The Ithacan, 2001-09-20
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Orioies.Naiion Honarpen in Final Cane Mon
8 October 12, 2001 ~roKr~~.,um"Bi~ I I I' I , I '"'I I ...- 10.. ""'" .... 110...""1 I • I I < I I I I I FlilIpIrIS I I lellilioll ,.. ""'" ; I ...I ; I I .... , Men's and Women Cross Country ing homer. " at-bats set by McGwire in 1998. September Th~ ' 8010 homer came on a full 'T dQn't know what my future is,",; Barry Bonds' hit his 73rd home count knuckleball from Sp,ringel'. It he said. "} love San Francisco and I! Sal. 29 at Belmont Classic 10:00 am run Sunday. further extending the gave Bonds a careel'-rugh 137 R, B.I~. love you fans. My fa mily knows, God, major league record he brOKe Fans aceustomed to Bonds' herOICS knows, I'm proud to wear this uui·· October two days earlier. In what couldbe this S'eason gave him a standing ova· form." ; Sal. 6 at Muhlenberg In vite 10:00 am his final game with the Son tion, l};nd be stepped ~ut of the But the Giants, have a projected! Francisco Giants, Bonds connect dugout for a quick curtain call. payroll of $66 million next season, Sat. 13 at DeSales In vit e 10:00 am ·ed In the first Inntng off los Before his second at-bat, fans and signing Bonds, would mean com ~, Sat. ?:7 Middle Atlantic Confe re n~ e Ar:tQeles' Dennis $pringer. The chanted, mitting, neaTly ,al Champion ships at Messiah 11 :00 am ,Glonts won the game 2- T. ' . ' .. F i v ~ third of-that amount: m 0 r e to one player. -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Sexes Split Over Textbook Revision
(tottrrttrut iatlij Qkmjma Serving Storrs Since 1896 VOL. LXXVIII NO. 47 STORRS, CONNECTICUT TUESDAY, NOVEMBER 12, 1974 5 CENTS OFF CAMPUS DeHaan cites panel with conflict charges By KEN LUCAS housing since the administration Staff Reporter announced the revised policy in Conflict-of-interest charges were mid-September. brought against a University Senate David Ivry, acting director of subcommittee Monday for its academic planning, said DeHaan recommendations regarding the insinuated the senate was selfish and administration's revised policy for lacking in initiative in its report. University-owned housing. In other business, DeHaan said the Richard J. DeHaan, vice president for University will run out of funds finance and administration, charged a allocated for fuel in January. Bills will conflict of interest among two exceed appropriated funds by $500 subcommittee members who wrote the thousand. report because they live in He aaid $600 thousand is available for University-owned housing. possible transfer from the Personal The subcommittee on housing policy Services Appropriation account. A of the Faculty Standards Committee motion was passed to delay debate of a issued a report Monday recommending possible transfer until the next meeting. that "an appropriate University official A report presented by the senate assure present tenants that they will not Growth and Development Committee be forced to leave in June 1975. showed only 13.6 per cent of student The subcommittee also fees paid at University branches return recommended the appointment of an there. Of $605,175 paid in student fees, advisory committee to make an in-depth $82,556 returned to the branches last study of the housing policy for faculty year in equipment, services, and and graduate students. -
1. UK Films for Sale Cannes 2021
UK Films For Sale CANNES 2021 10 Lives GFM Animation Director: Chris Jenkins Email Company Genre: Animation Status: Production 13 Graves Evolutionary Films Cast: Kevin Leslie, Morgan James, Jacob Anderton, Terri Dwyer, Email Company Michael McKell Director: John Langridge Genre: Horror Status: Completed 23 Walks Parkland Pictures Cast: Dave Johns, Alison Steadman Email Company Director: Paul Morrison Genre: Drama Status: Completed 512 Hours With Marina Abramovic Film Republic Cast: Marina Abramović Email Company Director: Adina Istrate Genre: Documentary Status: Post-Production Absolute Denial SC Films International Cast: Nick Eriksen, Jeremy J. Smith-Sebasto, Harry Dyer, Heather Email Company Gonzalez, Jef Leeson Director: Ryan Braund Genre: Animation Status: Post-Production Airline Wars Phoenix Worldwide Cast: Freddy Laker, Freddy Laker Jr, Richard Branson, Robert Entertainment McFarlene, Stelios Haji-iannou, Bjorn Kjos, Norman Tebbit Email Company Genre: Documentary Status: Post-Production Alfred ITN Distribution Cast: Jean-Paul Gates Email Company Director: Steven Smith Genre: Thriller Status: Completed Ali & Ava Altitude Film Entertainment Cast: Claire Rushbrook, Adeel Akhtar Email Company Director: Clio Barnard Genre: Drama Status: Post-Production Alien: Battlefield Earth Vision Films Cast: Derek Nelson, Scot Scurlock, Peter Cosgrove, Cameron Bass Email Company Director: Andrew Jones Genre: Science-fiction Status: Completed Cannes 2021: UK Films for Sale 1 Amulet AMP International Cast: Imelda Staunton, Carla Juri, Alec Secareanu -
UK Films for Sale TIFF 2020
UK Films For Sale TIFF 2020 13 Graves Evolutionary Films Cast: Kevin Leslie, Morgan James, Jacob Anderton, Terri Dwyer, Email Company Michael McKell Company on Cinando Director: John Langridge Genre: Horror Status: Completed 23 Walks Parkland Pictures Cast: Dave Johns, Alison Steadman Email Company Director: Paul Morrison Company on Cinando Genre: Drama Status: Completed 512 Hours With Marina Abramovic Film Republic Cast: Marina Abramovic Email Company Director: Adina Istrate Company on Cinando Genre: Documentary Status: Post-Production Acceptable Damage Evolutionary Films Cast: Jack Brett Anderson, Elinor Machen-Fortune, Fiona Whitelaw, Email Company Crispian Belfrage, Elijah Baker, Fraser Ayres Company on Cinando Director: Lavinia Simina Genre: Drama Status: Completed After Love The Bureau Sales Cast: Joanna Scanlan, Nasser Memarzia, Nathalie Richard, Talid Ariss Email Company Director: Aleem Khan Company on Cinando Genre: Drama Status: Completed TIFF SELECTION Amityville Witches ITN Distribution Cast: Kira Reed, Donna Spangler, Sarah Cohen, Brittan Taylor, Email Company Amanda-Jade Tyler, Nicola Wright, Georgina Jane Company on Cinando Director: Rebecca Matthews Genre: Thriller Status: Completed Ammonite See-Saw Films (London) Cast: Kate Winslet, Saoirse Ronan Email Company Director: Francis Lee Company on Cinando Genre: Historical Status: Completed TIFF SELECTION Amulet AMP International Cast: Imelda Staunton, Carla Juri, Alec Secareanu Email Company Director: Romola Garai Company on Cinando Genre: Horror Status: Completed TIFF 2020: UK Films for Sale 1 Arthur & Merlin: Knights Of Camelot Film Mode Entertainment Cast: Richard Short, Stella Stoker, Tim Fellingham, Richard Brake Email Company Director: Giles Alderson Company on Cinando Genre: Fantasy Status: Completed Astral Film Seekers Cast: Frank Dillane, Vanessa Grasse, Damson Idris Email Company Director: Chris Mul Company on Cinando Genre: Horror, Thriller Status: Completed Bad Nun: Deadly Vows ITN Distribution Cast: Chelsea Greenwood, Becca Hirani, Sarah T. -
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University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts. -
DAVID GUETTA Et JOACHIM GARRAUD Lundi 7 Juillet À 21H00 : JAMIROQUAI
DOSSIER DE PRESSE MMOONNAACCOO LLIIVVEE 22000088 Sous le Haut Patronage de S.A.S. le Prince Albert II Monaco Live Productions et Radio Monaco présentent le 1er MONACO LIVE du 05 au 07 juillet 2008 sur le Port de Monaco . Darse Sud PRESENTATION Après les NRJ Music Tour sur la Darse Sud en 2005 et 2006, Monaco Live Productions organise, sous l’impulsion de Son Altesse Sérénissime le Prince Albert II, le 1er Festival Pop-Rock à Monaco : le « MONACO LIVE 2008 » soutenu par Radio Monaco, sponsor exclusif. Le MONACO LIVE 2008 ce sont 3 concerts exceptionnels : Samedi 5 juillet à 20h30 : TOKIO HOTEL Dimanche 6 juillet à 21h00 : DAVID GUETTA et JOACHIM GARRAUD Lundi 7 juillet à 21h00 : JAMIROQUAI Cet été, l’événement musical est en Principauté... Le MONACO LIVE 2008 en quelques chiffres : • La Darse Sud du Port Hercule sera aménagée pour accueillir 10.000 personnes chaque soir • 3.000 places debout en « fosse or » devant la scène (cat 1) et 7.000 places debout en cat 2 • 1 scène de 2 m de hauteur (habituellement 1.50m) • 2 écrans géants de chaque côté de la scène • 1 écran géant sur la tour régie • 50 techniciens par jour pendant 1 semaine • 80 tonnes de matériel • 12 semi-remorques Du son, de la lumière, de l’image ... le MONACO LIVE 2008 promet d’offrir 3 shows uniques et mémorables ! INFORMATIONS PRATIQUES TARIFS PLACES DEBOUT UNIQUEMENT NON NUMEROTEES CAT 1 = zone en devant de scène, espace spécialement aménagé pour 3000 places CAT 2 = 7000 places TOKIO HOTEL – Samedi 5 juillet Cat 1 = 65 euros Cat 2 = 50 euros DAVID GUETTA / JOACHIM GARRAUD -
Les-Trois-Mousquetaires-Dossier-De-Presse-Francais.Pdf
Constantin Films présente Une production Constantin Film / Impact Pictures En coproduction avec NEF Productions et New Legacy Film Logan Lerman, Milla Jovovich, Matthew Macfadyen, Ray Stevenson, Luke Evans, Mads Mikkelsen avec Orlando Bloom et Christoph Waltz LES TROIS MOUSQUETAIRES un film de Paul W.S Anderson Scénario d’Alex Litvak et Andrew Davies d’après le roman d’Alexandre Dumas Durée : 1H50 Dossier de presse et photos téléchargeables sur www.ugcdistribution.fr SORTIE LE 12 OCTOBRE 2011 DISTRIBUTION PRESSE UGC DISTRIBUTION Etienne Lerbret/Anaïs Lelong 24, av. Charles-de-Gaulle 36, rue de Ponthieu 92200 Neuilly-sur-Seine 75008 Paris Tél: 01 46 40 46 89 Tél: 01 53 75 17 07 [email protected] [email protected] [email protected] SYNOPSIS Le jeune et valeureux D’Artagnan se joint à trois Mousquetaires aguerris pour empêcher le machiavélique Cardinal Richelieu de s’emparer du trône du Royaume de France et de mettre l’Europe à feu et à sang. Une relecture en 3D du grand classique d’action et d’aventure d’Alexandre Dumas. DE NOUVEAUX VISAGES POUR UN CLASSIQUE DE LA LITTÉRATURE "J'ai toujours aimé ‘Les Trois Mousquetaires’", explique le réalisateur Paul W.S. Anderson. "C'est un grand classique que j'ai lu quand j'étais à l'école. Petit, j'ai vu l'adaptation de Richard Lester. Et c'est le genre de film que je voulais réaliser : une histoire d'héroïsme, d'amour et d'amitié. Si le casting est toujours une étape essentielle, il prend une résonance particulière quand il s'agit de choisir les interprètes de célèbres personnages de la littérature. -
PERRY/REECE CASTING Penny Perry & Amy Reece 310-422-1581-Cell Phone 818-905-9917-Home Phone
PERRY/REECE CASTING Penny Perry & Amy Reece 310-422-1581-Cell Phone 818-905-9917-Home Phone MOTION PICTURES PORKY’S: THE COLLEGE YEARS Larry Levinson Productions Adam Wylie Producer: Larry Levinson Vic Polizos Director: Brian Trenchard-Smith THE INVITED Dark Portal, LLC. Lou Diamond Phillips Producer: Dan Kaplow Megan Ward Director: Ryan McKinney Brenda Vaccaro Pam Greer WHEN CALLS THE HEART Maggie Grace Producer & Director: Michael Landon Peter Coyote DISAPPEARANCES Border Run Productions Kris Kristofferson Producer & Director: Jay Craven Genevieve Bujold Lothaire Bluteau Luis Guzman FEAR X John Turturro Producer: Henrik Danstrup James Remar Director: Nicolas Winding Refn Deborah Unger DIAL 9 FOR LOVE Pleswin Entertainment Jeanne Tripplehorn Producer: Eric Pleskow /Leon de Winter Liev Schreiber Director: Kees Van Oostrom Louise Fletcher Co-Producer: Penny Perry THE HOLLYWOOD SIGN Pleswin Entertainment Burt Reynolds Producer: Eric Pleskow/Leon de Winter Rod Steiger Producer: Penny Perry Tom Berenger Director: Sonke Wortmann EXTREME OPS Diamant/Cohen Productions Brigette Wilson-Sampras Director: Christian Dugay Devon Sawa Rupert Graves FEAR.COM Diamant/Cohen Productions Stephen Dorff Producer: Moshe Diamant Natascha McElhone Director: William Malone Stephen Rea BIG BAD LOVE Sun, Moon & Stars Prod. Deborah Winger Producer: Barry Navidi Arliss Howard Director: Arliss Howard Rosanna Arquette Paul LeMat THE MUSKETEER Universal Mena Suvari Director: Peter Hyams Tim Roth Producer: Moshe Diamant Catherine Denueve Producer: Mark Damon Stephen -
An Excremental Vision of the City and Nostalgic Images of 'Unreconstructed' Forms of Working-Class Masculinity [Are] Found in Guy Ritchie's Films” (Dave 2006: 12)
“… an excremental vision of the city and nostalgic images of 'unreconstructed' forms of working-class masculinity [are] found in Guy Ritchie's films” (Dave 2006: 12). Discuss this statement in relation to Ritchie’s Lock, Stock and Two Smoking Barrels (1998) and/or Snatch (2000). During the period Guy Ritchie’s films were released, the British film industry was seeing a shift in taste – particularly towards the Gangster film genre – largely due to the similarly shifting social climate. For some, Ritchie’s films were a godsend (Fisher, 1998, cited in Chibnall, 2001) and for others it was a debasing of traditional British culture (Appleyard, 2000, cited in Chibnall, 2001). Nevertheless, regardless of which stance is taken, it is hard to deny that these films presented “an excremental vision of the city and nostalgic images of ‘unreconstructed’ forms of working-class masculinity” as Dave (2006) states. Therefore, through a textual analysis of Lock, Stock and Two Smoking Barrels (1998) this essay aims to delve into the various methods Ritchie took to achieve the verity of the above statement, as well as why doing so was significant. The foundation for the arguments presented in this essay will largely be sourced from The British Cinema Book (Murphy, 2001), with some reference to British Crime Cinema (Chibnall & Murphy, 1999); but will also employ the help of more sociological arguments made by the likes of R.W. Connell (1987) in Gender and Power, and Linda McDowell (2003) in Redundant Masculinities? Before any textual analysis of Lock, Stock, and Two Smoking Barrels (LSTSB) is attempted, it is imperative that the shifting tastes in film and social climate mentioned in the introduction are discussed in order to put the film in context. -
Love Foolosophy (2001)
Love Foolosophy (2001) Transcription Notes: This track represents some of the Disco-Funk found on the disc ‘A Funk Odyssey’ - the second album to feature Nick Fyffe on bass. The bass line demonstrates use of some standard octave based playing, mixed in with more difficult variations. It also makes use of two techniques - #nger style and popping. This transcription has been scored for 4 string bass, but it is more comfortable (positionally) to play on a 5 string. The Verse sections more or less speak for themselves. Scan over them before playing the track, but they are all based around the corresponding chord (mostly root, 5th, octave shapes with variations in rhythm and note choices). It is during the Chorus where you will have to change from #nger style to popping the F# note at the 11th fret of the G string. Work on this until you can do it comfortably and con#dently. Most of this section is kept pretty strict, most variations occur in the 4th bar of each cycle (under the Em chord). The Middle 8 requires you to play some fast, straight sixteenth notes - with a little speed practice you should #nd this easy enough. It is likely that Nick used his 5 string Yamaha TRB-5PJJB for this recording. A healthy blend of both pick-ups with plenty of treble and a little bass should see you through this track sounding pretty good. Track Info: ‘Love Foolosophy’ was the 3rd single released from ‘A Funk Odyssey’ in February 2002. Although a seeming strong, commercial track, it didn’t feature too well in the UK charts reaching just number 14 in its release week. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.