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Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David -
Mia Michaels Concerts/Tours/Events
Mia Michaels Concerts/Tours/Events: Celine Dion "A New Day" / Choreographer Caesars' Palace / Las Vegas Caesars' Palace Las Vegas / 2002-2007 Celine Dion "Taking Chances" Choreographer World Tour / 2005 Cirque De Soleil "Delirium" Choreographer So You Think You Can Dance Contributing Choreographer Tour Madonna "Drowned" World Contributing Choreographer Tour / 2001 Anna Vissi Greek Superstar Director / Choreographer Live Shows in Athens / 2004- 2008 Prince Promotional Tour / Choreographer 2001 Eurovision Angelica / 2005 Director / Choreographer Mia Michaels Raw New York Founder, Director and City Choreographer Les Ballet Jazz De Montreal / Commissioned Original Work Commissioned Original Work Giordano Jazz Dance Chicago Commissioned Original Work / Commissioned Original Work Oslo Dance International / Commissioned Original Work Commissioned Original Work Joffrey Ballet 2 New York City Guest Choreographer International Dance Festival Guest Choreographer Amsterdam Kirov Academy Washington Guest Choreographer DC Jazz Theater of Amsterdam / Commissioned Original Work Commissioned Original Work Miami Movement Dance Founder, Director, and Company Choreographer Harvard Keynote Speaker Harvard in Arts Reflection Program (HARP) Teaching: Joffrey Ballet School Artistic Director| Jazz & Contemporary Theatre: NY Spectacular / Radio City Choreographer Music Hall starring The Rockettes Finding Neverland Choreographer Lunt-Fontaine Theater / 2015 Hello Dolly! w/ Tovah Choreographer Papermill Playhouse / 2005 Feldshuh West Side Story Choreographer Arkansas -
SUMMIT ENTERTAINMENT in Associazione Con OFFSPRING ENTERTAINMENT
Medusa Film presenta una produzione SUMMIT ENTERTAINMENT in associazione con OFFSPRING ENTERTAINMENT STEP UP Channing Tatum, Jenna Dewan Mario, Drew Sidora e Rachel Griffiths un film di ANNE FLETCHER prodotto da Patrick Wachsberger, Erik Feig, Adam Shankman, Jennifer Gibgot distribuzione www.medusa.it IL CAST Tyler Gage CHUNNING TATUM Nora Clark JENNA DEWAN Mac Carter DAMAINE RADCLIFF Skinny Carter DE’SHAWN WASHINGTON Miles Darby MARIO Lucy Avila DREW SIDORA Direttrice Gordon RACHEL GRIFFITHS Brett Dolan JOSH HENDERSEN Andrew TIM LACATENA Camille ALYSON STONER Omar HEAVY D Mamma di Nora/Katherine Clark DEIRDRE LOVEJOY 2 I REALIZZATORI Regia ANNE FLETCHER Sceneggiatura DUANE ADLER MELISSA ROSENBERG Produttori PATRICK WACHSBERGER ERIK FEIG ADAM SHANKMAN JENNIFER GIBGOT Produttori esecutivi BOB HAYWARD DAVID GARRETT JOHN H. STARKE Direttore della fotografia MICHAEL SERESIN Scenografo SHEPHERD FRANKEL Montaggio NANCY RICHARDSON Costumi ALIX HESTER Compositore AARON ZIGMAN Supervisore alle musiche BUCK DAMON Uscita 26 gennaio 2007 Nazionalità U.S.A. Durata 100 minuti 3 SINOSSI Lui è un ribelle spavaldo proveniente dalla parte degradata di Baltimora; lei una ballerina privilegiata di una scuola d’elite di arti dello spettacolo. I loro mondi non potrebbero essere più diversi ma quando i loro destini entrano in collisione, tra di loro volano scintille che accendono una favola esilarante alimentata dall’ hip- hop facendo realizzare un sogno improbabile grazie all’unica chance esistente. Con un interessante cast di giovani nuovi talenti del grande schermo, STEP UP è una storia realistica di trascendenza guidata da musica e danza. Tyler Gage (CHANNING TATUM) è cresciuto trascorrendo la propria vita sulle strade dure della città e sa che è improbabile che ce la possa mai fare ad andarsene. -
Milla Jovovich
Textes : COMING SOON COMMUNICATION • Design : Fabrication Maison / TROÏKA . SAMUEL HADIDA et METROPOLITAN FILMEXPORT présentent une production CONSTANTIN FILM/ DAVIS FILMS/ IMPACT PICTURES un film de RUSSELL MULCAHY MILLA JOVOVICH ODED FEHR ALI LARTER IAIN GLEN ASHANTI MIKE EPPS Un film produit par Bernd Eichinger, Samuel Hadida, Robert Kulzer, Jeremy Bolt et Paul W.S. Anderson SORTIE LE 3 OCTOBRE 2007 Durée : 1h30 Vous pouvez télécharger l'affiche et des photos du film sur : http://presse.metropolitan-films.com www.metrofilms.com www.re3.fr DISTRIBUTION RELATIONS PRESSE METROPOLITAN FILMEXPORT PROGRAMMATION PARTENARIATS KINEMA FILM / François Frey 29, rue Galilée - 75116 Paris Region Paris GRP-Est-Nord ET PROMOTION 15, rue Jouffroy-d’Abbans [email protected] Tél. : 01 56 59 23 25 AGENCE MERCREDI 75017 Paris Tél. : 01 56 59 23 25 Region Marseille-Lyon-Bordeaux Tél. : 01 56 59 66 66 Tél. : 01 43 18 80 00 Fax : 01 53 57 84 02 Tél. : 05 56 44 04 04 Fax : 01 56 59 66 67 Fax : 01 43 18 80 09 Le virus expérimental mis au point par la toute-puissante Umbrella Corporation a détruit l’humanité, transformant la population du monde en zombies avides de chair humaine. Fuyant les villes, Carlos, L.J., Claire, K-Mart, Nurse Betty et quelques survivants ont pris la route dans un convoi armé, espérant retrouver d’autres humains non infectés et gagner l’Alaska, leur dernier espoir d’une terre préservée. Ils sont accompagnés dans l’ombre par Alice, une jeune femme sur laquelle Umbrella a mené autrefois de terribles expériences biogéniques qui, en modifiant son ADN, lui ont apporté des capacités surhumaines. -
Orioies.Naiion Honarpen in Final Cane Mon
8 October 12, 2001 ~roKr~~.,um"Bi~ I I I' I , I '"'I I ...- 10.. ""'" .... 110...""1 I • I I < I I I I I FlilIpIrIS I I lellilioll ,.. ""'" ; I ...I ; I I .... , Men's and Women Cross Country ing homer. " at-bats set by McGwire in 1998. September Th~ ' 8010 homer came on a full 'T dQn't know what my future is,",; Barry Bonds' hit his 73rd home count knuckleball from Sp,ringel'. It he said. "} love San Francisco and I! Sal. 29 at Belmont Classic 10:00 am run Sunday. further extending the gave Bonds a careel'-rugh 137 R, B.I~. love you fans. My fa mily knows, God, major league record he brOKe Fans aceustomed to Bonds' herOICS knows, I'm proud to wear this uui·· October two days earlier. In what couldbe this S'eason gave him a standing ova· form." ; Sal. 6 at Muhlenberg In vite 10:00 am his final game with the Son tion, l};nd be stepped ~ut of the But the Giants, have a projected! Francisco Giants, Bonds connect dugout for a quick curtain call. payroll of $66 million next season, Sat. 13 at DeSales In vit e 10:00 am ·ed In the first Inntng off los Before his second at-bat, fans and signing Bonds, would mean com ~, Sat. ?:7 Middle Atlantic Confe re n~ e Ar:tQeles' Dennis $pringer. The chanted, mitting, neaTly ,al Champion ships at Messiah 11 :00 am ,Glonts won the game 2- T. ' . ' .. F i v ~ third of-that amount: m 0 r e to one player. -
Original Article Being John Malkovich and the Deal with the Devil in If I Were
Identificação projetiva excessiva – Rosa Artigo original Quero ser John Malkovich e o pacto com o diabo de Se eu fosse você: destinos da identificação projetiva excessiva Antonio Marques da Rosa* Um fantoche mira-se em um espelho e não A produção artística sempre proporcionou gosta do que vê. Inicia, então, uma agitada boas oportunidades para ilustrar conceitos da dança, na qual quebra todos os objetos do psicanálise. Freud, apreciador da psicanálise cenário. Após desferir murros e pontapés de aplicada, exercitou-a magistralmente em forma descontrolada, faz algumas piruetas diversos momentos, como em 1910, com as acrobáticas, dá alguns saltos mortais de costas telas de Leonardo. Mais adiante, em 1957, e deixa-se repousar no chão, abandonado, Racker, na área da filmografia, ofereceu um amolecido, desmembrado. brilhante estudo da cena primária baseado em Assim começa a história de Craig Schwartz A janela indiscreta, de Hitchcock. Em 1994, por (John Cusack), um titereiro que se expressa ocasião de um evento científico em Gramado, através de seus bonecos. Ele é o que, na Kernberg sustentou que o cinema, na sociedade americana, convencionou-se atualidade, é o setor das artes que mais chamar de loser: alguém que não consegue ricamente expressa os conflitos humanos. progredir na carreira e vive “dando errado”. Penso que, como qualquer criação, um filme Apesar de seu inegável talento, não é está impregnado de fantasias inconscientes, reconhecido e não alcança sucesso no mundo só que não de um único criador, como uma das marionetes. Não sem razão, a cena inicial tela, mas de vários: do autor da obra original, da marionete foi batizada por ele de a “Dança do roteirista, do diretor e dos atores que nos do Desespero e da Desilusão”. -
Motion Picture
Moving Images Prepared by Bobby Bothmann RDA Moving Images by Robert L. Bothmann is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. Created 2 February 2013 Modified 11 November 2014 https://link.mnsu.edu/rda-video Scope Step-through view of the movie Hairspray from 2007 Generally in RDA rule order Uses MARC 21 examples Describing Manifestations & Items Follows RDA Chapters 2, 3, 4 Describing Works and Expressions Follows RDA Chapters 6, 7 Recording Attributes of Person & Corporate Body Uses RDA Chapters 9, 11, 18 Covers relator terms only Recording Relationships Follows RDA Chapters 24, 25, 26 2 Resources Olson, Nancy B., Robert L. Bothmann, and Jessica J. Schomberg. Cataloging of Audiovisual Materials and Other Special Materials: A Manual Based on AACR2 and MARC 21. Westport, Conn: Libraries Unlimited, 2008. [Short citation: CAVM] Online Audiovisual Catalogers, Inc. Cataloging Policy Committee. Streaming Media Best Practices Task Force. Best Practices for Cataloging Streaming Media. No place : OLAC CAPC, 2009. http://olacinc.org/drupal/capc_files/streamingmedia.pdf Online Audiovisual Catalogers, Inc. Cataloging Policy Committee. DVD Cataloging Guide Update Task Force. Guide to Cataloging DVD and Blu-ray Discs Using AACR2r and MARC 21. 2008 Update. No place: OLAC CAPC, 2008. http://olacinc.org/drupal/capc_files/DVD_guide_final.pdf Pan-Canadian Working Group on Cataloguing with RDA. “Workflow: Video recording (DVD) RDA.” In RDA Toolkit | Tools| Workflows |Global Workflows. 3 Preferred Source 4 5 Title Proper 2.3.2.1 RDA CORE the chief name of a resource (i.e., the title normally used when citing the resource). 245 10 $a Hairspray Capitalization is institutional and cataloger’s choice Describing Manifestations 6 Note on the Title Proper 2.17.2.3 RDA Make a note on the source from which the title proper is taken if it is a source other than: a) the title page, .. -
POEMS by Erin Louise Shaffer This Collection of Poems Attempts To
ABSTRACT WHAT’S MISSED: POEMS by Erin Louise Shaffer This collection of poems attempts to illustrate that despite the possible pain of an examined life, through it, greater levels of meaning can be revealed. They tend towards a narrative mode, but are also interested in lyric methods of presenting the small agonies and joys of human existence. The poems are attuned to presenting the beauty and meaning of the everyday with a voice of humor, wit and sincerity, and are deeply concerned with character. They reflect attention to the accretion of detail. It is important that they be morning glories and hyacinths, not just flowers. The reader is invited to the same level of conscientiousness with which the speakers in these poems experience the world. These works aspire to help others see mirrors of their own experience and motivate them to create their own paths to understanding. WHAT’S MISSED: POEMS A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of English by Erin Louise Shaffer Miami University Oxford, Ohio 2003 Advisor________________________________ Mr. David Schloss Reader_________________________________ Dr. Andrew Osborn Reader_________________________________ Mr. James Reiss Contents I. Damselfly Wings Noon 2 Lake Nakuru 3 Watamu, Kenya 4 Angel 5 Almost to Anger 6 Not Postmarked Diani Beach 7 Scrapbook 8 After the Tornado 9 Mean 11 Unpacking 12 Cinderella After Midnight 13 Refrain 14 For Ralph, on the Other Side of the Duplex 15 After Dinner 16 II. Popsicles Red 18 Crabapple 19 The Billy Graham Crusade 20 Lookout 21 Neighborhood Gossip 22 Qualifying Time 24 Decoration Day 25 Goodbye, Neighbor 26 III. -
2 0 1 9 Program
2019 PROGRAM | MARCH – MAY Place Matters. History Matters. 40,000 Opportunities for Children to Explore the Arts. ©2016 Rodney Strong Vineyards, Healdsburg, CA Healdsburg, Vineyards, Strong Rodney ©2016 Rodney D. Strong 1927–2006 We Are Proud To Celebrate our founder Rod Strong’s passion for winemaking and the arts by being the exclusive wine partner of the Luther Burbank Center for the Arts. The Lytton Band of Pomo Indians is proud to be the Naming Sponsor of Luther Burbank Center for the Arts, ensuring Sonoma County children can experience live theater, music and art. Lytton_Ad 2018.indd 1 2/8/2018 1:12:44 PM RS3900_Luther Burbank AD_P1.indd 1 3/1/16 9:52 AM 4 2019 PROGRAM Luther Burbank Center for the Arts | MARCH – MAY 5 What’s Inside Welcome to Your LBC! Thank you for joining us. 2019 promises to be an especially exciting year at Your LBC—besides Welcome ................................................................................................................................ 4 the many terrific shows we have planned for you, this year is when we unveil the curtains to LBC by the Numbers ............................................................................................................ 8 Board of Directors & Founders ........................................................................................ 10 reveal major upgrades at Your LBC. By spring you will be enjoying pre-show and intermission in Latino Advisory Council ................................................................................................... -
Adam Sandler: Mentor Of
ADAM SANDLER: MENTOR OF MIDDLE-CLASS MASCULINITY AND MANHOOD A Thesis Presented to the Faculty of California State University, Stanislaus In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History By Kathleen Boone Chapman April 2014 CERTIFICATION OF APPROVAL ADAM SANDLER: MENTOR OF MASCULINITY AND FATHERHOOD by Kathleen Boone Chapman Signed Certification of Approval Page is on file with the University Library Dr. Bret E. Carroll Date Professor of History Dr. Samuel Regalado Date Professor of History Dr. Marcy Rose Chvasta Date Professor of Communications © 2014 Kathleen Boone Chapman ALL RIGHTS RESERVED DEDICATION I am dedicating this work to my three dear friends: Ronda James, Candace Paulson, and Michele Sniegoski. Ronda’s encouragement and obedience to the Lord gave me what I needed to go back to school with significant health issues and so late in life. Candace, who graduated from Stanford “back in the olden days,” to quote our kids, inspired me to follow my dream and become all God wants me to be. Michele’s long struggle with terminal kidney disease motivated me to keep living in spite of my own health issues. We have laughed and cried together over many years, but all of you have given me strength to carry on. Sorry two of you made it to heaven before I could get this finished. I also want to give credit to my husband of forty years who has been a faithful breadwinner, proof-reader, and a paragon of patience. What more could any woman ask for? He has also put up with me yelling at my computer and cursing Bill Gates – A LOT. -
UK Films for Sale EFM 2015
UK FILMS FOR SALE EFM 2015 UK FILM CENTRE, STAND 38, EUROPEAN FILM MARKET, MARTIN GROPIUS BAU, NIEDERKIRCHNER STR 7, 10785 BERLIN TEL: + 49 30 209159 448 45 Years TThe Match Factory Cast: Charlotte Rampling, Tom Courtney Thania Dimitrakopoulou +49 172 851 210 Genre: Drama 9 Director: Andrew Haigh [email protected] Status: Completed Market Office: MGB 32 Home Office tel: +49 221 539 709 0 Synopsis: There is just one week until Kate Mercer’s forty-fifth wedding anniversary and the planning for the party is going well. But then a letter arrives for her husband. The body of his first love has been discovered, frozen and preserved in the icy glaciers of the Swiss Alps. By the time the party is upon them, five days later, there may not be a marriage left to celebrate. 47 Meters Down TAltitude Film Sales Cast: Vanessa Kirby Vicki Brown + 49 30 209 159 401 Genre: Thriller [email protected] Director: Johannes Roberts Market Office: MGB 136 Status: Pre-Production Home Office tel: +44 20 7478 7612 Synopsis: Twenty-something sisters Kate and Lisa are gorgeous, fun loving and ready for the holiday of a lifetime in Mexico. When the opportunity to go cage diving to view Great White sharks presents itself, thrill-seeking Kate jumps at the chance while Lisa takes some convincing. After some not so gentle persuading, Lisa finally agrees and the girls soon find themselves two hours off the coast of Huatulco and about to come face to face with nature's fiercest predator. But what should have been the trip to end all trips soon becomes a living nightmare when the shark cage breaks free from their boat, sinks and they find themselves trapped at the bottom of the ocean. -
GB All Pages +8S 230305
▲ CONTENTS / Annual Report 2004 Page 2 -- Foreword Page 8 -- Report by the Supervisory Board Page 10 -- Corporate strategy Page 13 -- Investor relations Page 17 -- Contents / financial information Page 18 -- Management report Page 30 -- Financial information / Group Page 56 -- AG balance sheets Page 57 -- AG income statements and AG statement of cash flows Page 58 -- Terminology Page 61 -- Summary of equity interests KEY FIGURES GROUP 01.01.-31.12.2003 01.01.-31.12.2004 € million € million Sales 114.3 246.9 of which in-house productions 87.0 186.0 of which third-party productions 27.3 60.9 EBITDA 52.0 100.9 Gross profit 3.6 32.3 EBIT -11.8 14.8 Net income/loss for the year -9.9 7.0 Investments in film assets 129.3 69.0 Depreciation of film assets 61.4 84.3 31.12.2003 31.12.2004 Film assets 158.9 143.5 Equity 64.2 70.9 Balance sheet total 315.9 305.2 Employees (number) 270 235 Earnings per share in € -0.78 0.55 ▲ KEY FIGURES ▲ FOREWORD by the Management Board of Constantin Film AG Dear shareholders, implemented to full effect for the first time in 2004 and came in 1st. The blockbuster of the year was distributed dear friends of Constantin Film AG, produced substantial success. Crucial foundations for by Constantin Film and has recorded the sensational continuing the successful development of our company number of 9.2 million enthusiastic admissions since it 2004 was an eventful and very successful year for have been laid by adopting this strategy, which involves was released to theatres on July 22, 2004.