The Metrological Research of Machu Picchu Site. Application of a Cosine Quantogram Method for 3D Laser Data
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Ohio's State Tests
Ohio’s State Tests PRACTICE TEST GRADE 8 ENGLISH LANGUAGE ARTS Student Name The Ohio Department of Education does not discriminate on the basis of race, color, national origin, sex, religion, age, or disability in employment or the provision of services. Some items are reproduced with permission from the American Institutes for Research as copyright holder or under license from third parties. Copyright © 2017 by the Ohio Department of Education. All rights reserved. Directions: Today you will be taking the Ohio Grade 8 English Language Arts Practice Assessment. There are several important things to remember: 1. Read each question carefully. Think about what is being asked. Look carefully at graphs or diagrams because they will help you understand the question. Then, choose or write the answer you think is best in your Answer Document. 2. Use only a #2 pencil to answer questions on this test. 3. For questions with bubbled responses, choose the correct answer and then fill in the circle with the appropriate letter in your Answer Document. Make sure the number of the question in this Student Test Booklet matches the number in your Answer Document. If you change your answer, make sure you erase your old answer completely. Do not cross out or make any marks on the other choices. 4. For questions with response boxes, write your answer neatly, clearly and only in the space provided in your Answer Document. Any responses written in your Student Test Booklet will not be scored. Make sure the number of the question in this Student Test Booklet matches the number in your Answer Document. -
CALLAO, PERU Onboard: 1800 Saturday November 26
Arrive: 0800 Tuesday November 22 CALLAO, PERU Onboard: 1800 Saturday November 26 Brief Overview: A traveler’s paradise, the warm arms of Peru envelope some of the world’s most timeless traditions and greatest ancient treasures! From its immense biodiversity, the breathtaking beauty of the Andes Mountains (the longest in the world!) and the Sacred Valley, to relics of the Incan Empire, like Machu Picchu, and the rich cultural diversity that populates the country today – Peru has an experience for everyone. Located in the Lima Metropolitan Area, the port of Callao is just a stone’s throw away from the dazzling sights and sounds of Peru’s capital and largest city, Lima. With its colorful buildings teeming with colonial architecture and verdant coastline cliffs, this vibrant city makes for a home-away-from-home during your port stay in Peru. Nearby: Explore Lima’s most iconic neighborhoods - Miraflores and Barranco – by foot, bike (PER 104-201 Biking Lima), and even Segway (PER 121-101 Lima by Segway). Be sure to hit up one of the local markets (PER 114-201 Culinary Lima) and try out Peruvian fare – you can’t go wrong with picarones (fried pumpkin dough with anis seeds and honey - pictured above), cuy (guinea pig), or huge ears of roast corn! Worth the travel: Cusco, the former capital of Incan civilization, is a short flight from Lima. From this ancient city, you can access a multitude of Andean wonders. Explore the ruins of the famed Machu Picchu, the city of Ollantaytambo – which still thrives to this day, Lake Titcaca and its many islands, and the culture of the Quechua people. -
1 Continuities and Disjunctures in Urban
CONTINUITIES AND DISJUNCTURES IN URBAN PLANNING IN THE ANCIENT ANDES Jerry D. Moore DO NOT CITE IN ANY CONTEXT WITHOUT PERMISSION OF THE AUTHOR Jerry D. Moore, Department of Anthropology, California State University Dominguez Hills 1000 E. Victoria St., Carson, CA 90747 ([email protected]) 1 A comparative analysis of prehispanic Andean cities indicates significant discontinuities in the organization of public space. Although architectonic components and architectural inventories recur in different urban traditions, there are marked differences in the overall plans of Andean cities and little continuity between the earliest Andean urban centers and earlier Formative settlements or between later capitals and cities associated with various Andean states and empires, such as Moche, Tiwanaku, Wari, Chan Chan or Cuszco. This suggests that the prehispanic Andean city was developed divergently and employed different principles of urban design, and that Andean societies deployed different forms of what Eric Wolf called “structural power,” in which the urban landscapes were the settings for different forms of power interactions through Andean prehistory. 2 The Central Andes have an urban tradition that is among the oldest known in the world (Figure 1). With the appearance of large settlements during the 3rd – 2nd millennia B.C. along the Peruvian coast, a constructed legacy began that rivals ancient Mesopotamian cities and antedates by at least a millennium the development of Mesoamerican urbanism (Makowski 2008). Yet, a diachronic perspective suggests that prehistoric urbanism was a fragile and inconstant process in the Andes, as prehistoric communities aggregated and dispersed, presumably in response to a range of social and environmental pressures. -
Peru's Modern Culture
A Cultural Tour Around Fabulous Peru ○○○○○○○○○○○ 1 TABLE OF CONTENTS Foreword 03 Peru, General Information 05 Peru, Millennial Culture Ϭϳ Symbols that Identify Peru 11 Peru’s Pre-Columbian Art 15 Peru’s Colonial Art 21 Peru, Melting Pot of Races 25 Peru’s Dresses 27 Peru’s Folklore - Songs, Music and Dances : Coast 31 Peru’s Folklore - Songs, Music and Dances : Highlands 35 Peru’s Folklore - Songs, Music and Dances : Amazon Region 38 Peru’s Folklore - Songs, Peruvians Believers by Nature 39 Peru, Gourmet’s Paradise : Coast 44 Peru, Gourmet’s Paradise : Highlands 49 Peru, Gourmet’s Paradise: Sweets and Desserts 51 Peru, Gourmet’s Paradise: Beverages 55 Peru’s Architecture 57 Peru’s Handicrafts 66 Peru’s Modern Culture : Photography, Cinema, Theater, Music and Dance 74 Peru’s Modern Culture : Literature, Poetry, Painting, Sculpture 78 Major Festivals and Holidays 87 A Cultural Tour Around Fabulous Peru ○○○○○○○○○○○ 2 FOREWORD Peru is an extraordinary country with a rich and diverse historical background and is known for its ancient culture as cradle of civilization. The purpose of this booklet is to provide a panoramic cultural overview of Peru, the archaeological, cultural and ecological jewel of America. From the pre-Columbian cultures, the Inca splendor of Machu Picchu, its coastal desert region, the towering mountains, the verdant jungle waterways of the majestic Amazon River, to the rich artistic expressions of its people — Peru has something for everyone to enjoy. Talk to any scientists and they will tell you that Peru is one of the most exciting destinations for archaeologists today. From Caral, the oldest city in the Americas, to the mysterious Inca ruins of Machu Picchu and the Sacred Valley, to the spectacular gold, silver and jewel encrusted artifacts recently uncovered in the tombs of the Lords of Sipan, to ongoing digs along the Northern coast and highlands, Peru is an ever-expanding open-air museum. -
Indigenous Americas Mesa Verde Cliff Dwellings
INDIGENOUS AMERICAN ART INDIGENOUS AMERICAS Indigenous Americas The indigenous peoples of the Americas are the pre- Columbian inhabitants of North and South America. In other words, these refer to the tribes of the Americas before the arrival of Europeans in the 1500’s. Indigenous peoples of the United States are commonly known as Native Americans or American Indians, and Alaska Natives. INDIGENOUS AMERICAS Indigenous Americas Chavin de Huantar. Northern highlands, Peru. Chavin. 900-200 BCE. The Chavín de Huántar was actually constructed by the pre-Incan tribe, the Chavin, around 900 B.C. The Chavins survived basically on an agricultural economy, because of its strategic location near the Coast of Marañón River and the jungle. The Chavín de Huántar served as a ceremonial center, where the ancient people came together for worship. The Chavín de Huántar holds a geographical, historical and religious significance because of its tremendous influence on the Ancient Chavin culture. It is located where the Mosna River merges with the Huanchecsa River. This allows the Chavins easy transport, but access is very limited for visitors. Consequently, it is the perfect site for crop cultivation such as maize and potatoes. The ancient Chavins also started domesticating llamas to help and assist in carrying load and crops. INDIGENOUS AMERICAS Indigenous Americas Nose ornament, Chavin de Huantar. Northern highlands, Peru. Chavin. 900-200 BCE. Wearing a nose ring was a mark of social distinction and would have enhanced the flashy appearance of the wearer. Nose (as well as ear ornaments) were not exclusive to men. Women and priestesses wore them for public and ceremonial appearances. -
El Inca Y La Huaca.Pdf
El Inca y la huaca La religión del poder y el poder de la religión en el mundo andino antiguo Colección Estudios Andinos 18 Dirigida por Marco Curatola Petrocchi El Inca y la huaca La religión del poder y el poder de la religión en el mundo andino antiguo Marco Curatola Petrocchi y Jan Szemi´nski Editores BIBLIOTECA NACIONAL DEL PERÚ Centro Bibliográfico Nacional 985.019 El Inca y la huaca : la religión del poder y el poder de la religión en el mundo andino an- I2 tiguo / Marco Curatola Petrocchi, Jan Szemiński, editores.-- 1a ed.-- Lima : The Hebrew University of Jerusalem : Pontificia Universidad Católica del Perú, Fondo Editorial, 2016 (Lima : Tarea Asociación Gráfica Educativa). 395 p. : il. (algunas col.) ; 24 cm.--(Estudios andinos / dir. Marco Curatola Petrocchi ; 18) Incluye bibliografías. D.L. 2016-12278 ISBN 978-612-317-199-5 1. Incas - Religión - Ensayos, conferencias, etc. 2. Incas - Reyes y soberanos 3. Indígenas del Perú - Época Prehispánica - Religión y mitología 4. Mitología indígena - América Latina - Época Prehispánica 5. Iconografía - Perú - Época Prehispánica 6. Arquitectura religiosa - Perú - Época Prehispánica 7. Perú - Historia - Época Prehispánica - Aspectos religiosos I. Curatola Petrocchi, Marco, 1951-, editor II. Szemiński, Jan, editor III. The Hebrew University of Jerusalem IV. Pontificia Universidad Católica del Perú V. Serie BNP: 2016-1188 El Inca y la huaca. La religión del poder y el poder de la religión en el mundo andino antiguo Marco Curatola Petrocchi y Jan Szemiński (editores) © Marco Curatola Petrocchi y Jan Szemiński, 2016 De esta edición: © Fondo Editorial de la Pontificia Universidad Católica del Perú, 2016 Av. -
Fulbright-Hays Seminar 2008 Galina Tchourilova Geographygeography Ofof Peruperu
PeruPeru Fulbright-Hays Seminar 2008 Galina Tchourilova GeographyGeography ofof PeruPeru Peru, in western South America, extends for nearly 1500 miles along the Pacific Ocean. Five-sixths the size of Alaska Peru is divided by the Andes Mountains into three sharply differentiated zones: western coastal plain (costa), high and rugged Andes in the center (sierra), eastern lowland jungle of Amazon Basin (selva) http://www.latinamericanstudies.org/incas/inca-map.gif TopographyTopography Peru (496,200 square miles) has perhaps greater diversity than any other country in the world. The Andes run north to south through the country and are the second highest mountain range in the world. The eastern slopes of the Andes are skirted by rainforest, the beginning of the Amazon basin. Peru has 83 different ecological zonezones.s. Peru has the world’s driest desert and the richest rainforest on the face of the earth. ClimateClimate Peru’s climate has two seasons— wet and dry—but the weather varies greatly depending on the geographical region. The desert coast is very arid. During summer (January to March), the sky is clear, and the weather is hot and sticky. During the rest of the year a grey coastal mist covers the sun. Every few years this area is hit by El Niño, which produces floods in the coastal areas and sometimes the highlands. The temperature in the Andes can reach the freezing point during the night, but will go up to 80 degrees F during the day. During the summer it stays very dry. The climate in the tropical forest is strictly divided on dry and rainy seasons, but generally stays hot and humid. -
Papers from the Third Annual Northeast Conference on Andean Archaeology and Ethnohistory Daniel H
The University of Maine DigitalCommons@UMaine Andean Past Special Publications Anthropology 1986 Perspectives on Andean Prehistory and Protohistory: Papers from the Third Annual Northeast Conference on Andean Archaeology and Ethnohistory Daniel H. Sandweiss University of Maine, [email protected] D. Peter Kvietok Markham College, [email protected] Patricia Netherly [email protected] Michael A. Malpass Ithaca College, [email protected] Dwight T. Wallace FSeoe nelloxtw pa thige fors aaddndition addal aitutionhorsal works at: https://digitalcommons.library.umaine.edu/ andean_past_special Part of the Archaeological Anthropology Commons, Architectural History and Criticism Commons, and the Ceramic Arts Commons Recommended Citation Sandweiss, Daniel H. and D. Peter Kvietok, editors, "Perspectives on Andean Prehistory and Protohistory: Papers from the Third Annual Northeast Conference on Andean Archaeology and Ethnohistory" (1986). Ithaca, New York: Cornell University Latin American Studies Program http://digitalcommons.library.umaine.edu/andean_past_special/1 This Book is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Andean Past Special Publications by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. Authors Daniel H. Sandweiss, D. Peter Kvietok, Patricia Netherly, Michael A. Malpass, Dwight T. Wallace, Richard E. Daggett, John R. Topic, Tom D. Dillehay, Lawrence Kaplan, Elizabeth Bonnier, Coreen E. Chiswell, Stuart V. Arnold, and Monica Barnes This book is available at DigitalCommons@UMaine: https://digitalcommons.library.umaine.edu/andean_past_special/1 THE PERUVIAN NORTH CENTRAL COAST DURING THE EARLY INTERMEDIATE PERIOD: AN EMERGING PERSPECTIVE Richard E. Daggett Massachusetts The purpose of this paper is to present evidence relevant to the Early Intermediate Period settlement of the North Central Coast of Peru. -
Inca Notes 1300 – 1541
Inca Notes 1300 – 1541 A. Inca Timeline (4000 BCE - 1541 CE) 4000 BCE - 400 BCE: Titicaca culture (Upper Peru and Bolivian highlands) 1800 BCE - 400 BCE: Chavín culture 400 BCE - 700 CE: Tiahuanaco culture 400 BCE - 800 CE: Nazca culture 200 CE - 800: Mochica culture 800 - 1100: Huari culture 1100 - 1400: Chimú culture, Cajamarca culture, Ica culture 1200: Manco Cápac organizes the kernel of the Inca people 1438 – 1533 (1541): Inca culture and empire (Tawantinsuyu) I. General Regarding the geographical context of the Andean civilizations—from the pre-Incas to the Incas themselves—Charles C. Mann says the following in his major work titled 1493 (Knopf, 2011): The altiplano (average altitude: about twelve thousand feet) holds most of the region’s arable land: it’s as if Europe had to support itself by farming the Alps. The sheer eastern face of the Andes catches the warm, humid winds from the Amazon, and consequently is beset by rain; the western, ocean-facing side, shrouded by the ―rain shadow‖ of the peaks, contains some of the earth’s driest lands. The altiplano between has a dry season and a wet season, with most of the rain coming between November and March. Left to its own devices, it would be covered by grasses in the classic plains pattern. From this unpromising terrain sprang, remarkably, one of the world’s great cultural traditions—one that by 1492 had reached, according to the University of Vermont geographer Daniel W. Gade, ―a higher level of sophistication‖ than any of the world’s other mountain cultures. Even as Egyptian kingdoms built the pyramids, Andean societies were erecting their own monumental temples and ceremonial plazas. -
Style Architecture of Cusco, Peru
ABSTRACT Title of Thesis: Slithering Serpents and the Afterlives of Stones: The Role of Ornament in Inka- Style Architecture of Cusco, Peru Lisa Senchyshyn Trever, Master of Arts, 2005 Directed By: Professor Joanne Pillsbury Department of Art History and Archaeology Serpent reliefs and other pre-Hispanic motifs occasionally appear on the façades of early colonial Inka-style masonry buildings in Cusco, the former capital of the Inka empire, although similar carvings are only rarely seen on earlier Inka architecture. This research demonstrates that while some ashlars were reused from pre-Hispanic Inka walls, the reliefs were likely carved during the colonial era. Central to this analysis is the premise that the breakdown of Inka state iconoclasm allowed native masons greater decorative license. The appearance of Andean motifs on houses built for the city’s Spanish inhabitants reveals the complexity of early colonial attitudes toward indigenous culture. The carvings provide an opportunity to investigate the shifting meanings of Andean symbols during the early years of the Spanish presence in Peru. Indeed, these motifs, carved after the Inka imperial collapse, have since become iconic of “Inka-ness” and are replicated in Cusco’s twentieth-century municipal architecture. SLITHERING SERPENTS AND THE AFTERLIVES OF STONES: THE ROLE OF ORNAMENT IN INKA-STYLE ARCHITECTURE OF CUSCO, PERU By Lisa Senchyshyn Trever Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2005 Advisory Committee: Professor Joanne Pillsbury, Chair Professor Sally M. Promey Professor Marjorie S. -
985 William Iain Mackay:Sigradi9
DHE Patrimônio Digital 203 From Ancient to Digital The Challenges of a Major Transition Towards the virtual Reconstruction of the Andreas Past (With Special Reference to Inca Architecture.) W. Iain Mackay UnB, Brasilia D.F. [email protected] Neander Furtado Silva UnB, Brasilia, D.F. [email protected] Abstract. The definition of an underlying shape grammar behind Inca architecture can assist in the virtual archaeological reconstruction of destroyed sites; that is, allowing us to step from the ancient to the digital realm. The Inca architectural style tends to be consistent throughout the Andes and was in effect, a statement of power. Geometricity, interlocking patterns, orthogonal layouts, colour and texture reversal, modular compression, derivations, rotation, mirroring, repetition, symmetry, proportion, ratios, recombination and Andean “entasis” are qualities frequently encountered in Andean art and architecture. They are “CAD-friendly” and can be integrated into predictive digital virtual reconstruction techniques representing partially damaged and substantially destroyed ancient Andean monuments (and fine arts). Keywords. Inca, virtual reconstruction, shape grammars, kanchas, Ollantaytambo Introduction: others. One of the seminal studies was by Mitchell and Stiny (1978) and relates to Palladio’s villa architecture. The Greek orders were The Incas developed a distinctive art and architectural style, which they well known to Renaissance, and later architects and engineers, applied throughout their Empire (one of the largest in the world at the through the works of Vitruvius, Serlio and others. In more recent time) over a short timescale (200 years). Inca architecture is instantly times, Durand (1802-5; 1821), Wittkower (1962 and 1971) have recognizable. In view of its largely predictable standardized, modular, expanded on these earlier studies. -
Architecture and Power on the Waritiwanaku Frontier
9 Architecture and Power on the Wari–Tiwanaku Frontier Donna J. Nash The Field Museum, Chicago and Patrick Ryan Williams The Field Museum, Chicago ABSTRACT The Wari Empire expanded and maintained control over many areas in the Andes for nearly four centuries (600– 1000 C.E.). This chapter documents changes in power relations and political institutions on the Wari–Tiwanaku frontier. The settlements of both polities are well documented along their border in the Moquegua Valley of southern Peru where Wari controlled their provincial settlements from the lofty heights of Cerro Ba´ul. We assess the changing nature of the incorporation of different social groups within the Wari political structure of the frontier province over the course of the Middle Horizon. As Tiwanaku social groups joined the Wari colony, new sets of public expressions of power emerged, both from within these Tiwanaku groups and from the Wari administration itself. By examining artifactual remains and the design of architectural spaces, we elucidate the changing power relations between Wari, their subject populations, and their Tiwanaku neighbors. Keywords: use of space, multiethnic interaction, state institutions, political organization, empire ari architecture is a material manifestation of power The Wari built an environment imbued with symbols Wand holds important clues to understanding how Wari that were used to communicate their legitimacy in a num- state officials managed resources and legitimized their con- ber of ways (see Rapoport 1990). These symbols are most trol. Recent research at Cerro Ba´ul and its satellites on the explicit in iconographic representations of ceremony por- Wari southern frontier has elucidated the nature of power re- trayed on portable objects that served as accessories to lations, agency, and ideology between Wari representatives state-sponsored activity.