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Les Variae Lectiones De Marc-Antoine Muret: L'esprit D'un Homme

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Les Variae Lectiones De Marc-Antoine Muret: L'esprit D'un Homme Mémoire de master / Août 2011 Spécialité - cultures de l’écrit et de l’image Mention - histoire, histoire de l’art et archéologie Domaine - sciences humaines et sociales Diplôme national de master et des Bibliothèques Maître de conférence – dedirection la Mouren Raphaële Sous Roux Maïté Volume I. d'un siècle Muret: l'esprit d'un homme, l'esprit Les Variae lectiones É cole Nationale Supérieure des Sciences de l'Information de Marc-Antoine Remerciements Mes remerciements vont à Mme Raphaël Mouren qui a orienté mes recherches et m'a communiqué les travaux inédits de Jean-Eudes Girot, à Mme Christine Vulliard qui a eu la patience de relire et de corriger l'ensemble de mes traductions latines, à Mlle Alexandra Puillet pour la traduction des textes en italien, à Mlles Marion Gautheron et Nelly Simard pour avoir relu l'ensemble de mon travail, à Mlle Gabrielle Guy Aspard pour ses précieux conseils en matière d'informatique. À toute la promotion du Master2 CEI 2010-2011 pour son soutien. ROUX Maïté | Master Cultures de l'Écrit et de l'Image | Mémoire de master | août 2011 - 3 - Droits d’auteur réservés. Résumé : Étude historique et littéraire des Variarum lectionum libri de Marc-Antoine Muret. Descripteurs : Marc-Antoine Muret, variae lectiones, humanisme, Renaissance, Denis Lambin, Piero Vettori, lecture, écriture, philologie, édition savante Abstract : Historical and litterarian study of Marc-Antoine Muret's Variarum lectionum libri. Keywords : Marc-Antoine Muret, variae lectiones, Humanism and Renaissance, edition, scholarship, philology, Denis Lambin, Piero Vettori, reading, writing Droits d’auteurs Droits d’auteur réservés. Toute reproduction sans accord exprès de l’auteur à des fins autres que strictement personnelles est prohibée. ROUX Maïté | Master Cultures de l'Écrit et de l'Image | Mémoire de master | août 2011 - 4 - Droits d’auteur réservés. Sommaire INTRODUCTION...................................................................................................................9 CHAPITRE I: .......................................................................................................................15 MARC-ANTOINE MURET, UN HUMANISTE DANS L'AIR DU TEMPS..............15 Muret en Italie: un nouveau départ..............................................................................15 L'exil forcé.......................................................................................................................15 Les succès éditoriaux......................................................................................................17 Les éditions commentées des auteurs classiques grecs et latins.............................17 Les discours.................................................................................................................21 Une nouvelle carrière de professeur.............................................................................22 Les Variae lectiones : un genre littéraire à la mode humaniste...............................25 Varietas et polysémie : une première approche étymologique...................................25 Le genre des Variae lectiones à la Renaissance : héritages et renouveau ........27 Les racines antiques:...................................................................................................27 Le renaissance du genre aux XVe et XVIe siècles:................................................30 Les grandes figures des variae lectiones de la Renaissance:..................................33 Varietas et critique textuelle : la philologie à l'honneur............................................39 Charmer pour instruire : la diversité au service du divertissement .........................43 Muret et les Variae lectiones : un Français à la mode humaniste............................46 L'editio princeps des Variae lectiones de Muret:........................................................47 Le choix d'un imprimeur:...........................................................................................47 Muret dans l'atelier du typographe:...........................................................................49 Une édition soignée:...................................................................................................50 Description matérielle de l'édition:.......................................................................50 Le strict respect des caractéristiques formelles et des thématiques fondamentales du genre ..........................................................................................................................52 Une composition type du texte et du paratexte: ......................................................53 Des thématiques attendues: .......................................................................................57 CHAPITRE 2:........................................................................................................................63 VARIAE LECTIONES, COPIAE LECTIONES: UNE ŒUVRE SANS FIN................63 Une première édition augmentée à Paris? : l'échec d'un projet:.............................63 Les éditions pirates de Paris: la rançon du succès.....................................................63 Privilège d'imprimeur contre privilège d'auteur: Muret en bataille pour défendre ses droits..........................................................................................................................66 Un conflit d'intérêts : Muret seul contre les imprimeurs parisiens...........................70 L'édition augmentée d'Anvers: une longue et lente maturation..............................72 Christophe Plantin et les éditions de variae lectiones................................................72 Les Variarum lectionum libri XV, 1574-1580: splendeurs et misères d'une édition 74 1574: Une association prometteuse...........................................................................74 1574-1576: La lente réception des livres IX à XII .................................................76 1578: Hermann Hortenberg, un nouveau protagoniste à l’œuvre dans la livraison des sections XIII, XIV et XV des Variae lectiones ................................................79 1579-1580: Les Variae lectiones sous presse, enfin?..............................................82 1575-1580: cinq ans et demi de gestation, les raisons d'un retard prolongé.........86 Une composition en perpétuel devenir:........................................................................91 1559/1580: Nouveauté et continuité d'une œuvre........................................................92 Description matérielle de l'édition de 1580..............................................................93 ROUX Maïté | Master Cultures de l'Écrit et de l'Image | Mémoire de master | août 2011 - 5 - Droits d’auteur réservés. Une édition revue et augmentée.................................................................................97 La révision des livres I à VIII ...............................................................................97 Les sept nouveaux livres de Variae lectiones....................................................100 À titre posthume: les Variae lectiones après Muret.................................................102 Une troisième édition en projet...................................................................................102 Un vœu exaucé post mortem........................................................................................104 CHAPITRE 3: .....................................................................................................................111 DANS L'INTIMITÉ DE MARC-ANTOINE MURET, LECTEUR-AUTEUR.........111 Les Variae lectiones, portrait robot du lecteur-Muret.............................................111 Le goût des Antiquités..................................................................................................112 Grec ou latin?............................................................................................................112 Quels auteurs... .........................................................................................................114 ...pour quelles époques.............................................................................................116 … et quels genres littéraires? ..................................................................................118 Une pratique de la lecture en évolution..................................................................122 Muret, lecteur de ses contemporains..........................................................................125 Des lectures savantes................................................................................................125 Muret, citoyen et lecteur du monde.........................................................................126 Les affinités électives de Muret...............................................................................127 Variarum lectionum libri Mureti et alii..................................................................129 Les Variae lectiones, portrait d'un érudit à l’œuvre ...............................................133 Muret philologue...........................................................................................................133 Muret professeur...........................................................................................................140 Un professeur en paroles:.........................................................................................140 Expliquer les œuvres,
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