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The Many Lives of Bonaventura Vulcanius 1614–2010 (Exploring Biographies and Introducing This Collection of Papers)*
© 2010 by Koninklijke Brill NV, Leiden, The Netherlands (ISBN: 978-90-04-19209-6) THE MANY LIVES OF BONAVENTURA VULCANIUS 1614–2010 (EXPLORING BIOGRAPHIES AND INTRODUCING THIS COLLECTION OF PAPERS)* Hélène Cazes Ter denos docui Leidis binosque per annos Cattigenum pubem Graijugenum ore loqui. Nunc manibus, pedibusque oculisque, atque auribus aeger, Et senio languens, lampada trado aliis.1 [For two and thirty years I have in Leiden Taught the Cattis’ youth to speak the Acheans’ language. Now my hands, feet, eyes, and ears are aching; Drained by old age, the flame I pass to others.] This epitaph—composed for himself by Vulcanius—is the first portrait of the humanist to be collected in this volume of Vulcanius’ studies: the two elegant Latin distiches were given, surely by the author and biographee himself, to the young Joannes Meursius (1579–1639), who was then gathering material for his professors’ biographies, the Icons of illustrious men, which would be published in 1613. We know of several manuscript versions of this poem, now kept among Vulcanius’ papers at the University Library of Leiden: these drafts attest to the * I would like to thank the following persons and Institutes for making this research possible, accurate, and fruitful: the Scaliger Institute of the University Library in Leiden and the Brill Publishers, who granted me a Brill Fellowship for a proj- ect on Bonaventura Vulcanius’ Album Amicorum. I am particularly grateful for the trust, guidance, and support of the curators and staff of Leiden’s library, notably Dr. Anton van der Lem, Mr. Kasper Van Ommen, Prof. -
Looking for Vulcanius: Plethora and Lacunae
© 2010 by Koninklijke Brill NV, Leiden, The Netherlands (ISBN: 978-90-04-19209-6) LOOKING FOR VULCANIUS: PLETHORA AND LACUNAE Hélène Cazes In 1910, as an introduction to Codices Vulcaniani, P.C. Molhuysen could summarize in one and half page what was known about Vulca- nius: birth and death dates (1538–1614), family (the son of the Bruges humanist Petrus Vulcanius), studies (in Leuven and Ghent, then with Cassander in Germany), employment held (secretary to Francisco da Mendoza and his brother in Spain, preceptor in the Sudermanns’ house, editor and translator in Geneva, secretary to Marnix, professor in Leiden), and collections (manuscripts, essentially). From there, it is possible to gaze both at the plethora of information waiting to be studied; and, at the same time, at the insuperable lacunae, that seem to be inherent in the story of Bonaventura Vulcanius. By the humanist himself, much had been passed on to the library or to common store of knowledge: books written, editions provided, commentaries published or ready for publication, classes taught and remembered, manuscripts collected, papers, and even two portraits. Moreover, he had been given the opportunity to write not only a poetic epitaph for himself but also to compose, or at least supervise, his own first biography. Though he left behind a considerable num- ber of documents and testimonies, Bonaventura Vulcanius also left a cloud of mystery around his name, his activities and his beliefs. In this case, too, much information, volunteered by various interested parties has maintained and even thickened the mysteries raised by his silences, his departures, or his allegiances. -
Corpus Eve , Historiographie Des Serments De Strasbourg Le De Literis Et Lingua Getarum Sive Gothorum De Bonaventura Vulcanius (1597)
Corpus Eve Émergence du Vernaculaire en Europe Historiographie des Serments de Strasbourg Le De literis et lingua Getarum sive Gothorum de Bonaventura Vulcanius (1597). Les Serments de Strasbourg au service de la défense et illustration des langues germaniques Maurizio Busca Édition électronique URL : http://journals.openedition.org/eve/1562 ISSN : 2425-1593 Éditeur : Université de Savoie, Université Jean Moulin - Lyon 3 Référence électronique Maurizio Busca, « Le De literis et lingua Getarum sive Gothorum de Bonaventura Vulcanius (1597). Les Serments de Strasbourg au service de la défense et illustration des langues germaniques », Corpus Eve [En ligne], Historiographie des Serments de Strasbourg, mis en ligne le 10 octobre 2019, consulté le 11 octobre 2019. URL : http://journals.openedition.org/eve/1562 Ce document a été généré automatiquement le 11 octobre 2019. © Tous droits réservés Le De literis et lingua Getarum sive Gothorum de Bonaventura Vulcanius (1597)... 1 Le De literis et lingua Getarum sive Gothorum de Bonaventura Vulcanius (1597). Les Serments de Strasbourg au service de la défense et illustration des langues germaniques Maurizio Busca RÉFÉRENCE De literis & lingua Getarum, Sive Gothorum. Item de Notis Lombardicis. Quibus accesserunt Specimina variarum Linguarum, quarum Indicem pagina quæ Præfationem sequitur ostendit, Editore Bon. Vulcanio Brugensi, Lugduni Batavorum, Ex officina Plantiniana, Apud Franciscum Raphelengium, 1597. Notice biographique 1 Fils de l’humaniste Petrus Vulcanius1, Bonaventura Vulcanius naît à Bruges en 15382. Au cours de ses études à Gand, à Louvain et à Cologne il acquiert une excellente maîtrise du latin et du grec qui lui vaut, à l’âge de 21 ans, la charge de secrétaire et bibliothécaire de l’évêque de Burgos, Francisco de Mendoza y Bobadilla, puis du frère de ce dernier, l’archidiacre de Tolède, Ferdinando. -
Renaissance Receptions of Ovid's Tristia Dissertation
RENAISSANCE RECEPTIONS OF OVID’S TRISTIA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Gabriel Fuchs, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Frank T. Coulson, Advisor Benjamin Acosta-Hughes Tom Hawkins Copyright by Gabriel Fuchs 2013 ABSTRACT This study examines two facets of the reception of Ovid’s Tristia in the 16th century: its commentary tradition and its adaptation by Latin poets. It lays the groundwork for a more comprehensive study of the Renaissance reception of the Tristia by providing a scholarly platform where there was none before (particularly with regard to the unedited, unpublished commentary tradition), and offers literary case studies of poetic postscripts to Ovid’s Tristia in order to explore the wider impact of Ovid’s exilic imaginary in 16th-century Europe. After a brief introduction, the second chapter introduces the three major commentaries on the Tristia printed in the Renaissance: those of Bartolomaeus Merula (published 1499, Venice), Veit Amerbach (1549, Basel), and Hecules Ciofanus (1581, Antwerp) and analyzes their various contexts, styles, and approaches to the text. The third chapter shows the commentators at work, presenting a more focused look at how these commentators apply their differing methods to the same selection of the Tristia, namely Book 2. These two chapters combine to demonstrate how commentary on the Tristia developed over the course of the 16th century: it begins from an encyclopedic approach, becomes focused on rhetoric, and is later aimed at textual criticism, presenting a trajectory that ii becomes increasingly focused and philological. -
Simonetta Cattaneo Vespucci: Beauty. Politics, Literature and Art in Early Renaissance Florence
! ! ! ! ! ! ! SIMONETTA CATTANEO VESPUCCI: BEAUTY, POLITICS, LITERATURE AND ART IN EARLY RENAISSANCE FLORENCE ! by ! JUDITH RACHEL ALLAN ! ! ! ! ! ! ! A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Department of Modern Languages School of Languages, Cultures, Art History and Music College of Arts and Law University of Birmingham September 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT ! My thesis offers the first full exploration of the literature and art associated with the Genoese noblewoman Simonetta Cattaneo Vespucci (1453-1476). Simonetta has gone down in legend as a model of Sandro Botticelli, and most scholarly discussions of her significance are principally concerned with either proving or disproving this theory. My point of departure, rather, is the series of vernacular poems that were written about Simonetta just before and shortly after her early death. I use them to tell a new story, that of the transformation of the historical monna Simonetta into a cultural icon, a literary and visual construct who served the political, aesthetic and pecuniary agendas of her poets and artists. -
The Humanist Discourse in the Northern Netherlands
UvA-DARE (Digital Academic Repository) Clashes of discourses: Humanists and Calvinists in seventeenth-century academic Leiden Kromhout, D. Publication date 2016 Document Version Final published version Link to publication Citation for published version (APA): Kromhout, D. (2016). Clashes of discourses: Humanists and Calvinists in seventeenth- century academic Leiden. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:26 Sep 2021 Chapter 1: The humanist discourse in the Northern Netherlands This chapter will characterize the discourse of the Leiden humanists in the first decade of the seventeenth century. This discourse was in many aspects identical to the discourse of the Republic of Letters. The first section will show how this humanist discourse found its place at Leiden University through the hands of Janus Dousa and others. -
“Unlucky in Affairs of Business….” Turning Points in the Life of Lorenzo
“Unlucky in affairs of business….” Turning Points in the life of Lorenzo de Medici Harry Don Stephenson, Jr. Faculty Advisor: Thomas Robisheaux, Ph.D. Fred W. Schaffer Professor of History History Department November 2015 This project was submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate Liberal Studies Program in the Graduate School of Duke University. Copyright by Harry Don Stephenson, Jr. 2015 i Contents Abstract ………………………………………………………………………………………………………………………………….…iii List of Tables and Figures ……………………………………………………………………………………………………….…iv Acknowledgements …………………………………………………………………………………………………………………..v Introduction ………………………………………………………………………………………………………………………………1 Chapter One: Banking in Fifteenth Century Italy………………………………………………………………………. 5 Chapter Two: Family Tree ………………………………………………………………………………………………………...12 Chapter Three: Lorenzo in Rome – 1466 ………………………………………………………………………………….. 30 Chapter Four: The Pazzi Conspiracy- April 1478 ………………………………………………………………………. 36 Chapter Five: The Pazzi War – 1479-1480 ………………………………………………………………………………….50 Chapter Six: Restoration with Rome - 1488 …………………………………………………………………………….. 59 Chapter Seven: Conclusion ……………………………………………………………………………………………………… 66 Bibliography ii Abstract The Medici family name is inextricably tied to Florence and the Italian Renaissance. For three hundred and fifty years, through twelve generations, the Medici lived in, work in, and to a considerable degree ruled the city. No Medici name rises higher in recorded history than Lorenzo di Piero de’ Medici. Lorenzo il Magnifico is remembered as a patron of the arts, poet, humanist, diplomat and savior of Florence during the Pazzi War. His legacy as a competent banker, manager and caretaker of the family business empire is sadly much less triumphant. Through the “quirks of genealogical fortune”, including a string of untimely deaths of male members of the Medici, Lorenzo found himself to be the sole owner of the Medici Bank in its sixth decade of business. -
Poems on the Threshold: Neo-Latin Carmina Liminaria
Chapter 3 Poems on the Threshold: Neo-Latin carmina liminaria Harm-Jan van Dam Introduction Imagine someone about four hundred years ago picking up a new Latin book, for instance the fourth edition of Daniel Heinsius’ poetry, published in Leiden, shown at the end of this paper. It dates from 1613, as the colophon at the end of the book states. Readers enter the book through the frontispiece or main entrance, with its promises of sublime poetry given by the crown- ing of Pegasus, and of a text so much more correct and complete according to the inscription (emendata locis infinitis & aucta) that it would be better to throw away their earlier editions. The entrance draws the reader inside to the next page where he may learn the book’s contents (indicem . aversa indicat pagina). That index is followed first by a prose Dedicatio addressed to one of the Governors of Leiden University, then by a poem in six elegiac distichs on Heinsius’ Elegies by Joseph Scaliger, a letter by Hugo Grotius ending with seven distichs, and a Greek poem of sixteen distichs by Heinsius’ colleague Petrus Cunaeus. Finally Heinsius devotes six pages to an Address Amico lectori. Then, stepping across the threshold, the reader at last enters the house itself, the first book of the Elegies.1 Many, if not most, early modern books begin like this, with various prelimi- nary matter in prose and especially in poetry. Nevertheless, not much has been written on poems preceding the main text of books.2 They are often designated 1 Respectively pp. -
Marsilio Ficino, Philosopher, and Head of the Platonic Academy of Florence
Ho\oler Thef,, mutilation, and underlining of books '''«'P""<'^y action and may Zl',rTresult m dismissal from the University BUILDING US|E ONLY PEB-|6 1974 /£B . 6 197^ BUlLDlNcj USE ONLY 0CTi9|l979 OCT 131 L161 — O-I096 MARSILIO FICINO, PHILOSOPHER, AND HEAD OF THE PLATONIC ACADEMY OF FLORENCE BY HARRIET WELLS HOBLER A. B. Rockford College, 1882 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN HISTORY IN THE GRADUATE SCHOOL OP THE UNIVERSITY OF ILLINOIS 1917 H^^ UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL i -^^ .9. 7 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPER- VISION BY ____ ENTITLED BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF In Charge of Thesis Head of Department Recommendation concurred in :* Committee on Final Examination* ^Required for doctor's degree but not for master's. 376559 UlUc' . TABLE OF CONTENTS PROLOG: Two portraits of Marsilio Ficino. INTRODUCTION: The study of Greek in the fifteenth century CHAPTER I: Ficino' s early dedication to the study of Plato; his education; devotion to the work; Cosmo de' Medici's gifts to him; his study of Greek; his letters; his friends; intimate friendships; loyal- ty to Medici family; habits; personal appearance; character; his father, who lived with him; foreign friends; offers of honor and homes; death and burial CHAPTER II: The Florentine Academy; banquets, Landino' description of them; course of instruction in Acad emy; description of assembly rooms; importance; spread of movement. CHAPTER III: Ficino' s works; produced under Lorenzo's patronage; Dialogues of Plato; Enneads of Plotinus Teologica Platonica; Orphic Hymns; other writers of Neo-Platonic School; St. -
Displays of Medici Wealth and Authority: the Acts of the Apostles and Valois Fêtes Tapestry Cycles
University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2019 Displays of Medici Wealth and Authority: The Acts of the Apostles and Valois Fêtes Tapestry Cycles Madison L. Clyburn University of Central Florida Part of the Classical Archaeology and Art History Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Clyburn, Madison L., "Displays of Medici Wealth and Authority: The Acts of the Apostles and Valois Fêtes Tapestry Cycles" (2019). Honors Undergraduate Theses. 523. https://stars.library.ucf.edu/honorstheses/523 DISPLAYS OF MEDICI WEALTH AND AUTHORITY: THE ACTS OF THE APOSTLES AND VALOIS FÊTES TAPESTRY CYCLES by MADISON LAYNE CLYBURN A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Art History in the College of Arts & Humanities and in the Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term, 2019 Thesis Chair: Margaret Ann Zaho, Ph.D. © 2019 Madison Layne Clyburn ii ABSTRACT The objective of my research is to explore Medici extravagance, power, and wealth through the multifaceted artistic form of tapestries vis-à-vis two particular tapestry cycles; the Acts of the Apostles and the Valois Fêtes. The cycles were commissioned by Pope Leo X (1475- 1521), the first Medici pope, and Catherine de’ Medici (1519-1589), queen, queen regent, and queen mother of France. -
EK Schreiber
E.K. Schreiber Rare Books List of 16th- 18th-Century Books And a Remarkable Early 15th-Century MS Document 285 Central Park West . New York, NY 10024 Telephone: (212) 873-3180; (212) 873-3181 Email: [email protected] Web: www.ekslibris.com ***Visitors by Appointment Only*** E.K. Schreiber. New York, NY 10024. (212) 873-3180 [email protected] ______________________________________________________________________________________ 1. AESCHYLUS. [Greek] Αἰσχύλου τραγωδιάι Ζ ... σχολία εἰς τὰς αὐτὰς τραγωδίας. Aeschyli Tragoediae VII. (Ed. P. Vettori & H. Estienne). [Geneva]: Henri Estienne, 1557. $5,600 4to (leaf size: 244 x 170 mm), [4] leaves, 397 (numbered 395: with 2 unnumbered pages [fol. n2] between pp. 138 and 139) pp., [1] blank leaf. Greek type; Estienne device [Schreiber 15] on title. 18th-century white calf, double gilt fillet round sides, brown morocco label on spine titled in gilt; all edges gilt; copy ruled in red throughout; on the front paste-down is the engraved armorial bookplate of Robert Shafto, Esq., of Benwell; on the rear paste-down is the engraved armorial bookplate of William Adair, Esq.; old, unobtrusive ownership signature on title; binding somewhat soiled; overall a fine, wide-margined copy. First complete edition of the tragedies of the first dramatist of Western civilization. This edition is important for including the editio princeps of Agamemnon, the greatest Aeschylean tragedy, and one of the greatest masterpieces of Western dramatic literature. The three previous editions (the Aldine of 1518, and Robortello's and Turnèbe's editions of 1552) had all been based on a manuscript tradition exhibiting a lacuna of more than two-thirds of Agamemnon. -
Chivalry and Performance in Medicean Jousts of the 15Th Century
CHIVALRY AND PERFORMANCE IN MEDICEAN JOUSTS OF THE FIFTEENTH CENTURY Emma Iadanza Vassar College ABSTRACT Jousts and other tournaments have existed in Europe since the early 1000s, but they began to take a different form during the Italian Renaissance, particularly in Florence during the fifteenth century. Rather than serving as demonstrations of military prowess, they became performative events that exhibited the patrons’ and competitors’ wealth as well as their devotion to the city. Descriptions of these tournaments tended to focus on the spectacular processions and visuals that were put on display during these occasions, rather than on the competitive portion of the event itself. The joust of Giuliano de’ Medici in 1475 embodies these characteristics to the fullest, as reflected in the wealth of descriptions in chronicles, letters, and poems that it inspired. Overall, the florid nature of these accounts evince the joust’s importance as a spectacle more than a military event, and the attitude to tournaments in Medicean Florence as a whole. By the fifteenth century, the tournament had played a part in chivalric culture for more than four hundred years, and was moving away from its origins as a military exercise and towards a more performative display. Jousts, especially in Italy, tended not to focus on a knight’s ability to fight, but instead on his courtly manners and the spectacular performance that he sought to create. Indeed, luxury was the focus of these events to such an extent that writers of the time paid little attention to the events or outcome of the jousts, and focused instead on their grandeur.