2005). Encyclopedia of Early Cinema. Routledge. Abramson, L. H. (2015). Hitchcock and the Anxiety of Authorship. Palgrave Macmillan. Aldama, F. L., & Kelly, C. G. (2019). The Good, Bad, and the Messy: Michael Peňa’s Browning of the Twenty-First-Century Silver Screen. In F. L. Aldama (Ed.), Latinx Ciné in the Twenty-First Century. University of Arizona Press. Anderson, L. (1949). The Studio that Begs to Differ. In G. Lambert & C. King (Eds.), Film and Theatre Today: The European Scene. Saturn Books. Ash, R. (2003). The Top Ten of Films. Dorling Kindersley. Babington, B. (2014). The Sports Film: Games People Play. Wallfower. Bagehot, W. (2001 [1867]). The English Constitution. Cambridge University Press. Baker, A. (2003). Contesting Identities: Sports in American Film. University of Illinois Press. Baker, S. (n.d.). Politics and Film 1903–1935. Retrieved December 27, 2020, from http://www.screenonline.org.uk/flm/id/1196906/index.html Bakhtin, M. (1984 [1965]). Rabelais and his World (H. Iswolsky, Trans.). Indiana University Press. Balcon, M. (1969). Michael Balcon Presents … A Lifetime of Films. Hutchinson. Bamford, K. (1999). Distorted Images: British National Identity and Film in the 1920s. I.B. Tauris. Barnes, J. (1976). The Beginnings of the Cinema in England. David and Charles. Barr, C. (1993). Ealing Studios (Rev. ed.). Studio Vista. Barr, C. (1999). English Hitchcock. Cameron & Hollis. Barr, C. (2003). Sports Films. In B. McFarlane (Ed.), The Encyclopedia of British Film (2nd ed.). BFI. © The Author(s), under exclusive license to Springer Nature 243 Switzerland AG 2021 S. Glynn, The British Boxing Film, https://doi.org/10.1007/978-3-030-74210-2 244 Bibliography Barton, R. (2002). Jim Sheridan: Framing the Nation. Liffey Press. Bazin, A. (1971). What Is Cinema? Vol. 2 (H. Gray, Trans.). University of California Press. Bergan, R. (1982). Sports in the Movies. Proteus. Bishop, D. (2003). Starring Michael Caine. Reynolds & Hearn. Boddy, K. (2008). Boxing: A Cultural History. Reaktion Books. Bogdanovich, P. (1963). The Cinema of Alfred Hitchcock. Museum of Modern Art. Bonzel, K. (2020). National Pastimes: Cinema, Sports, and Nation. University of Nebraska Press. Bordwell, D., & Thompson, K. (2010). Film Art: An Introduction (9th ed.). McGraw Hill. Bryce, A. (1994). Nickels and Dimes and No Time: The Ups and Downs of Lindsay Shonteff. In S. Jaworzyn (Ed.), Shock Xpress 2. Titan. Burton, A., & Chibnall, S. (2013). Historical Dictionary of British Cinema. Scarecrow Press. Burton, A., & O’Sullivan, T. (2009). The Cinema of Basil Dearden and Michael Relph. Edinburgh University Press. Carter, M. (2012). Pen Tennyson: Balcon’s Golden Boy. In M. Duguid, L. Freeman, K. M. Johnston, & M. Williams (Eds.), Ealing Revisited. Palgrave Macmillan / BFI. Cave, D. (2016). In Focus: What’s Great about UK Short Films?. Retrieved November 4, 2020, from https://flm.britishcouncil.org/blog/uk-­shorts Chandler, D. (1997). An Introduction to Genre Theory. Retrieved October 10, 2020, from http://www.aber.ac.uk/media/Documents/intgenre/chandler_ genre_theory.pdf Chapman, J. (2018). Hitchcock and the Spy Film. I.B. Tauris. Cheshire, E. (2015). Bio-Pics: A Life in Pictures. Wallfower. Chibnall, S. (2008). Travels in Ladland: The British Gangster Film Cycle, 1998–2001. In R. Murphy (Ed.), The British Cinema Book (3rd ed.). BFI. Chibnall, S., & McFarlane, B. (2009). The British ‘B’ Film. BFI/Palgrave Macmillan. Christie, I. (2019). Robert Paul and the Origins of British Cinema. University of Chicago Press. Clay, A. (1999). Men, Women and Money: Masculinity in Crisis in the British Professional Crime Film 1946–1965. In S. Chibnall & R. Murphy (Eds.), British Crime Cinema. Routledge. Colls, R. (2020). This Sporting Life: Sport and Liberty in England 1760–1960. Oxford University Press. Cook, P. (1982, September–October). Masculinity in Crisis? Screen, 23, 3–4. Coulter, C. (1999). Contemporary Northern Ireland Society. Pluto Press. Crawford, P. (2002). Politics and History in William Golding: The World Turned Upside Down. University of Missouri Press. Crosson, S. (2013). Sport and Film. Routledge. Bibliography 245 Dacre, R. (1991). Trouble in Store: Norman Wisdom, a Career in Comedy. T.C. Farries and Co.. Dave, P. (2006). Visions of England: Class and Culture in Contemporary Cinema. Berg. De Witt, H. (n.d.). Fighters. Retrieved October 19, 2020, from http://www. screenonline.org.uk/flm/id/548464/index.html Desjardins, M. (2006). Free from the Apron Strings: Representations of Mothers in the Maternal British State. In L. D. Friedman (Ed.), Fires Were Started: British Cinema and Thatcherism (2nd ed.) Wallfower. Dix, A. (2008). Beginning Film Studies. Manchester University Press. Doyle, A. C. (1896). Rodney Stone. Smith, Elder & Co. Durgnat, R. (1970). A Mirror for England: British Movies from Austerity to Affuence. Faber and Faber. Durgnat, R. (1974). The Strange Case of Alfred Hitchcock. Faber and Faber. Dyer, R. (1992). Only Entertainment. Routledge. Dyer, R. (1997). White: Essays on Race and Culture. Routledge. Early, G. (2019). Introduction: The Last Sport Standing. In G. Early (Ed.), The Cambridge Companion to Boxing. Cambridge University Press. Edwards, T. (2006). Cultures of Masculinity.
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