NLL9A1

ANNOTATION 07/11/20 DATE

NO PRINT AREA PRINT NO VERTICAL DIRECTION GRAIN

SPOT COLOR 2 COLOR SPOT 1 COLOR SPOT

OUTSIDE SIDE SHOWN SIDE SAFETY

QUAKE INSERT QUAKE 100 26.65625” x 25.125” x 26.65625”

YELLOW MAGENTA CYAN BLACK BLEED 22.00” x 11.00” x 22.00” SIZE BLANK FINAL SIZE FINAL % BUILD JOB DESCRIPTION JOB

8 ID3C5 280 CORP NULL 354438 --- 07.11.20 13

SCORES 80# ACCENT OPAQUE TEXT OPAQUE ACCENT 80# STOCK

DMAX L/S DATE CLIENT SUB# JOB# BUILD VERSION BUILD

8PP ESSAY SADDLE STITCH BOOK – NLL9A1 – BOOK STITCH SADDLE ESSAY 8PP

11.00” x 11.00” FOLDED 11.00” x 11.00” SIZE CUTS

8 PP S/S BOOK S/S PP 8 TITLE

LINE TYPES LINE

NULL CORP NULL CUSTOMER

FRONT COVER AND BACK COVER BACK AND COVER FRONT

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said Chris as we passed Victorian mansion. mansion. Victorian passed we as Chris said a hole large enough to fit a head through had had through head a fit to enough large hole a and technologies merged almost perfectly. almost merged technologies and

on Magazine Street. "Anne Rice lives there," there," lives Rice "Anne Street. Magazine on computer equipment at a sheet-rock wall until until wall sheet-rock a at equipment computer The music, sounds, visuals, personalities, personalities, visuals, sounds, music, The

Garden District towards the Nothing Studios Studios Nothing the towards District Garden round of "PC Card Ninja" - flinging discarded discarded flinging - Ninja" Card "PC of round masculinity, curiosity, and discovery. and curiosity, masculinity,

Cabriolet. Whisked through the streets of the the of streets the through Whisked Cabriolet. Romero, and Sean Green, had just finished a a finished just had Green, Sean and Romero, life), unbridled expressions of intelligence, ego, ego, intelligence, of expressions unbridled life),

by Chris "Podboy" Vrenna in his Volkswagen Volkswagen his in Vrenna "Podboy" Chris by outside Dave Taylor's office. Myself, John John Myself, office. Taylor's Dave outside deathmatches (both in the games and in real real in and games the in (both deathmatches

all the rest, surreal. Picked up at the airport airport the at up Picked surreal. rest, the all of broken audio and video cards from the floor floor the from cards video and audio broken of soundtrack for those days of fast cars, violent violent cars, fast of days those for soundtrack

The first trip to New Orleans was, like like was, Orleans New to trip first The muttered the cleaning guy as he swept up piles piles up swept he as guy cleaning the muttered uct. There really couldn't have been a better better a been have couldn't really There uct.

of energy and excitement. and energy of "Them boys need to take their Ritalin," Ritalin," their take to need boys "Them - prod final the in meshed perfectly which

work together and returned to the id studio full full studio id the to returned and together work knew to mesh with what we were developing. were we what with mesh to knew dysfunction, rage, excitement, and creativity creativity and excitement, rage, dysfunction,

that moment I already had a sense we would would we sense a had already I moment that NIN's music which even before the invite we we invite the before even which music NIN's

We were all channeling an intensity, intensity, an channeling all were We "WORK HARD,

to continue talking about games and music. At At music. and games about talking continue to Mode. But there was something special about about special something was there But Mode. tered on an ammo box full of nails. nails. of full box ammo an on tered

"love your work"and promised to find a way way a find to promised work"and your "love Manson, , and Depeche Depeche and Manifesto, Beat Meat Manson, - plas be could logo "NIN" Nails Inch Nine the

He was a fan. We did an awkward round of of round awkward an did We fan. a was He alongside cohorts such as as such cohorts alongside Machine Hate Pretty course a Nail Gun would be invented so that that so invented be would Gun Nail a course

stage he was kind and humble. We were fans. fans. were We humble. and kind was he stage music. John and I would take turns blasting blasting turns take would I and John music. miles away in New Orleans, Louisiana. Of Of Louisiana. Orleans, New in away miles BUILD THE

- back Coming time. first the for Trent meet to The id offices were frequent stage to Trent's Trent's to stage frequent were offices id The maestros occupying an old funeral home 500 500 home funeral old an occupying maestros

we knew and loved the music and were excited excited were and music the loved and knew we opers at id Software are invited to the show." show." the to invited are Software id at opers end up collaborating with a band of digital digital of band a with collaborating up end

out of our element. Geeks in the mosh-pit. But But mosh-pit. the in Geeks element. our of out - devel the and Dallas to coming is Nails Inch nondescript office building in Mesquite, Texas Texas Mesquite, in building office nondescript

I FUTURE

At the show in downtown Dallas we were were we Dallas downtown in show the At our games and music rode into the ‘90s. "Nine "Nine ‘90s. the into rode music and games our gates to hell from within Suite 666 of a a of 666 Suite within from hell to gates —

video card nearly decapitated Dave. decapitated nearly card video tic precursor to the digital wave upon which which upon wave digital the to precursor tic techno wizards working to open the digital digital the open to working wizards techno

been made. The game stopped when a flying flying a when stopped game The made. been - anachronis That fax. a with started all It makes sense. A group of of group A sense. makes it hindsight

n AND MEET

ROCK STARS"

American McGee at id Software in 1995 — Photo: Photo: — 1995 in Software id at McGee American IAN MAPLESON IAN Quake Soundtrack / 1996

by John Carmack, May 2018

by American McGee, February 2020 February McGee, American by

/ 1996 / Soundtrack Quake

John Carmack at id Software in 1995 — Photo: JOHN ROMERO PERFECTLY"

or a long time, computer games were first person view was key to the experience, developers, and we did have some of the indul- ALMOST ALMOST the domain of the shut-in geek. The but it wasn’t completely coincidental that it gent trappings of great success at a young age,

F required effort of imagination to believe did a pretty good job of offending the easily but there we were talking about games with that the little collection of dots moving around offended. We got to see congressional outrage , which really is a different sort

the screen was actually a mighty hero or tack from explicit song lyrics to violent video of thing. "MERGED "MERGED terrifying monster made it easy for most people games, with senators waving copies of our It was great to meet Trent and talk about to dismiss the medium. games around on television. our work, but what if we could actually involve But then came DOOM. The success of the game led to some sur- him directly in Quake, the next big project? Suddenly, the broader world was see- prising places, including picking up back stage That would be awesome! ing something that made an impact, even if passes labeled “DOOM” at the will-call win- He agreed. you didn’t understand what was going on. dow for a concert. The new lighting and level design capa- The violence and demonic imagery from a The media heralded us as Rock Star game bilities were leading us in a direction even PAGE 2

QUAKE "And that's Trent's place," as he pointed at a Ramirez), andMansonmaterializedwilly-nil- brim witheveryimaginableelectronicmusic for ly inthelabyrinthinecorridorsofbuilding run byaderangedWilly Wonka. Filledtothe toy andtool.Therewerearagtagcollectionof neoclassical mansion. complex. "Work" on the sounds and music crew. CharlieClouser, JeordieWhite(Twiggy collaborators andbandsinleaguewiththeNIN Quake consistedofdailyreviewnewly The studiowasafun-houselikesomething wretched, theproductionofchild-likeanthems Charlie's. produced soundeffects by thehundreds, a break room infrontofme.“Uh...”Iwalkedbackto tion fromthegirlwho’djustexitedbath- ter. Manyaninsanenightended at Checkpoint to watch super-deviant porn until someone tours, Cajunfood,andmarathonbarhopping the studioforamusementofall,swamp across thewateringholesofFrenchQuar and minimusicalbitstobebroadcastaround UNAUTHORIZED IMAGE “Do youwantaline?”seemedanoddques- - “You guysarefullofshit,”Iobserved. Everyone To mysidesomeonespokeina“daddyknows with organicandmeatysoundsinthoseearly Coke isbad.”Muffledlaughterfromthegroup. best” voice.“Listen,American.Drugsarebad. lived outontheedgeofwhatcouldbedone laughed. the the bar. “Ithinkthatgirljustofferedmecocaine.” days ofdigitalmusic.Inmuchthesameway a collectionofsoundeffectsandmusicwhich DOOM andQuakegamespushedthe Those visitstoNewOrleansresultedin QUAKE INSERT JOB DESCRIPTION 354438 O#SUB# JOB# 8PP ESSAY SADDLESTITCHBOOK–NLL9A1 INSIDE FRONT COVER ANDINSIDEBACK COVER 13 CLIENT NULL CORP 07.11.20 DATE BUILD % 100 --- L/S 8 ID3C5280 DMAX 26.65625” x25.125” FINAL SIZE BUILD VERSION , - - - BLACK John Carmack ur two brand new SPOT COLOR1 O

CYAN n an synchronicity, of odd bit I

aybe thereaybe will be another generation After twenty over years making games at On the last Nine Inch Nails tour through I’m stillI’m someday hoping to get Trent M

UNAUTHORIZED IMAGE UNAUTHORIZED linerretrospective notes are when we both MAGENTA in negotiations with his then-manager. Everyone came burned. it of out Software,id virtual on work to on I moved real ity Oculus. at after scored long not The Trent Social Network Facebook acquired Oculus. Dallas, aninvitation again was extended to team,my and I carried an early prototype VR headset backstage, I enthused where the about sorts all for virtual reality of potential exciting creative experiences.of engineers left were wide-eyed: hard, build Work the future – and meet rock stars! in buildinginvolved a seminal virtual real ity experience that will a mark leave peo on ple. of pushing seventy. - his till, SPOT COLOR2 T

S .

rent was was rent turned T YELLOW

Several years and As a finaltouch, Quake There wasn’t anyreal There wasn’t led The to One That Got Away. with work excited to us again audio, on andactually produced hundreds megs of of sound the for project all beforeit fell apart by almost by everyone’s account, is among it the most influential games made, ever and a formative was it experience a great for many the of developers building the hits of today. games passed, and id Software eventually turned our attention DOOM back to dom to mix to dom and match the compositions with whichever just levels felt right. had “nail we gun” nailand “super gun” weapons in the game, so with more one checkthe of lawyers, alsowe up wound with a NIN on logo the in-game ammo boxes. beto very a out difficult project to both to due ship, scope ambition and internal issues – the Rock Star game developers broke with the it at of end up the exit co-founder of John Romero. NO PRINTAREA

ANNOTATION NLL9A1 SCORES SAFETY LINE TYPES BLEED CUTS Over the course a year, American of prevented theprevented use any vocals, of there but a was widebuilding open for field the soundscapeof the game. McGee repeatedly made the trip down New to and hisOrleans with crew work to Trent as intothey sound effect dove creation as well as thebackground audio. thematicarc the to game, had the so we free GRAIN DIRECTION , and you and, you SIDE SHOWN BLANK SIZE CUSTOMER STOCK TITLE DATE DOOM SIZE egal complications L

07/11/20 VERTICAL OUTSIDE 22.00” x11.00” 80# ACCENTOPAQUE TEXT 11.00” xFOLDED 8 PPS/SBOOK NULL CORP UNAUTHORIZED IMAGE UNAUTHORIZED While is amusing it imagine to com- Trent more dark more and moody than already were we could say inspired the by Nine Inch Nails CDs in heavy the rotation at office. posing the music for chintzy FM synth sound had a new available we tool cards the of day, us drivesto with CD of – we the ROM advent could run full quality music in the background while the game played.

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QUAKE QUAKE INSERT JOB DESCRIPTION 354438 O#SUB# JOB# 8PP ESSAY SADDLESTITCHBOOK–NLL9A1 13 CLIENT NULL CORP CENTER SPREADFRONT 07.11.20 DATE BUILD % 100 --- L/S 8 ID3C5280 DMAX 26.65625” x25.125” FINAL SIZE BUILD VERSION BLACK SPOT COLOR1 CYAN MAGENTA SPOT COLOR2 YELLOW NO PRINTAREA ANNOTATION NLL9A1 SCORES SAFETY LINE TYPES BLEED CUTS GRAIN DIRECTION SIDE SHOWN BLANK SIZE CUSTOMER STOCK TITLE DATE SIZE 07/11/20 VERTICAL OUTSIDE 22.00” x11.00” 80# ACCENTOPAQUE TEXT 11.00” xFOLDED 8 PPS/SBOOK NULL CORP

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QUAKE UNAUTHORIZED IMAGE UNAUTHORIZED QUAKE INSERT JOB DESCRIPTION 354438 O#SUB# JOB# 8PP ESSAY SADDLESTITCHBOOK–NLL9A1 13 CLIENT NULL CORP CENTER SPREADBACK 07.11.20 DATE BUILD % 100 --- L/S 8 ID3C5280 DMAX 26.65625” x25.125” FINAL SIZE BUILD VERSION And laterofferings became almost too literal, your braintoworkandfillinthespaceswith NIN wassomethingperceivedassharperand ble of to render pixels representing the darkest boundaries of what the technology was capa- too shiny, tooreal. depths ofhorrorandpain.Earliergames more real than the individual bits. It required music lackedthefidelitytomoveyouemotion- ally inthewayQuakeanditssoundscapedid. In thedirty, fuzzyoutputfromidand BLACK SPOT COLOR1 CYAN MAGENTA with NineInchNailssogreatwaslost.The what madeQuakeandthecollaboration flying gore.Theovertsatanictonesgavewayto by anewcrew. Theconnectiontothegritof behind amaelstromofchainsawbuzzesand imagined shadowsandbarelyheardwhispers a darkhumoronlyachievedbythosewhoare change. Theoldguardwereslowlyreplaced something real. struggling intheabysswithnoveltoolstocreate After SPOT COLOR2 Quake andIIidbeganto YELLOW NO PRINTAREA ANNOTATION NLL9A1 SCORES SAFETY LINE TYPES BLEED CUTS replaced byorder. internal, personalstrugglesthatlentenergyto the creativity was supplantedbyacorporate of those messy days of invention and exploration. mentality of schedules, designs, deadlines, and guidelines. Ruleswereimposed.Thechaoswas But thissoundtrackremainsasareminder GRAIN DIRECTION SIDE SHOWN BLANK SIZE CUSTOMER STOCK TITLE DATE SIZE Shanghai, China,2020 07/11/20 VERTICAL OUTSIDE 22.00” x11.00” 80# ACCENTOPAQUE TEXT 11.00” xFOLDED 8 PPS/SBOOK NULL CORP American McGee Mysterious Inc. Photo: Photo: JOHN ROMERO JOHN

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