The Humanist Discourse in the Northern Netherlands
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The Many Lives of Bonaventura Vulcanius 1614–2010 (Exploring Biographies and Introducing This Collection of Papers)*
© 2010 by Koninklijke Brill NV, Leiden, The Netherlands (ISBN: 978-90-04-19209-6) THE MANY LIVES OF BONAVENTURA VULCANIUS 1614–2010 (EXPLORING BIOGRAPHIES AND INTRODUCING THIS COLLECTION OF PAPERS)* Hélène Cazes Ter denos docui Leidis binosque per annos Cattigenum pubem Graijugenum ore loqui. Nunc manibus, pedibusque oculisque, atque auribus aeger, Et senio languens, lampada trado aliis.1 [For two and thirty years I have in Leiden Taught the Cattis’ youth to speak the Acheans’ language. Now my hands, feet, eyes, and ears are aching; Drained by old age, the flame I pass to others.] This epitaph—composed for himself by Vulcanius—is the first portrait of the humanist to be collected in this volume of Vulcanius’ studies: the two elegant Latin distiches were given, surely by the author and biographee himself, to the young Joannes Meursius (1579–1639), who was then gathering material for his professors’ biographies, the Icons of illustrious men, which would be published in 1613. We know of several manuscript versions of this poem, now kept among Vulcanius’ papers at the University Library of Leiden: these drafts attest to the * I would like to thank the following persons and Institutes for making this research possible, accurate, and fruitful: the Scaliger Institute of the University Library in Leiden and the Brill Publishers, who granted me a Brill Fellowship for a proj- ect on Bonaventura Vulcanius’ Album Amicorum. I am particularly grateful for the trust, guidance, and support of the curators and staff of Leiden’s library, notably Dr. Anton van der Lem, Mr. Kasper Van Ommen, Prof. -
Scaliger Conference Program (With Abstracts)
Julius Caesar Scaliger and Sixteenth-Century Natural Philosophy Radboud University Nijmegen, 26/27 June 2015 Organized by Kuni Sakamoto and Christoph Lüthy Program Day 1, Friday, June 26 Erasmusplein1, Room 15.39/41 09.00 - 09.15 Welcome 09.15 - 09.30 Introduction Session 1 09.30 - 10.15 The Scaliger-Cardano Debate Revisited Ian Maclean, All Souls College, Oxford Julius Caesar Scaliger’s hypertrophic Exercitationes exotericae liber XV de Subtilitate of 1557 provoked a riposte from Girolamo Cardano, the author of the impugned De subtilitate, which appeared in 1559 with the title Actio prima in calumniatorem librorum de Subtilitate. From the time of the appearance of this polemic, there have been attempts to adjudicate whether one thinker secured a victory over the other, and if so, in respect of which issues. This paper will not approach the debate from this point of view, but rather will set out to investigate the difference in intellectual habitus of the protagonists, and will further enquire whether Cardano modified in any way his philosophical positions as a result of this bruising encounter. 10.15 - 11.00 “The Element of Fire is Quite Put Out ...”: Girolamo Cardano’s Exclusion of Fire from the Elements, and Contemporary Responses John Henry, University of Edinburgh Writing about fire in the late 1590s, in his unpublished De mundo, William Gilbert wrote “That ‘subtlety’ of Scaliger does not counter Cardano’s subtle arguments…” By 1611, when the poet John Donne lamented the doubts wrought by the new philosophies, Cardano’s insistence that fire should not be included among the elements seems to have been well known. -
Julius Caesar Scaliger and Sixteenth-Century Natural Philosophy Radboud University, Nijmegen, 26/27 June 2015 Organized by Kuni
Julius Caesar Scaliger and Sixteenth-Century Natural Philosophy Radboud University, Nijmegen, 26/27 June 2015 Organized by Kuni Sakamoto and Christoph Lüthy Day 1, Friday, June 26 Erasmusplein1, Room 15.39/41 09.00 - 09.15 Welcome 09.15 - 09.30 Introduction 09.30-10.15 Ian Maclean (All Souls College, Oxford): The Scaliger-Cardano Debate Revisited 10.15-11.00 John Henry (University of Edinburgh): “The Element of Fire is Quite Put Out ...”: Girolamo Cardano’s Exclusion of Fire from the Elements, and Contemporary Responses 11.00-11.30 Coffee break 11.30-12.15 Guido Giglioni (The Warburg Institute, London): Who’s the Real Averroist Here? Cardano and Scaliger on Radical Aristotelianism 12.15 - 13.45 Lunch break 13.45-14.30 José Manuel García Valverde (University of Seville): Cardano vs. Scaliger on the Conception of God and the Relation between Him and His Creation 14.30-15.15 Kuni Sakamoto (Radboud University): Anti-Naturalism and the “Religion of Form” in Julius Caesar Scaliger 15.15 - 15.45 Coffee break 15.45-16.30 Stefano Perfetti (University of Pisa): Julius Caesar Scaliger on Aristotle’s Animals and Theophrastus’ Plants Day 2, Saturday, June 27 Faculty Club Huize Heyendael Geert Grooteplein-Noord 9, 6525 EZ 9.30-10.15 Leen Spruit (Università di Roma “La Sapienza”): Roman Censorship of Cardano and Scaliger 10.15-11.00 Simone De Angelis (University of Graz): The Reception of J.C. Scaliger in Germany: Rudolph Goclenius’ Adversaria ad exotericas exercitationes 11.00-11.30 Coffee break 11.30-12.15 Andreas Blank (University of Paderborn): Antonio Ponce Santacruz vs. -
The Intersection of Art and Ritual in Seventeenth-Century Dutch Visual Culture
Picturing Processions: The Intersection of Art and Ritual in Seventeenth-century Dutch Visual Culture By © 2017 Megan C. Blocksom Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Linda Stone-Ferrier Dr. Marni Kessler Dr. Anne D. Hedeman Dr. Stephen Goddard Dr. Diane Fourny Date Defended: November 17, 2017 ii The dissertation committee for Megan C. Blocksom certifies that this is the approved version of the following dissertation: Picturing Processions: The Intersection of Art and Ritual in Seventeenth-century Dutch Visual Culture Chair: Dr. Linda Stone-Ferrier Date Approved: November 17, 2017 iii Abstract This study examines representations of religious and secular processions produced in the seventeenth-century Northern Netherlands. Scholars have long regarded representations of early modern processions as valuable sources of knowledge about the rich traditions of European festival culture and urban ceremony. While the literature on this topic is immense, images of processions produced in the seventeenth-century Northern Netherlands have received comparatively limited scholarly analysis. One of the reasons for this gap in the literature has to do with the prevailing perception that Dutch processions, particularly those of a religious nature, ceased to be meaningful following the adoption of Calvinism and the rise of secular authorities. This dissertation seeks to revise this misconception through a series of case studies that collectively represent the diverse and varied roles performed by processional images and the broad range of contexts in which they appeared. Chapter 1 examines Adriaen van Nieulandt’s large-scale painting of a leper procession, which initially had limited viewership in a board room of the Amsterdam Leprozenhuis, but ultimately reached a wide audience through the international dissemination of reproductions in multiple histories of the city. -
Looking for Vulcanius: Plethora and Lacunae
© 2010 by Koninklijke Brill NV, Leiden, The Netherlands (ISBN: 978-90-04-19209-6) LOOKING FOR VULCANIUS: PLETHORA AND LACUNAE Hélène Cazes In 1910, as an introduction to Codices Vulcaniani, P.C. Molhuysen could summarize in one and half page what was known about Vulca- nius: birth and death dates (1538–1614), family (the son of the Bruges humanist Petrus Vulcanius), studies (in Leuven and Ghent, then with Cassander in Germany), employment held (secretary to Francisco da Mendoza and his brother in Spain, preceptor in the Sudermanns’ house, editor and translator in Geneva, secretary to Marnix, professor in Leiden), and collections (manuscripts, essentially). From there, it is possible to gaze both at the plethora of information waiting to be studied; and, at the same time, at the insuperable lacunae, that seem to be inherent in the story of Bonaventura Vulcanius. By the humanist himself, much had been passed on to the library or to common store of knowledge: books written, editions provided, commentaries published or ready for publication, classes taught and remembered, manuscripts collected, papers, and even two portraits. Moreover, he had been given the opportunity to write not only a poetic epitaph for himself but also to compose, or at least supervise, his own first biography. Though he left behind a considerable num- ber of documents and testimonies, Bonaventura Vulcanius also left a cloud of mystery around his name, his activities and his beliefs. In this case, too, much information, volunteered by various interested parties has maintained and even thickened the mysteries raised by his silences, his departures, or his allegiances. -
Corpus Eve , Historiographie Des Serments De Strasbourg Le De Literis Et Lingua Getarum Sive Gothorum De Bonaventura Vulcanius (1597)
Corpus Eve Émergence du Vernaculaire en Europe Historiographie des Serments de Strasbourg Le De literis et lingua Getarum sive Gothorum de Bonaventura Vulcanius (1597). Les Serments de Strasbourg au service de la défense et illustration des langues germaniques Maurizio Busca Édition électronique URL : http://journals.openedition.org/eve/1562 ISSN : 2425-1593 Éditeur : Université de Savoie, Université Jean Moulin - Lyon 3 Référence électronique Maurizio Busca, « Le De literis et lingua Getarum sive Gothorum de Bonaventura Vulcanius (1597). Les Serments de Strasbourg au service de la défense et illustration des langues germaniques », Corpus Eve [En ligne], Historiographie des Serments de Strasbourg, mis en ligne le 10 octobre 2019, consulté le 11 octobre 2019. URL : http://journals.openedition.org/eve/1562 Ce document a été généré automatiquement le 11 octobre 2019. © Tous droits réservés Le De literis et lingua Getarum sive Gothorum de Bonaventura Vulcanius (1597)... 1 Le De literis et lingua Getarum sive Gothorum de Bonaventura Vulcanius (1597). Les Serments de Strasbourg au service de la défense et illustration des langues germaniques Maurizio Busca RÉFÉRENCE De literis & lingua Getarum, Sive Gothorum. Item de Notis Lombardicis. Quibus accesserunt Specimina variarum Linguarum, quarum Indicem pagina quæ Præfationem sequitur ostendit, Editore Bon. Vulcanio Brugensi, Lugduni Batavorum, Ex officina Plantiniana, Apud Franciscum Raphelengium, 1597. Notice biographique 1 Fils de l’humaniste Petrus Vulcanius1, Bonaventura Vulcanius naît à Bruges en 15382. Au cours de ses études à Gand, à Louvain et à Cologne il acquiert une excellente maîtrise du latin et du grec qui lui vaut, à l’âge de 21 ans, la charge de secrétaire et bibliothécaire de l’évêque de Burgos, Francisco de Mendoza y Bobadilla, puis du frère de ce dernier, l’archidiacre de Tolède, Ferdinando. -
Renaissance Receptions of Ovid's Tristia Dissertation
RENAISSANCE RECEPTIONS OF OVID’S TRISTIA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Gabriel Fuchs, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Frank T. Coulson, Advisor Benjamin Acosta-Hughes Tom Hawkins Copyright by Gabriel Fuchs 2013 ABSTRACT This study examines two facets of the reception of Ovid’s Tristia in the 16th century: its commentary tradition and its adaptation by Latin poets. It lays the groundwork for a more comprehensive study of the Renaissance reception of the Tristia by providing a scholarly platform where there was none before (particularly with regard to the unedited, unpublished commentary tradition), and offers literary case studies of poetic postscripts to Ovid’s Tristia in order to explore the wider impact of Ovid’s exilic imaginary in 16th-century Europe. After a brief introduction, the second chapter introduces the three major commentaries on the Tristia printed in the Renaissance: those of Bartolomaeus Merula (published 1499, Venice), Veit Amerbach (1549, Basel), and Hecules Ciofanus (1581, Antwerp) and analyzes their various contexts, styles, and approaches to the text. The third chapter shows the commentators at work, presenting a more focused look at how these commentators apply their differing methods to the same selection of the Tristia, namely Book 2. These two chapters combine to demonstrate how commentary on the Tristia developed over the course of the 16th century: it begins from an encyclopedic approach, becomes focused on rhetoric, and is later aimed at textual criticism, presenting a trajectory that ii becomes increasingly focused and philological. -
Roman Reading Permits for the Works of Bruno and Campanella Leen Spruit
ROMAN READING PERMITS FOR THE works OF Bruno AND Campanella Leen Spruit Summary Since the second half of the sixteenth century the Roman Congregations of the Holy Office and the Index granted licences for reading forbidden books. As a rule, reading permits for books by authors who were condemned for heresy, could not be issued. However, after the promulgation of the Clementine Index in 1596, the congregations gradually attenuated the total prohibitions, and started to issue licences for books prohibited in the first class of the Index. Here, the cases of Bruno and Campanella are discussed. eading permits started being issued after the Church of Rome had R begun to systematically censure ideas and works. The grant of licenc- es for reading forbidden books was not the effect of an official decision, issued on a certain date, but rather a practice that arose with individual epi- sodes related to quite dissimilar cases. The licences granted by the Roman Congregations of the Holy Office and the Index are the main, or rather the only, instrument for assessing the difference between the hypothetical and the real efficacy of ecclesiastical censorship, and this is because the inten- tional or casual inobservance of the prohibitions, the other factor determin- ing this difference, can only be measured in an indirect way and solely for individual cases. Initially, the prohibition to grant licences for works that were considered heretical, due to the author or the content, was total. Considering that the reading of suspect or prohibited works granted to confutate « haereses et errores » frequently led to contrary results, in 1564 the licences were limited to Inquisitors only. -
The Scaliger-Cardano Debate Revisited
1 The Scaliger-Cardano debate revisited Many people have been drawn to comment on the debate between Scaliger and Cardano over the De subtilitate. It was one of the polemics of its day most commented upon over the century following its occurrence, for a variety of reasons, some to do with debates within neo-Aristotelianism, some to do with the development of natural philosophy, some to do with pedagogy in reformed and Lutheran universities. It was still of interest to Pierre Bayle and his contemporaries practising historia literaria in the late seventeenth century.1 In 1982, I discussed it in the context of a much later but equally energetic polemic over the history of the new science of the seventeenth century and the different theories about its relationship to the intellectual outlooks of various groups of medieval and early modern thinkers. Brian Vickers brought together a range of scholars to examine his own strong views in this debate about the distinction between occult and scientific mentalities, in the light of the accounts published by Lynn Thorndyke and Frances Yates on a range and importance of modes of occult thought, including magic and natural magic, hermeticism, neoplatonism, irrationalism, demonology, cabbala, mysticism, numerology, alchemy, astrology, and divination. Vickers characterised these modes of thought as analogical, and denied that they had anything to do with the emergence of the new science.2 In my own contribution to this conference, I examined the different senses of subtlety espoused by Cardano and Scaliger, one being a sensible and intelligible ratio or relation between substances, accidents, and representations; the other locating subtlety in the human mind as a faculty; this distinction being clearly close to the realism-nominalism debate and the sharp distinction made between nature and human perception of nature.3 I set out to 1 Pierre Bayle, Dictionnaire historique et critique, Rotterdam, Reinier Leers, 1697, pp. -
Neo-Latin News
44 SEVENTEENTH-CENTURY NEWS NEO-LATIN NEWS Vol. 61, Nos. 1 & 2. Jointly with SCN. NLN is the official publica- tion of the American Association for Neo-Latin Studies. Edited by Craig Kallendorf, Texas A&M University; Western European Editor: Gilbert Tournoy, Leuven; Eastern European Editors: Jerzy Axer, Barbara Milewska-Wazbinska, and Katarzyna To- maszuk, Centre for Studies in the Classical Tradition in Poland and East-Central Europe, University of Warsaw. Founding Editors: James R. Naiden, Southern Oregon University, and J. Max Patrick, University of Wisconsin-Milwaukee and Graduate School, New York University. ♦ Petrarch and St. Augustine: Classical Scholarship, Christian Theol- ogy and the Origins of the Renaissance in Italy. By Alexander Lee. Brill’s Studies in Intellectual History, 210. Leiden and Boston: Brill, 2012. x + 382 pp. $177. Petrarch’s opera is extensive, that of Augustine is extraordinarily vast, and the literature on both is vaster still. To bridge them successfully is a significant undertaking. Over the past fifty years, scholars have attempted this task, from classic studies by Charles Trinkaus (often discussed here) to more recent ones such as C. Quillen’s Rereading the Renaissance: Petrarch, Augustine and the Language of Humanism (1995) and M. Gill’s Augustine in the Italian Renaissance: Art and Philosophy from Petrarch to Michelangelo (2005). In a new study, Alexander Lee argues that “Petrarch’s thought on moral questions was derived principally from the writings of St. Augustine” (24). Lee contends that Petrarch, rather than being philosophically inconsistent as is often suggested, was especially influenced by Augustine’s early works, most notably the Soliloquies and the De vera religione, which provided him with an interpretive method for incorporating classical literature and philosophy into Christian moral theology. -
Thomas Pope Blount and the Scope of Early Modern Learning
Canon before Canon, Literature before Literature: Thomas Pope Blount and the Scope of Early Modern Learning Kelsey Jackson Williams abstract Sir Thomas Pope Blount (1649–1697), an English essayist and country gentleman, published two major literary biobibliographies, Censura celebriorum authorum (1690) and De re poetica (1694). In this essay, Kelsey Jackson Williams discusses the texts within the genre of historia literaria and contemporary under- standings of literature. In doing so, he engages with current debates surrounding canon formation and the shifts in disciplinary boundaries that followed in the wake of the Battle of the Books. Early modern canons and definitions of “literature” dif- fered radically from their modern equivalents, and a close reading of Blount’s work offers a window onto this forgotten literary landscape. keywords: historia liter- aria; biobibliography; Battle of the Books; John Locke; development of literary canon john locke’s library has long been recognized as a site of extensive anno- tation, commonplacing, and organization.1 In particular, Locke interleaved Thomas Hyde’s 1674 catalogue of the Bodleian Library and, using his own system of shelf marks, re-created it as an inventory of his own collection.2 Less well known are Locke’s annotations in another product of late seventeenth-century scholarship, Thomas Pope Blount’s 1690 Censura celebriorum authorum.3 The Censura contains brief biographies 1. John R. Harrison and Peter Laslett, The Library of John Locke, 2nd ed. (Oxford, 1971); G. G. Meynell, “John Locke’s Method of Common-placing, as Seen in His Drafts and His Medical Notebooks, Bodleian MSS Locke d. 9, f. -
University of Florida Thesis Or Dissertation Formatting
SMATHERS LIBRARIES’ LATIN AND GREEK RARE BOOKS COLLECTION UNIVERSITY OF FLORIDA 2016 1 TABLE OF CONTENTS page LECTORI: TO THE READER ........................................................................................ 20 LATIN AUTHORS.......................................................................................................... 24 Ammianus ............................................................................................................... 24 Title: Rerum gestarum quae extant, libri XIV-XXXI. What exists of the Histories, books 14-31. ................................................................................. 24 Apuleius .................................................................................................................. 24 Title: Opera. Works. ......................................................................................... 24 Title: L. Apuleii Madaurensis Opera omnia quae exstant. All works of L. Apuleius of Madaurus which are extant. ....................................................... 25 See also PA6207 .A2 1825a ............................................................................ 26 Augustine ................................................................................................................ 26 Title: De Civitate Dei Libri XXII. 22 Books about the City of God. ..................... 26 Title: Commentarii in Omnes Divi Pauli Epistolas. Commentary on All the Letters of Saint Paul. ....................................................................................