Roman Reading Permits for the Works of Bruno and Campanella Leen Spruit
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Scaliger Conference Program (With Abstracts)
Julius Caesar Scaliger and Sixteenth-Century Natural Philosophy Radboud University Nijmegen, 26/27 June 2015 Organized by Kuni Sakamoto and Christoph Lüthy Program Day 1, Friday, June 26 Erasmusplein1, Room 15.39/41 09.00 - 09.15 Welcome 09.15 - 09.30 Introduction Session 1 09.30 - 10.15 The Scaliger-Cardano Debate Revisited Ian Maclean, All Souls College, Oxford Julius Caesar Scaliger’s hypertrophic Exercitationes exotericae liber XV de Subtilitate of 1557 provoked a riposte from Girolamo Cardano, the author of the impugned De subtilitate, which appeared in 1559 with the title Actio prima in calumniatorem librorum de Subtilitate. From the time of the appearance of this polemic, there have been attempts to adjudicate whether one thinker secured a victory over the other, and if so, in respect of which issues. This paper will not approach the debate from this point of view, but rather will set out to investigate the difference in intellectual habitus of the protagonists, and will further enquire whether Cardano modified in any way his philosophical positions as a result of this bruising encounter. 10.15 - 11.00 “The Element of Fire is Quite Put Out ...”: Girolamo Cardano’s Exclusion of Fire from the Elements, and Contemporary Responses John Henry, University of Edinburgh Writing about fire in the late 1590s, in his unpublished De mundo, William Gilbert wrote “That ‘subtlety’ of Scaliger does not counter Cardano’s subtle arguments…” By 1611, when the poet John Donne lamented the doubts wrought by the new philosophies, Cardano’s insistence that fire should not be included among the elements seems to have been well known. -
Julius Caesar Scaliger and Sixteenth-Century Natural Philosophy Radboud University, Nijmegen, 26/27 June 2015 Organized by Kuni
Julius Caesar Scaliger and Sixteenth-Century Natural Philosophy Radboud University, Nijmegen, 26/27 June 2015 Organized by Kuni Sakamoto and Christoph Lüthy Day 1, Friday, June 26 Erasmusplein1, Room 15.39/41 09.00 - 09.15 Welcome 09.15 - 09.30 Introduction 09.30-10.15 Ian Maclean (All Souls College, Oxford): The Scaliger-Cardano Debate Revisited 10.15-11.00 John Henry (University of Edinburgh): “The Element of Fire is Quite Put Out ...”: Girolamo Cardano’s Exclusion of Fire from the Elements, and Contemporary Responses 11.00-11.30 Coffee break 11.30-12.15 Guido Giglioni (The Warburg Institute, London): Who’s the Real Averroist Here? Cardano and Scaliger on Radical Aristotelianism 12.15 - 13.45 Lunch break 13.45-14.30 José Manuel García Valverde (University of Seville): Cardano vs. Scaliger on the Conception of God and the Relation between Him and His Creation 14.30-15.15 Kuni Sakamoto (Radboud University): Anti-Naturalism and the “Religion of Form” in Julius Caesar Scaliger 15.15 - 15.45 Coffee break 15.45-16.30 Stefano Perfetti (University of Pisa): Julius Caesar Scaliger on Aristotle’s Animals and Theophrastus’ Plants Day 2, Saturday, June 27 Faculty Club Huize Heyendael Geert Grooteplein-Noord 9, 6525 EZ 9.30-10.15 Leen Spruit (Università di Roma “La Sapienza”): Roman Censorship of Cardano and Scaliger 10.15-11.00 Simone De Angelis (University of Graz): The Reception of J.C. Scaliger in Germany: Rudolph Goclenius’ Adversaria ad exotericas exercitationes 11.00-11.30 Coffee break 11.30-12.15 Andreas Blank (University of Paderborn): Antonio Ponce Santacruz vs. -
Johann Georg Faust
Johann Georg Faust Dr. Johann Georg Faust (approx. 1480 – 1540) was a German alchemist who was born in the village of Knittlingen, Württemberg (it is also claimed in Roda in the province of Weimar, and also in Helmstadt near Heidelberg in 1466). He has alternatively been known by the names “Johann Sabellicus” and “Georg Faust.” In 1507, Johannes Trithemius of Sponheim wrote that Faust was a con-man and a drifter who preyed on the gullible. He said he had fled a teaching position in Kreuznach after molesting several of the boys there. He may have then gone on to the University of Heidelberg to study, obtaining a degree in divinity from Heidelberg University in 1509, and then to Poland where a friend of Martin Luther, Philip Melanchthon, says Faust studied magic at the University of Kraków. Martin Luther and Philipp Melanchthon are said to have alleged Faust’s companionship with the devil. After that, he appears at the University of Ehrfut in central Germany. It is said that when he lectured on Homer he conjured up Homer’s heroes for his students. He was expelled from Ehrfut by the Franciscan monk Dr. Klinge (who was the cathedral preacher from 1520-1556). Dr. Klinge asked for Faust’s repentance. Faust refused the monk’s offer of intervention and admitted having signed a pact with the Devil, and said that he trusted the Devil more than God. In 1523 he is said to have visited Auerbach’s Tavern in Leipzig where he conjured wine out of a table, and rode a barrel of wine. -
An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext
An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext By Isaac Quinn DuPont A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Faculty of Information University of Toronto © Copyright by Isaac Quinn DuPont 2017 ii An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext Isaac Quinn DuPont Doctor of Philosophy Faculty of Information University of Toronto 2017 Abstract Tis dissertation is an archeological study of cryptography. It questions the validity of thinking about cryptography in familiar, instrumentalist terms, and instead reveals the ways that cryptography can been understood as writing, media, and computation. In this dissertation, I ofer a critique of the prevailing views of cryptography by tracing a number of long overlooked themes in its history, including the development of artifcial languages, machine translation, media, code, notation, silence, and order. Using an archeological method, I detail historical conditions of possibility and the technical a priori of cryptography. Te conditions of possibility are explored in three parts, where I rhetorically rewrite the conventional terms of art, namely, plaintext, encryption, and ciphertext. I argue that plaintext has historically been understood as kind of inscription or form of writing, and has been associated with the development of artifcial languages, and used to analyze and investigate the natural world. I argue that the technical a priori of plaintext, encryption, and ciphertext is constitutive of the syntactic iii and semantic properties detailed in Nelson Goodman’s theory of notation, as described in his Languages of Art. I argue that encryption (and its reverse, decryption) are deterministic modes of transcription, which have historically been thought of as the medium between plaintext and ciphertext. -
Agrippa's Cosmic Ladder: Building a World with Words in the De Occulta Philosophia
chapter 4 Agrippa’s Cosmic Ladder: Building a World with Words in the De Occulta Philosophia Noel Putnik In this essay I examine certain aspects of Cornelius Agrippa’s De occulta philosophia libri tres (Three Books of Occult Philosophy, 1533), one of the foun- dational works in the history of western esotericism.1 To venture on a brief examination of such a highly complex work certainly exceeds the limitations of an essay, but the problem I intend to delineate, I believe, can be captured and glimpsed in its main contours. I wish to consider the ways in which the German humanist constructs and represents a common Renaissance image of the universe in his De occulta philosophia. This image is of pivotal importance for understanding Agrippa’s peculiar worldview as it provides a conceptual framework in which he develops his multilayered and heterodox thought. In other words, I deal with Agrippa’s cosmology in the context of his magical the- ory. The main conclusion of my analysis is that Agrippa’s approach to this topic is remarkably non-visual and that his symbolism is largely of verbal nature, revealing an author predominantly concerned with the nature of discursive language and the linguistic implications of magical thinking. The De occulta philosophia is the largest, most important, and most complex among the works of Heinrich Cornelius Agrippa von Nettesheim (1486–1535). It is a summa of practically all the esoteric doctrines and magical practices ac- cessible to the author. As is well known and discussed in scholarship, this vast and diverse amount of material is organized within a tripartite structure that corresponds to the common Neoplatonic notion of a cosmic hierarchy. -
The Scaliger-Cardano Debate Revisited
1 The Scaliger-Cardano debate revisited Many people have been drawn to comment on the debate between Scaliger and Cardano over the De subtilitate. It was one of the polemics of its day most commented upon over the century following its occurrence, for a variety of reasons, some to do with debates within neo-Aristotelianism, some to do with the development of natural philosophy, some to do with pedagogy in reformed and Lutheran universities. It was still of interest to Pierre Bayle and his contemporaries practising historia literaria in the late seventeenth century.1 In 1982, I discussed it in the context of a much later but equally energetic polemic over the history of the new science of the seventeenth century and the different theories about its relationship to the intellectual outlooks of various groups of medieval and early modern thinkers. Brian Vickers brought together a range of scholars to examine his own strong views in this debate about the distinction between occult and scientific mentalities, in the light of the accounts published by Lynn Thorndyke and Frances Yates on a range and importance of modes of occult thought, including magic and natural magic, hermeticism, neoplatonism, irrationalism, demonology, cabbala, mysticism, numerology, alchemy, astrology, and divination. Vickers characterised these modes of thought as analogical, and denied that they had anything to do with the emergence of the new science.2 In my own contribution to this conference, I examined the different senses of subtlety espoused by Cardano and Scaliger, one being a sensible and intelligible ratio or relation between substances, accidents, and representations; the other locating subtlety in the human mind as a faculty; this distinction being clearly close to the realism-nominalism debate and the sharp distinction made between nature and human perception of nature.3 I set out to 1 Pierre Bayle, Dictionnaire historique et critique, Rotterdam, Reinier Leers, 1697, pp. -
John Dee, Willem Silvius, and the Diagrammatic Alchemy of the Monas Hieroglyphica
The Royal Typographer and the Alchemist: John Dee, Willem Silvius, and the Diagrammatic Alchemy of the Monas Hieroglyphica Stephen Clucas Birkbeck, University of London, UK Abstract: John Dee’s Monas Hieroglyphica (1564) was a work which involved a close collaboration between its author and his ‘singular friend’ the Antwerp printer Willem Silvius, in whose house Dee was living whilst he composed the work and saw it through the press. This article considers the reasons why Dee chose to collaborate with Silvius, and the importance of the intellectual culture – and the print trade – of the Low Countries to the development of Dee’s outlook. Dee’s Monas was probably the first alchemical work which focused exclusively on the diagrammatic representation of the alchemical process, combining diagrams, cosmological schemes and various forms of tabular grid. It is argued that in the Monas the boundaries between typography and alchemy are blurred as the diagrams ‘anatomizing’ his hieroglyphic sign (the ‘Monad’) are seen as revealing truths about alchemical substances and processes. Key words: diagram, print culture, typography, John Dee, Willem Silvius, alchemy. Why did John Dee go to Antwerp in 1564 in order to publish his recondite alchemical work, the Monas Hieroglyphica? What was it that made the Antwerp printer Willem Silvius a suitable candidate for his role as the ‘typographical parent’ of Dee’s work?1 In this paper I look at the role that Silvius played in the evolution of Dee’s most enigmatic work, and at the ways in which Silvius’s expertise in the reproduction of printed diagrams enabled Dee to make the Monas one of the first alchemical works to make systematic use of the diagram was a way of presenting information about the alchemical process. -
Early Modern German Biographical Lexicons and Encyclopedias
Quidditas Volume 29 Article 8 2008 Alphabetical Lives: Early Modern German Biographical Lexicons and Encyclopedias Richard G. Cole Luther College, Emeritus Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Cole, Richard G. (2008) "Alphabetical Lives: Early Modern German Biographical Lexicons and Encyclopedias," Quidditas: Vol. 29 , Article 8. Available at: https://scholarsarchive.byu.edu/rmmra/vol29/iss1/8 This Note is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Cole 121 Notes Alphabetical Lives: Early Modern German Biographical Lexicons and Encyclopedias Richard G. Cole Luther College, Emeritus Those who appear obvious to us as “major players” in past eras may in part result from an unintended consequence of the work of early modern biographical lexicographers. By the eighteenth century, there were enough printed sources and available archival materials to deluge or even overwhelm historians and biographers with information about past actors of sixteenth century history. Those biographical lexicographers made choices about whom to give prominence and whom to minimize or ignore in their works. Much has been written about the impact of printing from the time of Gutenberg through the early modern period of European history. New methods of storing and retrieving data, producing accurate maps and printing biographical lexicons are but a few of the contributions of early modern European printing presses.1 By the end the seventeenth century, a new book genre, the biographical lexicon and encyclopedia, emerged from sixteenth century German print technology. -
Jacob Schegk on the Plastic Faculty and the Origin of Souls
CHAPTER THREE JACOB SCHEGK ON THE PLASTIC FACULTY AND THE ORIGIN OF SOULS 1. Introduction In the conclusion of his embryological treatise On the Formation of the Fetus, Galen avowed to be ignorant of the cause which forms the fetus. Although he recognized the efffects of the highest intelligence and force in fetal formation, he did not believe the soul itself, presumed to reside in the seed, to be capable of constructing the fetus: I admit my puzzlement on the subject of the substance of the soul. I am unable even to reach the level of a probable statement in this regard. And so I confess that I do not know the cause of the construction of the fetus. For I observe in this construction the utmost intelligence and power, and I cannot allow that the soul in the seed [. .] constructs the fetus, since this kind of soul is not only unintelligent but entirely devoid of reason.1 Inspired by this argument, Leoniceno wrote On Formative Power. This small monograph analyzed existing views on the notion of “formative power” (virtus formativa), which physicians thought to be responsible for fetal formation. Indeed this notion, which Galen had originally formu- lated by the term “molding faculty” (dunamis diaplastiké), was in vogue during the Middle Ages as an explanation of the formation not only of living beings but also of natural things in general. Leoniceno particularly criticized the interpretation of Averroes and Pietro d’Abano by appeal- ing to ancient Greek commentators of Aristotle such as Simplicius, whose texts were newly made available in the Renaissance. -
The Humanist Discourse in the Northern Netherlands
UvA-DARE (Digital Academic Repository) Clashes of discourses: Humanists and Calvinists in seventeenth-century academic Leiden Kromhout, D. Publication date 2016 Document Version Final published version Link to publication Citation for published version (APA): Kromhout, D. (2016). Clashes of discourses: Humanists and Calvinists in seventeenth- century academic Leiden. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:26 Sep 2021 Chapter 1: The humanist discourse in the Northern Netherlands This chapter will characterize the discourse of the Leiden humanists in the first decade of the seventeenth century. This discourse was in many aspects identical to the discourse of the Republic of Letters. The first section will show how this humanist discourse found its place at Leiden University through the hands of Janus Dousa and others. -
Puilosopuical Poetry: Tue Contrasting Poetics of Sidney and Scaliger J
PUILOSOPUICAL POETRY: TUE CONTRASTING POETICS OF SIDNEY AND SCALIGER J. R. Brink The eclecticism of Sir Philip Sidney's De/ence 0/ Poetry is con vincingly demonstrated by the number of classical, Italian, and French sources to which his ideas have been traced.' That Sidney's own conflation and synthesis of these sources represents an in dependent and important argument has also received support in several recent discussions of his poetics. 2 A. C. Hamilton, for ex ample, has suggested that Julius Caesar Scaliger, generally conced ed to be one of Sidney's main sources, differs radically from Sidney in his classification and understanding of the kinds of poetry, but since Hamilton's primary interest is in Sidney, he does not explore the implications of this difference. 3 Following Aristotle, Sidney sees the essential ingredient of poetry as imitation, understood as feigned images or fiction; Scaliger, on the other hand, insists that verse or meter is the distinguishing characteristic of poetry. In contrast to Sidney, who gracefully sets out to defend poetry in a vernacular oration, Scaliger systematical ly explores the nature and practice of poetry in a Neo-Latin treatise. Scaliger's Poetices has never been fully translated, an in dication of the decline in his reputation. Of the two works, however, it is Scaliger's Poetices that seems most clearly applicable to certain kinds of philosophical and historical poems written in the late sixteenth and early seventeenth centuries, and it is Scaliger's definition of poetry as verse, rather than imitation, which influenc ed one of the most popular poetic handbooks of the late sixteenth century. -
Protestant Natural Philosophy and the Question of Emergence, 1540–1615
ANDREAS BLANK Protestant Natural Philosophy and the Question of Emergence, 1540–1615 I. INTRODUCTION Emergentism—the view that once material composites have reached some level of complexity potencies arise that cannot be reduced to the potencies of the constituents—was clearly articulated by some ancient thinkers, including Ar- istotle, Galen and the Aristotelian commentators Alexander of Aphrodisias and John Philoponus. According to Alexander of Aphrodisias, the soul “is a power and form, which supervenes through such a mixture upon the temperament of bodies; and it is not a proportion or a composition of the temperament” (2008, 104; 1568, 78). As Victor Caston has argued, talk about supervenience should here be taken in the technical sense of a co-variation of mental states with bod- ily states (1997, 348–349). Moreover, Caston emphasizes that, for Alexander, the soul possesses causal powers that are more than the aggregates of the causal powers of the elements (1997, 349–350). Likewise, Alexander points out that some medicaments possess powers that arise from their temperament, and since this remark stems from the context of his criticism of the harmony theory of the soul, the implication again seems to be that these are powers that go beyond the powers inherent in the harmony of elementary qualities (2008, 104; De anima 24.24–29). In the sense that Alexander ascribes distinct new powers to souls as well as to the forms of non-animate composites such as chemical blends, Caston characterizes Alexander as one of the ancient thinkers who were committed to emergentism (1997, 350). In medieval natural philosophy, too, deviant forms of emergentism—deviant due to a greater emphasis on celestial causation in the actualization of the po- tentialities of matter— have been influential, as Olaf Pluta has brought to light.1 Also the Latin term “eductio”, which was widely used to designate the concept of emergence, stems from the medieval tradition.