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A Biography and Discussion of Selected Vocal and Instrumental Works with Piano Deloise Chagas Lima

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A Biography and Discussion of Selected Vocal and Instrumental Works with Piano Deloise Chagas Lima Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2004 Henrique De Curitiba Morozowicz: A Biography and Discussion of Selected Vocal and Instrumental Works with Piano Deloise Chagas Lima Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF MUSIC HENRIQUE DE CURITIBA MOROZOWICZ: A BIOGRAPHY AND DISCUSSION OF SELECTED VOCAL AND INSTRUMENTAL WORKS WITH PIANO By DELOISE CHAGAS LIMA A treatise submitted to the School of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Doctor of Music Spring Semester, 2004 The members of the Committee approve the treatise of Deloise A. Chagas Lima defended on March 23, 2004. ________________________ Carolyn Bridger Professor Directing Treatise ________________________ Jeff Keesecker Outside Committee Member ________________________ Douglas Fisher Committee Member ________________________ Timothy Hoekman Committee Member The office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS First of all, I would like to thank Carolyn Bridger for being the director of this treatise, my major professor, and also a friend and supporter. I also would like to thank the other members of my committee – Douglas Fisher, Timothy Hoekman, Frank Kowalsky, and Jeff Keesecker – for their support and guidance throughout my degree. I want to express my gratitude to my parents, Eugênio and Ceres, who have sustained me through these years, helped me achieve my goals, and loved me unconditionally. My deepest appreciation goes to my sisters and other relatives who, in their specific and individual ways, gave me tremendous help and support. I want to thank my son Raphael, whom I dearly love, for being such a wonderful child, a source of constant joy and inspiration. Special thanks go to P.E.O. for their financial support and to Escola de Música e Belas Artes do Paraná for allowing me to come to Florida State University to pursue this degree. Finally, I want to thank God for all He has done for me: for leading my steps, directing my life, and bringing me to where I am today. iii TABLE OF CONTENTS List of Musical Examples .................................................................................................. v Abstract............................................................................................................................. vi Chapter One: Introduction ................................................................................................. 1 Chapter Two: A Polish Saga: The Morozowicz Family ..................................................... 2 Chapter Three: Henrique de Curitiba: A Biography ........................................................... 9 Chapter Four: Henrique de Curitiba’s Works: Stylistic Features ........................................ 20 Chapter Five: Analyses of Works for Voice, Winds, and String Instruments with Piano .... 25 1. Sonata 87............................................................................................................. 25 2. Três Episódios ..................................................................................................... 35 3. Seis Poemas de Helena Kolody ............................................................................ 40 4. Brisa do Sul ......................................................................................................... 56 Chapter Six: Conclusion.................................................................................................... 68 Appendices: A: Vocal and Instrumental Works with Piano .......................................................... 69 B: Other Compositions ............................................................................................ 73 C: Copyright Permission Letter................................................................................ 78 D: Translation of the Copyright Permission Letter ................................................... 79 E: Composer’s Manuscript Permission Letter .......................................................... 80 F: Human Subjects Approval ................................................................................... 81 G: Human Subject Consent Form............................................................................. 82 H: Transcription of the Portuguese Interview........................................................... 83 Bibliography ..................................................................................................................... 87 Biographical sketch ........................................................................................................... 89 iv LIST OF MUSICAL EXAMPLES 5.1. Allegro de Batuque – Sonata 87, mm.1-3.................................................................. 28 5.2. Allegro de Batuque – Sonata 87, mm. 33-36............................................................. 28 5.3. Allegro de Batuque – Sonata 87, mm.65-66.............................................................. 29 5.4. Lento e Cantabile de Toada – Sonata 87, mm.1-4..................................................... 30 5.5. Lento e Cantabile de Toada – Sonata 87, mm. 31-36................................................ 31 5.6. Lento e Cantabile de Toada – Sonata 87, mm. 51-56................................................ 32 5.7. Vivace de Xaxado – Sonata 87, mm. 27-29 ............................................................... 33 5.8. Vivace de Xaxado – Sonata 87, mm. 45-48 ............................................................... 34 5.9. Vivace de Xaxado – Sonata 87, mm. 119-123 ........................................................... 34 5.10. Cantabile – Três Episódios, mm. 1-4 ........................................................................ 36 5.11. Cantabile – Três Episódios, mm. 15-16 .................................................................... 36 5.12. Scherzando – Três Episódios, mm. 1-9 ..................................................................... 37 5.13. Scherzando – Três Episódios, mm. 34-40 ................................................................. 38 5.14. Vivo – Três Episódios, mm. 1-6 ................................................................................ 39 5.15. Vivo – Três Episódios, mm. 23-27 ............................................................................ 40 5.16. Cantar – Seis Poemas de Helena Kolody, mm. 1-3 ................................................... 43 5.17. Cantar – Seis Poemas de Helena Kolody, mm. 18-26 ............................................... 44 5.18. Cantiga de Roda – Seis Poemas de Helena Kolody, mm. 1-3 .................................... 46 5.19. Cantiga de Roda – Seis Poemas de Helena Kolody, mm. 15-18 ................................ 46 5.20. Cantiga de Roda – Seis Poemas de Helena Kolody, mm. 23-26 ................................ 47 5.21. Voz da Noite – Seis Poemas de Helena Kolody, mm. 1-3 .......................................... 48 5.22. Voz da Noite – Seis Poemas de Helena Kolody, mm. 9-12 ....................................... 48 5.23. Âmago – Seis Poemas de Helena Kolody, mm. 1-2 ................................................... 49 5.24. Âmago – Seis Poemas de Helena Kolody, mm. 7-8 ................................................... 50 5.25. Âmago – Seis Poemas de Helena Kolody, mm. 15-20 ............................................... 51 5.26. Nunca e Sempre – Seis Poemas de Helena Kolody, mm 1-3...................................... 52 5.27. Nunca e Sempre – Seis Poemas de Helena Kolody, mm. 5-10 ................................... 53 5.28. Nunca e Sempre – Seis Poemas de Helena Kolody, mm. 11-14 ................................. 54 5.29. Viagem Infinita – Seis Poemas de Helena Kolody, mm. 1-3 ...................................... 55 5.30. Viagem Infinita – Seis Poemas de Helena Kolody, mm. 18-21 .................................. 56 5.31. Tristeza – Briza do Sul, mm. 1-4............................................................................... 59 5.32. Catavento – Briza do Sul, mm. 1-8 ........................................................................... 60 5.33. Catavento – Briza do Sul, mm. 9-11 ......................................................................... 61 5.34. Catavento – Briza do Sul, mm. 12-14........................................................................ 61 5.35. Catavento – Briza do Sul, mm. 17-18........................................................................ 62 5.36. Nuvens – Briza do Sul, mm.1-4................................................................................. 63 5.37. Nuvens – Briza do Sul, mm. 13-16 ............................................................................ 63 5.38. Nuvens – Briza do Sul, mm. 19-22 ............................................................................ 64 5.39. Silêncios do Céu – Briza do Sul, mm. 1-4 ................................................................. 65 5.40. Silêncios do Céu – Briza do Sul, mm. 12-15.............................................................. 66 v ABSTRACT Henrique de Curitiba Morozowicz has established himself as a prominent composer not only in the state of Paraná, where he was born, but also in the country of Brazil. Having composed to date over 150 works, his musical language is very accessible, imbued with Brazilian rhythms and folk
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