Early Modern German Biographical Lexicons and Encyclopedias
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Peter Canisius and the Protestants a Model of Ecumenical Dialogue?
journal of jesuit studies 1 (2014) 373-399 brill.com/jjs Peter Canisius and the Protestants A Model of Ecumenical Dialogue? Hilmar M. Pabel Department of History, Simon Fraser University, Burnaby, British Columbia, Canada [email protected] Abstract Some modern interpreters have incorrectly suggested that Peter Canisius was an ecumenist before his time. Their insistence on his extraordinary kindness towards Protestants does not stand the test of the scrutiny of the relevant sources. An analysis of Canisius’s advice on how Jesuits should deal with “heretics” in Germany, of his catechisms, and of his polemical works reveals a typical Catholic controversialist of the Reformation era. Canisius was disposed to display hostility, more than good will, to Protestants. Keywords Peter Canisius – Protestants – Reformation – apologetics Introduction: The Celebration of a Saint Peter Canisius’s path to canonization was a long one. He died in 1597. The for- mal ecclesiastical process to declare him a saint began in 1625, but his beatifica- tion, solemnly pronounced by Pope Pius IX, had to wait until 1864.1 In Militantis ecclesiae (1897), Pope Leo XIII marked the 300th anniversary of Canisius’s death by hailing him as “the second apostle of Germany.” St. Boniface, the eighth- century Anglo-Saxon missionary, was the first. Pius XI not only canonized Canisius in 1925; he also declared him a doctor of the universal church.2 This 1 Forian Rieß, Der selige Petrus Canisius aus der Gesellschaft Jesu (Freiburg im Breisgau: Herder, 1865), 552, 554. 2 Otto Braunsberger, “Sanctus Petrus Canisius Doctor Ecclesiae,” Gregorianum 6 (1925): 338. © koninklijke brill nv, leiden, 2014 | doi 10.1163/22141332-00103002Downloaded from Brill.com09/26/2021 04:37:36AM via free access <UN> 374 Pabel was a rare distinction, as Yves de la Brière reported two weeks later in the Jesuit journal Études. -
Johann Georg Faust
Johann Georg Faust Dr. Johann Georg Faust (approx. 1480 – 1540) was a German alchemist who was born in the village of Knittlingen, Württemberg (it is also claimed in Roda in the province of Weimar, and also in Helmstadt near Heidelberg in 1466). He has alternatively been known by the names “Johann Sabellicus” and “Georg Faust.” In 1507, Johannes Trithemius of Sponheim wrote that Faust was a con-man and a drifter who preyed on the gullible. He said he had fled a teaching position in Kreuznach after molesting several of the boys there. He may have then gone on to the University of Heidelberg to study, obtaining a degree in divinity from Heidelberg University in 1509, and then to Poland where a friend of Martin Luther, Philip Melanchthon, says Faust studied magic at the University of Kraków. Martin Luther and Philipp Melanchthon are said to have alleged Faust’s companionship with the devil. After that, he appears at the University of Ehrfut in central Germany. It is said that when he lectured on Homer he conjured up Homer’s heroes for his students. He was expelled from Ehrfut by the Franciscan monk Dr. Klinge (who was the cathedral preacher from 1520-1556). Dr. Klinge asked for Faust’s repentance. Faust refused the monk’s offer of intervention and admitted having signed a pact with the Devil, and said that he trusted the Devil more than God. In 1523 he is said to have visited Auerbach’s Tavern in Leipzig where he conjured wine out of a table, and rode a barrel of wine. -
An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext
An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext By Isaac Quinn DuPont A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Faculty of Information University of Toronto © Copyright by Isaac Quinn DuPont 2017 ii An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext Isaac Quinn DuPont Doctor of Philosophy Faculty of Information University of Toronto 2017 Abstract Tis dissertation is an archeological study of cryptography. It questions the validity of thinking about cryptography in familiar, instrumentalist terms, and instead reveals the ways that cryptography can been understood as writing, media, and computation. In this dissertation, I ofer a critique of the prevailing views of cryptography by tracing a number of long overlooked themes in its history, including the development of artifcial languages, machine translation, media, code, notation, silence, and order. Using an archeological method, I detail historical conditions of possibility and the technical a priori of cryptography. Te conditions of possibility are explored in three parts, where I rhetorically rewrite the conventional terms of art, namely, plaintext, encryption, and ciphertext. I argue that plaintext has historically been understood as kind of inscription or form of writing, and has been associated with the development of artifcial languages, and used to analyze and investigate the natural world. I argue that the technical a priori of plaintext, encryption, and ciphertext is constitutive of the syntactic iii and semantic properties detailed in Nelson Goodman’s theory of notation, as described in his Languages of Art. I argue that encryption (and its reverse, decryption) are deterministic modes of transcription, which have historically been thought of as the medium between plaintext and ciphertext. -
The Virtues of a Good Historian in Early Imperial Germany: Georg Waitz’S Contested Example 1
Published in Modern Intellectual History 15 (2018), 681-709. © Cambridge University Press. Online at https://doi.org/10.1017/S1479244317000142 The Virtues of a Good Historian in Early Imperial Germany: Georg Waitz’s Contested Example 1 Herman Paul Recent literature on the moral economy of nineteenth-century German historiography shares with older scholarship on Leopold von Ranke’s methodological revolution a tendency to refer to “the” historical discipline in the third person singular. This would make sense as long as historians occupied a common professional space and/or shared a basic understanding of what it meant to be an historian. Yet, as this article demonstrates, in a world sharply divided over political and religious issues, historians found it difficult to agree on what it meant to be a good historian. Drawing on the case of Ranke’s influential pupil Georg Waitz, whose death in 1886 occasioned a debate on the relative merits of the example that Waitz had embodied, this article argues that historians in early Imperial Germany were considerably more divided over what they called “the virtues of the historian” than has been acknowledged to date. Their most important frame of reference was not a shared discipline but rather a variety of approaches corresponding to a diversity of models or examples (“scholarly personae” in modern academic parlance), the defining features of which were often starkly contrasted. Although common ground beneath these disagreements was not entirely absent, the habit of late nineteenth-century German historians to position themselves between Waitz and Heinrich von Sybel, Ranke and Friedrich Christoph Dahlmann, or other pairs of proper names turned into models of virtue, suggests that these historians experienced their professional environment as characterized primarily by disagreement over the marks of a good historian. -
The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth
The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth- Century Bavaria A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Adam R. Gustafson June 2011 © 2011 Adam R. Gustafson All Rights Reserved 2 This dissertation titled The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth- Century Bavaria by ADAM R. GUSTAFSON has been approved for the School of Interdisciplinary Arts and the College of Fine Arts _______________________________________________ Dora Wilson Professor of Music _______________________________________________ Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT GUSTAFSON, ADAM R., Ph.D., June 2011, Interdisciplinary Arts The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth- Century Bavaria Director of Dissertation: Dora Wilson Drawing from a number of artistic media, this dissertation is an interdisciplinary approach for understanding how artworks created under the patronage of Albrecht V were used to shape Catholic identity in Bavaria during the establishment of confessional boundaries in late sixteenth-century Europe. This study presents a methodological framework for understanding early modern patronage in which the arts are necessarily viewed as interconnected, and patronage is understood as a complex and often contradictory process that involved all elements of society. First, this study examines the legacy of arts patronage that Albrecht V inherited from his Wittelsbach predecessors and developed during his reign, from 1550-1579. Albrecht V‟s patronage is then divided into three areas: northern princely humanism, traditional religion and sociological propaganda. -
Gesungene Aufklärung
Gesungene Aufklärung Untersuchungen zu nordwestdeutschen Gesangbuchreformen im späten 18. Jahrhundert Von der Carl von Ossietzky Universität Oldenburg – Fachbereich IV Human- und Gesellschaftswissenschaften – zur Erlangung des Grades einer Doktorin der Philosophie (Dr. phil.) genehmigte Dissertation von Barbara Stroeve geboren am 4. Oktober 1971 in Walsrode Referent: Prof. Dr. Ernst Hinrichs Korreferent: Prof. Dr. Peter Schleuning Tag der Disputation: 15.12.2005 Vorwort Der Anstoß zu diesem Thema ging von meiner Arbeit zum Ersten Staatsexamen aus, in der ich mich mit dem Oldenburgischen Gesangbuch während der Epoche der Auf- klärung beschäftigt habe. Professor Dr. Ernst Hinrichs hat mich ermuntert, meinen Forschungsansatz in einer Dissertation zu vertiefen. Mit großer Aufmerksamkeit und Sachkenntnis sowie konstruktiv-kritischen Anregungen betreute Ernst Hinrichs meine Promotion. Ihm gilt mein besonderer Dank. Ich danke Prof. Dr. Peter Schleuning für die Bereitschaft, mein Vorhaben zu un- terstützen und deren musiktheoretische und musikhistorische Anteile mit großer Sorgfalt zu prüfen. Mein herzlicher Dank gilt Prof. Dr. Hermann Kurzke, der meine Arbeit geduldig und mit steter Bereitschaft zum Gespräch gefördert hat. Manche Hilfe erfuhr ich durch Dr. Peter Albrecht, in Form von wertvollen Hinweisen und kritischen Denkanstößen. Während der Beschäftigung mit den Gesangbüchern der Aufklärung waren zahlreiche Gespräche mit den Stipendiaten des Graduiertenkollegs „Geistliches Lied und Kirchenlied interdisziplinär“ unschätzbar wichtig. Stellvertretend für einen inten- siven, inhaltlichen Austausch seien Dr. Andrea Neuhaus und Dr. Konstanze Grutschnig-Kieser genannt. Dem Evangelischen Studienwerk Villigst und der Deutschen Forschungsge- meinschaft danke ich für ihre finanzielle Unterstützung und Förderung während des Entstehungszeitraums dieser Arbeit. Ich widme diese Arbeit meinen Eltern, die dieses Vorhaben über Jahre bereit- willig unterstützt haben. -
Agrippa's Cosmic Ladder: Building a World with Words in the De Occulta Philosophia
chapter 4 Agrippa’s Cosmic Ladder: Building a World with Words in the De Occulta Philosophia Noel Putnik In this essay I examine certain aspects of Cornelius Agrippa’s De occulta philosophia libri tres (Three Books of Occult Philosophy, 1533), one of the foun- dational works in the history of western esotericism.1 To venture on a brief examination of such a highly complex work certainly exceeds the limitations of an essay, but the problem I intend to delineate, I believe, can be captured and glimpsed in its main contours. I wish to consider the ways in which the German humanist constructs and represents a common Renaissance image of the universe in his De occulta philosophia. This image is of pivotal importance for understanding Agrippa’s peculiar worldview as it provides a conceptual framework in which he develops his multilayered and heterodox thought. In other words, I deal with Agrippa’s cosmology in the context of his magical the- ory. The main conclusion of my analysis is that Agrippa’s approach to this topic is remarkably non-visual and that his symbolism is largely of verbal nature, revealing an author predominantly concerned with the nature of discursive language and the linguistic implications of magical thinking. The De occulta philosophia is the largest, most important, and most complex among the works of Heinrich Cornelius Agrippa von Nettesheim (1486–1535). It is a summa of practically all the esoteric doctrines and magical practices ac- cessible to the author. As is well known and discussed in scholarship, this vast and diverse amount of material is organized within a tripartite structure that corresponds to the common Neoplatonic notion of a cosmic hierarchy. -
Roman Reading Permits for the Works of Bruno and Campanella Leen Spruit
ROMAN READING PERMITS FOR THE works OF Bruno AND Campanella Leen Spruit Summary Since the second half of the sixteenth century the Roman Congregations of the Holy Office and the Index granted licences for reading forbidden books. As a rule, reading permits for books by authors who were condemned for heresy, could not be issued. However, after the promulgation of the Clementine Index in 1596, the congregations gradually attenuated the total prohibitions, and started to issue licences for books prohibited in the first class of the Index. Here, the cases of Bruno and Campanella are discussed. eading permits started being issued after the Church of Rome had R begun to systematically censure ideas and works. The grant of licenc- es for reading forbidden books was not the effect of an official decision, issued on a certain date, but rather a practice that arose with individual epi- sodes related to quite dissimilar cases. The licences granted by the Roman Congregations of the Holy Office and the Index are the main, or rather the only, instrument for assessing the difference between the hypothetical and the real efficacy of ecclesiastical censorship, and this is because the inten- tional or casual inobservance of the prohibitions, the other factor determin- ing this difference, can only be measured in an indirect way and solely for individual cases. Initially, the prohibition to grant licences for works that were considered heretical, due to the author or the content, was total. Considering that the reading of suspect or prohibited works granted to confutate « haereses et errores » frequently led to contrary results, in 1564 the licences were limited to Inquisitors only. -
ACTA UNIVERSITATIS UPSALIENSIS Uppsala Studies in History of Ideas 48
ACTA UNIVERSITATIS UPSALIENSIS Uppsala Studies in History of Ideas 48 ANDREAS RYDBERG Inner Experience An Analysis of Scientific Experience in Early Modern Germany Dissertation presented at Uppsala University to be publicly examined in Geijersalen (Eng6-1023), Engelska Parken, Humanistiskt centrum, Thunbergsvägen 3P, Uppsala, Friday, 9 June 2017 at 10:00 for the degree of Doctor of Philosophy. The examination will be conducted in Swedish. Faculty examiner: Kristiina Savin (Lunds universitet, Institutionen för kulturvetenskaper). Abstract Rydberg, A. 2017. Inner Experience. An Analysis of Scientific Experience in Early Modern Germany. Uppsala Studies in History of Ideas 48. 245 pp. Uppsala: Acta Universitatis Upsaliensis. ISBN 978-91-554-9926-6. In the last decades a number of studies have shed light on early modern scientific experience. While some of these studies have focused on how new facts were forced out of nature in so-called experimental situations, others have charted long-term transformations. In this dissertation I explore a rather different facet of scientific experience by focusing on the case of the Prussian university town Halle in the period from the late seventeenth till the mid-eighteenth century. At this site philosophers, theologians and physicians were preoccupied with categories such as inner senses , inner experience, living experience, psychological experiments and psychometrics. In the study I argue that these hitherto almost completely overlooked categories take us away from observations of external things to the internal organisation of experience and to entirely internal objects of experience. Rather than seeing this internal side of scientific experience as mere theory and epistemology, I argue that it was an integral and central part of what has been referred to as the cultura animi tradition, that is, the philosophical and medical tradition of approaching the soul as something in need of cultivation, education, disciplination and cure. -
Qt13j1570s.Pdf
UC San Diego UC San Diego Electronic Theses and Dissertations Title Early enlightenment in Istanbul Permalink https://escholarship.org/uc/item/13j1570s Author Küc¿ük, Bekir Harun Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Early Enlightenment in Istanbul A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History and Science Studies by Bekir Harun Küçük Committee in charge: Professor Robert S. Westman, Chair Professor Frank P. Biess Professor Craig Callender Professor Luce Giard Professor Hasan Kayalı Professor John A. Marino 2012 Copyright Bekir Harun Küçük, 2012 All rights reserved. The dissertation of Bekir Harun Küçük is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2012 iii DEDICATION To Merve iv TABLE OF CONTENTS Signature Page . iii Dedication . iv Table of Contents . v List of Figures . vi List of Tables . vii Acknowledgements . viii Vita and Publications . xi Abstract of the Dissertation . xiii Chapter 1 Early Enlightenment in Istanbul . 1 Chapter 2 The Ahmedian Regime . 42 Chapter 3 Ottoman Theology in the Early Eighteenth Century . 77 Chapter 4 Natural Philosophy and Expertise: Convert Physicians and the Conversion of Ottoman Medicine . 104 Chapter 5 Contemplation and Virtue: Greek Aristotelianism at the Ottoman Court . 127 Chapter 6 The End of Aristotelianism: Upright Experience and the Printing Press . 160 Chapter 7 L’Homme Machine . 201 Bibliography . 204 v LIST OF FIGURES Figure 1: The title page of Cottunius’s Commentarii. -
John Dee, Willem Silvius, and the Diagrammatic Alchemy of the Monas Hieroglyphica
The Royal Typographer and the Alchemist: John Dee, Willem Silvius, and the Diagrammatic Alchemy of the Monas Hieroglyphica Stephen Clucas Birkbeck, University of London, UK Abstract: John Dee’s Monas Hieroglyphica (1564) was a work which involved a close collaboration between its author and his ‘singular friend’ the Antwerp printer Willem Silvius, in whose house Dee was living whilst he composed the work and saw it through the press. This article considers the reasons why Dee chose to collaborate with Silvius, and the importance of the intellectual culture – and the print trade – of the Low Countries to the development of Dee’s outlook. Dee’s Monas was probably the first alchemical work which focused exclusively on the diagrammatic representation of the alchemical process, combining diagrams, cosmological schemes and various forms of tabular grid. It is argued that in the Monas the boundaries between typography and alchemy are blurred as the diagrams ‘anatomizing’ his hieroglyphic sign (the ‘Monad’) are seen as revealing truths about alchemical substances and processes. Key words: diagram, print culture, typography, John Dee, Willem Silvius, alchemy. Why did John Dee go to Antwerp in 1564 in order to publish his recondite alchemical work, the Monas Hieroglyphica? What was it that made the Antwerp printer Willem Silvius a suitable candidate for his role as the ‘typographical parent’ of Dee’s work?1 In this paper I look at the role that Silvius played in the evolution of Dee’s most enigmatic work, and at the ways in which Silvius’s expertise in the reproduction of printed diagrams enabled Dee to make the Monas one of the first alchemical works to make systematic use of the diagram was a way of presenting information about the alchemical process. -
Abkiirzungsverzeichnis
Abkiirzungsverzeichnis ADB Allgemeine Deutsche Biographie. Hg. durch die Historische Commission bei der Bayri schen Akademie der Wissenschaften, 56 Bde., Leipzig 1875/1912 AEWK Allgemeine Encyclopadie der Wissenschaften und Kiinste in alphabetischer Foige von ge nannten Schriftstellern bearbeitet und hg. von Johann Samuel Ersch und Johann Gottfried Gruber, 167 Bde., Leipzig 1818/1889 AGL Jocher, Christian Gottlieb: Allgemeines Gelehrten-Lexikon, 4 Bde., nebst Fortsetrungen und Ergiinzungen, 7 Bde., Leipzig 1750/1897 ASGL Allgemeines Schriftsteller- und Gelehrtenlexikon der Provinzen Livland, Esthland und Kurland. Bearbeitet von Friedrich von der Recke und Edward Napiersky, 4 Bde., Mittau 1827/32 BLHA Biographisches Lexikon hervorragender Arzte aller Zeiten und Volker. Hg. von August Hirsch, 5 Bde., Berlin/Wien 21931/ 1934 BLKO Wurzbach, Constant von: Biographisches Lexikon des Kaiserthums Osterreich, enthaltend die Lebensskizzen der denkwiirdigen Personen, welche 1750 bis 1850 irn Kaiserstaate und in seinen Kronliindern gelebt haben, 60 Bde., Wien 1856/1923 Diss. Dissertation DLL Kosch, Wilhelm: Deutsches Literatur-Lexikon. Biographisches und bibliographisches Handbuch, 4 Bde., Bern 21949/58, Bd. 1 ff., Bern/Miinchen 31966 ff. ebd. ebenda f. folgende GGDD Goedeke, Karl: GrundriB rur Geschichte der deutschen Dichtung aus den Quellen, zweite bzw. dritte ganz neu bearbeitete Auflage, Bd. 1 ff., Dresden 1884 ff. GHGSG Grundlage ru einer hessischen Gelehrten- und Schriftsteller-Geschichte seit der Reformation. Hg. von Friedrich Wilhelm Striedter und Ludwig Wachler, 21 Bde., Kassel 1781/1868 GHL Rotermund, Heinrich Wilhelm: Das gelehrte Hannover oder Lexikon von Schriftstellern und Schriftstellerinnen, gelehrten Geschaftsmiinnern und Kiinstlern, die seit der Refor- mation in- und auBerhalb der siimtlichen rum jetzigen Konigreich Hannover gehOrenden Provinzen gelebt haben [... J, 2 Bde., Bremen 1823 GS Das gelehrte Schwaben: oder Lexicon der jetzt lebenden schwabischen Schriftsteller.