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Home , Babel (Stravinsky), Christopher Stowell, David Bintley, Harrison McEldowney, Lawrence Pech, Patrick Corbin (dancer)

David Justin 4603 Charles Ave Austin TX 787846 Tel: 512-576-2609 Email: [email protected] Web site: http://www.davidjustin.net

CURRICULUM VITAE

ACADEMIC EDUCATION

• University of Birmingham, United Kingdom, Master of Arts in in Education and the Community, May 2000. Thesis: Exploring the collaboration of imagination, creativity, technique and people across art forms, Advisor: Tansin Benn • Royal Academy of Dramatic Arts, Edward Kemp, Artistic Director, , United Kingdom, 2003. Certificate, 285 hours training, ‘Acting Shakespeare.’ • International Dance Course for Professional Choreographers and Composers, Robert Cohen, Director, Bretton College, United Kingdom, 1996, full scholarship

DANCE EDUCATION

• School of American , 1987, full scholarship • Ballet School, 1986, full scholarship • Summer Program, 1985, full scholarship • Dallas Metropolitan Ballet School, 1975 – 1985, full scholarship

PROFESSIONAL EXPERIENCE

Choreographer, 1991 to present See full list of choreographic works beginning on page 6. Artistic Director, American Repertory Ensemble, Founder and Artistic Director, 2005 to present $125,000 annual budget, 21 contract employees, 9 board members11 principal dancers from the major companies in the US, 7 chamber musicians, 16 performances a year. McCullough Theater, Austin, TX; Florence Gould Hall, New York, NY; Demarco Roxy Art House, Edinburgh, Scotland; Montenegrin National Theatre, Podgorica, Montenegro; Miller Outdoor Theatre, Houston, TX, Long Center for the Performing Arts, Austin TX • Working with the Board to develop budgets and budget strategies • Playing a central role in the development and execution of fundraising and development strategies • Selecting / negotiating repertoire, performance dates and venues • Negotiating licensing contracts and artist agreements with: Balanchine Trust, , , Helgi Tomasson, James Kudelka, Mikko Nissinen, John McFall, , , Lar Lubovich; venues: Roxy Art House Edinburgh UK, The Long Center for the Performing Arts Austin TX, Texas Performing Arts, Austin, TX, Florence Gould Hall, NYC, NY; dancers from , , , (limited listings) • Generating season production and rehearsal calendars; overseeing all aspects of design, production, promotion and advertising • Leading the artistic administrative team in managing the daily training, health and well being of the dancers • Working with administrative team to develop and deliver educational outreach programs • The Austin based contemporary-classical dance and chamber music ensemble received its non-profit status in 2005. The ensemble presents an intensely eclectic repertoire performed by award winning classically trained artists. ARE’s focus is to present original, contemporary classical chamber music and dance in the same program as highly regarded and established works from the music and dance canons. A complete list of works remounted and produced begins on page13. • Working with the highest of standards, ARE has been embraced by the community as a place where ‘highly professional, intelligent, inventive, and entertaining music and dance’ (The Austininst) is to be found. ‘We witnessed the birth of a truly world-class performing arts organization.’ Austin 360. ‘It was Alchemy,’ ‘Daring, creative,’ ‘Wonderful on every level.’ Audience members. ARE has been recognized by the Austin Chronicle, The Austin American Statesman, KLRU regularly as a Top 10 event form 2006 to present. , , David Bintley, Artistic Director, 1995-2002 Performed nationally around the UK including the , ; Lyceum Theatre, London; Theatre Royal, Plymouth; Birmingham Hippodrome; The Palace Theatre, Manchester; Empire Theatre, Liverpool and internationally at the Kwai Tsing Theatre, ; Artscape, Cape Town, ; Lyric Theatre, , S.A.; State Theatre, Pretoria, S.A.; 13 cities in including , Osaka, and Hiroshima.

David Justin Curriculum Vitae Continued

DanceCoLab, Founder and Artistic Director, 1996 -2000 A flexible, six to eight member dance company based in Birmingham, England, which performed original in the Place Theater, London, the Nicole Alerdyce Theater, Birmingham, DanceXchange, Birmingham, Midlands Arts Center, Birmingham, Birmingham Cathedral. San Francisco Ballet, and Corps, Helgi Tomasson, Artistic Director, 1989-1995 Performed nationally around the USA including San Francisco ; State Theatre, Lincoln Center, New York; City Center, New York; The Kennedy Center for the Performing Arts, Washington D.C.; Orange County Performing Arts Center; The Palace Theatre, Chicago; and internationally at the The , Paris Opera, Paris; The Royal Opera House Covent Garden, London UK. Boston Ballet, Apprentice, Corps, Bruce Marks, Artistic Director, 1988-1989 Performed at the Wang Center, Boston, and toured New England performing in educational lecture demonstrations See full list of repertoire danced beginning on page 15.

ACADEMIC APPOINTMENT

Associate Professor of Dance, University of Texas at Austin, 2008 to present • Head of the Bachelor of Fine Arts in Dance, University of Texas at Austin, 2010-present o Assistant Professor of Dance, University of Texas at Austin, 2003 to 2008 • Team managing a population of approx. 80 students' navigation of the four-year BFA in Dance undergraduate degree with a full dance faculty of nine members. o Heading Recruitment, Admissions, and Scholarship teams for dance o Assessing, adjudicating and advising students for acceptance and promotion in the BFA Dance program o Serving on thesis committees and mentoring MFA in Dance graduate candidates o Developing Study Abroad opportunities for students • Co-Artistic Director, Dance Repertory Theatre, UT Austin, 2003-2006, 2008-2009, 2010-present o Directing the 30(+) member student company o Developing Budgets, Working with the Chair of the Department of Theatre and Dance and Texas Performing Arts o Selecting / negotiating repertoire from the canon, new choreographers and DRT Archives o Negotiating Licensing contracts and artist agreements with: William Forsythe, , Paul Taylor Dance Company, Merce Cunningham Trust, Mark Morris Dance Group, The Foundry, , Gaga USA, Alvin Ailey American Dance Theatre (limited listings) o Generating season production and rehearsal calendars; overseeing all aspects of design, production, promotion and advertising o Leading the faculty team in managing the daily training, health and well being of the dancers o Organizing opportunities to perform at Atlanta, GA (2004), Edmond, OK (2005) for the American College Dance Conference with Department of Theatre and Dance Design Graduates, the Kennedy Center (2006, 20012 & 2014), (2006), NYC (2006 & 2013) • Generating large scale collaborative projects that cross disciplines (limited listing): o Quiver – integrated media, lighting and costume design with live music, selected in blind adjudication for Kennedy Center performances, 2014 o Oblivion’s Ink – integrated media, lighting and costume design, selected in blind adjudication for Kennedy Center performances, 2012 o Br’er Wood – interdisciplinary, full department creative collaborative production, spring 2009; selected as community engagement in schools tour piece for fall 2010 o UT School of Music: Adverse Camber. Comm. Mus. Rob Deemer, 2005 o Austin Symphony Orchestra’s Young Peoples Concert Series, 2004 and 2010. For Austin Independent School District. Seen by 35,000 elementary children o UT Concert Chorale: Catulli Carmina. Mus. C. Orff. Cond. Dr. Suzanne Pence, 2004 • Selecting and/or produced repertoire of masters and new works by guest choreographers: o Merce Cunningham, Beach Birds, Millicent Johnny, Clear the Air, 2014 o Mark Morris, Grand Duo, Paul Taylor, The Uncommitted, Yoav Kaddar, Raw, 2013 o Ohad Naharin, Minus 16, David Parsons, Parsons Etude, Andy Noble, Terminal Static, 2012, o Robert Battle, Promenade, William Forsythe, in the middle excerpt, Alex Ketley, New.Base.Line(Fractured) 2011, o Mark Morris, Dido and Aeneas, Harrison McEldowney, Redux, 2006, o Delfos , Inside Out, 2005, o William Forsythe, in the middle excerpt, David Bintley, Still Life at the Penguin Cafe excerpt, Jacques Garnier, Aunis, Ann Carlson, Flag, 2004 • Mentoring student choreographers

2 David Justin Curriculum Vitae Continued

• Courses Taught • Advanced (TD 322J) • Intermediate Ballet Technique (TD 312G) • Ballet Technique (TD 312F) • Non Majors Ballet (TD 302T) • Men’s Ballet Technique (TD 152T) • Partnering (TD 352T & TD 152P) • Advanced Projects in Dance Performance Repertory (TD 322P) • Movement Improvisation (TD 312M) • Movement Composition (TD 312N) • Choreography I & II (TD 322M & N) • Physical Manifestation of Emotion in Movement (TD 352T) • Tuning the Body for Dance (TD 112T) • Portfolio for the Professional Dancer, substantial writing component (TD352T) • Languages of the Stage, substantial writing component (TD 311)

AWARDS, FELLOWSHIPS and GRANTS 2003 to present

• City of Austin Cultural Contracts Grant, for operations support of American Repertory Ensemble, 2008-present • Grace Hill Milam Centennial Fellowship, 2013-2014 • College of Fine Arts Research Fellowship, 2012-2014 • Excellence in Teaching Award for the Department of Theatre and Dance, 2006-2007, 2011-2012 • Texas Commission on the Arts, Special Initiatives Grants Workshops with the deaf community, 2009; Passion at Play, 2008; LINGO, 2007; Dialogues, 2006 • Austin Critics Table Awards Nominations for American Repertory Ensemble, Best: Body of Work, Dance Concert, Short Work, Choreographer, Dancer, Instrumentalist 2007-present (Multiple Awards in each category) • Junior League of Austin, Artistic Support Grant, 2009, 2007Underwriting American Repertory Ensemble’s community education program • Texas Commission on the Arts, Project II Support Grants See the Music, Hear the Dance, 2009; In a Sense, 2009; Winter’s Tryst, 2008 • Choreographic Institute, 2008 In Support of Speed Dial, Commissioned by • Creative Research Grant, College of Fine Arts, UT Austin, 2008In support of a new choreography to Debussy’s Prelude a l’apres-midi d’un faune • 2008 Austin Critics Table Awards Special Citation: Control Shift Award Outstanding Short Dance Work: Soudain l’hiver dernier • 2008 Austin Critics Table Awards Nominations (15) for American Repertory Ensemble, Body of Work / Season, Choreographer, Classical Music Chamber Performance, Duets (2 works nominated), Instrumentalist (3 musicians nominated), Lighting Design, Original Composition (2 scores nominated), Short Dance Work (4 works nominated) • City of Austin Cultural Arts Commission, Project II Support, 2007In support of LINGO, American Repertory Ensemble performance series • City of Austin Cultural Arts Commission, Special Opportunities Grant, 2007Travel grant to attend the Association for Performing Arts Presenters Conference, NY, NY • 2007 Austin Critics Table Awards Nominations (11) for American Repertory Ensemble: Body of Work / Season, Dancer, Ensemble Work, Instrumentalists (2 musicians nominated),Lighting Design, Original Composition / Score, Short Dance Work (4 works nominated) • 2007 University Cooperative Society Fine Arts Award, Finalist • Walter and Gina Ducloux Fine Arts Fellowship, 2006 -2007 In support of choreography being presented at the Edinburgh Festival Fringe • Award -Top 10 Dance and Classical Music Events that Made 2006 a Year to Remember, The Austin Chronicle. Robert Faires, January, 2007 • Dean’s Associate Grant, College of Fine Arts, UT Austin, 2006 • Texas Commission on the Arts, Special Initiatives Grant, 2006 In support of, American Repertory Ensemble performance series • American Repertory Ensemble’s production Dialogues awarded ‘Top Ten List of Dance and Music Events That Made 2006 a Year to Remember.’ Austin Chronicle • COFA Dean’s Summer Creative Research Stipend, UT Austin, 2005To conduct primary source research for a full length ballet, and a pedagogical survey of School, London, UK • Award – Top 10 Performances of 2005, Dallas Morning News, Margaret Putnam, January 2006 3 David Justin Curriculum Vitae Continued

• Dean’s Fine Arts Research Fellowship, UT College of Fine Arts, 2003/04In support of the development phase for my choreography Imagine That • College of Fine Arts Faculty Development Grant, 2003

ACADEMIC SERVICE

UT Austin • Hamilton Book Awards Committee, Chair, 2011-2012 • Faculty Council (elected), 2005-2007 • Information Technology Committee, 2006 -2007 • Faculty Council on Academic Freedom and Responsibility, 2005 – 2006 College of Fine Arts • Faculty Research Award / Summer Research Award Selection Committee Member, 2011-2012 • Roy Crane Awards Committee, 2010-2011 • Technology Committee, 2010-2011 Department of Theatre and Dance • Undergraduate Executive Committee, 2014-present • Committee on Production Process and Season Realization, 2014-present • Budget Council (elected), 2005-2006, 2007-2008,2009-2010, 2011-present • Committee for the renovation of Belmont and Rec Sports Center, 2011-present • Season Selection Committee, 2010-present • Undergraduate Scholarship Committee, 2007-present • Co-Producer, The Cohen New Works Festival presented by Broadway Bank, 2004-present • Undergraduate Steering and Admissions Committee, BFA in Dance Subcommittee Chair, 2007-2013 • Playwright Faculty Search Committee, 2013 • Dance Faculty Search Committee, 2011 • Dance Program Head, 2010-2012 • Dance Faculty Search Committee, 2010 • Theatre Teacher Symposium Committee, 2009

PROFESSIONAL AFFILIATIONS

• Dance USA, Leadership Circle member, 2006 – present • International Dance Council (CID), member, 2005 – present • American College Dance Festival Association, National Board member, 2004 – 2011 • Actor’s Equity, United Kingdom, member, 1995 – present • American Guild of Musical Artists, member, 1988 to present

PROFESSIONAL GUEST TEACHING EXPERIENCE

• American College Dance Festival Association, 2004-present • Atlanta Ballet, 2004-07, 2013 (co. class) • Theatre Summer Intensive, 2009-2012 • Houston School for the Performing and Visual Arts, 2010, 2011, 2012, 2013 • McCallum High School for the performing and Visual Arts, 2009, 2011, 2013 • Oregon Ballet Theatre, 2008, 2010 • University of Central Oklahoma, 2010 • Booker T Washington High School for the Performing and Visual Arts, 2004, 2005,2008, 2009 • Boston Ballet, 2004-07 (co. class) • The Boston Conservatory, 2007 • NYU Tisch School of the Arts, 2007 • Dallas Metropolitan Ballet, 2007 (co. class) • , 2005 (co. class) • Salzburg Academy, 2005 • , 2003 • Rambert Dance Co., London, 2002-03

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CONFERENCE PRESENTATIONS

• American College Dance Festival Association Conferences. Presented master classes in “Advanced Ballet Technique,” “Men’s Ballet Technique,” “Partnering.” Austin, TX, 2014; Huntsville, TX, 2013; El Paso, TX, 2012; College Station, TX, 2011; Nakadish, LA, 2010; New York City, NY, 2008; Nacogdoches, TX, 2008; Ft. Worth, TX, 2007; Washington D.C., 2006; Austin, TX, 2006; Edmond, OK, 2005; Atlanta, GA, 2004 • 20th World Congress on . Presented “The Physical Manifestation of Emotion in Movement in Solemn Opus: The Journey of Lost and Found.” , Greece, 2006 • The International Conference on Pulses and Impulses for Dance in the Community. Presented “Reflections of a collaboration embracing community and professional dance.” , , 2003 • International Conference on Arts and Humanities. “How To Change The World One ‘W’ At A Time – The Lark Ascending.” Refereed presentation accepted, but I could not attend due to conflicting performance engagements, 2007

WORKSHOPS DELIVERED

• Brownsville Independent School District, Teacher Training, 2010-2013 • Texas Performing Arts, Step Into Dance, middle school and high school dance workshops based on repertoire from American Repertory Ensemble. 12 work shops over 3 years. 2011-2013 • Summer Intensive workshop on artistic process and professional practices, July2009, July 2008, July 2007 January 2007, July 2006 • American Repertory Ensemble workshops and master classes for UT Austin Department of Theatre and Dance and students enrolled in Majors level dance courses, January 2008, January 2007 • Gallery 37, Choreographic workshops and training, creating and delivering multiple sessions for young inner-city adults aged 16-21, 2000-2002. Upon the mid-project resignation of the project leader, I was asked to take over the daily training and to produce a performance from scratch in three weeks. As a result, six of my students received various scholarships. The projects success prompted Birmingham Royal Ballet and Gallery 37 to engaged in a cross Atlantic simulcast web performance project with Gallery 37, Chicago, which culminated on March 2, 2002. • Blue-Eyed Soul, Rachel Freeman, Artistic Director. Led workshops for multi-ability dance group, Shrewsbury, United kingdom, 2001 • Dance Track, Birmingham Royal Ballet in-school outreach workshops and community programs, 1999

PANELS and ADJUDICATION

• Wright State University, External Evaluator for Promotion and Tenure of Assistant Professor Justin Gibbs. 2013 • Denver Ballet Guild, Young Dancer’s Competition. Principal Adjudicator. 2013 • Brownsville Independent School District, Adjudicator of middle school and high school faculty choreography and student execution, 2010, 2011, 2012 • My Life In Art – Performing. Panel Facilitator with Duane Cyrus and Theatre of Yugen artists, 2007 • Book Review. Ballet 101, by Lisa Carter. University Press of Florida, 2007 • American College Dance Festival Conference, Facilitator of a special panel discussion on ‘Dance for Dancers with Special Needs,’ focused on community and professional dancers with disabilities, 2005 • School of Sport, Performing Arts and Leisure, University of Wolverhampton, United Kingdom, Exams Adjudicator and guest teacher. 2002 • , London, UK, Exams, 2001 • Birmingham Royal Ballet Junior Associates, Audition and Selection Committee, 2000 • Birmingham Royal Ballet Summer Dance Intensive, Adjudicator and Choreographer, 1997, 1998, 1999

PUBLICATIONS WRITTEN

• Austin Symphony Orchestra’s Young Peoples Concert Series. Co-authored the dance portion of Let’s Dance, the Teachers’ Education Pack for the Austin Independent School District, 2004 • Dancing Times, Invited article reviewing the International Dance Course for Professional Choreographers and Composers, Dance UK, 1996

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ADDITIONAL EXPERIENCE

• Shylock, Merchant of Venice (excerpt), W. Shakespeare. Dir. Francelle Dorn. University of Texas at Austin, 2013 • Bill, Sure Thing, David Ives. Film Adaptation. Dir. Michael Bernardin. Choreo. David Justin. Produced by DecaDance, May, 2003 • Paris and the Prince of Verona, , W. Shakespeare. Dir. Nona Shepherd. Royal Academy of Dramatic Arts, London, 2003 • Michael, lead role, Resident Alien, Stuart Spencer. Dir. Scott Williams. Impulse Co. Bates Theatre, Leister Square, London, 2003 • Performer, Up from the Waste, Antonia Franchesci. Dir. Cecil O’Neal. Produced by The Royal National Theatre, December, 2002 • Hat, lead role, Missing Persons by Craig Lucus. Dir. Scott Williams. Impulse Co. Play a Month, August, 2002 • Gowen Stevens, 2nd male, Requiem for a Nun by Faulkner. Dir. Scott Williams. Impulse Co. Play a Month, September, 2002 • Lead, Façade, Choreo. . Filming of the historic comedy based on poems by Edith Sitwell for BBC 4 Television, United Kingdom, 2001 • London Actors’ Center member. Tutors: Scott Williams, Niki Flacks, Nina Finburgh, Michael Bernardin. Courses included: Film/Television, sight-reading, technique, scene/script analysis, voice and singing. 2001 – 2003 • Guest Appearances on BBC Radio, BBC 2 Television, London Ballet Circle, Leeds local TV,1995 – 2002. Giving interviews about specific repertoire, creative processes and topics pieces on life in the arts. • Actors’ Equity Representative and Dancers’ Contract Committee Representative and Negotiator for the dancers of Birmingham Royal Ballet, 1999. Negotiated general contract terms on behalf the dancers with BRB administration and Actors Equity. • American Guild of Musical Artists contract negotiations committee representing the dancers of San Francisco Ballet. Negotiated general contract terms on behalf the dancers with SFB administration and AGMA, 1990 and 1993 • Photographic Model: Dance Magazine Calendar 1994, photos by Marty Sohl; Water Dance, Howard Schatz, Graphis Corp. Press, Zurich Switzerland, 1995

WORKS CHOREOGRAPHED

2013 Quiver (November 2013) for 4 women, 2 men and 1 violinist (on stage) Quiver was adjudicated in a blind process and selected to represent the South Central US at the Kennedy Center, Washington DC, in June 2014 Selected through adjudication for performance at Dance Gallery Houston and Dance Gallery NYC at the Alvin Ailey Theatre, October 2013 Music: J.S. Bach, Partita No. 2 in D minor, Allemanda and Sarabanda Costumes: Lucioa Wang Lighting design: Andrew Carson Media design: Patrick Lord Duration: 10 minutes Commissioned by Tapestry Dance Company, Visions in Rhythm Fear Knot (April 2013) for 2 men and 5 women A work in direct response to the 2012 collaboration between lighting designer EricGazillo, choreographer Andy Noble (NobleMotion) and designer Kelly Ruiz titled Terminal Static. and close ensemble work in a Kylianesque vocabulary. Music: Michael Nyman, Sublime Costumes: Kelly Ruiz Lighting and media design: Eric Gazillo Duration: 8 minutes Commissioned by Sam Houston State University as a part of Dance Spectrum Turning It (April 2013), for 14 dancers Choreographed and conceived collaboratively with Charles O. Anderson of dancetheatreX Music: Mashup, Glenn Gould, Justin Timberlake, Sweet Brown, Costumes: Kelly Ruiz Lighting design: Po-Yang Wang Media design: Stephanie Busing Commissioned by the Department of Theatre and Dance, Dance Repertory Theatre, University of Texas at Austin

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2012 Oblivion’s Ink (2012) for 6 women and 1 man A collaboration involving bespoke costume design, multi media projections and lighting design. Oblivion’s Ink was adjudicated in a blind process and selected to represent the South Central US at the Kennedy Center, Washington DC, 2012 Music: Dave Douglas, Dance in Thy Soul from the album, Charms of the Night Sky Costumes: Katie Alwyn Lighting and media design: Ryan Andrus Duration: 11 minutes Commissioned by the Department of Theatre and Dance, Dance Repertory Theatre, University of Texas at Austin Brahms Symphony (2012) for 17 dancers en pointe Music: Brahms Symphony No. 4 in E Minor, Op. 98: III. Allegro Giocoso Costumes: David Justin Lighting design: Austin Shirley Duration: 6 minutes Commissioned by American Ballet Theatre Summer Intensives Commissioned by American Ballet Theatre Summer Intensive N2U (2012) for 3 women (en pointe) and 3 men Music: Project 2000, Paraflax Costumes: David Justin Duration: 6 minutes Commissioned by the Houston School for the Performing and Visual Arts Quiver (2012) for 1 male and 2 female dancers (sketch) Music: J.S. Bach, Partita No. 2 in D minor, Sarabanda Costumes: Esther Marquis Lighting design: David Justin Duration: 5 minutes Commissioned by Tapestry Dance Company, Visions in Rhythm 2011 Infinite Green (2012) 18 dancers en pointe, 3 men, 15 women Music: Michael Torke, Color Music, Green Costumes: David Justin Lighting design: Austin Shirley Duration: 6 minutes Commissioned by American Ballet Theatre Summer Intensive 2010 Death and the Maiden (2012) 16 dancers en pointe Music: Schubert String Quartet no. 14 in D minor 1st mvt Costumes: David Justin Lighting design: Austin Shirley Duration: 5:00 Commissioned by American Ballet Theatre Summer Intensive (2010) for 3 women en pointe and 3 men Created for American Repertory Ensemble as a gift to my wife on our twenty-year anniversary. Premiered at the Long Center for the Performing Arts, Austin TX, Music: Ravel, Violin Sonata in G. Music performed by Tosca String Quartet Costumes: Grace M. Holmes Lighting design: Michelle Habeck Duration: 17 minutes Mozart’s Hair (2010) 6 dancers In addition to the commissioned performances, this work was utilized as a workshop conduit to introduce middle school and high school dance students to contemporary classical dance and music mixed with house and hip-hop dance Music: W. A. Mozart, Symphony no. 25 Costumes: David Justin Lighting design: David Justin Commissioned by Austin Symphony Orchestra, Young Peoples Concerts, performed at the Long Center for the Performing Arts, Austin TX

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2009 Br’er Wood (2009) eleven dancers, eight actors and three musicians A departmental wide collaboration involving intensive costumes, sets, props, lighting, dancers and actors, Br'er Wood is a fantasy of story, theatre, puppetry, dance and music that employs the characters and selections from “Uncle Remus” tales (Joel Chandler Harris, 1867). Threaded together with surrealism and metaphor, this comedy takes the shape of a child's imagination, playground rules, and the forces of good and evil. Music: 19th and early 20th cen. American folk songs, Guitar, Fiddle and Bass Costumes: Ariana Schwartz Scenic Design: Lisa Laratta Duration: 35 minutes Commissioned by the Department of Theatre and Dance, Dance Repertory Theatre, University of Texas at Austin Bach Sonata (2009) female soloist en pointe and classical guitarist Made for my friend Michele Gifford who has danced with New York City Ballet, Texas Ballet Theatre, Bruce Woods Dance Company and was my first ballet partner at age 9. Michele was Nominated 2009 Austin Critics Table Awards - Best Dancer Music: Bach Sonata no. 2, BVW 1003, Allegro Costumes: Michele Gifford Duration: 4 minutes Snow Globe (2009) 2 women and percussion Conceived as an experiment to place the audience inside the onstage magic without their knowledge before-hand. When it snowed on them in the theatre, sounds of laughter, sighs full of memory, and childish squeals of joy erupted. Music: Bjork, arranged for vibraphone Duration: 8 minutes Sparrow’s Gift (2009) male dancer/orator and male pianist/singer Made in collaboration with Conspirare Director Craig Hella Johnson. The very simple movement motif was design to balance with choral and oratory textures. Nominated 2008 Austin Critics Table Awards -Best Short Dance Work Music: Joseph Brackett Poetry: Hafiz Duration: 10 minutes 2008 Conspirare: Home (2008) thirty member choir and seven percussionists Commissioned by Conspirare Artistic Director to choreograph a two hour concert and a nationally televised PBS pledge program to be aired March 2009. A one hour program and 70 minute DVD are available for sale as of March 2009. Nominated for a Grammy Award Music: various Duration: 2 hours (concert), 40 minutes (PBS pledge program), 70 minutes (DVD) Commissioned by Conspirare, Craig Hella Johnson and company of Voices Speed Dial (2008) ballet en pointe for nine women and three men Seen by 15,000 people in Oregon Ballet Theatre’s ‘OBT Exposed’ series and again at Portland's annual close of summer festival, Riverfest '08 on September 6, 2008. Music: Michael Torke, Change of Address Costumes: Kathy Scoggins Duration: 17 minutes Commissioned by Oregon Ballet Theatre with generous support by the New York City Ballet Choreographic Institute Fellowship Initiative. Prelude A L’ Apres-midi D’Un Faune (2008) pas de trios and chamber ensemble An original work paying deference to the productions of Nijinsky (1912) and Robbins (1953), this piece explores two perspectives of gaze: voyeurism and narcissism. Employing a unique use of front scrim, back cloth and lighting, dancersand musicians fade in and out of focus. Music: Claude Debussy Arranged by award winning British composer Hywel Davies Costumes: Jan McCauley Scenic Design: Szu-Feng Chen Duration: 15 minutes Commissioned by American Repertory Ensemble with support from the University of Texas at Austin through a Creative Research Grant

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Fray (2008) cellist, digital media, solo female dancer A collaborative work where the dancer and the media are driven in real time by the nuance of live music, this exploration of internal dialogues uses the cello sound picked up through an instrument mic and directed to a software program that produces real time imagery based on prescribed parameters. Concepts of transitory youth and rooted wisdom battle for prominence in this abstract expression. Rosalyn was Nominated 2009 Austin Critics Table Awards - Best Dancer. Selected for performance at the 2009Weekend of Texas Contemporary Dance, Miller Out door Theatre Houston Tx. Music: Grygory S. Ligeti Costumes: Sarah Hopkins Digital Media: David Justin Duration: 10 minutes Commissioned by the 40th International Choreographers’ Showcase at the Montenegrin National Theatre, Podgorica, Motenegro. 2007 Helluva Day (2007) 1 woman, 2 men Premiered at the Curtain Call Dance Festival, Latino Cultural Center, produced by theDance Council, a Dallas, TX- based service organization supporting and promoting dance through performances, scholarships, master classes, and more. September 2007.This work is an evocative mixture of Theatre Artaud, Ballet, and Cirque Clowning, based on family dynamics drawn from a series of imaginary letters that contemporary people might write to Juliet of Verona as a kind of Dear Abby column. Nominated 2008 Austin Critics Table Awards -Best Short Dance Work Music: Elvis Costello and the Brodsky Quartet Costumes: David Justin Duration: 11 minutes Commissioned by the Dance Council of Dallas and Curtain Call Dance Festival with additional support from Gayle Halperin Ascendant (2007) 3 women, 3 men Created for American Repertory Ensemble’s production LINGO. A collaboration with two time Grammy Award Nominated Jazz Trumpeter/Composer Dave Douglas and costume designer Esther Marquis. Nominated 2008 Austin Critics Table Awards -Best Short Dance Work Music: Dave Douglas Costumes: Esther Marquis Duration: 10 minutes Commissioned by American Repertory Ensemble and supported by the Texas Commission on the Arts and The City of Austin Arts Council La Maja Dolorosa (2007) Large ensemble Created for American Repertory Ensemble's production Expressions. Nominated 2007 Austin Critics Table Awards -Best Short Dance Work Music: Rob Deemer Costumes: David Justin Duration: 15 minutes Commissioned by American Repertory Ensemble and supported by the Texas Commission on the Arts and The City of Austin Arts Council Solemn Opus: The Journey of Lost and Found (2006) 5 women Premiered March 18, 2006, at the American College Dance Festival Conference. Selected through blind adjudication to represent the ACDFA South Central Conference at the Kennedy Center, Washington D.C., May 2006. Remounted on American Repertory Ensemble and performed at the Edinburgh Festival Fringe, Aug 2006. Performed at the 20th World Congress on Dance Research, Athens, Greece, Oct 2006. Adjudicated for inclusion on the Ballet Builders Choreographers’ Showcase at the Florence Gould Theatre, New York, NY, March 2007. Music: Costumes: Sarah Hopkins Lighting Design: Duration: 11 minutes Funded by the Department of Theatre and Dance, University of Texas at Austin

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2006 Epitaph (2006) 1 woman, 2 men, and narrator Created for American Repertory Ensemble and premiered at the McCullough Theatre, Austin TX, and the Demarco Roxy Art House, Edinburgh, Scotland. Made on Principal Dancers from Atlanta Ballet, , and Oregon Ballet Theatre, this work includes the Narrator in a choreographic weaving of dance, text and music. Music: Rob Deemer Text: Luc Sante Costumes: Grace Holmes Duration: 10 minutes Commissioned by American Repertory Ensemble and supported by Texas Commission on the Arts Just a Regular Joe (full) (2006) 11 dancers and musicians Created for American Repertory Ensemble and premiered at the McCullough Theatre, Austin TX, and the Demarco Roxy Art House, Edinburgh, Scotland. Made on Principal Dancers from Atlanta Ballet, Boston Ballet, Joffrey Ballet, and Oregon Ballet Theatre. The new choreography creates a framework around the original pas de deux choreographed in 1998. Nominated 2007 Austin Critics Table Awards -Best Short Dance Work. Music: Joe Cocker Costumes: David Justin Lighting: Michelle Habeck Duration: 20 minutes Commissioned by American Repertory Ensemble and supported by Texas Commission on the Arts Second Apostrophe (2006) 2 women, 1 man Created for Dance Repertory Theatre and premiered in April 2006 in the Oscar Brockett Theatre. Utilizing three stationary / fixed video cameras with live feed through three monitors and a switcher operated by two dance artists for real time projection of the choreographic work in the same space as the choreography creating yet another layer of choreography itself. Music: Hywel Davies Costumes: David Justin Duration: 7 minutes Made possible by the Department of Theatre and Dance, University of Texas at Austin Chopin Nocturne (2006) male solo Premiered by David Justin April 1, 2006 at a celebration honoring Dean Robert Freeman. Performed in collaboration with concert pianist Anton Nel in the B. Iden Payne Theatre. Music: Chopin Duration: 5 minutes 2005 Adverse Camber (2005) 9 women Created for Dance Repertory Theatre and premiered April 8, 2005, at the opening night of the University Co-op presents the David Mark Cohen New Works Festival at the University of Texas at Austin. This work included commissioned score, performed with live orchestra at the B. Iden Payne Theatre, Austin, TX and a skate park landscape set design Music: Dr. Rob Deemer Duration: 24 Minutes Made Possible by the Deans office of the College of Fine Arts, the Department of Theatre and Dance, and the School of Music at the University of Texas at Austin Remember When You Loved Me (2005) 8 Dancers Performed by the Repertory Dance Company, premiered February 25, 2005 at the Charles W. Eisemann Center for Performing Arts Music: Tom Waits, ‘Green Grass’ and ‘Trampled Rose’ Duration: 8 Minutes Commissioned by Booker T. Washington High School for the Performing and Visual Arts 2004 Imagine That (2004) pas de deux, with live piano Created on dancers from Dance Theatre of Harlem for Configuration: A Ballet Ensemble for the 21st Century, and premiered at the Cape Playhouse, Cape Cod, , and the Sorenson Center for the Arts, Boston, Mass. Music: Franz Liszt, La Campanella & Un Sospiro Costumes: David Justin Duration: 11 Minutes Commissioned by Configuration: A Ballet Ensemble for the 21st Century

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Catulli Carmina (2004) 16 dancers, and full concert chorale with percussion Choreographed on Dance Repertory Theatre and the University of Texas Concert Chorale. Premiered at the B. Iden Payne Theater, Austin Texas, February 26, 2004. Music: Carl Orff, ‘Catulli Carmina’ Duration: 40 minutes Funded by the Department of Theatre and Dance, The School of Music and the Dean ofthe College of Fine Arts, University of Texas Austin Symphony Orchestra, Young Peoples Concert (2004) 8 dancers Selections of ‘Rodeo’, ‘The Sleeping Beauty’, and ‘’ were choreographed to educate 4th, 5th and 6th Graders from the Austin Independent School District about dance and music. Performed for 35,000 children in 10 performances at the Bass Concert Hall, Performing Arts Center, Austin, Texas, April, 2004. Music: Copland, Tchaikovsky, Stravinsky. Duration: 45 minute concert Commissioned by the Austin Symphony Orchestra 2003 Lord Mayor of London Parade (2003) for large ensemble A commission sprung from graphic design artist Theresa Stanford at Beam of London, for the Canary Wharf Group PLC to create and choreograph a 60 foot long dancing piano keyboard manipulated by members of the Tower Hamlets Dance Display and Gymnastics squad. David was recommended to the project by the Royal Opera House, Covent Garden, London. Music: Ray Charles Duration: 4 mile parade Commissioned by the Canary Wharf Group, PLC, London Sure Thing (2003) duet Using the text of David Ives, this work is a choreographic expression of theatre and video in the uncontrolled setting of Covent Garden Market, London, performed as Guerilla Theatre in the market 3 times a day for 6 days. Duration: 15 Minutes Produced by DecaDance Amado Mio (2003) Choreographed on members from the mixed ability dance company Blue Eyed Soul and Birmingham Royal Ballet for a premier at The Patrick Centre for the Performing Arts, Birmingham Hippodrome, Birmingham UK. The aspect of creating ties between big budget professional dance companies and community based companies was a critical motivator for the decision to create this work. Music: Pink Martini, ‘Amado Mio’ Duration: 6 minutes Commissioned by Birmingham Royal Ballet and BlueEyed Soul 2002 The Lark Ascending (2002) Man’s solo Created for Birmingham Royal Ballet’s workshop series, premiered at the Patrick Centre, Birmingham Hippodrome. Ikolo Griffin performing this work was Nominated 2007 Austin Critics Table Awards -Best Dancer. Music: Vaughn Williams, ‘The Lark Ascending’ Costume: David Justin Lighting Design: Peter Teigen Duration: 14 minutes Commissioned by Birmingham Royal Ballet Atlantic Café (2002) for large ensemble Created on Gallery 37, Birmingham apprentices as a result of an earlier success with Birmingham Royal Ballet. This was a cross Atlantic simulcast web performance project with Gallery 37, Chicago, in which each group’s performance was integrated with the others over the live link on March 2, 2002. Music: commissioned and performed by Andy Garby Duration: 40 minutes Commissioned by Birmingham Royal Ballet, Gallery 37, Birmingham, UK and Gallery37, Chicago, USA Ziggurat: The Spiral Way (2002) for large ensemble A major music and dance theatre project to celebrate the Commonwealth Games and Spirit of Friendship Festival. This was a collaborative venture with the Birmingham Royal Ballet’s partner venue in Salford, UK, The Lowry, and its other partner organizations: The Halle, Opera North and . Over 100 young people of all ages, abilities and experiences worked during the week-long school residencies in the creation of a production based on the story of the Tower of Babel. The project culminated in three visually stunning and emotive performances at The Lowry, celebrating the Commonwealth principles of friendship and integration. Duration: 1 hour 20 minutes Commissioned by Birmingham Royal Ballet, The Lowery, The Halle, Opera North and Rambert Dance Company 11 David Justin Curriculum Vitae Continued

Horse-Shoe Soup (2002) for large ensemble Created for a community youth dance club in with Birmingham Royal Ballet’s Education Department. First performed at Sheldon Heath Arts Centre, Birmingham. Music: Commissioned score from composer and musician Andrew Kristy Duration: 15 minutes Commissioned by Birmingham Royal Ballet, ArtSites, and Barclays Bank 2001 Brahms Op. 81 (2001) for 1 principal woman, 2 principal men and 12 women en pointe Choreographed on Birmingham Royal Ballet. Music: Brahms, Op. 81 Scenic design: Yuri Zhukov Lighting Design: Peter Teigen Duration: 15 minutes 2000 The Search (2000) Man’s Solo A collaborative piece with video artist Gary Harper incorporating video projection, live camera work, sculpture and audience participation. Choreographed in part fulfillment of Justin’s final master’s dissertation. First performed by himself at Birmingham Cathedral. Music: Arvo Pärt, ‘Fratres’ Costumes: David Justin Media design: Gary Harper Sculpture: Aspiration, by David Justin Duration: 12 minutes Funded by DansCoLab Send in the Dragon (2000) for 17 people Created on Gallery 37 apprentices, with their artistic input, for the city of Birmingham’s Gallery 37 Youth Initiative. Originally in a purely supportive role, I was asked to takeover the project after the team leader resigned unexpectedly. Performed in Centenary Square, Birmingham, UK. Music: Sisqo, Send in the Dragon, Pink Floyd excerpts, and original sound track. Duration: 20 minutes Commissioned by Gallery 37, UK 1999 Woven Web (1999) pas de six First performed by members of the Birmingham Royal Ballet at Place Theatre, London, as part of Resolution 99. Accredited towards his MA degree from the University of Birmingham. Music: Turtle Island String Quartet, ‘Spider Dreams’, ‘Harmonicade’, ‘Waterfall with Blenders’, ‘Marwa in the Pines (with you)’ Duration: 25 minutes Commissioned by The Place Theatre, London and DansCoLab 1998 Carnival of the Animals (1998) Voliere, Pianists, Fossiles, Le Cygne. 11 dancers Part of Birmingham Royal Ballet’s program to encourage choreographers within the company to work on large scale projects, his contribution was presented with the other choreographers at the Birmingham Hippodrome, UK. This program involves the collaboration with design students from the Birmingham Design College. Music: Saint-Sans. Duration: 25 minutes Commissioned by Birmingham Royal Ballet Just a Regular Joe (1998) pas de deux First performed by David Justin and Victoria Marr at the Midlands Arts Center, Birmingham, UK as a contribution from DansCoLab to Changing Stages. Music: Joe Cocker, ‘Don’t Let Me Be Misunderstood’, ‘Bye, Bye Blackbird’, ‘You Are So Beautiful’ Duration: 14 minutes Commissioned by Changing Stages and DansCoLab 1997 Brink (1997) Man’s solo Born out of a collaborative relationship developed at the 1996 International Course for Professional Choreographers and Composers, this piece was first performed by soloist Pele Sacklen. Music: commissioned score from composer Derek Bermel, String Quartet and Heart Beat Duration: 12 minutes Commissioned by the DanceXchange, Birmingham, UK

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Tanguistico (1997) for 16 dancers Choreographed on students of Birmingham Royal summer program. Music: Astor Piazzolla, ‘La muerta del angel’ Duration: 3 minutes Commissioned by Birmingham Royal Ballet 1996 Mozart C minor Mass (1996) Sanctus, Benedictus Part of Birmingham Royal Ballet’s program to encourage choreographers within the company to work on large scale projects, his contribution was presented with the other choreographers at the Birmingham Hippodrome, UK. This program involves the collaboration with design students from the Birmingham Design College. Music: Mozart Duration: 35 minutes Commissioned by Birmingham Royal Ballet Forever in a Moment (1996) pas de huit A mixture of ballet and modern dancers performed this work for the Hair and Fashion Show at Camden Palace, London. Pop music mixed by a DJ at Radio BRMB Duration: 4 minutes Commissioned by Hair and Fashion Designer Umberto Gianninni and DansCoLab What Night (1996) pas de six First performed at the Nicole Alerdyce Theatre by members of the Birmingham Royal Ballet. Music: commissioned score from composer Hywel Davies, for chamber orchestra Sculptural feature commissioned from Natalie Kohn Meyes Duration: 20 minutes Funded by DansCoLab 1994 More Martinu (1994) pas de cinque A further exploration the Sonatas of Martinu performed by members of the San Francisco Ballet. Performed with Aufgabe. Music: Bohuslav Martinu Duration: 12 minutes Commissioned by San Francisco Ballet Choreographers Workshop 1993 Dei (1993) 10 artists (dancers, musicians, visual artists and singers) A collaboration with choreographer Eda Holmes, in an outdoor venue at the Djerassi Foundation, San Francisco. Music: performed by the Duration: 45 minutes Commissioned by the Djerassi Foundation, San Francisco 1992 Aufgabe (1992) pas de deux First Performed in San Francisco by principals of the San Francisco Ballet, Tina LeBlanc and Christopher Anderson. Presented again at The Midland Arts Center, Birmingham, UK in 1995 and by American Repertory Ensemble 2007. Music: Bohuslav Martinu, Sonata for Cello and Piano #1, Lento. Duration: 6 minutes Commissioned by San Francisco Ballet Choreographers Workshop

WORKS REMOUNTED AND PRODUCED

2013 • Beach Birds, Choreo. Merce Cunningham, 1991. Merce Cunningham Dance Company. Mus. John Cage. Remounted and produced for Dance Repertory Theatre, Kinesthetic Imperative. 2014 • Clear the Air, Chore. Millicent Johnny. Commissioned for Dance Repertory Theatre, Kinesthetic Imperative, 2014 • Grand Duo, Choreo. Mark Morris, 1993. Mark Morris Dance Group. Mus. Lou Harrison. Remounted and produced for Dance Repertory Theatre, Fall for Dance. 2013 • The Uncommitted, Choreo. Paul Taylor, 2011. Paul Taylor Dance Company. Mus. Arvo Part, Mozart. Remounted for Dance Repertory Theatre, Roots and Wings, 2013 2012 • Promenade, Choreo. Robert Battle, 2005. Battle Works. Mus. John Mackey. Remounted and produced for Dance Repertory Theatre, Fall for Dance. 2012 • The Medium is the Message. Choreo. Julia Adam, 1993. San Francisco Ballet. Mus. Brian Carsen. Remounted and Produced for American Repertory Ensemble, 2006 & 2012 13 David Justin Curriculum Vitae Continued

• New.Base.Line(Fractured). Choreo. Alex Ketley. Dance Repertory Theatre. Mus. Tar@JBM Remounted for American Repertory Ensemble, Fast Approaching Swiftly Gone, 2012 • Minus 16, Choreo. Ohad Naharin, 1999, Dance Theatre. Mus. Mixed. Produced for Dance Repertory Theatre, Catalyst 2011 • In the Middle Somewhat Elevated, Choreo. William Forsythe, 1987, Paris Opera. Mus. Thom Wilems. Remounted excerpt for Dance Repertory Theatre, Physical Language, 2011 2010 • , Choreo. Christopher Wheeldon, 2005. New York City Ballet. Mus Arvo Part. Remounted for American Repertory Ensemble • Inscape, Choreo. Bruce Marks 1988. Boston Ballet. Mus. Bartok. Remounted for American Repertory Ensemble, 2010 2009 • John and I… Choreo. Christopher Hampson, 2006. Atlanta Ballet. Mus. Amadeus Mozart. Remounted and Produced for American Repertory Ensemble, 2009 • Rubies (pas de deux), Choreo. , 1967. New York City Ballet. Mus. . Remounted and Produced for American Repertory Ensemble, 2009 2008 • The Dance House, Choreo. David Bintley, 1994. San Francisco Ballet. Mus. D. Shostakovich. Remounted and Produced for American Repertory Ensemble, 2008 • Valses Poeticos, Choreo. Helgi Tomasson, 1990. San Francisco Ballet. Mus. E. Granados. Remounted and Produced for American Repertory Ensemble, 2008 • Soudain L’hiver Dernier, Choreo. James Kudelka, 1987. Montreal Danse. Mus. Gavin Bryars. Remounted and Produced for American Repertory Ensemble, 2008 • There Where She Loved, Choreo. Christopher Wheeldon, 2000. Royal Ballet. Mus. F. Chopin and K. Weill. Remounted and Produced excerpt for American Repertory Ensemble, 2008 2007 • Already Dusk, Choreo. Val Caiparoli, 2006. Dance Theatre. Mus. Brahms. Remounted and Produced for American Repertory Ensemble, 2007 • , Choreo. George Balanchine, 1972. New York City Ballet. Mus. Igor Stravinsky. Remounted and Produced for American Repertory Ensemble, 2007 • No Time Jazz, Choreo. Yuri Zhukov, 1996. Birmingham Royal Ballet, UK. Mus Dave Brubek Remounted for American Repertory Ensemble, 2007 2006 • , White Act II Pas de Deux. Choreo. , 1895. Imperial Ballet. Mus. • P. Tchaikovsky. Remounted and Produced for American Repertory Ensemble, 2006 • Tchaikovsky Pas de Deux. Choreo. George Balanchine, 1960. New York City Ballet. Mus. P. Tchaikovsky. Remounted and Produced for American Repertory Ensemble, 2006 2005 • Monotones, Choreo. Fredrick Ashton, 1965-66. Royal Ballet. Mus. Eric Satie. Assistant coach Royal Ballet School, 2005 2004 • Still Life at the Penguin Café, Choreo. David Bintley, 1988. Royal Ballet. Mus. Simon Jeffes. Excerpt remounted for Dance Repertory Theater, 2004 2003 • Group Therapy, Choreo. Harrison McEldowney, 1999. Hubbard Co. Mus. Various.Remounted for Configurations, 2003. Remounted and Produced for American RepertoryEnsemble, 2006

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PERFORMANCE REPERTOIRE (Dance)

Choreographer, Ballet, Role (** indicates originated roles) Balanchine: : 1st pas de trios Bourée Fantasque Bugaku Harliquinade: Pas de deux : Orpheus Slaughter on 10th Avenue: Principal Stars and Stripes: Men’s Regiment Leader Symphony in 3 Movements: Principal Symphony in C: 4th Movement Principal : Melancholic Who Cares?: Demi Soloist Bintley: Arthur I: Uther Pendragon**, Arthur Arthur II: Gawain** Carmina Burana: 1st Seminarian** Choros Edward II: Gaveston, Lightborn, Grim Reaper Far From the Madding Crowd: Gabriel Oak** Hobson’s Choice: Will Mossop Job** L’Afrique** Nutcracker Sweeties: the Sailor and Military principals** Shakespeare Suite: Bottom**, Othello ‘Still Life’ at the Penguin Café The Dance House: Death The Protecting Veil** The Sons of Horus: Hapi The Wanderer Fantasy Tombeaux Tomasson: Handel -a Celebration Le Quattro Stagioni** Nanna's Lied** Romeo and Juliet: Mercutio** Sonata** Meistens Mozart: pas de deux** Swan Lake: Spanish variation and lead Czardas The Sleeping Beauty: Blue Bird pas de deux Robbins: Cage: 2nd Intruder principal pas de deux : 1st and 3rd pas de deux : The Husband Interplay: Soloist Ashton: Birthday Offering Dante Sonata: Principal Enigma Variations: Mr. Sinclaire La Fille Mal Gardee: Colas The Dream: Puck Tweedle Dee and Tweedle Dum: Dee Two Pigeons: The Artist, principal Bejart: Le Sacre du Printemps: Soloist Bournonville: La Sylphide

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Caniparoli: Connotations: red pas de deux In Perpetuum: pas de deux** Lamberena: 1st Principal** : Pulcinella Seeing Stars: Tuxedo pas de deux** Christensen: Filling Station: Mac : Snow pas de deux, Lead Russian, Chinese Soloist Variations de Ballet Forsythe: In the Middle Somewhat Elevated: Principal New Sleep: Soloist** Garnier: Aunis Kudelka: Dreams of Harmony: Principal Soudain l’hiver dernier: Pas de deux Terra Firma: Soloist** The Comfort Zone: Soloist The End** Kylian: Forgotten Land: The Grey pas de deux MacMillan: Romeo and Juliet: Mercutio, Tybalt Song of the Earth: soloist de Mille: Rodeo: The Champion Roper Morris: Maelstrom** Pacific Petipa: : pas de deux, full length Le Corsaire: pas de deux Raymonda Act III Spring Waters: pas de deux de Ribere: Harvest Moon: Military police Principal Taylor: Company B: Tico-Tico and Boogie Woogie Bugle Boy Tudor: Dark Elegies: 3rd song Soloist Tharp: In The Upper Room: Stomper de Valois: A Prospect Before Us: August Vestris Van Manen: Grosse Fuge Way: Krazy Kat** Welsh: Powder** Williams: Extraordinary Day** Wright: Copellia: Franz Swan Lake: Benno The Nutcracker: Drosselmyer York: Sanctum: Principal**

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