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Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
Leafing Through History
Leafing Through History Leafing Through History Several divisions of the Missouri Botanical Garden shared their expertise and collections for this exhibition: the William L. Brown Center, the Herbarium, the EarthWays Center, Horticulture and the William T. Kemper Center for Home Gardening, Education and Tower Grove House, and the Peter H. Raven Library. Grateful thanks to Nancy and Kenneth Kranzberg for their support of the exhibition and this publication. Special acknowledgments to lenders and collaborators James Lucas, Michael Powell, Megan Singleton, Mimi Phelan of Midland Paper, Packaging + Supplies, Dr. Shirley Graham, Greg Johnson of Johnson Paper, and the Campbell House Museum for their contributions to the exhibition. Many thanks to the artists who have shared their work with the exhibition. Especial thanks to Virginia Harold for the photography and Studiopowell for the design of this publication. This publication was printed by Advertisers Printing, one of only 50 U.S. printing companies to have earned SGP (Sustainability Green Partner) Certification, the industry standard for sustainability performance. Copyright © 2019 Missouri Botanical Garden 2 James Lucas Michael Powell Megan Singleton with Beth Johnson Shuki Kato Robert Lang Cekouat Léon Catherine Liu Isabella Myers Shoko Nakamura Nguyen Quyet Tien Jon Tucker Rob Snyder Curated by Nezka Pfeifer Museum Curator Stephen and Peter Sachs Museum Missouri Botanical Garden Inside Cover: Acapulco Gold rolling papers Hemp paper 1972 Collection of the William L. Brown Center [WLBC00199] Previous Page: Bactrian Camel James Lucas 2017 Courtesy of the artist Evans Gallery Installation view 4 Plants comprise 90% of what we use or make on a daily basis, and yet, we overlook them or take them for granted regularly. -
Chairman's Piece
ISSN 1756-753X AARGnews The newsletter of the Aerial Archaeology Research Group Number 54 March 2017 Contents Editorial 4 AARG Chairpiece: March 2017 by Rachel Opitz 7 Student/young researchers’ scholarships for AARG 2017 8 AARG 2017: First call for papers 9 AARG notices: Derrick Riley Bursary 10 ISAP Fund Information for contributors Fantastic Images (and where to find them) by Davide Danelli 11 Palimpsests of medieval landscapes. A case study from Lower Silesia Region, Poland by Grzegorz Kiarszys 21 Cropmarks 37 Books of interest? 40 Maurizio Forte and Stefano Campana (eds), 2016. Digital Methods and Remote Sensing in Archaeology. Allan S Gilbert (ed), 2017. Encylopedia of Geoarchaeology. J Henry Fair, 2016. Industrial Scars: The Hidden Costs of Consumption. Máté Szabó, 2016. Aerial archaeological work in Hungary in 2011. Gianluca Cantoro, Jeremia Pelgrom and Tesse D. Stek, 2016. Reading a difficult landscape from the air. A methodological case-study from a WWII airfield in South Italy. Łukasz Banaszek, 2015. Przeszłe krajobrazy w chmurze punktów (Past landscapes in the point cloud). Federica Boschi, 2016. Non-destructive field evaluation in Preventive Archaeology. Looking at the current situation in Europe. Francesco Benassi, et al, 2017. Testing Accuracy and Repeatability of UAV Blocks Oriented with GNSS- Supported Aerial Triangulation. Christopher Stewart , 2017. Detection of Archaeological Residues in Vegetated Areas Using Satellite Synthetic Aperture Radar. Free downloads: Council for British Archaeology, RCHME inventories, Dave Cowley publications Papers of interest? As yet unread 44 AARG: general information, membership, addresses, student scholarships 45 AARGnews is the newsletter of the Aerial Archaeology Research Group Published twice yearly in March and September Photo copyright © Rog Palmer: 22 March 2012 Edited by Rog Palmer [email protected] [Cover photo. -
Writing As Material Practice Substance, Surface and Medium
Writing as Material Practice Substance, surface and medium Edited by Kathryn E. Piquette and Ruth D. Whitehouse Writing as Material Practice: Substance, surface and medium Edited by Kathryn E. Piquette and Ruth D. Whitehouse ]u[ ubiquity press London Published by Ubiquity Press Ltd. Gordon House 29 Gordon Square London WC1H 0PP www.ubiquitypress.com Text © The Authors 2013 First published 2013 Front Cover Illustrations: Top row (from left to right): Flouda (Chapter 8): Mavrospelio ring made of gold. Courtesy Heraklion Archaelogical Museum; Pye (Chapter 16): A Greek and Latin lexicon (1738). Photograph Nick Balaam; Pye (Chapter 16): A silver decadrachm of Syracuse (5th century BC). © Trustees of the British Museum. Middle row (from left to right): Piquette (Chapter 11): A wooden label. Photograph Kathryn E. Piquette, courtesy Ashmolean Museum; Flouda (Chapter 8): Ceramic conical cup. Courtesy Heraklion Archaelogical Museum; Salomon (Chapter 2): Wrapped sticks, Peabody Museum, Harvard. Photograph courtesy of William Conklin. Bottom row (from left to right): Flouda (Chapter 8): Linear A clay tablet. Courtesy Heraklion Archaelogical Museum; Johnston (Chapter 10): Inscribed clay ball. Courtesy of Persepolis Fortification Archive Project, Oriental Institute, University of Chicago; Kidd (Chapter 12): P.Cairo 30961 recto. Photograph Ahmed Amin, Egyptian Museum, Cairo. Back Cover Illustration: Salomon (Chapter 2): 1590 de Murúa manuscript (de Murúa 2004: 124 verso) Printed in the UK by Lightning Source Ltd. ISBN (hardback): 978-1-909188-24-2 ISBN (EPUB): 978-1-909188-25-9 ISBN (PDF): 978-1-909188-26-6 DOI: http://dx.doi.org/10.5334/bai This work is licensed under the Creative Commons Attribution 3.0 Unported License. -
Enhancement Tool for Teaching Essay Writing in Secondary Schools
http://wje.sciedupress.com World Journal of Education Vol. 5, No. 5; 2015 Material Teaching Aids: Enhancement Tool for Teaching Essay Writing in Secondary Schools Okonkwo Adaobi Fidelia1,* 1Department of Arts and Social Science Education, Faculty of Education, Ebonyi State University, Abakaliki, Nigeria *Correspondence: Department of Arts and Social Science Education, Faculty of Education, Ebonyi State University, Abakaliki, Nigeria. Tel: 234-80-3540-1195 E-mail: [email protected] Received: August 26, 2015 Accepted: September 24, 2015 Online Published: October 11, 2015 doi:10.5430/wje.v5n5p110 URL: http://dx.doi.org/10.5430/wje.v5n5p110 Abstract The purpose of this study is to investigate the use of material teaching aids as enhancement tool for teaching essay writing in secondary schools in Ebonyi State. A 4-point Likert-scale questionnaire was used as the instrument. A trial test was conducted and tested for reliability and a value of 0.75 was obtained from the test. The instrument was further subjected to face validation. The population comprised of 1553 language teachers – English, Literature, Igbo and French and out of this number 240 teachers were selected using simple random sampling technique and it was done to reflect male and female teachers – 120 males and 120 females. Mean and standard deviation were used to answer the research questions while Analysis of Covariance ANCOVA was used to test the hypothesis at an alpha level 0.05 of significance. Result obtained from the data indicated that (1) Most material teaching aids are not available in schools (2) teaching of essay writing requires application of effective material teaching aids. -
February 14Th 10.00 Sedov Vladimir Valentinovich (Moscow IA RAS
February 14th 10.00 Sedov Vladimir Valentinovich (Moscow IA RAS) Principal outcomes of the excavation of the church of the Annunciation at Gorodishche near Novgorod in 2016-2017: archeology and architecture The paper presents the main results of the extensive architectural and archaeological excavation of the stone church of the Annunciation at Gorodishche, built in 1103 by Prince Mstislav the Great and rebuilt in 1342-1343. This latter church, having survived in part, was conserved, and the current plans for the museumification of the 1103 church allowed for its complete excavation, which provided an opportunity to assess the architecture of this second oldest stone church building of Novgorod (the Sophia of Novgorod being the earliest). We now see this monument as a transitive point in local architectural history. Its large size, common type and architectural details firmly link it to the south Russian tradition of Kiev. At the same time, it stands at the very beginning of the Novgorod architectural tradition. The paper also covers some of the most vivid details of the monument and the traces of its rebuilding, as well as information on the pre- church layers unearthed during the excavation. Gippius Alexey Alexeevich (Moscow, HSE, ISS RAS), Mikheev Savva Mikhailovich (Moscow, ISS RAS) Complex of the Glagolitic graffiti of the church of the Annunciation at Gorodishche The paper discusses ten 12th- century Glagolitic graffiti, one of them being the longest old Russian Glagolitic text. The inscriptions are of interest both in terms of their content and of their paleography, which has allowed us to presume the existence of a specific Novgorod school of Glagolitic writing in the 11th and 12th centuries. -
Russia and Siberia: the Beginning of the Penetration of Russian People Into Siberia, the Campaign of Ataman Yermak and It’S Consequences
The Aoyama Journal of International Politics, Economics and Communication, No. 106, May 2021 CCCCCCCCC Article CCCCCCCCC Russia and Siberia: The Beginning of the Penetration of Russian People into Siberia, the Campaign of Ataman Yermak and it’s Consequences Aleksandr A. Brodnikov* Petr E. Podalko** The penetration of the Russian people into Siberia probably began more than a thousand years ago. Old Russian chronicles mention that already in the 11th century, the northwestern part of Siberia, then known as Yugra1), was a “volost”2) of the Novgorod Land3). The Novgorod ush- * Associate Professor, Novosibirsk State University ** Professor, Aoyama Gakuin University 1) Initially, Yugra was the name of the territory between the mouth of the river Pechora and the Ural Mountains, where the Finno-Ugric tribes historically lived. Gradually, with the advancement of the Russian people to the East, this territorial name spread across the north of Western Siberia to the river Taz. Since 2003, Yugra has been part of the offi cial name of the Khanty-Mansiysk Autonomous Okrug: Khanty-Mansiysk Autonomous Okrug—Yugra. 2) Volost—from the Old Russian “power, country, district”—means here the territo- rial-administrative unit of the aboriginal population with the most authoritative leader, the chief, from whom a certain amount of furs was collected. 3) Novgorod Land (literally “New City”) refers to a land, also known as “Gospodin (Lord) Veliky (Great) Novgorod”, or “Novgorod Republic”, with its administrative center in Veliky Novgorod, which had from the 10th century a tendency towards autonomy from Kiev, the capital of Ancient Kievan Rus. From the end of the 11th century, Novgorod de-facto became an independent city-state that subdued the entire north of Eastern Europe. -
NAZDAR 1800 Series UV Screen
Technical Data Sheet Nazdar PowerPrint® Plus 1800 UV Screen Ink Series v 14 EN The multi-purpose PowerPrint® Plus 1800 Series UV Screen Ink has been formulated to meet the processing speeds of the most modern printing equipment including in-line presses, for a wide Ref: v 13 EN range of substrates including treated corrugated polypropylene. PowerPrint® Plus 1800 features include: fast curing, hard ink surface, and high block resistance. Substrates Coverage • Styrene Estimated 2,500 – 3,500 square feet (232 - 325 • Cardstock / Coated paper square meters) per gallon depending upon ink • Matte vinyl deposit. Reference www.nazdar.com for • Rigid vinyl examples of coverage calculations. • Top coated polyester • Pressure sensitive vinyl Printing • Treated polyethylene banner 1800 Series is formulated to be press ready. • Treated polypropylene banner Thoroughly mix the ink prior to printing. Improper • Treated corrugated polypropylene mixing can lead to inconsistent color and ink • Some high density polyethylene sheeting performance. The surface tension for polyethylene and polypropylene Maintain ink temperature at 65°-90°F (18°-32°C) substrates should be at or above 44 dynes/cm. for optimum print and cure performance. Lower Not recommended for highly plasticized vinyl materials such as temperatures increase the ink viscosity, impairing vinyl banner and static cling, and not recommended for flow and increasing film thickness. Elevated container or nameplate applications. temperatures lower the ink viscosity, reducing Substrate recommendations are based on commonly available print definition and film thickness. materials intended for the ink’s specific market when the inks are processed according to this technical data. While technical Pretest to determine optimum printing information and advice on the use of this product is provided parameters for a particular set of ink, substrate, in good faith, the User bears sole responsibility for selecting the appropriate product for their end-use requirements. -
Writing Material
488 College English Writing Material Laura R. Micciche But the social world is very real; there are bodies and matter and real consequences of this materiality. —Susan Hekman, “Constructing the Ballast” (115–16) f recent critical scholarship is any indication, the “social turn” has hardened into repressive orthodoxy and failed to keep pace with a changing world. In I its policing of essentialism, refusal to engage nature or biology, and reliance on culture and language as exclusive routes to meaningful analysis, the social turn, at least dominant forms of it, seems to have plateaued. In current theoretical discourse, complexity reigns, as do nonoppositional stances wearied by critique’s taste for subtraction, which has failed to slow the commodification of identity and culture, capitalism as an engine of social life in the United States, or abuses of domi- nant ideology. Primary tools of the social turn—textual and linguistic analysis as well as ideology critique—have proven important but limited. More to the point of this special issue, these tools have narrowed the scope of what counts as the social by foregrounding the constructed nature of texts, objects, activities, and bodies with little attention to how such constructions interact with natural systems, biology, animals, and other forms of matter. Karen Barad, in “Posthumanist Performativity” (2003), expresses representative disenchantment with the social turn as follows: “Language matters. Discourse matters. Culture matters. There is an important sense in which the only thing that does not seem to matter anymore is matter” (120). Laura R. Micciche teaches writing, rhetorical theory, and writing pedagogy at the University of Cincinnati. -
Reducing Paper and Printer Ink Usage
Reducing Paper and Printer Ink Usage Updated: 09/27/2012 PURPOSE This resource provides tips on how to reduce paper and printer ink usage in the office. DISCLAIMER The suggestions in this document are provided as an example of the types of actions you or your organization can implement to reduce usage of paper and printer ink and toner. The information in this resource does not supersede any federal agency’s policies, procedures, guidance, or requirements with respect to printing and publications. The Federal Electronics Challenge (FEC) encourages you to check within your own agency for printing policies, procedures and guidance. INTRODUCTION Executive Order 13514, Federal Leadership in Environmental, Energy, and Economic Performance, requires federal agencies to reduce printing paper use; acquire paper with at least 30% postconsumer recycled content; enable automatic duplexing (double-sided printing); and use other energy-efficient and environmentally preferable features on all eligible agency electronic equipment. This document outlines a number of activities that can be undertaken to meet all of these goals. DOCUMENT OPTIONS FOR REDUCING PAPER USAGE Reduce Margins The standard default margins for documents developed in word processing software (i.e., Microsoft Word®) are 1” on all sides. Reducing the default margins to 0.75” or 0.5” can save a significant amount of paper. When printing on a standard sheet of 8 ½” x 11” piece of paper, there are 93.5 square inches available for typeface. With a 1” margin on all sides, the usable space is reduced to 58.5 square inches; reducing your available print area to 63%. If you change your margins to 0.75”, you increase the print area to 71%, and further reducing your margins to 0.5” increases the print area to 80% of the available space on the paper. -
Russian Viking and Royal Ancestry
GRANHOLM GENEALOGY RUSSIAN/VIKING ANCESTRY Direct Lineage from: Rurik Ruler of Kievan Rus to: Lars Erik Granholm 1 Rurik Ruler of Kievan Rus b. 830 d. 879 m. Efenda (Edvina) Novgorod m. ABT 876 b. ABT 850 2 Igor Grand Prince of Kiev b. ABT 835 Kiev,Ukraine,Russia d. 945 Kiev,Ukraine,Russia m. Olga Prekrasa of Kiev b. ABT 890 d. 11 Jul 969 Kiev 3 Sviatoslav I Grand Prince of Kiev b. ABT 942 d. MAR 972 m. Malusha of Lybeck b. ABT 944 4 Vladimir I the Great Grand Prince of Kiev b. 960 Kiev, Ukraine d. 15 Jul 1015 Berestovo, Kiev m. Rogneda Princess of Polotsk b. 962 Polotsk, Byelorussia d. 1002 [daughter of Ragnvald Olafsson Count of Polatsk] m. Kunosdotter Countess of Oehningen [Child of Vladimir I the Great Grand Prince of Kiev and Rogneda Princess of Polotsk] 5 Yaroslav I the Wise Grand Duke of Kiew b. 978 Kiev d. 20 Feb 1054 Kiev m. Ingegerd Olofsdotter Princess of Sweden m. 1019 Russia b. 1001 Sigtuna, Sweden d. 10 Feb 1050 [daughter of Olof Skötkonung King of Sweden and Estrid (Ingerid) Princess of Sweden] 6 Vsevolod I Yaroslavich Grand Prince of Kiev b. 1030 d. 13 Apr 1093 m. Irene Maria Princess of Byzantium b. ABT 1032 Konstantinopel, Turkey d. NOV 1067 [daughter of Constantine IX Emperor of Byzantium and Sclerina Empress of Byzantium] 7 Vladimir II "Monomach" Grand Duke of Kiev b. 1053 d. 19 May 1125 m. Gytha Haraldsdotter Princess of England m. 1074 b. ABT 1053 d. 1 May 1107 [daughter of Harold II Godwinson King of England and Ealdgyth Swan-neck] m. -
Linguistic Typology, Vol
Edinburgh Research Explorer Depth, brilliance, clarity Citation for published version: Iosad, P, Koptjevskaja-tamm, M, Piperski, A & Sitchinava, D 2018, 'Depth, brilliance, clarity: Andrey Anatolyevich Zaliznyak (1935–2017)', Linguistic Typology, vol. 22, no. 1, pp. 175-184. https://doi.org/10.1515/lingty-2018-0006 Digital Object Identifier (DOI): 10.1515/lingty-2018-0006 Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: Linguistic Typology Publisher Rights Statement: The following article: Iosad, P., Koptjevskaja-Tamm, M., Piperski, A., et al. (2018). Depth, brilliance, clarity: Andrey Anatolyevich Zaliznyak (1935–2017) . Linguistic Typology, 22(1), pp. 175-184 has been originally published at: https://doi.org/10.1515/lingty-2018-0006 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 08. Oct. 2021 Linguistic Typology 2018; 22(1): 175–184 Obituary Pavel Iosad, Maria Koptjevskaja-Tamm*, Alexander Piperski and Dmitri Sitchinava Depth, brilliance, clarity: Andrey Anatolyevich Zaliznyak (1935–2017) https://doi.org/10.1515/lingty-2018-0006 The renowned Russian linguist, a fellow of the Russian Academy of Sciences Andrey A.