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1. UK Films for Sale Cannes 2021
UK Films For Sale CANNES 2021 10 Lives GFM Animation Director: Chris Jenkins Email Company Genre: Animation Status: Production 13 Graves Evolutionary Films Cast: Kevin Leslie, Morgan James, Jacob Anderton, Terri Dwyer, Email Company Michael McKell Director: John Langridge Genre: Horror Status: Completed 23 Walks Parkland Pictures Cast: Dave Johns, Alison Steadman Email Company Director: Paul Morrison Genre: Drama Status: Completed 512 Hours With Marina Abramovic Film Republic Cast: Marina Abramović Email Company Director: Adina Istrate Genre: Documentary Status: Post-Production Absolute Denial SC Films International Cast: Nick Eriksen, Jeremy J. Smith-Sebasto, Harry Dyer, Heather Email Company Gonzalez, Jef Leeson Director: Ryan Braund Genre: Animation Status: Post-Production Airline Wars Phoenix Worldwide Cast: Freddy Laker, Freddy Laker Jr, Richard Branson, Robert Entertainment McFarlene, Stelios Haji-iannou, Bjorn Kjos, Norman Tebbit Email Company Genre: Documentary Status: Post-Production Alfred ITN Distribution Cast: Jean-Paul Gates Email Company Director: Steven Smith Genre: Thriller Status: Completed Ali & Ava Altitude Film Entertainment Cast: Claire Rushbrook, Adeel Akhtar Email Company Director: Clio Barnard Genre: Drama Status: Post-Production Alien: Battlefield Earth Vision Films Cast: Derek Nelson, Scot Scurlock, Peter Cosgrove, Cameron Bass Email Company Director: Andrew Jones Genre: Science-fiction Status: Completed Cannes 2021: UK Films for Sale 1 Amulet AMP International Cast: Imelda Staunton, Carla Juri, Alec Secareanu -
UK Films for Sale TIFF 2020
UK Films For Sale TIFF 2020 13 Graves Evolutionary Films Cast: Kevin Leslie, Morgan James, Jacob Anderton, Terri Dwyer, Email Company Michael McKell Company on Cinando Director: John Langridge Genre: Horror Status: Completed 23 Walks Parkland Pictures Cast: Dave Johns, Alison Steadman Email Company Director: Paul Morrison Company on Cinando Genre: Drama Status: Completed 512 Hours With Marina Abramovic Film Republic Cast: Marina Abramovic Email Company Director: Adina Istrate Company on Cinando Genre: Documentary Status: Post-Production Acceptable Damage Evolutionary Films Cast: Jack Brett Anderson, Elinor Machen-Fortune, Fiona Whitelaw, Email Company Crispian Belfrage, Elijah Baker, Fraser Ayres Company on Cinando Director: Lavinia Simina Genre: Drama Status: Completed After Love The Bureau Sales Cast: Joanna Scanlan, Nasser Memarzia, Nathalie Richard, Talid Ariss Email Company Director: Aleem Khan Company on Cinando Genre: Drama Status: Completed TIFF SELECTION Amityville Witches ITN Distribution Cast: Kira Reed, Donna Spangler, Sarah Cohen, Brittan Taylor, Email Company Amanda-Jade Tyler, Nicola Wright, Georgina Jane Company on Cinando Director: Rebecca Matthews Genre: Thriller Status: Completed Ammonite See-Saw Films (London) Cast: Kate Winslet, Saoirse Ronan Email Company Director: Francis Lee Company on Cinando Genre: Historical Status: Completed TIFF SELECTION Amulet AMP International Cast: Imelda Staunton, Carla Juri, Alec Secareanu Email Company Director: Romola Garai Company on Cinando Genre: Horror Status: Completed TIFF 2020: UK Films for Sale 1 Arthur & Merlin: Knights Of Camelot Film Mode Entertainment Cast: Richard Short, Stella Stoker, Tim Fellingham, Richard Brake Email Company Director: Giles Alderson Company on Cinando Genre: Fantasy Status: Completed Astral Film Seekers Cast: Frank Dillane, Vanessa Grasse, Damson Idris Email Company Director: Chris Mul Company on Cinando Genre: Horror, Thriller Status: Completed Bad Nun: Deadly Vows ITN Distribution Cast: Chelsea Greenwood, Becca Hirani, Sarah T. -
Les-Trois-Mousquetaires-Dossier-De-Presse-Francais.Pdf
Constantin Films présente Une production Constantin Film / Impact Pictures En coproduction avec NEF Productions et New Legacy Film Logan Lerman, Milla Jovovich, Matthew Macfadyen, Ray Stevenson, Luke Evans, Mads Mikkelsen avec Orlando Bloom et Christoph Waltz LES TROIS MOUSQUETAIRES un film de Paul W.S Anderson Scénario d’Alex Litvak et Andrew Davies d’après le roman d’Alexandre Dumas Durée : 1H50 Dossier de presse et photos téléchargeables sur www.ugcdistribution.fr SORTIE LE 12 OCTOBRE 2011 DISTRIBUTION PRESSE UGC DISTRIBUTION Etienne Lerbret/Anaïs Lelong 24, av. Charles-de-Gaulle 36, rue de Ponthieu 92200 Neuilly-sur-Seine 75008 Paris Tél: 01 46 40 46 89 Tél: 01 53 75 17 07 [email protected] [email protected] [email protected] SYNOPSIS Le jeune et valeureux D’Artagnan se joint à trois Mousquetaires aguerris pour empêcher le machiavélique Cardinal Richelieu de s’emparer du trône du Royaume de France et de mettre l’Europe à feu et à sang. Une relecture en 3D du grand classique d’action et d’aventure d’Alexandre Dumas. DE NOUVEAUX VISAGES POUR UN CLASSIQUE DE LA LITTÉRATURE "J'ai toujours aimé ‘Les Trois Mousquetaires’", explique le réalisateur Paul W.S. Anderson. "C'est un grand classique que j'ai lu quand j'étais à l'école. Petit, j'ai vu l'adaptation de Richard Lester. Et c'est le genre de film que je voulais réaliser : une histoire d'héroïsme, d'amour et d'amitié. Si le casting est toujours une étape essentielle, il prend une résonance particulière quand il s'agit de choisir les interprètes de célèbres personnages de la littérature. -
PERRY/REECE CASTING Penny Perry & Amy Reece 310-422-1581-Cell Phone 818-905-9917-Home Phone
PERRY/REECE CASTING Penny Perry & Amy Reece 310-422-1581-Cell Phone 818-905-9917-Home Phone MOTION PICTURES PORKY’S: THE COLLEGE YEARS Larry Levinson Productions Adam Wylie Producer: Larry Levinson Vic Polizos Director: Brian Trenchard-Smith THE INVITED Dark Portal, LLC. Lou Diamond Phillips Producer: Dan Kaplow Megan Ward Director: Ryan McKinney Brenda Vaccaro Pam Greer WHEN CALLS THE HEART Maggie Grace Producer & Director: Michael Landon Peter Coyote DISAPPEARANCES Border Run Productions Kris Kristofferson Producer & Director: Jay Craven Genevieve Bujold Lothaire Bluteau Luis Guzman FEAR X John Turturro Producer: Henrik Danstrup James Remar Director: Nicolas Winding Refn Deborah Unger DIAL 9 FOR LOVE Pleswin Entertainment Jeanne Tripplehorn Producer: Eric Pleskow /Leon de Winter Liev Schreiber Director: Kees Van Oostrom Louise Fletcher Co-Producer: Penny Perry THE HOLLYWOOD SIGN Pleswin Entertainment Burt Reynolds Producer: Eric Pleskow/Leon de Winter Rod Steiger Producer: Penny Perry Tom Berenger Director: Sonke Wortmann EXTREME OPS Diamant/Cohen Productions Brigette Wilson-Sampras Director: Christian Dugay Devon Sawa Rupert Graves FEAR.COM Diamant/Cohen Productions Stephen Dorff Producer: Moshe Diamant Natascha McElhone Director: William Malone Stephen Rea BIG BAD LOVE Sun, Moon & Stars Prod. Deborah Winger Producer: Barry Navidi Arliss Howard Director: Arliss Howard Rosanna Arquette Paul LeMat THE MUSKETEER Universal Mena Suvari Director: Peter Hyams Tim Roth Producer: Moshe Diamant Catherine Denueve Producer: Mark Damon Stephen -
An Excremental Vision of the City and Nostalgic Images of 'Unreconstructed' Forms of Working-Class Masculinity [Are] Found in Guy Ritchie's Films” (Dave 2006: 12)
“… an excremental vision of the city and nostalgic images of 'unreconstructed' forms of working-class masculinity [are] found in Guy Ritchie's films” (Dave 2006: 12). Discuss this statement in relation to Ritchie’s Lock, Stock and Two Smoking Barrels (1998) and/or Snatch (2000). During the period Guy Ritchie’s films were released, the British film industry was seeing a shift in taste – particularly towards the Gangster film genre – largely due to the similarly shifting social climate. For some, Ritchie’s films were a godsend (Fisher, 1998, cited in Chibnall, 2001) and for others it was a debasing of traditional British culture (Appleyard, 2000, cited in Chibnall, 2001). Nevertheless, regardless of which stance is taken, it is hard to deny that these films presented “an excremental vision of the city and nostalgic images of ‘unreconstructed’ forms of working-class masculinity” as Dave (2006) states. Therefore, through a textual analysis of Lock, Stock and Two Smoking Barrels (1998) this essay aims to delve into the various methods Ritchie took to achieve the verity of the above statement, as well as why doing so was significant. The foundation for the arguments presented in this essay will largely be sourced from The British Cinema Book (Murphy, 2001), with some reference to British Crime Cinema (Chibnall & Murphy, 1999); but will also employ the help of more sociological arguments made by the likes of R.W. Connell (1987) in Gender and Power, and Linda McDowell (2003) in Redundant Masculinities? Before any textual analysis of Lock, Stock, and Two Smoking Barrels (LSTSB) is attempted, it is imperative that the shifting tastes in film and social climate mentioned in the introduction are discussed in order to put the film in context. -
Terrorist Attacks Send America Into Recession, Experts Say on the Third Floor of the Millenium Student Center
University of Missouri, St. Louis IRL @ UMSL Current (2000s) Student Newspapers 10-1-2001 Current, October 01, 2001 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2000s Recommended Citation University of Missouri-St. Louis, "Current, October 01, 2001" (2001). Current (2000s). 65. https://irl.umsl.edu/current2000s/65 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2000s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. New Res life II Director plans growth VOLUME 35 at. UMSL October' 1, 2001 ISSUE '1030 A. See page 3 UNIVERSITY OF MISSOURI - ST. i..OUIS BY KELLI SOLT ., .................... ........... .. ......... ... ........... ... ....... ...... Staff Writer Fall semester 2001, parking fines took a sharp increase and will hit stu dents' wallets harder compared to last y~. Parking fines shot up this year. In fact, two Violations have doubled in, cost The fines for improper parking and overtime parking at meters both increased $10. The fines for not buy ing a parking pass and illegal parking in ·a handicapped parking space both Duck room draws a doubled from $25 to $50. The largest hike is for counterfeiting or defacing a Colony of rock fans parking pass, which jumped from $50 to $250. The only fine that holds steady is $25 for failure to display a A. ~ee page 6 parking pass. Thes(1 cost increases went into effect at the beginning of the fall semester. Some students may have glanced over these fine summaries in the Traffic Regulation pamphlets University handed out with the purchase of a pass. -
Linda A. Morton Film & Television Crew | Make up & Hair Designer
Linda A. Morton Film & Television Crew | Make Up & Hair Designer Get in touch Details Laura Reeve Website: [email protected] www.lindaamorton.com 02076325292 Stacy Browne [email protected] 02076325292 TELEVISION CREDITS Director: Andrew Chaplin WITLESS, Series 1, 2 & 3 Objective Media Group for BBC Producer: Charlotte Lewis 5 X 30 min episodes Three Featuring: Kerry Howard, Zoe Boyle MARLEY'S GHOST Director: Jonathan Gershfield Objective Media Group 6 x 40 min Producer: James Dean Director: Lee Hupfield Exec. Producer: Jenny Hay TOP TENS Producer: Charlotte Lewis 2 x 10 min Featuring: Luke Kempner, Objective Productions for Channel 4 Sketch show impersonating Beattie Edmondson, celebrities Rose Johnson, Rich Bond, Luke Manning Director: Adam Miller WITLESS Producer: Charlotte Lewis Objective Productions Comedy Pilot Featuring: Kerry Howard, Charity Wakefield Director: Adam Miller FLACK Hat Trick Productions / Channel 4 Producer: Mark Talbot 1 x 30 min Comedy Drama Pilot Featuring: Sheridan Smith Director: Paul Seed Producer: Spencer Campbell BLANDINGS Exec. Producers: Damien Timmer, Mammoth Screen/BBC 6 x 30 min Period Comedy Series Phil Hunter Featuring: Timothy Spall, Jennifer Saunders GREAT BRITAIN OUR HISTORY Directors: Louise Hopper, Jenny Ash, 3 x 30 min Drama Documentary Nick Green Nutopia (16th Century – Present Day) Producer: Sam Starbuck UK Shoot Only Featuring: James Hillier, Stuart Lang Director: Virginia Quinn MANKIND Producer: Dan Kendall Drama Documentary Nutopia Featuring: Matt Addis, Kevin Otto, UK -
Lock, Stock and Two Smoking Barrels L’Art Du Divertissement
Document generated on 09/28/2021 11:20 p.m. Séquences La revue de cinéma Lock, Stock and Two Smoking Barrels L’Art du divertissement Number 202, May–June 1999 URI: https://id.erudit.org/iderudit/59368ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review (1999). Review of [Lock, Stock and Two Smoking Barrels : l’Art du divertissement]. Séquences, (202), 41–42. Tous droits réservés © La revue Séquences Inc., 1999 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ I R I T I Q U E S Lock, Stock and Two Smoking Barrels L'Art du divertissement uoi qu'en pensent certains, Quentin Tarantino n'a ni inventé, ni Q même ré-inventé le cinéma. Le montage ultra rapide? Regardez MTV. La violence stylisée et glorifiée? Allez voir quelques films d'ac tion de Hongkong. Les scénarios alambiqués et les histoires comple xes? Louez Nashville, de Robert Altman, et repassez-vous Citizen Kane quelques fois! Les films de gangsters? Vieux comme le cinéma. Tarantino a eu le mérite de savoir marier tous ces éléments avec style et virtuosité — et surtout, d'être le premier à en tirer beaucoup, beau coup d'argent.. -
British Crime Film
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular con- sciousness. Crime Files is a groundbreaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive cover- age and theoretical sophistication. Published titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian (editor) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting the Social Order Emelyne Godfrey MASCULINITY, CRIME AND SELF-DEFENCE IN VICTORIAN LITERATURE Emelyne Godfrey FEMININITY, CRIME AND SELF-DEFENCE -
The Ithacan, 2001-09-20
Ithaca College Digital Commons @ IC The thI acan, 2001-02 The thI acan: 2000/01 to 2009/2010 9-20-2001 The thI acan, 2001-09-20 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_2001-02 Recommended Citation Ithaca College, "The thI acan, 2001-09-20" (2001). The Ithacan, 2001-02. 5. http://digitalcommons.ithaca.edu/ithacan_2001-02/5 This Newspaper is brought to you for free and open access by the The thI acan: 2000/01 to 2009/2010 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 2001-02 by an authorized administrator of Digital Commons @ IC. VOL. 69, No. 4 THURSDAY ITHACA, N.Y. SEPTEMBER 20, 2001 24 PAGES, FREE www.ithaca.edu/ithacan The Newspaper for the Ithaca College Community Students Tragedy inspires "action speak out Campus works for peace to provide aid SY KELLI B. GRANT for relief effort Staff Writer College community mem BY KELLI B. GRANT bers began to speak out for Staff Writer peace this week, stressing that the United States needs to In the aftennath of the Sept. 11 consider the reasons behind the attacks on the World Trade Center Sept. 11 terrorist attacks before and the Pentagon, the Ithaca Col deciding on a course of action. lege community has dealt with the -, More than 100 students, fac tragedy through memorial events ulty and staff voiced their feel and contributions to the relief effort ings during an open forum To join in the National Day of Tuesday at noon in Textor 103. -
Boxing Filmography
BOXING FILMOGRAPHY (in chronological order of general release—decade ‘champion’ in bold) 1895 The Boxing Kangaroo (Birt Acres, Robert Paul) Boxing Match (Birt Acres, Robert Paul) 1896 Boxing Match aka Glove Contest (Birt Acres) A Prize Fight by Jem Mace and Burke (Birt Acres) 1897 Boxing Match Between Toff Wall and Dido Plum (Robert Paul) 1898 Has He Hit Me? (William Dickson) 1899 Comic Boxing Match (Unknown) 1900 A Prize Fight or Glove Contest Between John Bull and President Kruger aka The Set-to Between John Bull and Paul Kruger (John Sloane Barnes) © The Author(s), under exclusive license to Springer Nature 235 Switzerland AG 2021 S. Glynn, The British Boxing Film, https://doi.org/10.1007/978-3-030-74210-2 236 BOXING FILMOGRAPHY 1902 The Interrupted Prize Fight (Unknown) 1903 The Pocket Boxers (W.R. Booth) 1908 There’s Life in the Old Dog Yet (S. Wormold) 1909 Boxing Fever (A.E. Coleby) The Boxing Waiter (Alf Collins?) 1910 Black and White (Unknown) The Great Black v. White Prize Fight (Unknown) The Great Fight at All-Sereno (W.R. Booth) Pimple Meets Jack Johnson (Joe and Fred Evans) The Man to Beat Jack Johnson (Unknown) 1911 Billy’s Book on Boxing (H.O. Martinek) The Great Fight for the Championship in Our Court (Unknown) 1912 The Night I Fought Jack Johnson (Unknown) Lieutenant Daring Defeats the Middleweight Champion (Charles Raymond) Battling Kelly (A.E. Coleby) The Knockout Blow (Floyd Martin Thornton?) 1913 Billy’s Boxing Gloves (David Aylott?) Pimple’s Sporting Chance (Fred and Joe Evans) The House of Temperley (Harold M. -
1 East Coast Publicity
www.layercake.co.uk East Coast Publicity: West Coast Publicity: Distributor: Falco Ink. Block Korenbrot PR Sony Pictures Classics Janice Roland Lee Ginsberg Carmelo Pirrone Steve Beeman 8271 Melrose Ave Angela Gresham 850 7th Avenue #1005 Suite 200 550 Madison Avenue New York, NY 10019 Los Angeles, CA 90046 New York, NY 10019 212-445-7100 323-655-0593 212-833-8833 fax 212-445-0623 fax 323-655-7302 fax 212-833-8844 1 SYNOPSIS LAYER CAKE, a riveting thriller set in the drug underworld of the UK, marks the directorial debut of producer Mathew Vaughn (Lock Stock and Two Smoking Barrels, Snatch) and stars Daniel Craig, Colm Meaney, Kenneth Cranham, George Harris, Jamie Foreman, Sienna Miller and Michael Gambon. Sleek, well dressed and polite, our unnamed hero (Daniel Craig) is a consummate professional. Treating cocaine and ecstasy like any other commodity, he has made a fortune for himself by keeping his hands clean and staying under the radar. Having made the decision to retire, his aim is to break free from the world of crime, drugs and violence and live a simple, quiet life with the money he has amassed. But before this can happen, crime boss Jimmy Price (Kenneth Cranham) wants two last favors from him. First, he must track down the missing, drug addict daughter of powerful criminal Eddie Temple (Michael Gambon). Second, he must negotiate the sale of a huge shipment of ecstasy with The Duke (Jamie Foreman), a loose cannon petty crook playing well out of his league. What should be routine transaction is anything but and nothing goes according to plan.