DOCSLIB.ORG

Boxing Filmography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

BOXING FILMOGRAPHY (in chronological order of general release—decade ‘champion’ in bold) 1895 The Boxing Kangaroo (Birt Acres, Robert Paul) Boxing Match (Birt Acres, Robert Paul) 1896 Boxing Match aka Glove Contest (Birt Acres) A Prize Fight by Jem Mace and Burke (Birt Acres) 1897 Boxing Match Between Toff Wall and Dido Plum (Robert Paul) 1898 Has He Hit Me? (William Dickson) 1899 Comic Boxing Match (Unknown) 1900 A Prize Fight or Glove Contest Between John Bull and President Kruger aka The Set-to Between John Bull and Paul Kruger (John Sloane Barnes) © The Author(s), under exclusive license to Springer Nature 235 Switzerland AG 2021 S. Glynn, The British Boxing Film, https://doi.org/10.1007/978-3-030-74210-2 236 BOXING FILMOGRAPHY 1902 The Interrupted Prize Fight (Unknown) 1903 The Pocket Boxers (W.R. Booth) 1908 There’s Life in the Old Dog Yet (S. Wormold) 1909 Boxing Fever (A.E. Coleby) The Boxing Waiter (Alf Collins?) 1910 Black and White (Unknown) The Great Black v. White Prize Fight (Unknown) The Great Fight at All-Sereno (W.R. Booth) Pimple Meets Jack Johnson (Joe and Fred Evans) The Man to Beat Jack Johnson (Unknown) 1911 Billy’s Book on Boxing (H.O. Martinek) The Great Fight for the Championship in Our Court (Unknown) 1912 The Night I Fought Jack Johnson (Unknown) Lieutenant Daring Defeats the Middleweight Champion (Charles Raymond) Battling Kelly (A.E. Coleby) The Knockout Blow (Floyd Martin Thornton?) 1913 Billy’s Boxing Gloves (David Aylott?) Pimple’s Sporting Chance (Fred and Joe Evans) The House of Temperley (Harold M. Shaw) 1914 The Third String (George Loane Tucker) The House of Distemperley (Fred and Joe Evans) BOXING FILMOGRAPHY 237 Asking for Trouble (Edwin J. Collins) The Last Round (Bert Haldane) Pimple Beats Jack Johnson (Fred and Joe Evans) How I Won the Belt (Harcourt Brown) The White Hope—On Championship (Andrew Heron) The Terrible Two on the Mash (Joe Evans) 1915 Coward! aka They Called Him Coward (Frank Wilson) They’re All After Flo (Frank Wilson?) Battling Brown of Birmingham (Charles Weston) The White Hope (Frank Wilson) The Winner (Charles Calvert) 1916 The Last Challenge (Harold M. Shaw) Kent the Fighting Man (A.E. Coleby) 1917 A Pit Boy’s Romance (A.E. Coleby, Arthur Rooke) The Happy Warrior (Floyd Martin Thornton) 1918 The Great Game (A.E. Coleby) 1920 A Son of David (Hay Plumb) Won By a Head (Percy Nash) Rodney Stone (Percy Nash) The Call of the Road (A.E. Coleby) The Pride of the Fancy (Richard Garrick, Albert Ward) 1921 Corinthian Jack (W. Courtney Rowden) The Croxley Master (Percy Nash) The Sport of Kings (Arthur Rooke) 1922 A Gipsy Cavalier (J. Stuart Blackton) The White Hope (Frank Wilson) 238 BOXING FILMOGRAPHY 1923 The Knockout (Alexander Butler) 1924 In the Blood (Walter West) Fighting Snub Reilly (Andrew P. Wilson) The Gay Corinthian (Arthur Rooke) 1925 Pongo’s Rodeo (Dudley Buxton) 1926 Romances of the Prize Ring (Harry B. Parkinson) For My ‘Lady’s’ Happiness / The Game Chicken / When Giants Fought / For a Woman’s Eyes / Gypsy Courage / The Phantom Foe / Find the Woman / The Fighting Gladiator 1928 The Ring (Alfred Hitchcock) 1929 Auld Lang Syne (George Pearson) 1930 Bingo the Battling Bruiser (Norman Cobb) 1932 The Third String (George Pearson) Self-Made Lady (George King) Splinters in the Navy (Walter Forde) Money Talks (Norman Lee) 1933 Side Streets (Ivar Campbell) The Fortunate Fool (Norman Walker) Mannequin (George A. Cooper) 1934 The Bermondsey Kid (Ralph Dawson) BOXING FILMOGRAPHY 239 1935 Blue Smoke (Ralph Ince) 1936 Excuse My Glove (Redd Davis) 1937 Fifty-Shilling Boxer (Maclean Rogers) Keep Fit (Anthony Kimmins) 1939 There Ain’t No Justice (Pen Tennyson) 1949 Meet the Duke (James Corbett) No Way Back (Stefan Osiecki) 1951 There is Another Sun (Lewis Gilbert) 1953 The Square Ring (Basil Dearden) 1955 One Good Turn (John Paddy Carstairs) 1957 Fighting Mad (Denis Kavanagh) 1960 And the Same to You (George Pollock) 1966 Run with the Wind (Lindsay Shonteff) 1990 The Big Man (David Leland) 1991 Blonde Fist (Frank Clarke) 240 Boxing Filmography 1992 Fighters (Ron Peck) 1996 Real Money (Ron Peck) 1997 The Boxer (Jim Sheridan) TwentyFourSeven (Shane Meadows) 1998 Like It Is (Paul Oremland) 2000 Snatch (Guy Ritchie) 2001 Shiner (John Irvin) 2004 The Calcium Kid (Alex de Rakoff) 2007 Blue Blood (Stevan Riley) 2008 Sucker Punch (Malcolm Martin) 2010 The Kid (Nick Moran) 2011 Risen (Neil Jones) On the Ropes (Hamdy Taha, Mark Noyce) 2012 The Man Inside (Dan Turner) Boxing Filmography 241 2016 Orthodox (David Leon) 2017 Jawbone (Thomas Napper) My Name is Lenny (Ron Scalpello) Journeyman (Paddy Considine) 2018 A Prayer Before Dawn (Jean-Stéphane Sauvaire) Gloves Off (Steve Nesbit) BIbLIOGRAPHY Abel, R. (Ed.). (2005). Encyclopedia of Early Cinema. Routledge. Abramson, L. H. (2015). Hitchcock and the Anxiety of Authorship. Palgrave Macmillan. Aldama, F. L., & Kelly, C. G. (2019). The Good, Bad, and the Messy: Michael Peňa’s Browning of the Twenty-First-Century Silver Screen. In F. L. Aldama (Ed.), Latinx Ciné in the Twenty-First Century. University of Arizona Press. Anderson, L. (1949). The Studio that Begs to Differ. In G. Lambert & C. King (Eds.), Film and Theatre Today: The European Scene. Saturn Books. Ash, R. (2003). The Top Ten of Films. Dorling Kindersley. Babington, B. (2014). The Sports Film: Games People Play. Wallfower. Bagehot, W. (2001 [1867]). The English Constitution. Cambridge University Press. Baker, A. (2003). Contesting Identities: Sports in American Film. University of Illinois Press. Baker, S. (n.d.). Politics and Film 1903–1935. Retrieved December 27, 2020, from http://www.screenonline.org.uk/flm/id/1196906/index.html Bakhtin, M. (1984 [1965]). Rabelais and his World (H. Iswolsky, Trans.). Indiana University Press. Balcon, M. (1969). Michael Balcon Presents … A Lifetime of Films. Hutchinson. Bamford, K. (1999). Distorted Images: British National Identity and Film in the 1920s. I.B. Tauris. Barnes, J. (1976). The Beginnings of the Cinema in England. David and Charles. Barr, C. (1993). Ealing Studios (Rev. ed.). Studio Vista. Barr, C. (1999). English Hitchcock. Cameron & Hollis. Barr, C. (2003). Sports Films. In B. McFarlane (Ed.), The Encyclopedia of British Film (2nd ed.). BFI. © The Author(s), under exclusive license to Springer Nature 243 Switzerland AG 2021 S. Glynn, The British Boxing Film, https://doi.org/10.1007/978-3-030-74210-2 244 Bibliography Barton, R. (2002). Jim Sheridan: Framing the Nation. Liffey Press. Bazin, A. (1971). What Is Cinema? Vol. 2 (H. Gray, Trans.). University of California Press. Bergan, R. (1982). Sports in the Movies. Proteus. Bishop, D. (2003). Starring Michael Caine. Reynolds & Hearn. Boddy, K. (2008). Boxing: A Cultural History. Reaktion Books. Bogdanovich, P. (1963). The Cinema of Alfred Hitchcock. Museum of Modern Art. Bonzel, K. (2020). National Pastimes: Cinema, Sports, and Nation. University of Nebraska Press. Bordwell, D., & Thompson, K. (2010). Film Art: An Introduction (9th ed.). McGraw Hill. Bryce, A. (1994). Nickels and Dimes and No Time: The Ups and Downs of Lindsay Shonteff. In S. Jaworzyn (Ed.), Shock Xpress 2. Titan. Burton, A., & Chibnall, S. (2013). Historical Dictionary of British Cinema. Scarecrow Press. Burton, A., & O’Sullivan, T. (2009). The Cinema of Basil Dearden and Michael Relph. Edinburgh University Press. Carter, M. (2012). Pen Tennyson: Balcon’s Golden Boy. In M. Duguid, L. Freeman, K. M. Johnston, & M. Williams (Eds.), Ealing Revisited. Palgrave Macmillan / BFI. Cave, D. (2016). In Focus: What’s Great about UK Short Films?. Retrieved November 4, 2020, from https://flm.britishcouncil.org/blog/uk-­shorts Chandler, D. (1997). An Introduction to Genre Theory. Retrieved October 10, 2020, from http://www.aber.ac.uk/media/Documents/intgenre/chandler_ genre_theory.pdf Chapman, J. (2018). Hitchcock and the Spy Film. I.B. Tauris. Cheshire, E. (2015). Bio-Pics: A Life in Pictures. Wallfower. Chibnall, S. (2008). Travels in Ladland: The British Gangster Film Cycle, 1998–2001. In R. Murphy (Ed.), The British Cinema Book (3rd ed.). BFI. Chibnall, S., & McFarlane, B. (2009). The British ‘B’ Film. BFI/Palgrave Macmillan. Christie, I. (2019). Robert Paul and the Origins of British Cinema. University of Chicago Press. Clay, A. (1999). Men, Women and Money: Masculinity in Crisis in the British Professional Crime Film 1946–1965. In S. Chibnall & R. Murphy (Eds.), British Crime Cinema. Routledge. Colls, R. (2020). This Sporting Life: Sport and Liberty in England 1760–1960. Oxford University Press. Cook, P. (1982, September–October). Masculinity in Crisis? Screen, 23, 3–4. Coulter, C. (1999). Contemporary Northern Ireland Society. Pluto Press. Crawford, P. (2002). Politics and History in William Golding: The World Turned Upside Down. University of Missouri Press. Crosson, S. (2013). Sport and Film. Routledge. Bibliography 245 Dacre, R. (1991). Trouble in Store: Norman Wisdom, a Career in Comedy. T.C. Farries and Co.. Dave, P. (2006). Visions of England: Class and Culture in Contemporary Cinema. Berg. De Witt, H. (n.d.). Fighters. Retrieved October 19, 2020, from http://www. screenonline.org.uk/flm/id/548464/index.html Desjardins, M. (2006). Free from the Apron Strings: Representations of Mothers in the Maternal British State. In L. D. Friedman (Ed.), Fires Were Started: British Cinema and Thatcherism (2nd ed.) Wallfower. Dix, A. (2008). Beginning Film Studies. Manchester University Press. Doyle, A. C. (1896). Rodney Stone. Smith, Elder & Co. Durgnat, R. (1970). A Mirror for England: British Movies from Austerity to Affuence. Faber and Faber. Durgnat, R. (1974). The Strange Case of Alfred Hitchcock. Faber and Faber. Dyer, R. (1992). Only Entertainment. Routledge. Dyer, R. (1997). White: Essays on Race and Culture. Routledge. Early, G. (2019). Introduction: The Last Sport Standing. In G. Early (Ed.), The Cambridge Companion to Boxing. Cambridge University Press. Edwards, T. (2006). Cultures of Masculinity.
Recommended publications
  • Orioies.Naiion Honarpen in Final Cane Mon

    Orioies.Naiion Honarpen in Final Cane Mon

    8 October 12, 2001 ~roKr~~.,um"Bi~ I I I' I , I '"'I I ...- 10.. ""'" .... 110...""1 I • I I < I I I I I FlilIpIrIS I I lellilioll ,.. ""'" ; I ...I ; I I .... , Men's and Women Cross Country ing homer. " at-bats set by McGwire in 1998. September Th~ ' 8010 homer came on a full­ 'T dQn't know what my future is,",; Barry Bonds' hit his 73rd home count knuckleball from Sp,ringel'. It he said. "} love San Francisco and I! Sal. 29 at Belmont Classic 10:00 am run Sunday. further extending the gave Bonds a careel'-rugh 137 R, B.I~. love you fans. My fa mily knows, God, major league record he brOKe Fans aceustomed to Bonds' herOICS knows, I'm proud to wear this uui·· October two days earlier. In what couldbe this S'eason gave him a standing ova· form." ; Sal. 6 at Muhlenberg In vite 10:00 am his final game with the Son tion, l};nd be stepped ~ut of the But the Giants, have a projected! Francisco Giants, Bonds connect­ dugout for a quick curtain call. payroll of $66 million next season, Sat. 13 at DeSales In vit e 10:00 am ·ed In the first Inntng off los Before his second at-bat, fans and signing Bonds, would mean com ~, Sat. ?:7 Middle Atlantic Confe re n~ e Ar:tQeles' Dennis $pringer. The chanted, mitting, neaTly ,al Champion ships at Messiah 11 :00 am ,Glonts won the game 2- T. ' . ' .. F i v ~ third of-that amount: m 0 r e to one player.
  • Circus Friends Association Collection Finding Aid

    Circus Friends Association Collection Finding Aid

    Circus Friends Association Collection Finding Aid University of Sheffield - NFCA Contents Poster - 178R472 Business Records - 178H24 412 Maps, Plans and Charts - 178M16 413 Programmes - 178K43 414 Bibliographies and Catalogues - 178J9 564 Proclamations - 178S5 565 Handbills - 178T40 565 Obituaries, Births, Death and Marriage Certificates - 178Q6 585 Newspaper Cuttings and Scrapbooks - 178G21 585 Correspondence - 178F31 602 Photographs and Postcards - 178C108 604 Original Artwork - 178V11 608 Various - 178Z50 622 Monographs, Articles, Manuscripts and Research Material - 178B30633 Films - 178D13 640 Trade and Advertising Material - 178I22 649 Calendars and Almanacs - 178N5 655 1 Poster - 178R47 178R47.1 poster 30 November 1867 Birmingham, Saturday November 30th 1867, Monday 2 December and during the week Cattle and Dog Shows, Miss Adah Isaacs Menken, Paris & Back for £5, Mazeppa’s, equestrian act, Programme of Scenery and incidents, Sarah’s Young Man, Black type on off white background, Printed at the Theatre Royal Printing Office, Birmingham, 253mm x 753mm Circus Friends Association Collection 178R47.2 poster 1838 Madame Albertazzi, Mdlle. H. Elsler, Mr. Ducrow, Double stud of horses, Mr. Van Amburgh, animal trainer Grieve’s New Scenery, Charlemagne or the Fete of the Forest, Black type on off white backgound, W. Wright Printer, Theatre Royal, Drury Lane, 205mm x 335mm Circus Friends Association Collection 178R47.3 poster 19 October 1885 Berlin, Eln Mexikanermanöver, Mr. Charles Ducos, Horaz und Merkur, Mr. A. Wells, equestrian act, C. Godiewsky, clown, Borax, Mlle. Aguimoff, Das 3 fache Reck, gymnastics, Mlle. Anna Ducos, Damen-Jokey-Rennen, Kohinor, Mme. Bradbury, Adgar, 2 Black type on off white background with decorative border, Druck von H. G.
  • University of Huddersfield Repository

    University of Huddersfield Repository

    University of Huddersfield Repository Billam, Alistair It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Original Citation Billam, Alistair (2018) It Always Rains on Sunday: Early Social Realism in Post-War British Cinema. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34583/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Submission in fulfilment of Masters by Research University of Huddersfield 2016 It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Alistair Billam Contents Introduction ............................................................................................................................................ 3 Chapter 1: Ealing and post-war British cinema. ................................................................................... 12 Chapter 2: The community and social realism in It Always Rains on Sunday ...................................... 25 Chapter 3: Robert Hamer and It Always Rains on Sunday – the wider context.
  • The Royal Australian Navy Historic Flight

    The Royal Australian Navy Historic Flight

    The Quarterly Journal of the Fleet Air Arm Association of Australia Inc. Volume12 Number2 April2001 I:--. lt) O') ....... e"' cl -0 ~ i "1::l ~-~"' :0 Cl ~ CJ ~ ~ Cl) 805 SQUADRON RE-COMMISSIONED 28 FEBRUARY2001 With Kaman 'Super Sea Sprite' helicopters 'We wish them all the very best' Photo courtesy BANAS Photographic Section Publishedby the FleetAir ArmAssociation of Australia Inc PrintPost Approved -PP201494/00022 Editor:John Arnold -PO Box662 , NOWRANSW 2541 , Australia. Phone/Fax(02) 4423 2412 -Mobile 0402 264 494 - [email protected] ::r­ SHELF ro1so.111 CW2-C Slipstream ~ -------------- FOREWORD by CAPTAINTW BARRETT As the incoming Commanding Officer at HMAS ALBATROSS, I thank you for the opportunity to contribute to Slipstream. I note, with considerable satisfaction, the detail presented by the Chief of the Defence Force, Chief of Navy, Maritime Commander and Commander, Australian Naval Aviation Group in previous editions of Slipstream. The picture they were able to present demonstrates the significant enhancements currently being made to the Fleet Air Arm - in terms of equipment and facilities. We are indeed fortunate to have such an expansion of capabilities in /" 0 "" I C2I a time of relative constraint elsewhere in Defence. I would like to focus my comments on the personnel aspects of this expansion , for without the right people, new equipment and facilities are useless . I have to say we are being challenged at the moment to find and retain people for our demanding profession. This is a reflection of the changes in our society. At a recent conference I heard the Warrant Officer of the Navy describe the contemporary sailor.
  • EARL CAMERON Sapphire

    EARL CAMERON Sapphire

    EARL CAMERON Sapphire Reuniting Cameron with director Basil Dearden after Pool of London, and hastened into production following the Notting Hill riots of summer 1958, Sapphire continued Dearden and producer Michael Relph’s valuable run of ‘social problem’ pictures, this time using a murder-mystery plot as a vehicle to sharply probe contemporary attitudes to race. Cameron’s role here is relatively small, but, playing the brother of the biracial murder victim of the title, the actor makes his mark in a couple of memorable scenes. Like Dearden’s later Victim (1961), Sapphire was scripted by the undervalued Janet Green. Alex Ramon, bfi.org.uk Sapphire is a graphic portrayal of ethnic tensions in 1950s London, much more widespread and malign than was represented in Dearden’s Pool of London (1951), eight years earlier. The film presents a multifaceted and frequently surprising portrait that involves not just ‘the usual suspects’, but is able to reveal underlying insecurities and fears of ordinary people. Sapphire is also notable for showing a successful, middle-class black community – unusual even in today’s British films. Dearden deftly manipulates tension with the drip-drip of revelations about the murdered girl’s life. Sapphire is at first assumed to be white, so the appearance of her black brother Dr Robbins (Earl Cameron) is genuinely astonishing, provoking involuntary reactions from those he meets, and ultimately exposing the real killer. Small incidents of civility and kindness, such as that by a small child on a scooter to Dr Robbins, add light to a very dark film. Earl Cameron reprises a role for which he was famous, of the decent and dignified black man, well aware of the burden of his colour.
  • Connecticut Peopletalk

    Connecticut Peopletalk

    ManrbPBtfr if,., "1 -A Vol XCIK, No. 204 - Manchehter, Conn,, ThufPdByF 8jiay 20,1980 • Since 1881 • j Town plans legal action on overdue water bills and files liens on back bills, legal ac­ By MARY KITZMANN “This is one step in trying to less. tion is not usually taken. Frank receive the payments,” Taylor said. Herald Re|i(irl<-r Taylor, water and sewer department The two accounts of Marilyn Court “We have no desire to start acquiring Associates, 40 Olcott St., total about MANCHESTKR — The Water and office manager, said the decision to properties, but we do desire the cash $24,000. But Taylor has said the Sewer Department plans to begin commence litigation, either as suits, for the service received," association has contacted the depart­ legal proceedings to force about 20 or small claims court action, was Taylor says the property owners ment about arrangements for pay­ property owners to pay back water made primarily because the owners involved, several of which pwn ment. ' bills. made no attempt to arrange pay­ apartments, have a tendency to pay The amount involved in the back One overdue account is that of a ment. other bills or use the money for other property owner who has six accounts accounts totals about $55,000. The The owners will be receiving a investsments which pay higher in­ on various apartments. According to department has already filed liens, notice, signed by the Kevin O’Brien, terest than the town charges. Water and Sewer Department varying from one filing to several, on town attorney, that legal action will The average single family bill is records he owes $933, $954, $462, $610, the properties.
  • Scanned Using Book Scancenter 5033

    Scanned Using Book Scancenter 5033

    Proc. XVII International Congress of Vexillology 149 Copyright ©1999, Southern African Vexillological Assn. Australia’s new flag Peter Martinez (ed.) nullius - land belonging to none - is now discredited.^ Australia’s present makes sense only from its past. The seeds of its future and,its future flag are already there. Integration of symbols requires the integrity of candour. The elemental idea of this paper is that integration of peoples and syrnbols comes from integrity of mind. Integrity will not ignore atrocities. Nor Australia’s new flag - will it cultivate political correctness of one kind or another. Civic harmony grows from mutual respect for different traditions and from shared experience. a pageant of colours and What many in Australia still recognise as mateship. The second point of reference in this paper is the symbolic power of colour. integrated symbols Colour crosses many margins and several meanings. Applied to people who stand behind flags and symbols, colour is an atavistic and sensitive issue in any couptry. Colour, and the differences of which the rainbow is an ancient symbol,^ A.C. Burton is a subtle issue for Australia, which seeks a harmony of cultures. Despite the goodwill and the good works of the last 200 years that out- measure mcdice, Australia is still a whole continent where a nation-state - but ABSTRACT: The history and significance of colour themes in Aus­ not quite a state of nation - has been built upon the dispossession of peo­ tralian vexillography are explored to provide a reference pdint for ples. Sovereign in custom, language, ritual, religion, in seals and symbols, and evolving and depicting old symbols in a new way, to weave from an above all in deep relationship to the land, Australia’s Aboriginal people are still ancient Dreaming new myths for a nation’s healing.
  • EALING-EN EPOKE Før Han Dræbtes I Krigen

    EALING-EN EPOKE Før Han Dræbtes I Krigen

    særpræg, som langsomt skabte begrebet Ealing-film. Balcon kom til Ealing med en ret impo­ nerende indsats bag sig. Allerede i tyverne havde han givet den unge Hitchcock sine første chancer, og som producer havde han indspillet film som „The lodger“ (1926), „The good companions“ (1932), „Rome Express" (med Conrad Veidt, 1932), Flaher- tys „Man of Aran“ (1933), „Jøden Siiss" (1934) og „D e 39 trin“ (1 9 3 5 ). På Ealing Studios mærkedes hans indflydelse hurtigt. En helt ny og mere realistisk præget perio­ de i selskabets historie indledtes med bokse­ filmen „There ain’t no justice" (1938), der handlede om korruptionen i bokseverdenen og udspilledes på en baggrund hentet lige ud af engelsk hverdag. Den var iscenesat af en af britisk films mest talentfulde unge begavelser, Pen Tenny son (et oldebarn af Den afdøde engelske filmtegner og -kritiker den berømte digter), og det var også ham, Richard Winningtons opfattelse af Sidney der det følgende år instruerede „The proud James, Stanley Holloway og Alec Guinness i den typiske Ealingkomedie »Masser af Guld«. valley", som skildrede livet blandt walisiske minearbejdere, og hvori Paul Robeson spil­ lede en af hovedrollerne. Pen Tennyson nåe­ de aldrig helt at indfri de løfter, han gav med disse første arbejder. Han fik kun lov til at lave endnu en film, „C onvoy" (1 9 4 0 ), EALING-EN EPOKE før han dræbtes i krigen. M en forstærkninger var allerede under­ AF MOGENS FØNSS vejs. Fra den engelske stats berømte doku­ mentargruppe „Crown Film Unit" hentede Fredag den 13. januar blev en sort dag Michael Balcon Cavalcanti og Harry Watt, for engelsk film.
  • 1. UK Films for Sale Cannes 2021

    1. UK Films for Sale Cannes 2021

    UK Films For Sale CANNES 2021 10 Lives GFM Animation Director: Chris Jenkins Email Company Genre: Animation Status: Production 13 Graves Evolutionary Films Cast: Kevin Leslie, Morgan James, Jacob Anderton, Terri Dwyer, Email Company Michael McKell Director: John Langridge Genre: Horror Status: Completed 23 Walks Parkland Pictures Cast: Dave Johns, Alison Steadman Email Company Director: Paul Morrison Genre: Drama Status: Completed 512 Hours With Marina Abramovic Film Republic Cast: Marina Abramović Email Company Director: Adina Istrate Genre: Documentary Status: Post-Production Absolute Denial SC Films International Cast: Nick Eriksen, Jeremy J. Smith-Sebasto, Harry Dyer, Heather Email Company Gonzalez, Jef Leeson Director: Ryan Braund Genre: Animation Status: Post-Production Airline Wars Phoenix Worldwide Cast: Freddy Laker, Freddy Laker Jr, Richard Branson, Robert Entertainment McFarlene, Stelios Haji-iannou, Bjorn Kjos, Norman Tebbit Email Company Genre: Documentary Status: Post-Production Alfred ITN Distribution Cast: Jean-Paul Gates Email Company Director: Steven Smith Genre: Thriller Status: Completed Ali & Ava Altitude Film Entertainment Cast: Claire Rushbrook, Adeel Akhtar Email Company Director: Clio Barnard Genre: Drama Status: Post-Production Alien: Battlefield Earth Vision Films Cast: Derek Nelson, Scot Scurlock, Peter Cosgrove, Cameron Bass Email Company Director: Andrew Jones Genre: Science-fiction Status: Completed Cannes 2021: UK Films for Sale 1 Amulet AMP International Cast: Imelda Staunton, Carla Juri, Alec Secareanu
  • Download (2631Kb)

    Download (2631Kb)

    University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/58603 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. A Special Relationship: The British Empire in British and American Cinema, 1930-1960 Sara Rose Johnstone For Doctorate of Philosophy in Film and Television Studies University of Warwick Film and Television Studies April 2013 ii Contents List of figures iii Acknowledgments iv Declaration v Thesis Abstract vi Introduction: Imperial Film Scholarship: A Critical Review 1 1. The Jewel in the Crown in Cinema of the 1930s 34 2. The Dark Continent: The Screen Representation of Colonial Africa in the 1930s 65 3. Wartime Imperialism, Reinventing the Empire 107 4. Post-Colonial India in the New World Order 151 5. Modern Africa according to Hollywood and British Filmmakers 185 6. Hollywood, Britain and the IRA 218 Conclusion 255 Filmography 261 Bibliography 265 iii Figures 2.1 Wee Willie Winkie and Susannah of the Mounties Press Book Adverts 52 3.1 Argentinian poster, American poster, Hungarian poster and British poster for Sanders of the River 86 3.2 Paul Robeson and Elizabeth Welch arriving in Africa in Song of Freedom 92 3.3 Cedric Hardwicke and un-credited actor in Stanley and Livingstone
  • Woman of Straw Ending

    Woman of Straw Ending

    Woman of straw ending In Woman of Straw (), playing the calculating nephew of Ralph in the playhouses of London's West End. It's thinly populated by stock characters, yet. I can predict the ending of stuff like “Titanic. way ahead of the film “Woman of Straw,” a forgotten British thriller starring Sean Connery. Such is the situation presented with high style in Woman of Straw, up at the end to work things out, and in this case that's Alexander Knox. Crime · Tyrannical but ailing tycoon Charles Richmond becomes very fond of his attractive Italian .. Filming Locations: Audley End House, Saffron Walden, Essex, England, UK See more». IMDb > Woman of Straw () > Reviews & Ratings - IMDb Towards the end, though, his character turns sociopathically chilling, and he hits some good. That is exactly what we have in "Woman of Straw," and you can be certain that Mr. Connery did not No wonder Mr. Connery double-crosses her in the end. I think Connery's downright creepy in WOMAN OF STRAW and I wish he (when mysteries were still that)that kept you guessing until the end. Movie Review – WOMAN OF STRAW (). for this movie, and that's the ending, which came a little too fast and seemed a little too pat to be. Crafty Tony (Sean Connery) is considering whether to bring the sexy new italian nurse Maria (Gina Lollobrigida. There are no critic reviews yet for Woman of Straw. Keep checking If you can withstand the slow start the payoff at the end is well modest. Bond films to star in another fascinating suspense film, Woman of Straw.
  • UK Films for Sale TIFF 2020

    UK Films for Sale TIFF 2020

    UK Films For Sale TIFF 2020 13 Graves Evolutionary Films Cast: Kevin Leslie, Morgan James, Jacob Anderton, Terri Dwyer, Email Company Michael McKell Company on Cinando Director: John Langridge Genre: Horror Status: Completed 23 Walks Parkland Pictures Cast: Dave Johns, Alison Steadman Email Company Director: Paul Morrison Company on Cinando Genre: Drama Status: Completed 512 Hours With Marina Abramovic Film Republic Cast: Marina Abramovic Email Company Director: Adina Istrate Company on Cinando Genre: Documentary Status: Post-Production Acceptable Damage Evolutionary Films Cast: Jack Brett Anderson, Elinor Machen-Fortune, Fiona Whitelaw, Email Company Crispian Belfrage, Elijah Baker, Fraser Ayres Company on Cinando Director: Lavinia Simina Genre: Drama Status: Completed After Love The Bureau Sales Cast: Joanna Scanlan, Nasser Memarzia, Nathalie Richard, Talid Ariss Email Company Director: Aleem Khan Company on Cinando Genre: Drama Status: Completed TIFF SELECTION Amityville Witches ITN Distribution Cast: Kira Reed, Donna Spangler, Sarah Cohen, Brittan Taylor, Email Company Amanda-Jade Tyler, Nicola Wright, Georgina Jane Company on Cinando Director: Rebecca Matthews Genre: Thriller Status: Completed Ammonite See-Saw Films (London) Cast: Kate Winslet, Saoirse Ronan Email Company Director: Francis Lee Company on Cinando Genre: Historical Status: Completed TIFF SELECTION Amulet AMP International Cast: Imelda Staunton, Carla Juri, Alec Secareanu Email Company Director: Romola Garai Company on Cinando Genre: Horror Status: Completed TIFF 2020: UK Films for Sale 1 Arthur & Merlin: Knights Of Camelot Film Mode Entertainment Cast: Richard Short, Stella Stoker, Tim Fellingham, Richard Brake Email Company Director: Giles Alderson Company on Cinando Genre: Fantasy Status: Completed Astral Film Seekers Cast: Frank Dillane, Vanessa Grasse, Damson Idris Email Company Director: Chris Mul Company on Cinando Genre: Horror, Thriller Status: Completed Bad Nun: Deadly Vows ITN Distribution Cast: Chelsea Greenwood, Becca Hirani, Sarah T.