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ATINER's Conference Paper Series HUM2013-0895
ATINER CONFERENCE PAPER SERIES No: HUM2013-0895 Athens Institute for Education and Research ATINER ATINER's Conference Paper Series HUM2013-0895 The Impact and Influence of Carroll's World of Alice on Video Game Design Marcello Arnaldo Picucci Doctorate Student University of Newcastle upon Tyne United Kingdom 1 ATINER CONFERENCE PAPER SERIES No: HUM2013-0895 Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10671 Athens, Greece Tel: + 30 210 3634210 Fax: + 30 210 3634209 Email: [email protected] URL: www.atiner.gr URL Conference Papers Series: www.atiner.gr/papers.htm Printed in Athens, Greece by the Athens Institute for Education and Research. All rights reserved. Reproduction is allowed for non-commercial purposes if the source is fully acknowledged. ISSN 2241-2891 26/3/2014 2 ATINER CONFERENCE PAPER SERIES No: HUM2013-0895 An Introduction to ATINER's Conference Paper Series ATINER started to publish this conference papers series in 2012. It includes only the papers submitted for publication after they were presented at one of the conferences organized by our Institute every year. The papers published in the series have not been refereed and are published as they were submitted by the author. The series serves two purposes. First, we want to disseminate the information as fast as possible. Second, by doing so, the authors can receive comments useful to revise their papers before they are considered for publication in one of ATINER's books, following our standard procedures of a blind review. Dr. Gregory T. Papanikos President Athens Institute for Education and Research 3 ATINER CONFERENCE PAPER SERIES No: HUM2013-0895 This paper should be cited as follows: Picucci, M.A., (2013) "The Impact and Influence of Carroll's World of Alice on Video Game Design" Athens: ATINER'S Conference Paper Series, No: HUM2013-0895. -
Black Light Burns Cruel Melody Mp3, Flac, Wma
Black Light Burns Cruel Melody mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Cruel Melody Country: US Released: 2007 Style: Electro, Goth Rock MP3 version RAR size: 1390 mb FLAC version RAR size: 1273 mb WMA version RAR size: 1864 mb Rating: 4.4 Votes: 555 Other Formats: VQF WMA AU VOX MOD AC3 MIDI Tracklist Hide Credits Mesopotamia 1 4:29 Mixed By – Ross Robinson, Ryan Boesch 2 Animal 4:08 Lie 3 4:21 Bass – Danny LohnerProgrammed By [Additional] – Charlie Clouser Coward 4 4:36 Bass, Guitar – Danny LohnerVocals [Additional] – Sonny Moore Cruel Melody 5 5:00 Vocals [Additional] – Carina Round 6 The Mark 3:13 I Have A Need 7 4:24 Bass – Sam Rivers Guitar – Danny Lohner 8 4 Walls 3:51 9 Stop A Bullet 3:37 10 One Of Yours 4:51 New Hunger 11 Cello – John Krovoza, Matt Cooker*, Richard Dodd Viola – Leah KatzViolin – Daphne Chen, 5:24 Eric Gorfain I Am Where It Takes Me 12 Cello – John Krovoza, Matt Cooker*, Richard Dodd Drums – Wes BorlandViola – Leah 6:09 KatzViolin – Daphne Chen, Eric GorfainVocals [Additional] – Johnette Napolitano Iodine Sky 13 8:30 Mixed By – Wes Borland Credits Drums, Percussion – Josh Freese Engineer – Critter*, Josh Eustis* Engineer [Additional] – Danny Lohner, Wes Borland Lead Vocals, Guitar, Bass, Programmed By, Percussion, Synthesizer, Piano, Electric Piano [Rhodes], Violin, Cello – Wes Borland Mixed By – Tom Lord-Alge (tracks: 2 to 12) Performer [Live Bass] – Sean Fetterman Performer [Live Drums] – Marshall Kilpatric Performer [Live Guitar] – Nick Annis Performer [Live Vocals, Guitar] -
P 01.Qxd 6/30/2005 2:00 PM Page 1
p 01.qxd 6/30/2005 2:00 PM Page 1 June 27, 2005 © 2005 Crain Communications GmbH. All rights reserved. €14.95; or equivalent 20052005 GlobalGlobal MarketMarket DataData BookBook Global Vehicle Production and Sales Regional Vehicle Production and Sales History and Forecast Regional Vehicle Production and Sales by Model Regional Assembly Plant Maps Top 100 Global Suppliers Contents Global vehicle production and sales...............................................4-8 2005 Western Europe production and sales..........................................10-18 North America production and sales..........................................19-29 Global Japan production and sales .............30-37 India production and sales ..............39-40 Korea production and sales .............39-40 China production and sales..............39-40 Market Australia production and sales..........................................39-40 Argentina production and sales.............45 Brazil production and sales ....................45 Data Book Top 100 global suppliers...................46-50 Mary Raetz Anne Wright Curtis Dorota Kowalski, Debi Domby Senior Statistician Global Market Data Book Editor Researchers [email protected] [email protected] [email protected], [email protected] Paul McVeigh, News Editor e-mail: [email protected] Irina Heiligensetzer, Production/Sales Support Tel: (49) 8153 907503 CZECH REPUBLIC: Lyle Frink, Tel: (49) 8153 907521 Fax: (49) 8153 907425 e-mail: [email protected] Tel: (420) 606-486729 e-mail: [email protected] Georgia Bootiman, Production Editor e-mail: [email protected] USA: 1155 Gratiot Avenue, Detroit, MI 48207 Tel: (49) 8153 907511 SPAIN, PORTUGAL: Paulo Soares de Oliveira, Tony Merpi, Group Advertising Director e-mail: [email protected] Tel: (35) 1919-767-459 Larry Schlagheck, US Advertising Director www.automotivenewseurope.com Douglas A. Bolduc, Reporter e-mail: [email protected] Tel: (1) 313 446-6030 Fax: (1) 313 446-8030 Tel: (49) 8153 907504 Keith E. -
Merged Almost Perfectly
The media heralded us as Rock Star game game Star Rock as us heralded media The bilities were leading us in a direction even even direction a in us leading were bilities e violence and demonic imagery from a a from imagery demonic and violence e Th you didn’t understand what was going on. going was what understand didn’t you dow for a Nine Inch Nails concert. Nails Inch Nine a for dow - capa design level and lighting new The ing something that made an impact, even if if even impact, an made that something ing - win will-call the at “DOOM” labeled passes He agreed. He - see was world broader the Suddenly, prising places, including picking up back stage stage back up picking including places, prising at would be awesome! be would at Th Quake , the next big project? big next the , in directly him . DOOM came then But - sur some to led game the of success The our work, but what if we could actually involve involve actually could we if what but work, our to dismiss the medium. the dismiss to games around on television. on around games It was great to meet Trent and talk about about talk and Trent meet to great was It people people most for easy it made monster terrifying games, with senators waving copies of our our of copies waving senators with games, "MERGED of thing. of the screen was actually a mighty hero or or hero mighty a actually was screen the tack from explicit song lyrics to violent video video violent to lyrics song explicit from tack Trent Reznor, which really is a different sort sort different a is really which Reznor, Trent offended. -
Video Killed the Radio Star«
in: Positionen. Beiträge zur Neuen Musik, 1994, 18, 7ff, © Autor von There is nothing in it, it's just a video. Peter Buck, R.E.M. Als der Song »Video Killed the Radio Star« im Januar 1980 auf dem Album »The Golden Age of Plastic« der britischen Electro-Pop-Band The Buggles erschien, bedurfte es kaum einer besonderen prophetischen Gabe, um vorauszusehen, daß die Popmusik erneut vor einer generellen Umwälzung ihrer Produktions- und Verbreitungsbedingungen stand. Die Videotechnik sollte in der Tat ähnlich tiefgreifende Auswirkungen auf die Popmusikentwicklung haben wie seinerzeit die Single-Schallplatte und das Kofferradio, denen der Rock'n'Roll in nicht geringem Maße seine Existenz verdankte. Eher eine Ironie der Geschichte ist es allerdings, daß ausgerechnet dieser Titel, der das Medium Video mit der Vernichtung musikalischer Kreativität in einer Plastikwelt Orwellscher Prägung assoziierte, geradezu als Symbol für die damit ausgelösten Veränderungen einstehen kann. Das düstere Bild popmusikalischer Zukunft (We can't rewind/we've gone too far/put the blame on VTR [Video Tape Recording — P. W.]), wurde nämlich von keinem geringeren als Trevor Horn, damals Leadsänger der Buggles, vokal in Szene gesetzt, bevor er dann höchst selbst, nach einem kurzen Zwischenspiel bei der renommierten Art-Rock-Band Yes, ab 1983 als Produzent mit einem technisch hochgestylten Aufnahmekonzept dem traditionellen »Radio Star« endgültig den Garaus machte. Frankie Goes To Hollywood, sein erfolgreichstes Produkt, ist eine Art Selbstkreation Trevor Horns zum »Studio Star«, der des Musikers nur noch als Medium aufnahmetechnischer Artistik im Rahmen eines multimedialen Gesamtkonzepts bedarf. Holly Johnson, Leadsänger von Frankie Goes To Hollywood, kommentierte das mit den treffenden Worten: »Ich bin kein Künstler mehr, ich bin zu einem Kunstwerk geworden.«1 Doch Trevor Horn war nicht der einzige, dessen Name sich mit dem Song »Video Killed the Radio Star« verband und der dann für eben diese Veränderungen, die darin als futuristische Horrorversion erscheinen, zum Synonym geworden ist. -
Heroes (TV Series) - Wikipedia, the Free Encyclopedia Pagina 1 Di 20
Heroes (TV series) - Wikipedia, the free encyclopedia Pagina 1 di 20 Heroes (TV series) From Wikipedia, the free encyclopedia Heroes was an American science fiction Heroes television drama series created by Tim Kring that appeared on NBC for four seasons from September 25, 2006 through February 8, 2010. The series tells the stories of ordinary people who discover superhuman abilities, and how these abilities take effect in the characters' lives. The The logo for the series featuring a solar eclipse series emulates the aesthetic style and storytelling Genre Serial drama of American comic books, using short, multi- Science fiction episode story arcs that build upon a larger, more encompassing arc. [1] The series is produced by Created by Tim Kring Tailwind Productions in association with Starring David Anders Universal Media Studios,[2] and was filmed Kristen Bell primarily in Los Angeles, California. [3] Santiago Cabrera Four complete seasons aired, ending on February Jack Coleman 8, 2010. The critically acclaimed first season had Tawny Cypress a run of 23 episodes and garnered an average of Dana Davis 14.3 million viewers in the United States, Noah Gray-Cabey receiving the highest rating for an NBC drama Greg Grunberg premiere in five years. [4] The second season of Robert Knepper Heroes attracted an average of 13.1 million Ali Larter viewers in the U.S., [5] and marked NBC's sole series among the top 20 ranked programs in total James Kyson Lee viewership for the 2007–2008 season. [6] Heroes Masi Oka has garnered a number of awards and Hayden Panettiere nominations, including Primetime Emmy awards, Adrian Pasdar Golden Globes, People's Choice Awards and Zachary Quinto [2] British Academy Television Awards. -
From Popular Music to Film and Digital Media
MUSC 499: The Music Video: From Popular Music to Film and Digital Media University of Southern California, Fall 2014 Tuesday, Thursday, 2:00-3:20 UUC B2 Instructor: Dr. Richard Brown Office: MUS 310 (Office Hour: T/Th 1-2pm) [email protected] www.richardhbrownjr.com Course Description: Since its emergence in the late 1970s, the music video has become the dominant means of advertising popular music and musicians, as well as one of the most influential multimedia genres in history. Music videos have affected aesthetic style in a wide range of film and television genres, introducing experimental and avant-garde techniques to a mass audience. Because most music videos last only a few minutes, it is difficult to make sense of their often-conflicting images, sounds, and messages. This course challenges participants to read music videos as texts by engaging with their visual and auditory materials. We will explore how the gender, race, and class of video participants shapes meaning, as well as how pacing and editing contribute to (or detract from) a narrative flow. We will also consider the music video in relation to notions of stardom and celebrity, and will speculate on the future of the music video amid drastic changes in the production and marketing of media. The second portion of the course applies these analytical skills to a wide variety of media, including video games, live concert films, film and television music placements, television title sequences and end credits, user generated content, YouTube, remixes and more. Course Materials: There is one required textbook available for free via USC’s electronic Ebook access: Carol Vernallis’ Experiencing Music Video: Aesthetics and Cultural Context (New York: Columbia University Press, 2004). -
GB All Pages +8S 230305
▲ CONTENTS / Annual Report 2004 Page 2 -- Foreword Page 8 -- Report by the Supervisory Board Page 10 -- Corporate strategy Page 13 -- Investor relations Page 17 -- Contents / financial information Page 18 -- Management report Page 30 -- Financial information / Group Page 56 -- AG balance sheets Page 57 -- AG income statements and AG statement of cash flows Page 58 -- Terminology Page 61 -- Summary of equity interests KEY FIGURES GROUP 01.01.-31.12.2003 01.01.-31.12.2004 € million € million Sales 114.3 246.9 of which in-house productions 87.0 186.0 of which third-party productions 27.3 60.9 EBITDA 52.0 100.9 Gross profit 3.6 32.3 EBIT -11.8 14.8 Net income/loss for the year -9.9 7.0 Investments in film assets 129.3 69.0 Depreciation of film assets 61.4 84.3 31.12.2003 31.12.2004 Film assets 158.9 143.5 Equity 64.2 70.9 Balance sheet total 315.9 305.2 Employees (number) 270 235 Earnings per share in € -0.78 0.55 ▲ KEY FIGURES ▲ FOREWORD by the Management Board of Constantin Film AG Dear shareholders, implemented to full effect for the first time in 2004 and came in 1st. The blockbuster of the year was distributed dear friends of Constantin Film AG, produced substantial success. Crucial foundations for by Constantin Film and has recorded the sensational continuing the successful development of our company number of 9.2 million enthusiastic admissions since it 2004 was an eventful and very successful year for have been laid by adopting this strategy, which involves was released to theatres on July 22, 2004. -
John Rakich Rakich Productions Inc
John Rakich Rakich Productions Inc. 809-716 The West Mall Toronto, Ontario M9C 4X6 Tel: (416) 737-7616 Email: [email protected] Website: www.johnrakich.com Affiliations Directors Guild of Canada – Ontario District Council Location Managers Guild International Academy of Canadian Cinema & Television Experience (Director / Showrunner / Producer) 2019 GRAND ARMY S1 (Joshua Donen/Chris Hatcher) Location Manager 2019 JUPITER’S LEGACY S1 (Steven S DeKnight/Steve Wakefield) Location Scout (Pre-Production) 2018 THE OCTOBER FACTION (S1) (Damian Kindler / John Calvert) Location Manager 2018 WRONG TURN (Mike Nelson / Robert Kulzer) Location Scout (Pre-Production) 2018 NO SLEEP TIL CHRISTMAS (Brent Shields/Cameron Johann/Mary Pantelidis) Location Manager 2017 SHADOWHUNTERS (S3) (Todd Slavkin/Matt Hastings/Chris Hatcher) Location Manager 2017 ANGRY ANGEL (John Ryan) Location Scout 2017 FAHRENHEIT 451 (Ramin Bahrani / David Coatsworth) Location Scout 2017 PACIFIC RIM: UPRISING (Steven S DeKnight / Jennifer Conroy) Location Consultant (Pre-Production) 2016 SALVATION (S1: EP1) (Rob Ortiz) Location Scout (Pre-Production) 2016 THE PARTING GLASS (Stephen Moyer/Cerise Hallam Larkin) Location Scout 2016 SHADOWHUNTERS (S2) (Todd Slavkin/Matt Hastings/Chris Hatcher) Location Manager 2016 THE EXPANSE (S2) (Naren Shankar / Lynn Raynor) Location Manager 2016 AMERICAN GODS (S1: EP 1-3) (David Slade / Bryan Fuller) Location Scout 2015 THE DARK TOWER (Nikolaj Arcel/ G Mac Brown) Location Scout (Pre-Production) 2015 SHIMMER LAKE (Oren Uziel / Adam Saunders) Location -
Texas Register V.35 No. 31
Volume 35 Number 31 July 30, 2010 Pages 6593 – 6732 School children's artwork is used to decorate the front cover and blank filler pages of the Texas Register. Teachers throughout the state submit the drawings for students in grades K-12. The drawings dress up the otherwise gray pages of the Texas Register and introduce students to this obscure but important facet of state government. The artwork featured on the front cover is chosen at random. Inside each issue, the artwork is published on what would otherwise be blank pages in the Texas Register. These blank pages are caused by the production process used to print the Texas Register. Texas Register, (ISSN 0362-4781, USPS 120-090), is published weekly (52 times per year) for $211.00 ($311.00 for first class mail delivery) by LexisNexis Matthew Bender & Co., Inc., 1275 Broadway, Albany, N.Y. 12204-2694. Material in the Texas Register is the property of the State of Texas. However, it may be copied, reproduced, or republished by any person without permission of the Texas Register director, provided no such republication shall bear the legend Texas Register or "Official" without the written permission of the director. The Texas Register is published under the Government Code, Title 10, Chapter 2002. Periodicals Postage Paid at Albany, N.Y. and at additional mailing offices. POSTMASTER: Send address changes to the Texas Register, 136 Carlin Rd., Conklin, N.Y. 13748-1531. Secretary of State – Hope Andrade Director – Dan Procter a section of the Staff Office of the Secretary of State Leti Benavides P.O. -
Lesbian and Gay Studies and the Teaching of English: Positions, Pedagogies, and Cultural Politics
DOCUMENT RESUME ED 445 339 CS 217 250 AUTHOR Spurlin, William J., Ed. TITLE Lesbian and Gay Studies and the Teaching of English: Positions, Pedagogies, and Cultural Politics. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-2794-0 PUB DATE 2000-00-00 NOTE 357p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 27940-3050: $27.95 members, $33.95 nonmembers). Tel. No. 1-800-369-6283; website'http: / /www.ncte.org. PUB TYPE Books (010) Collected Works General (020) EDRS PRICE MF01/PC15 Plus Postage. DESCRIPTORS Classroom Techniques; *Cultural Context; Elementary Secondary Education; *English Curriculum; *English Instruction; Higher Education; Homophobia; *Homosexuality; Political Issues; *Sexual Identity; *Writing Instruction IDENTIFIERS *Gay and Lesbian Studies; Homosexual Literature; Lesbian Literature; Queer Theory; Shakespeare (William) ABSTRACT This international collection of essays presents a contemporary overview of issues of sexual identity as they relate to teaching and learning in English from elementary through university levels. Coming from teachers in classrooms in India to North America to South Africa to Europe, the essays theorize lesbian, gay, and transgendered positions in the classroom, offer pedagogical strategies for teaching lesbian and gay studies, and examine the broader social and political contexts that shape classroom discourse and practices. Following the introduction by the editor, the 16 essays are: (1) "Cruising the -
Thorragnarok59d97e5bd2b22.Pdf
©2017 Marvel. All Rights Reserved. CAST Thor . .CHRIS HEMSWORTH Loki . TOM HIDDLESTON Hela . CATE BLANCHETT Heimdall . .IDRIS ELBA Grandmaster . JEFF GOLDBLUM MARVEL STUDIOS Valkyrie . TESSA THOMPSON presents Skurge . .KARL URBAN Bruce Banner/Hulk . MARK RUFFALO Odin . .ANTHONY HOPKINS Doctor Strange . BENEDICT CUMBERBATCH Korg . TAIKA WAITITI Topaz . RACHEL HOUSE Surtur . CLANCY BROWN Hogun . TADANOBU ASANO Volstagg . RAY STEVENSON Fandral . ZACHARY LEVI Asgardian Date #1 . GEORGIA BLIZZARD Asgardian Date #2 . AMALI GOLDEN Actor Sif . CHARLOTTE NICDAO Odin’s Assistant . ASHLEY RICARDO College Girl #1 . .SHALOM BRUNE-FRANKLIN Directed by . TAIKA WAITITI College Girl #2 . TAYLOR HEMSWORTH Written by . ERIC PEARSON Lead Scrapper . COHEN HOLLOWAY and CRAIG KYLE Golden Lady #1 . ALIA SEROR O’NEIL & CHRISTOPHER L. YOST Golden Lady #2 . .SOPHIA LARYEA Produced by . KEVIN FEIGE, p.g.a. Cousin Carlo . STEVEN OLIVER Executive Producer . LOUIS D’ESPOSITO Beerbot 5000 . HAMISH PARKINSON Executive Producer . VICTORIA ALONSO Warden . JASPER BAGG Executive Producer . BRAD WINDERBAUM Asgardian Daughter . SKY CASTANHO Executive Producers . THOMAS M. HAMMEL Asgardian Mother . SHARI SEBBENS STAN LEE Asgardian Uncle . RICHARD GREEN Co-Producer . DAVID J. GRANT Asgardian Son . SOL CASTANHO Director of Photography . .JAVIER AGUIRRESAROBE, ASC Valkyrie Sister #1 . JET TRANTER Production Designers . .DAN HENNAH Valkyrie Sister #2 . SAMANTHA HOPPER RA VINCENT Asgardian Woman . .ELOISE WINESTOCK Edited by . .JOEL NEGRON, ACE Asgardian Man . ROB MAYES ZENE BAKER, ACE Costume Designer . MAYES C. RUBEO Second Unit Director & Stunt Coordinator . BEN COOKE Visual Eff ects Supervisor . JAKE MORRISON Stunt Coordinator . .KYLE GARDINER Music by . MARK MOTHERSBAUGH Fight Coordinator . JON VALERA Music Supervisor . DAVE JORDAN Head Stunt Rigger . ANDY OWEN Casting by . SARAH HALLEY FINN, CSA Stunt Department Manager .