The Updated Data on Sanskrit Manuscripts of the Serindia Collection (IOM, RAS): Perspectives of the Study
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Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
Texts and Manuscripts: Description and Research. Presenting the Collections. Presenting the Manuscript. Book Reviews
CONTENTS TEXTS AND MANUSCRIPTS: DESCRIPTION AND RESEARCH. 3 Hiroshi Kumamoto. Sino-Hrntanica Petersburgensia (Part I). 3 1\1. Vorobyova-Dcsyatovskaya. A Sanskrit Manuscript on Birch-Bark from Bairam-Ali. II. .~1'(1(/'711as and l<ltakas (Part 2) IO A. Trotsevich. A Rricf Remark on Korean Rooks Research. 24 M. Fomkin. On the Literary Fate of Works by Sultan Vcled. 27 I. Zaytse\'. On the History of Book in the JUchid Khanates 33 PRESENTING THE COLLECTIONS. 40 E. Rczvan. Oriental Manuscripts of Karl Faberge. I: The Qur'iin 40 PRESENTING THE MANUSCRIPT. 62 0. Akimushkin. A Rare Seventeenth-Century Hagiography of the Naqshbandiyya Mujaddidiyya Slwdhs. 62 BOOK REVIEWS. 68 F r o n t c o v e r: "Portrait of a princess", Muraqqa · X 3 from the St. Petersburg Branch of the Institute of Oriental Studies. Faberge collection. fol. 31 a. 9.5 x 16.5 cm. Moghul school, mid-18th century, watercolour, gouache and gold on paper. Back cover: Decorative composition from clements of the double frontispiece of aQur"anic manuscript, the same album, fol. 29a. dimensions within the outer border 18.0 X 21.0 cm. Presumably Tcbriz. I 540s--- I 560s. Mounted in India, mid-18th century. THESA PUBLISHERS Ir\ <-, J-01'1.IC\ 11< l\ Will I ST. PETERSBURG BRANCH OF THE INSTITUTE OF ORIENTAL STUDIES RUSSIAN ACADEMY OF SCIENCES ll!.Jnnuscriptn Orientnlin "'7nternntionnl douronl for Or1eotnl IY!Jnouscr1pt ~esenrcb Vol. 7 No. I March 200 I 7-5£..Sd\ .,St. f.'etersbur9 70 L'Y!'.)AnuscriptA OrientAliA. VOL. 7 NO. I MARCH 2001 esting parts of the folklore collections preserved in the more so for their presenting in such well-organised and archive. -
Kharosthi Manuscripts: a Window on Gandharan Buddhism*
KHAROSTHI MANUSCRIPTS: A WINDOW ON GANDHARAN BUDDHISM* Andrew GLASS INTRODUCTION In the present article I offer a sketch of Gandharan Buddhism in the centuries around the turn of the common era by looking at various kinds of evidence which speak to us across the centuries. In doing so I hope to shed a little light on an important stage in the transmission of Buddhism as it spread from India, through Gandhara and Central Asia to China, Korea, and ultimately Japan. In particular, I will focus on the several collections of Kharo~thi manuscripts most of which are quite new to scholarship, the vast majority of these having been discovered only in the past ten years. I will also take a detailed look at the contents of one of these manuscripts in order to illustrate connections with other text collections in Pali and Chinese. Gandharan Buddhism is itself a large topic, which cannot be adequately described within the scope of the present article. I will therefore confine my observations to the period in which the Kharo~thi script was used as a literary medium, that is, from the time of Asoka in the middle of the third century B.C. until about the third century A.D., which I refer to as the Kharo~thi Period. In addition to looking at the new manuscript materials, other forms of evidence such as inscriptions, art and architecture will be touched upon, as they provide many complementary insights into the Buddhist culture of Gandhara. The travel accounts of the Chinese pilgrims * This article is based on a paper presented at Nagoya University on April 22nd 2004. -
Streetfood Und Stadtkultur – Hawker in Telok Bahang/Malaysia
Asiatische Studien Études Asiatiques LXVI · 2 · 2012 Zeitschrift der Schweizerischen Asiengesellschaft Revue de la Société Suisse – Asie Edited by Roland Altenburger and Robert H. Gassmann Peter Lang Bern · Berlin · Bruxelles · Frankfurt am Main · New York · Oxford · Wien ISSN 0004-4717 © Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern 2012 Hochfeldstrasse 32, CH-3012 Bern, Schweiz [email protected], www.peterlang.com Alle Rechte vorbehalten. Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne Zustimmung des Verlages unzulässig und strafbar. Das gilt insbesondere für Vervielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Systemen. Printed in Hungary INHALTSVERZEICHNIS – TABLE DES MATIÈRES CONTENTS Aufsätze – Articles – Articles JOHANNES BRONKHORST ............................................................................................................... 227 Levels of Cognition: Did Indian philosophers know something we do not? NADIA CATTONI .................................................................................................................................. 239 Le commentaire littéraire: entre classification et interprétation. Exemples issus de la Śṛṅgāradīpikā et de la Bhāvadīpikā de Vemabhūpāla BOGDAN DIACONESCU .................................................................................................................... 261 On the New Ways -
Research Palm Leaf Manuscripts (Pe Sar)
Journal homepage: http://twasp.info/journal/home Research Palm Leaf Manuscripts (Pe Sar) Dr-Minn Thant1*, Dr- Tin Tin New2, Yee Mon Phay3 1Lecturer, Department of Oriental Studies, Mandalay University, Mandalay, Myanmar 2Professor, Department of Oriental Studies, Mandalay University, Mandalay, Myanmar 3PhD Candidate, School of Liberal Arts, Department of Global Studies, Shanghai University, Shanghai, China *Corresponding author Accepted:25 August, 2019 ;Online: 30 August, 2019 DOI : https://doi.org/10.5281/zenodo.3382013 Abstract : Behind the existing of literature, we want to know about the letters which were written on something. In particular, palm leaves were mostly used. Palm leaves were easily available in large number, and writing on palm leaves was easier than other. So they were dutiful for writing. In this paper, therefore, palm leaf manuscripts and their background history will be presented according to periods and regions. Keywords : Pe Sar, Palm leaf Manuscripts, palm leaf inscriptions. Introduction It is palm leaf manuscripts that have propagandized the Piṭakas and Pᾱḷi Texts of the Buddha Era. It is undeniable that the face texts on Piṭakas in Pᾱḷi and those in Myanmar and skills and knowledge related texts such as classic text onprose and poetry, and medical fortune telling text, which were written by ancient poets and persons of letters belonging to periods from Bagan to late Konbaung, can still be studied until today, is due to the fact that palm leaf manuscripts have been cherished. The palm leaf manuscript is valuable not onlyin terms of subject but also in terms of material. In former times, a palm leaf manuscript was made withdifficulty on a step by step basis. -
Leafing Through History
Leafing Through History Leafing Through History Several divisions of the Missouri Botanical Garden shared their expertise and collections for this exhibition: the William L. Brown Center, the Herbarium, the EarthWays Center, Horticulture and the William T. Kemper Center for Home Gardening, Education and Tower Grove House, and the Peter H. Raven Library. Grateful thanks to Nancy and Kenneth Kranzberg for their support of the exhibition and this publication. Special acknowledgments to lenders and collaborators James Lucas, Michael Powell, Megan Singleton, Mimi Phelan of Midland Paper, Packaging + Supplies, Dr. Shirley Graham, Greg Johnson of Johnson Paper, and the Campbell House Museum for their contributions to the exhibition. Many thanks to the artists who have shared their work with the exhibition. Especial thanks to Virginia Harold for the photography and Studiopowell for the design of this publication. This publication was printed by Advertisers Printing, one of only 50 U.S. printing companies to have earned SGP (Sustainability Green Partner) Certification, the industry standard for sustainability performance. Copyright © 2019 Missouri Botanical Garden 2 James Lucas Michael Powell Megan Singleton with Beth Johnson Shuki Kato Robert Lang Cekouat Léon Catherine Liu Isabella Myers Shoko Nakamura Nguyen Quyet Tien Jon Tucker Rob Snyder Curated by Nezka Pfeifer Museum Curator Stephen and Peter Sachs Museum Missouri Botanical Garden Inside Cover: Acapulco Gold rolling papers Hemp paper 1972 Collection of the William L. Brown Center [WLBC00199] Previous Page: Bactrian Camel James Lucas 2017 Courtesy of the artist Evans Gallery Installation view 4 Plants comprise 90% of what we use or make on a daily basis, and yet, we overlook them or take them for granted regularly. -
Title Historical Value of Parabaik and Pei All Authors Moe Moe Oo Publication Type Local Publication Publisher (Journal Name, Is
Title Historical Value of Parabaik and Pei All Authors Moe Moe Oo Publication Type Local Publication Publisher (Journal name, Meiktila University, Research Journal, Vol.IV, No.1, 2013 issue no., page no etc.) Parabaiks and Palm Leaf Manuscripts are important in the rich and old tradition and cultural history of Southeast Asia. Many documents reflected the socio- economic situation and Buddhist text of ancient Myanmar. These sources are Abstract like a treasure-trove for historians. We hope that this Parabaik and Palm leaf will advance the study of the early modern history of Myanmar, as well as that of the whole Southeast Asian region, and will also contribute to the preservation of a valuable cultural heritage in Myanmar. cultural heritage, preservation Keywords Citation Issue Date 2013 61 Meiktila University, Research Journal, Vol.IV, No.1, 2013 Historical Value of Parabaik and Pei Moe Moe Oo1 Abstract Parabaiks and Palm Leaf Manuscripts are important in the rich and old tradition and cultural history of Southeast Asia. Many documents reflected the socio-economic situation and Buddhist text of ancient Myanmar. These sources are like a treasure-trove for historians. We hope that this Parabaik and Palm leaf will advance the study of the early modern history of Myanmar, as well as that of the whole Southeast Asian region, and will also contribute to the preservation of a valuable cultural heritage in Myanmar. Key Words: cultural heritage, preservation Introduction Myanmar Manuscripts are an attempt to deal with the socio- economic life of the people during the Kon-baung period. There are many books both published and unpublished in the forms of research journal and thesis. -
NAZDAR 1800 Series UV Screen
Technical Data Sheet Nazdar PowerPrint® Plus 1800 UV Screen Ink Series v 14 EN The multi-purpose PowerPrint® Plus 1800 Series UV Screen Ink has been formulated to meet the processing speeds of the most modern printing equipment including in-line presses, for a wide Ref: v 13 EN range of substrates including treated corrugated polypropylene. PowerPrint® Plus 1800 features include: fast curing, hard ink surface, and high block resistance. Substrates Coverage • Styrene Estimated 2,500 – 3,500 square feet (232 - 325 • Cardstock / Coated paper square meters) per gallon depending upon ink • Matte vinyl deposit. Reference www.nazdar.com for • Rigid vinyl examples of coverage calculations. • Top coated polyester • Pressure sensitive vinyl Printing • Treated polyethylene banner 1800 Series is formulated to be press ready. • Treated polypropylene banner Thoroughly mix the ink prior to printing. Improper • Treated corrugated polypropylene mixing can lead to inconsistent color and ink • Some high density polyethylene sheeting performance. The surface tension for polyethylene and polypropylene Maintain ink temperature at 65°-90°F (18°-32°C) substrates should be at or above 44 dynes/cm. for optimum print and cure performance. Lower Not recommended for highly plasticized vinyl materials such as temperatures increase the ink viscosity, impairing vinyl banner and static cling, and not recommended for flow and increasing film thickness. Elevated container or nameplate applications. temperatures lower the ink viscosity, reducing Substrate recommendations are based on commonly available print definition and film thickness. materials intended for the ink’s specific market when the inks are processed according to this technical data. While technical Pretest to determine optimum printing information and advice on the use of this product is provided parameters for a particular set of ink, substrate, in good faith, the User bears sole responsibility for selecting the appropriate product for their end-use requirements. -
The Parinirvana Cycle and the Theory of Multivalence: a Study Of
THE PARINIRVĀṆA CYCLE AND THE THEORY OF MULTIVALENCE: A STUDY OF GANDHĀRAN BUDDHIST NARRATIVE RELIEFS A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI’I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2017 By Emily Hebert Thesis Committee: Paul Lavy, Chairperson Kate Lingley Jesse Knutson TABLE OF CONTENTS LIST OF FIGURES ....................................................................................................................... ii INTRODUCTION ......................................................................................................................... 1 CHAPTER 1. BUDDHISM IN GREATER GANDHĀRA ........................................................... 9 Geography of Buddhism in Greater Gandhāra ....................................................................... 10 Buddhist Textual Traditions in Greater Gandhāra .................................................................. 12 Historical Periods of Buddhism in Greater Gandhāra ........................................................... 19 CHAPTER 2. GANDHĀRAN STŪPAS AND NARRATIVE ART ............................................. 28 Gandhāran Stūpas and Narrative Art: Architectural Context ................................................. 35 CHAPTER 3. THE PARINIRVĀṆA CYLCE OF NARRATIVE RELIEFS ................................ 39 CHAPTER 4 .THE THEORY OF MULTIVALENCE AND THE PARINIRVĀṆA CYCLE ...... 44 CHAPTER 5. NARRATIVE RELIEF PANELS FROM THE PARINIRVĀṆA CYCLE ............ 58 Episode -
Reducing Paper and Printer Ink Usage
Reducing Paper and Printer Ink Usage Updated: 09/27/2012 PURPOSE This resource provides tips on how to reduce paper and printer ink usage in the office. DISCLAIMER The suggestions in this document are provided as an example of the types of actions you or your organization can implement to reduce usage of paper and printer ink and toner. The information in this resource does not supersede any federal agency’s policies, procedures, guidance, or requirements with respect to printing and publications. The Federal Electronics Challenge (FEC) encourages you to check within your own agency for printing policies, procedures and guidance. INTRODUCTION Executive Order 13514, Federal Leadership in Environmental, Energy, and Economic Performance, requires federal agencies to reduce printing paper use; acquire paper with at least 30% postconsumer recycled content; enable automatic duplexing (double-sided printing); and use other energy-efficient and environmentally preferable features on all eligible agency electronic equipment. This document outlines a number of activities that can be undertaken to meet all of these goals. DOCUMENT OPTIONS FOR REDUCING PAPER USAGE Reduce Margins The standard default margins for documents developed in word processing software (i.e., Microsoft Word®) are 1” on all sides. Reducing the default margins to 0.75” or 0.5” can save a significant amount of paper. When printing on a standard sheet of 8 ½” x 11” piece of paper, there are 93.5 square inches available for typeface. With a 1” margin on all sides, the usable space is reduced to 58.5 square inches; reducing your available print area to 63%. If you change your margins to 0.75”, you increase the print area to 71%, and further reducing your margins to 0.5” increases the print area to 80% of the available space on the paper. -
The Writing Surface Papyrus and Its Materials 1. Can the Writing Material Papyrus Tell Us Where It Was Produced? 2
The Writing Surface Papyrus and its Materials 1. Can the writing material papyrus tell us where it was produced? 2. Material study of the inks Ira Rabin - Myriam Krutzsch in Proceedings of the 28th Congress of Papyrology Barcelona 1-6 August 2016 Edited by Alberto Nodar & Sofía Torallas Tovar Coedited by María Jesús Albarrán Martínez, Raquel Martín Hernández, Irene Pajón Leyra, José-Domingo Rodríguez Martín & Marco Antonio Santamaría Scripta Orientalia 3 Barcelona, 2019 Coordinación y edición: Alberto Nodar – Sofía Torallas Tovar Coedición: María Jesús Albarrán Martínez, Raquel Martín Hernández, Irene Pajón Leyra, José Domingo Rodríguez Martín, Marco Antonio Santamaría Diseño de cubierta: Sergio Carro Martín Primera edición, junio 2019 © los editores y los autores 2019 La propiedad de esta edición es de Publicacions de l’Abadia de Montserrat Ausiàs Marc 92-98 – 08013 Barcelona ISBN 978-84-9191-079-4 (Pamsa) ISBN 978-84-88042-89-7 (UPF) Edición digital http://hdl.handle.net/10230/41902 TABLE OF CONTENTS Foreword i Program of the congress vi Photograph of participants xxi PART I: Papyrology: methods and instruments 1 Archives for the History of Papyrology ANDREA JÖRDENS, Die Papyrologie in einer Welt der Umbrüche 3-14 ROBERTA MAZZA, Papyrology and Ethics 15-27 PETER ARZT-GRABNER, How to Abbreviate a Papyrological Volume? Principles, 28-55 Inconsistencies, and Solutions PAOLA BOFFULA, Memorie dal sottosuolo di Tebtynis a ... Roma e a Venezia! 56-67 ELISABETH R. O’CONNELL, Greek and Coptic manuscripts from First Millennium 68-80 CE Egypt (still) in the British Museum NATASCIA PELLÉ, Lettere di B. P. Grenfell e A. S. -
Revealing Metallic Ink in Herculaneum Papyri
Revealing metallic ink in Herculaneum papyri Emmanuel Bruna,b, Marine Cottec,d, Jonathan Wrightc, Marie Ruatc, Pieter Tacke, Laszlo Vinczee, Claudio Ferreroc, Daniel Delattref,g, and Vito Mocellah,1 aInserm U1216, F-38000 Grenoble, France; bUniversité Grenoble Alpes, Grenoble Institut des Neurosciences, F-38000 Grenoble, France; cThe European Synchrotron, 38043 Grenoble, Cedex, France; dLaboratoire d’Archéologie Moléculaire et Structurale, CNRS-Université Pierre et Marie Curie, UMR 8220, 75005 Paris, France; eDepartment of Analytical Chemistry, Ghent University, B-9000 Ghent, Belgium; fCNRS-Institut de Recherche et d’Histoire des Textes, 75016 Paris, France; gCentro Internazionale per lo Studio dei Papiri Ercolanesi, 80131 Napoli, Italy; and hConsiglio Nazionale delle Ricerche - Istituto per la Microelettronica e Microsistemi (CNR-IMM), Unità di Napoli, 80131 Napoli, Italy Edited by Richard Janko, University of Michigan, Ann Arbor, MI, and accepted by the Editorial Board February 18, 2016 (received for review October 8, 2015) Writing on paper is essential to civilization, as Pliny the Elder remarks more adherent, ink was required. Thereafter, metallic inks in his Natural History, when he describes the various types of papyri, became the standard for parchments in late antiquity and for the method of manufacturing them, and all that concerns writing most of the Middle Ages (4, 7). materials in the mid-first century AD. For this reason, a rigorous In this work, we study the chemical composition of papyrus scientific study of writing is of fundamental importance for the fragments carbonized by Mount Vesuvius’ eruption in 79 AD historical understanding of ancient societies. We show that metallic and found in the Villa dei Papiri at Herculaneum between 1752 ink was used several centuries earlier than previously thought.