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Spoken Latin in the Late Middle Ages and Renaissance Revisited
The Journal of Classics Teaching (2020), 21, 66–71 doi:10.1017/S2058631020000446 Forum Spoken Latin in the Late Middle Ages and Renaissance Revisited Terence Tunberg Key words: Latin, immersion, communicative, Renaissance, speaking, conversational An article by Jerome Moran entitled ‘Spoken Latin in the Late tained its role as the primary language by which the liberal arts and Middle Ages and Renaissance’ was published in the Journal of sciences were communicated throughout the Middle Ages and Classics Teaching in the autumn of 2019 (Moran, 2019). The author Renaissance. Latin was the language of teaching and disputation in of the article contends that ‘actual real-life conversations in Latin the schools and universities founded during the medieval centuries. about everyday matters’ never, or almost never took place among Throughout this immensely long period of time, the literate and educated people in the late Middle Ages and Renaissance. A long- educated were, of course, always a small percentage of the total standing familiarity with quite a few primary sources for the Latin population. But for virtually all of the educated class Latin was an culture of Renaissance and early modern period leads us to a rather absolute necessity; and for nearly all of them Latin had to be learned different conclusion. The present essay, therefore, revisits the main in schools. Their goal was not merely to be able to read the works of topics treated by Moran. Latin authors, the Latin sources of the liberal arts and theology, but We must differentiate Latin communication from vernacular also to be able to use Latin themselves as a language of communica- communication (as Moran rightly does), and keep in mind that the tion in writing and sometimes in speaking. -
Salve Deus Rex Iudæorum. Æmilia Lanyer
Topic: Confrontations Workshop title: “Gender and Intellectual Boundaries in 16th Century English and Continental Literature” Short description: Our proposed workshop considers how Renaissance female authors contested the male dominance of authorial traditions that center on male authorship, friendship, and patronage through collaborative stances. Focusing on Tullia d’Aragona and Aemilia Lanyer as test cases for our exploration, we ask: how do women “collaborate” with male writers, and with their audience and patrons to carve a space in philosophical and theological prose and poetry? Organizers: Person of contact: Astrid Adele Giugni, Duke University, English department, email: [email protected]; home address: 1727 Tisdale Street, Durham, NC 27705; institutional address: 114 South Buchanan Boulevard, Bay 9, Room A289, Durham, NC 27708 phone number: 919-638-3283 Co-organizer: Hannah VanderHart, Duke University, English department, email: [email protected] Description Our workshop is interested in collaborations as confrontations and contestations. We focus on female writers’ strategies to contest philosophical, theological, and generic traditions that center on male authorship, friendship, and patronage. We ask: How do women’s awareness and conceptualization of their audience affect their understanding and presentation of collaboration? How do women “collaborate” with male writers by responding to philosophical and theological traditions? How does attending to female author’s national and religious background change our perception of their engagement with literary and philosophical traditions? As early modern literature scholars we are interested in exploring the role of women in the Italian and English Renaissance. We consider Tullia d’Aragona and Aemilia Lanyer as test cases for this exploration. Tullia d’Aragona’s Della infinità d’amore dialogo (1547) comments upon and challenges works that center and debate male love, Plato’s Symposium, and its influence on Ficino’s, Bembo’s, and Castiglione’s writings. -
Adam Smith's Library”
Discuss this article at Journaltalk: https://journaltalk.net/articles/5990/ ECON JOURNAL WATCH 16(2) September 2019: 374–474 Foreword and Supplement to “Adam Smith’s Library: General Check-List and Index” Daniel B. Klein1 and Andrew G. Humphries2 LINK TO ABSTRACT To dwell in Adam Smith’s thought one places him in history and streams of discourse. We learn a bit about his personage from contemporary memoirs and accounts, his personal communications from his correspondence, and his influences from the allusions and references in his work. Also useful is the catalogue of his personal library. He did not much write inside the books he owned (Phillipson et al. 2019; Simpson 1979, 191), but Smith scholars use the listing of his personal library in interpreting his thought. The cataloguing of books belonging to Adam Smith has been the work of numerous scholars, the two chief figures being James Bonar (1852–1941) and Hiroshi Mizuta, who in September 2019 reached the age of 100 years. To aid scholarship, we here reproduce the checklist created by Mizuta (1967). We gratefully acknowledge the permission of both Professor Mizuta and the Royal Economic Society, which holds copyright. The 1967 checklist has been bettered, notably by Mizuta’s own complete account represented by Mizuta (2000). That work, however, does not lend itself to a handy checklist to be reproduced online. When Mizuta made the 1967 checklist, those of Smith’s books held by the University of Edinburgh had not all been recognized as such. When a librarian has a volume in hand, nearly the only way to determine that it had been in Smith’s library is by the presence of his bookplate, shown below. -
Elenco Bibliografico Alfabetico Per Autori E Titoli Degli Incunaboli E Delle Cinquecentine Della Biblioteca Arcivescovile Cardinale Pietro Maffi
1 Elenco bibliografico alfabetico per autori e titoli degli incunaboli e delle cinquecentine della Biblioteca arcivescovile cardinale Pietro Maffi All’interno di ogni voce per autore o titolo la successione è quella degli anni di edizione (Le schede elaborate per il catalogo a stampa sono consultabili in biblioteca nel data base) 34.6.33 ACCADEMIA DELLA CRUSCA Degli accademici della Crusca Difesa dell’Orlando furioso dell’Ariosto. Contra’l Dialogo dell’epica poesia di Cammillo Pellegrino. Stacciata prima. - In Firenze : per Domenico Manzani stampator della Crusca, 1584 (In Firenze : nella Stamperia di Giorgio Marescotti, 1584). - [4], 53, [1]c. ; 8° - Contenuto: dedicatoria di Bastiano de’ Rossi a Orazio Rucellai datata Firenze, 16-2-1584; avvertenza del segretario dell’Accademia della Crusca ai lettori; testo; colophon; errata corrige. - - Esempl. leg. con Il Lasca: dialogo / di Ormannozzo Rigogoli - Firenze: Domenico Manzani, 1584. * PSN: Firenze, Manzani. Domenico, 1584, Firenze. Marescotti. Giorgio. 1584. 32.6.38 ACCOLTI, Benedetto, 1415-1464 La guerra fatta da christiani contra barbari per la ricuperatione del sepolcro di Christo et della Giudea / di Benedetto Accolti aretino ; tradotta per Francesco Baldelli da Cortona. - In Vinegia : appresso Gabriel Giolito de Ferrari, 1549 (In Vinegia : appresso Gabriel Giolito de Ferrari, 1549). - 127, [1] c. : ill. ; 8° IS: Baldelli, Francesco * PSN: Venezia, Giolito De Ferrari. Gabriele, 1549. (MLO) 50.2.40 ACETI DE’ PORTI, Serafino Opere spirituali, alla christiana perfettione, utiliss. necessarie. Del r. p. don Serafino da Fermo... Nuovamente con somma diligentia riviste, da infiniti errori purgate... - In Piacenza : appresso Francesco Conti, 1570. - 574, [50]c. ; 8° * PSN: Piacenza, Conti. Francesco, 1570. -
JULY 16 - SEPTEMBER 6, 2021 Delmarracing.Com
21DLM002_SummerProgramCover_ Trim_4.125x8.625__Bleed_4.375x8.875 HOME OF THE 2021 BREEDERS’ CUP JULY 16 - SEPTEMBER 6, 2021 DelMarRacing.com 21DLM002_Summer Program Cover.indd 1 6/10/21 2:00 PM DEL MAR THOROUGHBRED CLUB Racing 31 Days • July 16 - September 6, 2021 Day 1 • Friday July 16, 2021 First Post 2:00 p.m. These are the moments that make history. Where the Turf Meets the Surf Keeneland sales graduates have won Del Mar racetrack opened its doors (and its betting six editions of the Pacific Classic over windows) on July 3, 1937. Since then it’s become West the last decade. Coast racing’s summer destination where avid fans and newcomers to the sport enjoy the beauty and excitement of Thoroughbred racing in a gorgeous seaside setting. CHANGES AND RESULTS Courtesy of Equibase Del Mar Changes, live odds, results and race replays at your ngertips. Dmtc.com/app for iPhone or Android or visit dmtc.com NOTICE TO CUSTOMERS Federal law requires that customers for certain transactions be identi ed by name, address, government-issued identi cation and other relevant information. Therefore, customers may be asked to provide information and identi cation to comply with the law. www.msb.gov PROGRAM ERRORS Every effort is made to avoid mistakes in the of cial program, but Del Mar Thoroughbred Club assumes no liability to anyone for Beholder errors that may occur. 2016 Pacific CHECK YOUR TICKET AND MONIES BEFORE Classic S. (G1) CONFIRMING WAGER. MANAGEMENT ASSUMES NO RESPONSIBLITY FOR TRANSACTIONS NOT COMPLETED WHEN WAGERING CLOSES. POST TIMES Post times for today’s on-track and imported races appear on the following page. -
Renaissance Receptions of Ovid's Tristia Dissertation
RENAISSANCE RECEPTIONS OF OVID’S TRISTIA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Gabriel Fuchs, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Frank T. Coulson, Advisor Benjamin Acosta-Hughes Tom Hawkins Copyright by Gabriel Fuchs 2013 ABSTRACT This study examines two facets of the reception of Ovid’s Tristia in the 16th century: its commentary tradition and its adaptation by Latin poets. It lays the groundwork for a more comprehensive study of the Renaissance reception of the Tristia by providing a scholarly platform where there was none before (particularly with regard to the unedited, unpublished commentary tradition), and offers literary case studies of poetic postscripts to Ovid’s Tristia in order to explore the wider impact of Ovid’s exilic imaginary in 16th-century Europe. After a brief introduction, the second chapter introduces the three major commentaries on the Tristia printed in the Renaissance: those of Bartolomaeus Merula (published 1499, Venice), Veit Amerbach (1549, Basel), and Hecules Ciofanus (1581, Antwerp) and analyzes their various contexts, styles, and approaches to the text. The third chapter shows the commentators at work, presenting a more focused look at how these commentators apply their differing methods to the same selection of the Tristia, namely Book 2. These two chapters combine to demonstrate how commentary on the Tristia developed over the course of the 16th century: it begins from an encyclopedic approach, becomes focused on rhetoric, and is later aimed at textual criticism, presenting a trajectory that ii becomes increasingly focused and philological. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
The Horse-Breeder's Guide and Hand Book
LIBRAKT UNIVERSITY^' PENNSYLVANIA FAIRMAN ROGERS COLLECTION ON HORSEMANSHIP (fop^ U Digitized by the Internet Archive in 2009 with funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/horsebreedersguiOObruc TSIE HORSE-BREEDER'S GUIDE HAND BOOK. EMBRACING ONE HUNDRED TABULATED PEDIGREES OF THE PRIN- CIPAL SIRES, WITH FULL PERFORMANCES OF EACH AND BEST OF THEIR GET, COVERING THE SEASON OF 1883, WITH A FEW OF THE DISTINGUISHED DEAD ONES. By S. D. BRUCE, A.i3.th.or of tlie Ainerican. Stud Boole. PUBLISHED AT Office op TURF, FIELD AND FARM, o9 & 41 Park Row. 1883. NEW BOLTON CSNT&R Co 2, Entered, according to Act of Congress, in the year 1883, By S. D. Bruce, In the Office of the Librarian of Congress, at Washington, D. C. INDEX c^ Stallions Covering in 1SS3, ^.^ WHOSE PEDIGREES AND PERFORMANCES, &c., ARE GIVEN IN THIS WORK, ALPHABETICALLY ARRANGED, PAGES 1 TO 181, INCLUSIVE. PART SECOISTD. DEAD SIRES WHOSE PEDIGREES AND PERFORMANCES, &c., ARE GIVEN IN THIS WORK, PAGES 184 TO 205, INCLUSIVE, ALPHA- BETICALLY ARRANGED. Index to Sires of Stallions described and tabulated in tliis volume. PAGE. Abd-el-Kader Sire of Algerine 5 Adventurer Blythwood 23 Alarm Himvar 75 Artillery Kyrle Daly 97 Australian Baden Baden 11 Fellowcraft 47 Han-v O'Fallon 71 Spendthrift 147 Springbok 149 Wilful 177 Wildidle 179 Beadsman Saxon 143 Bel Demonio. Fechter 45 Billet Elias Lawrence ' 37 Volturno 171 Blair Athol. Glen Athol 53 Highlander 73 Stonehege 151 Bonnie Scotland Bramble 25 Luke Blackburn 109 Plenipo 129 Boston Lexington 199 Breadalbane. Ill-Used 85 Citadel Gleuelg... -
Thomas Pope Blount and the Scope of Early Modern Learning
Canon before Canon, Literature before Literature: Thomas Pope Blount and the Scope of Early Modern Learning Kelsey Jackson Williams abstract Sir Thomas Pope Blount (1649–1697), an English essayist and country gentleman, published two major literary biobibliographies, Censura celebriorum authorum (1690) and De re poetica (1694). In this essay, Kelsey Jackson Williams discusses the texts within the genre of historia literaria and contemporary under- standings of literature. In doing so, he engages with current debates surrounding canon formation and the shifts in disciplinary boundaries that followed in the wake of the Battle of the Books. Early modern canons and definitions of “literature” dif- fered radically from their modern equivalents, and a close reading of Blount’s work offers a window onto this forgotten literary landscape. keywords: historia liter- aria; biobibliography; Battle of the Books; John Locke; development of literary canon john locke’s library has long been recognized as a site of extensive anno- tation, commonplacing, and organization.1 In particular, Locke interleaved Thomas Hyde’s 1674 catalogue of the Bodleian Library and, using his own system of shelf marks, re-created it as an inventory of his own collection.2 Less well known are Locke’s annotations in another product of late seventeenth-century scholarship, Thomas Pope Blount’s 1690 Censura celebriorum authorum.3 The Censura contains brief biographies 1. John R. Harrison and Peter Laslett, The Library of John Locke, 2nd ed. (Oxford, 1971); G. G. Meynell, “John Locke’s Method of Common-placing, as Seen in His Drafts and His Medical Notebooks, Bodleian MSS Locke d. 9, f. -
Trust Is Key for Catherine Tyree in Vermont
HORSE SHOWS Catherine Tyree rebounded from a tough winter to win the $50,000 Vermont Summer Celebration Grand Prix with Don't Go at the Vermont Summer Celebration. hen entering the ring Trust Is Key For Catherine for the $50,000 Vermont Summer Celebration Tyree In Vermont Grand Prix in East WDorset, Vt., on Aug. 13, Catherine Tyree hoped to win—not necessarily for After a tragic beginning to her season, she relies herself, but for her mount Don’t Go. on her strong relationship with Don’t Go to win “I wanted to pull it together for him, the $50,000 Vermont Summer Celebration because he tries so hard every time we go in the ring,” said Tyree. “He’s Grand Prix. such a fighter, and if I have one down, it’s usually a mistake that I made. So, I really wanted to pull it together, and BY LAURA LEMON I was really determined when I went PHOTOS BY ANDREW RYBACK into the ring.” 108 The Chronicle of the Horse On—Laphaela, Raphael) when she ahead of their North Run barn purchased him at the beginning of 2013. mates Addison Gierkink and S & L $50,000 “He was just so simple and straight- Slingback. VERMONT SUMMER forward,” she said. “If I made a little “I missed a good chunk of the year, CELEBRATION GRAND PRIX mistake here or there, he wasn’t fazed and I really just wanted to try and East Dorset, Vt.—Aug. 13 by it at all, and he just kept going. He get back in shape and get comfortable has a really big heart, and I think that’s again in the ring as soon as possible,” HORSE/RIDER FAULTS TIME PURSE what drew me to him.” said Tyree. -
University of Florida Thesis Or Dissertation Formatting
SMATHERS LIBRARIES’ LATIN AND GREEK RARE BOOKS COLLECTION UNIVERSITY OF FLORIDA 2016 1 TABLE OF CONTENTS page LECTORI: TO THE READER ........................................................................................ 20 LATIN AUTHORS.......................................................................................................... 24 Ammianus ............................................................................................................... 24 Title: Rerum gestarum quae extant, libri XIV-XXXI. What exists of the Histories, books 14-31. ................................................................................. 24 Apuleius .................................................................................................................. 24 Title: Opera. Works. ......................................................................................... 24 Title: L. Apuleii Madaurensis Opera omnia quae exstant. All works of L. Apuleius of Madaurus which are extant. ....................................................... 25 See also PA6207 .A2 1825a ............................................................................ 26 Augustine ................................................................................................................ 26 Title: De Civitate Dei Libri XXII. 22 Books about the City of God. ..................... 26 Title: Commentarii in Omnes Divi Pauli Epistolas. Commentary on All the Letters of Saint Paul. .................................................................................... -
Sixteenth Century Society and Conference S Thursday, 17 October to Sunday, 20 October 2019
Sixteenth Century Society and Conference S Thursday, 17 October to Sunday, 20 October 2019 Cover Picture: Hans Burgkmair, Portrait of the Holy Roman Emperor Maximilian I (1459–1519) (1518). Rijksmuseum, Amsterdam. Sixteenth Century Society & Conference 17–20 October 2019 2019 OFFICERS President: Walter S. Melion Vice-President: Andrew Spicer Past-President: Kathleen M. Comerford Executive Director: Bruce Janacek Financialo Officer: Eric Nelson COUNCIL Class of 2019: Brian Sandberg, Daniel T. Lochman, Suzanne Magnanini, Thomas L. Herron Class of 2020: David C. Mayes, Charles H. Parker, Carin Franzén, Scott C. Lucas Class of 2021: Sara Beam, Jasono Powell, Ayesha Ramachandran, Michael Sherberg ACLS REPRESENTATIVE oKathryn Edwards PROGRAM COMMITTEE Chair: Andrew Spicer Art History: James Clifton Digital Humanities: Suzanne Sutherland English Literature: Scott C. Lucas French Literature: Scott M. Francis German Studies: Jennifer Welsh History: Janis M. Gibbs Interdisciplinary: Andrew Spicer Italian Studies: Jennifer Haraguchi Pedagogy: Chris Barrett Science and Medicine: Chad D. Gunnoe Spanish and Latin American Studies: Nieves Romero-Diaz Theology:o Rady Roldán-Figueroa NOMINATING COMMITTEE Amy E. Leonard, Beth Quitslund, Jeffreyo R. Watt, Thomas Robisheaux, Elizabeth A. Lehfeldt ENDOWMENT CHAIRS Susano Dinan and James Clifton SIXTEENTH CENTURY SOCIETY & CONFERENCE FIFTIETH ANNIVERSARY COMMITTEE Sheila ffolliott (Chair) Kathryn Brammall, Kathleen M. Comerford, Gary Gibbs, Whitney A. M. Leeson, Ray Waddington, Merry Wiesner-Hanks Waltero S. Melion (ex officio) 2019 SCSC PRIZE COMMITTEES Founders’ Prize Karen Spierling, Stephanie Dickey, Wim François Gerald Strauss Book Prize David Luebke, Jesse Spohnholz, Jennifer Welsh Bainton Art & Music History Book Prize Bret Rothstein, Lia Markey, Jessica Weiss Bainton History/Theology Book Prize Barbara Pitkin, Tryntje Helfferich, Haruko Ward Bainton Literature Book Prize Deanne Williams, Thomas L.