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Babel (Stravinsky)
Elements of Traditional Folk Music and Serialism in the Piano Music of Cornel Țăranu
David Justin CV 2014 Pennsylvania Ballet
Roman Vlad's Reception of Stravinsky
The University of Chicago an Experience-Oriented
The Late Choral Works of Igor Stravinsky
The Modernist Kaleidoscope: Schoenberg's Reception History in England, America, Germany and Austria 1908-1924 by Sarah Elain
An Explanation of Anomalous Hexachords in Four Serial Works by Igor Stravinsky
List of Resources
An Analysis of Tonal Conflict in Stravinsky's
STRAVINSKY the SOLDIER’S TALE Royal Academy of Music Manson Ensemble MENU
Slee Lecture Reciatals Catalog 1957-1976
Thomas Merton and the Towers of Babel
20Th Century Book Inside
THE STRUCTURE and SYNTAX of STRAVINSKY's NEOCLASSICAL CADENTIAL LANGUAGE by Aaron Templin Copyright
Lawrence Morton Papers LSC.1522
IGOR STRAVINSKY IGOR STRAVINSKY from "Great Lives: a Century in Obituaries"
557504 Bk Stravinsky US 9X 557504 Bk Stravinsky US 05/07/2018 11:29 Page 12
HANDEL EDITION Liner Notes & Sung Texts
Top View
El Pelele Mavra
Simply Stravinsky
Opera on Video a Personal Review
Igor Stravinsky. Un Collage
Igor Stravinsky
The Firebird and the Fox Jeffrey Brooks Index More Information Www
Arvo Pärt and Three Types of His Tintinnabuli Technique
The Historical and Musical Contexts of Osvaldo Golijov's Ayre
Stravinsky and Jazz: a Comprehensive Summary
LOUIS ANDRIESSEN: LA PASSIONE BELLS for HAARLEM | LETTER from CATHY PASSEGGIATA in TRAM in AMERICA E RITORNO LOUIS ANDRIESSEN B
Darius Milhaud in the United States, 1940–71: Transatlantic Constructions of Musical Identity
Musical Romanticism & the Twentieth Century
Josh Wang Choral Literature II Dr. Carmen Tellez University of Notre Dame Fall 2018
Dial Records ...20Th-Century Repertory
Gareth Cox and Julian Horton (Eds), Irish Musical Analysis (2014)
Robert Craft Collection on Igor Stravinsky
Lift up Your Voice Sacred Choral Music
U·M·I University Microfilms International a Bell & Howell Information Company 300 North Zeeb Road
The Historical Relationship of Musical Form and the Moving Image in the Current Context of the Digitisation of Media