Marta Feuchtwanger Papers 0206
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German Jews in the United States: a Guide to Archival Collections
GERMAN HISTORICAL INSTITUTE,WASHINGTON,DC REFERENCE GUIDE 24 GERMAN JEWS IN THE UNITED STATES: AGUIDE TO ARCHIVAL COLLECTIONS Contents INTRODUCTION &ACKNOWLEDGMENTS 1 ABOUT THE EDITOR 6 ARCHIVAL COLLECTIONS (arranged alphabetically by state and then city) ALABAMA Montgomery 1. Alabama Department of Archives and History ................................ 7 ARIZONA Phoenix 2. Arizona Jewish Historical Society ........................................................ 8 ARKANSAS Little Rock 3. Arkansas History Commission and State Archives .......................... 9 CALIFORNIA Berkeley 4. University of California, Berkeley: Bancroft Library, Archives .................................................................................................. 10 5. Judah L. Mages Museum: Western Jewish History Center ........... 14 Beverly Hills 6. Acad. of Motion Picture Arts and Sciences: Margaret Herrick Library, Special Coll. ............................................................................ 16 Davis 7. University of California at Davis: Shields Library, Special Collections and Archives ..................................................................... 16 Long Beach 8. California State Library, Long Beach: Special Collections ............. 17 Los Angeles 9. John F. Kennedy Memorial Library: Special Collections ...............18 10. UCLA Film and Television Archive .................................................. 18 11. USC: Doheny Memorial Library, Lion Feuchtwanger Archive ................................................................................................... -
Germany from Luther to Bismarck
University of California at San Diego HIEU 132 GERMANY FROM LUTHER TO BISMARCK Fall quarter 2009 #658659 Class meets Tuesdays and Thursdays from 2 until 3:20 in Warren Lecture Hall 2111 Professor Deborah Hertz Humanities and Social Science Building 6024 534 5501 Readers of the papers and examinations: Ms Monique Wiesmueller, [email protected]. Office Hours: Wednesdays 1:30 to 3 and by appointment CONTACTING THE PROFESSOR Please do not contact me by e-mail, but instead speak to me before or after class or on the phone during my office hour. I check the mailbox inside of our web site regularly. In an emergency you may contact the assistant to the Judaic Studies Program, Ms. Dorothy Wagoner at [email protected]; 534 4551. CLASSROOM ETIQUETTE. Please do not eat in class, drinks are acceptable. Please note that you should have your laptops, cell phones, and any other devices turned off during class. Students do too much multi-tasking for 1 the instructor to monitor. Try the simple beauty of a notebook and a pen. If so many students did not shop during class, you could enjoy the privilege of taking notes on your laptops. Power point presentations in class are a gift to those who attend and will not be available on the class web site. Attendance is not taken in class. Come to learn and to discuss. Class texts: All of the texts have been ordered with Groundworks Books in the Old Student Center and have been placed on Library Reserve. We have a systematic problem that Triton Link does not list the Groundworks booklists, but privileges the Price Center Bookstore. -
Vivaldichristmas Concert
bassoon out loud concert no.6 CHRISTMAS VIVALDI CONCERT Six Vivaldi Concerti, Nine Soloists with Chamber Orchestra + a singing bass player Monday, December 19 at 5pm, Heliconian Hall 35 Hazelton Lane, Toronto PROGRAM ANTONIO VIVALDI Concerto in G Major, rv 493 Allegro ma poco, Largo, Allegro Michael Sweeney, bassoon VIVALDI Concerto in C Major, rv 477 Allegro, Largo, Allegro Catherine Chen, bassoon VIVALDI Concerto in E Minor, rv 484 Allegro poco, Andante, Allegro Fraser Jackson, bassoon intermission VIVALDI Concerto in B Minor for Four Violins, rv 580 Allegro, Largo – larghetto, Adagio – largo, Allegro Brenna Hardy-Kavanaugh, Alice Hong, Bijan Sepanji and Rebecca MacLeod, violins BARTOK New Year’s Greeting Samuel Banks and Catherine Chen, bassoons VIVALDI Concerto in F Major, rv 491 Allegro molto, Largo, Allegro Nadina Mackie Jackson, bassoon Folksong Joe Philips, vocal and bass VIVALDI Concerto in C Minor, rv 480 Allegro, Andante, Allegro Samuel Banks, bassoon J. S. BACH Jesu Mein Freude, arranged by Kyle Cleland Catherine Chen, Nadina Mackie Jackson, Samuel Banks and Fraser Jackson, bassoons ORCHESTRA VIOLINS CELLO Rebecca MacLeod Bryan Lu Bijan Sepanji Brenna Hardy-Kavanaugh BASS Alice Hong Joe Phillips VIOLAS Rory McLeod Alex McLeod CDs for sale, including Vivaldi and Caliban Does Christmas MICHAEL SWEENEY BASSOON “Sweeney’s rhapsodic, make-it-up-as-you-go-along solo at the beginning of ‘The Kalendar Prince’ is the freest and most imaginative since Gwydion Brooke’s in the classic emi recording by Sir Thomas Beecham.” – fanfare magazine Sweeney has served as Principal Bassoonist of the Toronto Symphony Orchestra since 1989. As a solo- ist, Michael has a great interest in Early and Post- Modern music. -
Karl Valentin's Illogical Subversion: Issues Arising from Das Aquarium and Liesl Karlstadt's Verein Der Katzenfreunde
Oliver Double & Michael Wilson Karl Valentin's illogical subversion: issues arising from Das Aquarium and Liesl Karlstadt's Verein der Katzenfreunde Valentin Ludwig Fey was born on 4 June 1882 in the Munich suburb of Au, effectively the only child of an artisan-class family – his sister and two brothers all died in early childhood before Valentin Ludwig was even six months old. Valentin himself only narrowly survived a childhood encounter with diptheria (all of which, perhaps unsurprisingly, contributed to his ever-increasing hypochondria1), but he went on to become Karl Valentin, arguably the most famous German comedian and cabaret performer of his generation. Popular Entertainment in Munich The popular entertainment scene in Munich in the early years of the twentieth century was a vibrant mix of the traditional Volkssänger culture, Salonhumoristen and the more overtly political cabaret established by figures like Frank Wedekind and frequented by the Bohemian intellectual community. Volkssänger is a notoriously difficult word to translate in this context. Literally meaning „folksinger‟ (the term preferred by Robert Eben Sackett in his book Popular Entertainment, Class, and Politics in Munich, 1900- 19232 it is important not to equate these performers with the agrarian working-class amateur singers who acted as the informants of the great folksong collectors such as Cecil Sharpe or Sabine Baring-Gould in England, nor with the professional musicians who emerged from the „folk revival‟ of the 1950s and 1960s. The Volkssänger was a popular entertainer who „came from the common people (…) lived among them and knew what troubled their hearts‟3 and a more useful comparison would be with the artists of the British Music Hall. -
DEFA-Newsletter 4/2017
4. Ausgabe / September 2017 NEWSLETTER Filmreihe der DEFA-Stiftung im Arsenal Inhalt dieser Ausgabe Im Oktober la dt die DEFA-Stiftung erneut LEHMANN CHRISTIAN FOTO: DEFA-Filmreihe im zum Filmabend ins Kino Arsenal ein. Im Kino Arsenal Rahmen der DVD-Reihe „Film-Stadt- Fo rderpreis auf dem SCHLINGEL 2017 Berlin“ pra sentieren wir am 9. Oktober Fo rderpreis auf dem DOK ab 19 Uhr die beiden Dokumentarfilme Leipzig 2017 DA MMERUNG – OSTBERLINER BOHEME DEFA-Komo dien im DER 50ER JAHRE (1993) und Zeughauskino THEATERARBEIT (1975) von Peter Voigt. Zum 80. Geburtstag von Karlheinz Mund Im Fokus stehen Erinnerungsfragmente Filmerbe-Festival an einen Lebensstil, der die Berliner Cafe - Film:ReStored_02 und Barkultur eng an ein vielfa ltiges Filme von Frank Beyer in ku nstlerisches Schaffen bindet, fu r das Ljubljana besonders die Anfangsjahre des von EINE BERLINER ROMANZE in Los Angeles Bertolt Brecht gegru ndeten „Berliner Schauspieler Ekkehard Schall erinnert sich ... Grenzga nge mit Ensembles“ von großer Bedeutung waren. in DÄMMERUNG (Peter Voigt, 1993) Peter Kahane Reformation als Thema KUHRÖBER NORBERT FOTO: Am 6. November um 19 Uhr erinnern wir im DEFA-Film uns in Kooperation mit dem Kleist- DER PRINZ UND DER DYBBUK in Venedig Museum Frankfurt/Oder an den Schrift- steller Klaus Schlesinger und zeigen IKARUS (Heiner Carow, 1975), fu r den er Aktuelles & Neuheiten das Szenarium schrieb, sowie die Verfilmung seines Romans MATULLA & Neue Publikationen BUSCH – ZWEI ALTE POKERN HOCH Neue DVDs bei ICESTORM (Matti Geschonneck, 1995). DER KLEINE PRINZ auf Filmszene aus IKARUS (Heiner Carow, 1975) www.defa-stiftung.de DVD und Blu-ray Neue Filme im Verleih Neues aus der Internationales Filmfestival für Kinder und junges Publikum SCHLINGEL Stiftungsarbeit Wir erinnern Vom 25. -
Strengthening Transatlantic Dialogue 2019 Annual Report Making Table of an Impact Contents
STRENGTHENING TRANSATLANTIC DIALOGUE 2019 ANNUAL REPORT MAKING TABLE OF AN IMPACT CONTENTS THE AMERICAN COUNCIL 01 A Message from the President ON GERMANY WAS INCORPORATED IN 1952 POLICY PROGRAMS in New York as a private, nonpartisan 02 2019 Event Highlights nonprofit organization to promote 05 German-American Conference reconciliation and understanding between Germans and Americans 06 Eric M. Warburg Chapters in the aftermath of World War II. 08 Deutschlandjahr USA 2018/2019 PROGRAMS FOR THE SUCCESSOR GENERATION THE ACG HELD MORE THAN 140 EVENTS IN 2019, 10 American-German Young Leaders Program addressing topics from security 13 Fellowships policy to trade relations and from 14 Study Tours technology to urban development. PARTNERS IN PROMOTING TRANSATLANTIC COOPERATION SINCE THEIR INCEPTION 16 John J. McCloy Awards Dinner IN 1992, THE NUMBER OF 18 Corporate Membership Program ERIC M. WARBURG Corporate and Foundation Support CHAPTERS HAS GROWN TO 22 IN 18 STATES. 19 Co-Sponsors and Collaborating Organizations In 2019, the ACG also was Individual Support active in more than 15 additional communities. ABOUT THE ACG 20 The ACG and Its Mission 21 Officers, Directors, and Staff MORE THAN 100 INDIVIDUALS PARTICIPATED IN AN IMMERSIVE EXCHANGE EXPERIENCE through programs such as the American-German Young Leaders Conference, study tours, and fact-finding missions in 2019. More than 1,100 rising stars have VISION participated in the Young Leaders program since its launch in 1973. The American Council on Germany (ACG) is the leading U.S.-based forum for strengthening German-American relations. It delivers a deep MORE THAN 1,100 and nuanced understanding of why Germany INDIVIDUALS HAVE matters, because the only way to understand TRAVELED ACROSS THE ATLANTIC contemporary Europe is to understand Germany’s since 1976 to broaden their personal role within Europe and around the world. -
Research Opportunities in Munich Yvonne Shafer
FALL 1991 235 Research Opportunities in Munich Yvonne Shafer Munich is both a theatrical city and a city with a great deal of theatre. Throughout the city are interesting theatre buildings, important theatre collections, museums with theatrical material, and statues relating to theatre. The theatres, their archives, and theatre collections are accessible and public transportation in Munich is excellent. Theatre ranges from puppet shows to the classics-indeed, one can see Faust performed as a puppet show as Goethe first intended it. In the handsome theatre lobbies, there is an air of excitement and sophistication as the theatre-goers drink champagne and discuss the performances. The audiences are very responsive: they laugh a great deal in plays received very earnestly in America, applaud thunderously when a play is good, and boo long and loud when they do not care for a production. In order to give a picture of theatre research opportunities various types of productions will be described, followed by a discussion of the theatre museums and several of the famous theatres in the city. In May 1991 there were several dozen plays, ballets, operas and other theatrical performances from which to choose. There are major subsidized theatres and opera houses, small commercial theatres, theatres for children, and experimental groups. A range of plays available on a given night included Entertaining Mr. Sloane, The Threepenny Opera, Cooney and Chapman's Not Now, Darling, Durrenmatt's The Accident, and Jesus Christ Superstar. There were performances of a British science-fiction comedy presented by the Action Theatre London (in English) called Black Magic-Blue Love, a Psychothriller Murder Voices, and an evening of song and acting in the OFF-OFF-Theater Club. -
Filmmuseum Potsdam Juli 2021 Aktuelle Ausstellungen J
FILMMUSEUM POTSDAM JULI 2021 AKTUELLE AUSSTELLUNGEN J Ständige Ausstellung Familienausstellung bis 21. August 2022 Mit dem Sandmann auf Zeitreise Foyerausstellung bis 6. Juni 2022 JULI 2021 2 40 Jahre Filmmuseum Potsdam 4 Sommerfilme der DEFA 16 Sehsüchte International Student Film Festival 18 Fast verpasst 22 Kino gegen rechts 24 Kinderfilme 27 Termine 31 Kino2online: Das Angebot im Juli 40 jahre filmmuseum potsdam FOYERAUSSTELLUNG 40 JAHRE FILMMUSEUM POTSDAM Foyerausstellung und Wunschfilme bis 6. Juni 2022 In diesem Jahr feiert das Filmmuseum Potsdam sein 40-jähriges Bestehen! Seit seiner Eröffnung als »Filmmuseum der DDR« im April 1981 be- suchten etwa drei Millionen Besucher*innen das älteste Filmmuseum Deutschlands und erlebten bis heute insgesamt vier Dauerausstellungen, 127 Sonderschauen, 80 Foyerausstellungen und unzählige Kinoveranstaltungen. Ebenso viele Menschen besuchten die Wanderausstellungen des Hauses. Die Sammlungen des Filmmuseums Potsdam mit ihrem Bezug zur Babelsberger Filmgeschich- te wachsen stetig und erhalten im nächsten Jahr ein eigenes, neues Gebäude am Medienstandort Babelsberg, direkt gegenüber der Filmuniversi- tät. Ein weiterer Grund zum Feiern! Gleich zwei Ausstellungen – im Foyer des Mar- stalls und digital auf unserer Website – lassen die wechselvolle Geschichte des Hauses Revue passieren. Die virtuelle Ausstellung ist hier zu- gänglich: 40jahre.filmmuseum-potsdam.de. Zum Gelingen tragen im Filmmuseum Potsdam Mitarbeitende der Sammlungen, der Kino- und Ausstellungsabteilung, der Medienbildung, der Haustechnik, der Verwaltung, der Direktion und an der Museumskasse sowie wissenschaftliche Mitarbeiter*innen und Besucherbetreuer*innen bei. Sie präsentieren in den nächsten Monaten ihre ganz persönlichen Wunschfilme. 2 40 JAHRE FILMMUSEUM potsdam Reihentitel CYRANO VON BERGERAC Termin Wunschfilm von Matthias Kremer (Filmvorführer) 24. Juli, 19:00 Uhr Cyrano, ein durch seine große Nase gezeichne- ter Gardist, beherrscht die Kunst des Fechtens F 1989 nicht minder als die des Dichtens. -
(Student Performance Objectives) Ccos
COURSE OUTLINE : GRMN 012 Last Revised and Approved: 10/23/2008 CURRICULUM Subject Code and Course Number: GRMN 012 Division : Languages Course Title : GERMAN LITERATURE IN TRANSLATION Summarize the need/purpose/reason for this proposal German 12 appeals to the general college population as well as students already enrolled in German language classes. Since the German program cannot offer literature courses in German at this point, reading major works in translation is the next best thing. Furthermore, a survey of German literary movements enhances students' understanding of the history and culture of the German-speaking countries and complements the popular German Civilization course. Beyond that, studying works of German literature that represent different historical periods and cultural contexts will challenge students to analyze broader issues and ideas and make connections with global themes addressed in other courses in the Languages, English, and Social Sciences Divisions. Finally, Literature in Translation is already well established in the Languages Division in these foreign language classes: Chinese 12, Japanese 12, Spanish 12, and Italian 12. SLOs (Student Learning Outcomes) 1. Recognize and discuss key characteristics of major periods of German literature. 2. Compare and contrast dominant themes, relevant topics, and stylistic conventions in representative works. SPOs (Student Performance Objectives) 1. Describe core characteristics of major movements in German literature 2. Demonstrate a basic knowledge of the geography, history and culture of Germany 3. Analyze individual works of literature in their historical, socio-economic and philosophical context 4. Identify elements of style and structure in different genres of literature 5. Relate German literary themes and traditions to prevalent trends in world literature CCOs (Course Content Outline) Note: This outline lists all topics of interest. -
Full List of Files Released L C P First Date Last Date Scope/Content
Full list of files released L C P First Date Last Date Scope/Content Former Ref Note KV 2 WORLD WAR II KV 2 German Intelligence Agents and Suspected Agents KV 2 3386 06/03/1935 18/08/1953 Greta Lydia OSWALD: Swiss. Imprisoned in PF 45034 France on grounds of spying for Germany in 1935, OSWALD was said to be working for the Gestapo in 1941 KV 2 3387 12/11/1929 12/01/1939 Oscar Vladimirovich GILINSKY alias PF 46098 JILINSKY, GILINTSIS: Latvian. An arms dealer VOL 1 in Paris, in 1937 GILINSKY was purchasing arms for the Spanish Popular Front on behalf of the Soviet Government. In November 1940 he was arrested by the Germans in Paris but managed to obtain an exit permit. He claimed he achieved this by bribing individual Germans but, after ISOS material showed he was regarded as an Abwehr agent, he was removed in Trinidad from a ship bound for Buenos Aires and brought to Camp 020 for interrogation. He was deported in 1946 KV 2 3388 13/01/1939 16/02/1942 Oscar Vladimirovich GILINSKY alias PF 46098 JILINSKY, GILINTSIS: Latvian. An arms dealer VOL 2 in Paris, in 1937 GILINSKY was purchasing arms for the Spanish Popular Front on behalf of the Soviet Government. In November 1940 he was arrested by the Germans in Paris but managed to obtain an exit permit. He claimed he achieved this by bribing individual Germans but, after ISOS material showed he was regarded as an Abwehr agent, he was removed in Trinidad from a ship bound for Buenos Aires and brought to Camp 020 for interrogation. -
The East German Writers Union and the Role of Literary Intellectuals In
Writing in Red: The East German Writers Union and the Role of Literary Intellectuals in the German Democratic Republic, 1971-90 Thomas William Goldstein A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2010 Approved by: Konrad H. Jarausch Christopher Browning Chad Bryant Karen Hagemann Lloyd Kramer ©2010 Thomas William Goldstein ALL RIGHTS RESERVED ii Abstract Thomas William Goldstein Writing in Red The East German Writers Union and the Role of Literary Intellectuals in the German Democratic Republic, 1971-90 (Under the direction of Konrad H. Jarausch) Since its creation in 1950 as a subsidiary of the Cultural League, the East German Writers Union embodied a fundamental tension, one that was never resolved during the course of its forty-year existence. The union served two masters – the state and its members – and as such, often found it difficult fulfilling the expectations of both. In this way, the union was an expression of a basic contradiction in the relationship between writers and the state: the ruling Socialist Unity Party (SED) demanded ideological compliance, yet these writers also claimed to be critical, engaged intellectuals. This dissertation examines how literary intellectuals and SED cultural officials contested and debated the differing and sometimes contradictory functions of the Writers Union and how each utilized it to shape relationships and identities within the literary community and beyond it. The union was a crucial site for constructing a group image for writers, both in terms of external characteristics (values and goals for participation in wider society) and internal characteristics (norms and acceptable behavioral patterns guiding interactions with other union members). -
The German Literature in American Exile – Great Writers and Their Wives: Perspectives from Russian Scholars
SHS Web of Conferences 55, 04018 (2018) https://doi.org/10.1051/shsconf/20185504018 ICPSE 2018 The German literature in American exile – great writers and their wives: perspectives from Russian scholars Svetlana Averkina1,*, Angelika Kalinina1, and Tatiana Suchareva1 1Linguistics University of Nizhny Novgorod, 603115, 31-a Minina str., Nizhniy Novgorod, Russia Abstract. The article focuses on the life and art of the famous Germane writers, namely Thomas Mann, Lion Feuchtwanger, and Franz Werfel. After the outbreak of WWII, when the Nazi forces invaded these lands, a lot of emigres managed to leave for the USA. For many of them, the escape route was extremely turbulent. The German writers in the USA settled closely together in California, forming a tight community. The famous Germane writers had to decide upon two principal questions: what they could do for the culture of their home country while staying in exile, and how to interact with the culture of the country where they live. In this connection, it is of great importance to analyze not their works, but the books of their wives. They took care of the house and children on a daily basis, as well as became secretaries, councilors, and closest associates of their great husbands. The authors also propose the main perspectives on a future research on this topic, focusing on the social and political phenomenon of “the community of German writers in American exile”, analyzing how the intellectual community was formed, discussing the documents of this age, studying the memories about their time in America in the context of the contemporary gender theory.