Reducing Paper and Printer Ink Usage
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Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
Leafing Through History
Leafing Through History Leafing Through History Several divisions of the Missouri Botanical Garden shared their expertise and collections for this exhibition: the William L. Brown Center, the Herbarium, the EarthWays Center, Horticulture and the William T. Kemper Center for Home Gardening, Education and Tower Grove House, and the Peter H. Raven Library. Grateful thanks to Nancy and Kenneth Kranzberg for their support of the exhibition and this publication. Special acknowledgments to lenders and collaborators James Lucas, Michael Powell, Megan Singleton, Mimi Phelan of Midland Paper, Packaging + Supplies, Dr. Shirley Graham, Greg Johnson of Johnson Paper, and the Campbell House Museum for their contributions to the exhibition. Many thanks to the artists who have shared their work with the exhibition. Especial thanks to Virginia Harold for the photography and Studiopowell for the design of this publication. This publication was printed by Advertisers Printing, one of only 50 U.S. printing companies to have earned SGP (Sustainability Green Partner) Certification, the industry standard for sustainability performance. Copyright © 2019 Missouri Botanical Garden 2 James Lucas Michael Powell Megan Singleton with Beth Johnson Shuki Kato Robert Lang Cekouat Léon Catherine Liu Isabella Myers Shoko Nakamura Nguyen Quyet Tien Jon Tucker Rob Snyder Curated by Nezka Pfeifer Museum Curator Stephen and Peter Sachs Museum Missouri Botanical Garden Inside Cover: Acapulco Gold rolling papers Hemp paper 1972 Collection of the William L. Brown Center [WLBC00199] Previous Page: Bactrian Camel James Lucas 2017 Courtesy of the artist Evans Gallery Installation view 4 Plants comprise 90% of what we use or make on a daily basis, and yet, we overlook them or take them for granted regularly. -
How to Page a Document in Microsoft Word
1 HOW TO PAGE A DOCUMENT IN MICROSOFT WORD 1– PAGING A WHOLE DOCUMENT FROM 1 TO …Z (Including the first page) 1.1 – Arabic Numbers (a) Click the “Insert” tab. (b) Go to the “Header & Footer” Section and click on “Page Number” drop down menu (c) Choose the location on the page where you want the page to appear (i.e. top page, bottom page, etc.) (d) Once you have clicked on the “box” of your preference, the pages will be inserted automatically on each page, starting from page 1 on. 1.2 – Other Formats (Romans, letters, etc) (a) Repeat steps (a) to (c) from 1.1 above (b) At the “Header & Footer” Section, click on “Page Number” drop down menu. (C) Choose… “Format Page Numbers” (d) At the top of the box, “Number format”, click the drop down menu and choose your preference (i, ii, iii; OR a, b, c, OR A, B, C,…and etc.) an click OK. (e) You can also set it to start with any of the intermediate numbers if you want at the “Page Numbering”, “Start at” option within that box. 2 – TITLE PAGE WITHOUT A PAGE NUMBER…….. Option A – …And second page being page number 2 (a) Click the “Insert” tab. (b) Go to the “Header & Footer” Section and click on “Page Number” drop down menu (c) Choose the location on the page where you want the page to appear (i.e. top page, bottom page, etc.) (d) Once you have clicked on the “box” of your preference, the pages will be inserted automatically on each page, starting from page 1 on. -
Dewarpnet: Single-Image Document Unwarping with Stacked 3D and 2D Regression Networks
DewarpNet: Single-Image Document Unwarping With Stacked 3D and 2D Regression Networks Sagnik Das∗ Ke Ma∗ Zhixin Shu Dimitris Samaras Roy Shilkrot Stony Brook University fsadas, kemma, zhshu, samaras, [email protected] Abstract Capturing document images with hand-held devices in unstructured environments is a common practice nowadays. However, “casual” photos of documents are usually unsuit- able for automatic information extraction, mainly due to physical distortion of the document paper, as well as var- ious camera positions and illumination conditions. In this work, we propose DewarpNet, a deep-learning approach for document image unwarping from a single image. Our insight is that the 3D geometry of the document not only determines the warping of its texture but also causes the il- lumination effects. Therefore, our novelty resides on the ex- plicit modeling of 3D shape for document paper in an end- to-end pipeline. Also, we contribute the largest and most comprehensive dataset for document image unwarping to date – Doc3D. This dataset features multiple ground-truth annotations, including 3D shape, surface normals, UV map, Figure 1. Document image unwarping. Top row: input images. albedo image, etc. Training with Doc3D, we demonstrate Middle row: predicted 3D coordinate maps. Bottom row: pre- state-of-the-art performance for DewarpNet with extensive dicted unwarped images. Columns from left to right: 1) curled, qualitative and quantitative evaluations. Our network also 2) one-fold, 3) two-fold, 4) multiple-fold with OCR confidence significantly improves OCR performance on captured doc- highlights in Red (low) to Blue (high). ument images, decreasing character error rate by 42% on average. -
Libraries in West Malaysia and Singapore; a Short History
DOCUMENT RESUME ED 059 722 LI 003 461 AUTHOR Tee Edward Lim Huck TITLE Lib aries in West Malaysia and Slngap- e; A Sh History. INSTITUTION Malaya Univ., Kuala Lumpur (Malaysia). PUB DATE 70 NOTE 169p.;(210 References) EDRS PRICE MF-$0.65 HC-$6.58 DESCRIPTORS Foreign Countries; History; *Libraries; Library Planning; *Library Services; Library Surveys IDENTIFIERS *Library Development; Singapore; West Malaysia ABSTRACT An attempt is made to trace the history of every major library in Malay and Singapore. Social and recreational club libraries are not included, and school libraries are not extensively covered. Although it is possible to trace the history of Malaysia's libraries back to the first millenium of the Christian era, there are few written records pre-dating World War II. The lack of documentation on the early periods of library history creates an emphasis on developments in the modern period. This is not out of order since it is only recently that libraries in West Malaysia and Singapore have been recognized as one of the important media of mass education. Lack of funds, failure to recognize the importance of libraries, and problems caused by the federal structure of gc,vernment are blamed for this delay in development. Hinderances to future development are the lack of trained librarians, problems of having to provide material in several different languages, and the lack of national bibliographies, union catalogs and lists of serials. (SJ) (NJ (NJ LIBR ARIES IN WEST MALAYSIA AND SINGAPORE f=t a short history Edward Lirn Huck Tee B.A.HONS (MALAYA), F.L.A. -
Early American Document Collection
________________________________________________________________________ Guide to MS-195: Early American Document Collection Tyler Black ’17, Smith Intern July 2016 2 MS – 195: Early American Document Collection (2 boxes, 2.87 cubic feet) Inclusive Dates: 1685-1812 Bulk Dates: 1727-1728; 1775-1787 Processed by: Tyler Black ‘17 July 2016 Provenance The Early American Document Collection is an artificial collection comprised of Colonial Era documents from a variety of donors and locations. Most are land and legal documents from Pennsylvania. Many of the documents in this collection were donated to Gettysburg College before the existence of Special Collections, thus there is no known donation information or accession records. Available provenance notes include: “Presented in memory of E.C. Goebel by his wife Janet C. Goebel” o Land Indenture for John Beard, from Samuel Miller and Wife, February 15, 1812 Rosenberger Collection o Land Deed for Tench Francis, from William Gregory, August 20, 1787 o Land Deed for Henry Drinker, from Tench Francis, May 23, 1794 o Land Grant for Henry Drinker, from Tench Francis and William Gregory, October 10, 1796 Donation of John George Butler (1826-1909), Class of 1850, College Trustee. Acquired from Philadelphia City Archives o Letter from Jos. Stamson to Rev. Benjamin Colman of Boston, containing a Catalog of Assorted Books, March 20, 1717 Donation from Stanley L. Klos, 2005 (Accession 2005-0291) o Land Deed for Samuel Dilworth in Northumberland County, signed by Thomas Mifflin, 3 March 1794 Purchase -
Design Document: Books Database
DESIGN DOCUMENT: BOOKS DATABASE Ashish Gupta Vishal Y8140 Y8578 Group No.09 ABSTRACT The project is based on a book database system pertaining to various needs of the user. The basic interface involves querying books according to language, title, author, publisher, ISBN. We support services for buying and selling used books or books used in specific IIT Kanpur courses. We build a personal profile page which is used for handling the transactions between various students. We implement a "recommendation system" for recommending books to be used in a particular course in addition to their availability in the library. The system gives advice for cheap used books available at the time, when that book is not found in the library. OUTLINE 1. Information regarding the book: Set of entities that support the store of books, authors and publication and general search queries for their availability in the library. Advanced search queries are also provided. 2. Information regarding buying/selling: Set of entities that support personal profile of the students and transactions. It also handles notifications to be sent to the sellers as well as the buyer when there is a successful transaction. 3. Information regarding courses at IITK: Stores recommended books for different courses at IITK, which in turn are searched directly in library and results are provided to user. QUERIES AND FUNCTIONALITY 1. The students can browse the book without logging in, however in order to buy/sell books they need to log in with a username and password and the username can be used as key for students. 2. -
De Atramentis Document Ink White
De Atramentis Document Ink White canterburyUrbanBuck still never twitter folk-dance overpasses unselfconsciously or decolorisingunremittently while sizzlingly. when lamellar Wit tawsesHerculie his single fiesta. that Tattling sillies. and Britannic juicier and Aubert effectible swum her Do you can we will give my pen document white lines have converters for Extra fine nib for de atramentis has been reset link to be a reflex action towards other de atramentis. Mixing purposes such as expected from. Please make that you order out as a green or line thickness of a huge plus a choice than one. How expressive lines are all my previous posts from inklines and special offers delivered directly related posts by de pieles de atramantis is. The de atramentis document inks in the resultant mixture was quite dark, and quill pen copperplate thin ink seems like it while i scanned the de atramentis document ink white. Let me a lot of drying it is certainly waterproof brown paper i already have used a confirmation email with. See exactly why do you can also made from your country, apart from all the dry enables better! De atramentis fountain pen with de atramentis. Which i used with high shading, i can i totally dry time to the ink! This page once your items you for store today in black ink applied during checkout. DE ATRAMENTIS Document Ink ink Ink White Amazoncouk Office Products. Your store for faster delivery than expected time to track its started with de atramentis document ink white fountain pen with wix ads to cancel your visitors cannot be! We may not validate any custom colour is gorgeous inks have a sleek and next day the local courier delivered by email if i was totally locked in. -
NAZDAR 1800 Series UV Screen
Technical Data Sheet Nazdar PowerPrint® Plus 1800 UV Screen Ink Series v 14 EN The multi-purpose PowerPrint® Plus 1800 Series UV Screen Ink has been formulated to meet the processing speeds of the most modern printing equipment including in-line presses, for a wide Ref: v 13 EN range of substrates including treated corrugated polypropylene. PowerPrint® Plus 1800 features include: fast curing, hard ink surface, and high block resistance. Substrates Coverage • Styrene Estimated 2,500 – 3,500 square feet (232 - 325 • Cardstock / Coated paper square meters) per gallon depending upon ink • Matte vinyl deposit. Reference www.nazdar.com for • Rigid vinyl examples of coverage calculations. • Top coated polyester • Pressure sensitive vinyl Printing • Treated polyethylene banner 1800 Series is formulated to be press ready. • Treated polypropylene banner Thoroughly mix the ink prior to printing. Improper • Treated corrugated polypropylene mixing can lead to inconsistent color and ink • Some high density polyethylene sheeting performance. The surface tension for polyethylene and polypropylene Maintain ink temperature at 65°-90°F (18°-32°C) substrates should be at or above 44 dynes/cm. for optimum print and cure performance. Lower Not recommended for highly plasticized vinyl materials such as temperatures increase the ink viscosity, impairing vinyl banner and static cling, and not recommended for flow and increasing film thickness. Elevated container or nameplate applications. temperatures lower the ink viscosity, reducing Substrate recommendations are based on commonly available print definition and film thickness. materials intended for the ink’s specific market when the inks are processed according to this technical data. While technical Pretest to determine optimum printing information and advice on the use of this product is provided parameters for a particular set of ink, substrate, in good faith, the User bears sole responsibility for selecting the appropriate product for their end-use requirements. -
The Writing Surface Papyrus and Its Materials 1. Can the Writing Material Papyrus Tell Us Where It Was Produced? 2
The Writing Surface Papyrus and its Materials 1. Can the writing material papyrus tell us where it was produced? 2. Material study of the inks Ira Rabin - Myriam Krutzsch in Proceedings of the 28th Congress of Papyrology Barcelona 1-6 August 2016 Edited by Alberto Nodar & Sofía Torallas Tovar Coedited by María Jesús Albarrán Martínez, Raquel Martín Hernández, Irene Pajón Leyra, José-Domingo Rodríguez Martín & Marco Antonio Santamaría Scripta Orientalia 3 Barcelona, 2019 Coordinación y edición: Alberto Nodar – Sofía Torallas Tovar Coedición: María Jesús Albarrán Martínez, Raquel Martín Hernández, Irene Pajón Leyra, José Domingo Rodríguez Martín, Marco Antonio Santamaría Diseño de cubierta: Sergio Carro Martín Primera edición, junio 2019 © los editores y los autores 2019 La propiedad de esta edición es de Publicacions de l’Abadia de Montserrat Ausiàs Marc 92-98 – 08013 Barcelona ISBN 978-84-9191-079-4 (Pamsa) ISBN 978-84-88042-89-7 (UPF) Edición digital http://hdl.handle.net/10230/41902 TABLE OF CONTENTS Foreword i Program of the congress vi Photograph of participants xxi PART I: Papyrology: methods and instruments 1 Archives for the History of Papyrology ANDREA JÖRDENS, Die Papyrologie in einer Welt der Umbrüche 3-14 ROBERTA MAZZA, Papyrology and Ethics 15-27 PETER ARZT-GRABNER, How to Abbreviate a Papyrological Volume? Principles, 28-55 Inconsistencies, and Solutions PAOLA BOFFULA, Memorie dal sottosuolo di Tebtynis a ... Roma e a Venezia! 56-67 ELISABETH R. O’CONNELL, Greek and Coptic manuscripts from First Millennium 68-80 CE Egypt (still) in the British Museum NATASCIA PELLÉ, Lettere di B. P. Grenfell e A. S. -
Revealing Metallic Ink in Herculaneum Papyri
Revealing metallic ink in Herculaneum papyri Emmanuel Bruna,b, Marine Cottec,d, Jonathan Wrightc, Marie Ruatc, Pieter Tacke, Laszlo Vinczee, Claudio Ferreroc, Daniel Delattref,g, and Vito Mocellah,1 aInserm U1216, F-38000 Grenoble, France; bUniversité Grenoble Alpes, Grenoble Institut des Neurosciences, F-38000 Grenoble, France; cThe European Synchrotron, 38043 Grenoble, Cedex, France; dLaboratoire d’Archéologie Moléculaire et Structurale, CNRS-Université Pierre et Marie Curie, UMR 8220, 75005 Paris, France; eDepartment of Analytical Chemistry, Ghent University, B-9000 Ghent, Belgium; fCNRS-Institut de Recherche et d’Histoire des Textes, 75016 Paris, France; gCentro Internazionale per lo Studio dei Papiri Ercolanesi, 80131 Napoli, Italy; and hConsiglio Nazionale delle Ricerche - Istituto per la Microelettronica e Microsistemi (CNR-IMM), Unità di Napoli, 80131 Napoli, Italy Edited by Richard Janko, University of Michigan, Ann Arbor, MI, and accepted by the Editorial Board February 18, 2016 (received for review October 8, 2015) Writing on paper is essential to civilization, as Pliny the Elder remarks more adherent, ink was required. Thereafter, metallic inks in his Natural History, when he describes the various types of papyri, became the standard for parchments in late antiquity and for the method of manufacturing them, and all that concerns writing most of the Middle Ages (4, 7). materials in the mid-first century AD. For this reason, a rigorous In this work, we study the chemical composition of papyrus scientific study of writing is of fundamental importance for the fragments carbonized by Mount Vesuvius’ eruption in 79 AD historical understanding of ancient societies. We show that metallic and found in the Villa dei Papiri at Herculaneum between 1752 ink was used several centuries earlier than previously thought. -
Review of Display Technologies Focusing on Power Consumption
Sustainability 2015, 7, 10854-10875; doi:10.3390/su70810854 OPEN ACCESS sustainability ISSN 2071-1050 www.mdpi.com/journal/sustainability Review Review of Display Technologies Focusing on Power Consumption María Rodríguez Fernández 1,†, Eduardo Zalama Casanova 2,* and Ignacio González Alonso 3,† 1 Department of Systems Engineering and Automatic Control, University of Valladolid, Paseo del Cauce S/N, 47011 Valladolid, Spain; E-Mail: [email protected] 2 Instituto de las Tecnologías Avanzadas de la Producción, University of Valladolid, Paseo del Cauce S/N, 47011 Valladolid, Spain 3 Department of Computer Science, University of Oviedo, C/González Gutiérrez Quirós, 33600 Mieres, Spain; E-Mail: [email protected] † These authors contributed equally to this work. * Author to whom correspondence should be addressed; E-Mail: [email protected]; Tel.: +34-659-782-534. Academic Editor: Marc A. Rosen Received: 16 June 2015 / Accepted: 4 August 2015 / Published: 11 August 2015 Abstract: This paper provides an overview of the main manufacturing technologies of displays, focusing on those with low and ultra-low levels of power consumption, which make them suitable for current societal needs. Considering the typified value obtained from the manufacturer’s specifications, four technologies—Liquid Crystal Displays, electronic paper, Organic Light-Emitting Display and Electroluminescent Displays—were selected in a first iteration. For each of them, several features, including size and brightness, were assessed in order to ascertain possible proportional relationships with the rate of consumption. To normalize the comparison between different display types, relative units such as the surface power density and the display frontal intensity efficiency were proposed.