Figures of Neorealism in Italian Architecture (Part 1)
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Annual Report 2018–2019 Artmuseum.Princeton.Edu
Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb. -
The Influence of International Town Planning Ideas Upon Marcello Piacentini’S Work
Bauhaus-Institut für Geschichte und Theorie der Architektur und Planung Symposium ‟Urban Design and Dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography” Weimar, November 21-22, 2013 ___________________________________________________________________________ About the Internationality of Urbanism: The Influence of International Town Planning Ideas upon Marcello Piacentini’s Work Christine Beese Kunsthistorisches Institut – Freie Universität Berlin – Germany [email protected] Last version: May 13, 2015 Keywords: town planning, civic design, civic center, city extension, regional planning, Italy, Rome, Fascism, Marcello Piacentini, Gustavo Giovannoni, school of architecture, Joseph Stübben Abstract Architecture and urbanism generated under dictatorship are often understood as a materialization of political thoughts. We are therefore tempted to believe the nationalist rhetoric that accompanied many urban projects of the early 20th century. Taking the example of Marcello Piacentini, the most successful architect in Italy during the dictatorship of Mussolini, the article traces how international trends in civic design and urban planning affected the architect’s work. The article aims to show that architectural and urban form cannot be taken as genuinely national – whether or not it may be called “Italian” or “fascist”. Concepts and forms underwent a versatile transformation in history, were adapted to specific needs and changed their meaning according to the new context. The challenge is to understand why certain forms are chosen in a specific case and how they were used to create displays that offer new modes of interpretation. The birth of town planning as an architectural discipline When Marcello Piacentini (1881-1960) began his career at the turn of the 20th century, urban design as a profession for architects was a very young discipline. -
Ottoman Merchants in the Adriatic. Trade and Smuggling
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of University of Primorska ACTA HISTRIAE • 16 • 2008 • 1-2 received: 2008-01-27 UDC 355.49:343.712.2(262.3)"14/16" original scientific article OTTOMAN MERCHANTS IN THE ADRIATIC. TRADE AND SMUGGLING Maria Pia PEDANI University Ca'Foscari of Venice, Department of Historical Studies, I-30123 Venezia, Dorsoduro 3484/d e-mail: [email protected] ABSTRACT th In the 15 century sultans discovered the economic importance of the Adriatic. th They accepted doges' rule on this sea but, at the end of the 16 century, the presence of Christian and Muslim pirates marred the relations between the two states. Ottoman merchants used to cross the Adriatic to reach the markets of Venice and Ancona. Be- sides regular trade there was also smuggling: above all arms were exported to the Empire while wheat went westwards. Several links united the two commercial commu- nities: for instance, subjects of the Republic embarked sometimes on Ottoman ships; in the ports of the Serenissima the sultan's merchants used to pay the same customs as Venetians and, sometimes, they also insured themselves with Venetian companies. The th wars of the end of the 17 century put a momentary stop to Muslim commercial activi- ties in Venice and in the Adriatic. However, at the beginning of the following century, Albanian vessels charged with Ottoman goods appeared again at St. Mark's docks, even if soon after, in the 1720s', short-sighted Venetian protectionist politics pushed them to prefer the port of Trieste. -
Transalpine Pass Routes in the Swiss Central Alps and the Strategic Use of Topographic Resources
Preistoria Alpina, 42 (2007): 109-118 ISSN 09-0157 © Museo Tridentino di Scienze Naturali, Trento 2007 Transalpine pass routes in the Swiss Central Alps and the strategic use of topographic resources Philippe DELLA CASA Department of Pre-/Protohistory, University of Zurich, Karl-Schmid-Str. ���������������������������4, 8006 Zurich, Switzerland E-mail: [email protected] SUMMARY - Transalpine pass routes in the Swiss Central Alps and the strategic use of topographic resources - Using examples from the San Bernardino and the St. Gotthard passes in the Swiss Central Alps, this paper discusses how the existence of transalpine high altitude pass routes can be inferred, even though there is a lack physical evidence, from specific Bronze and Iron Age settlement patterns in access valleys. Particular attention is given to the effect of topography within the territorial and economic organizational area on transalpine tracks and traffic routes. A set of recurring patterns, such as strategic position, natural and/or artificial protection, presence of “foreign” materials, can help identifying (settlement) sites with particular functions as regards traffic and trade within the systems of territorial organization. Moreover, the paper also addresses socio-dynamic issues of the problem of transalpine pass routes. RIASSUNTO - Passi transalpini nelle Alpi Centrali Svizzere e uso strategico di risorse topografiche -Usando esempi dal Passo di San Bernardino e dal Passo del San Gottardo nelle Alpi Centrali Svizzere, il presente contributo discute come l’esistenza di vie di transito transalpine d’alta quota possa essere dedotta, anche mancando evidenze fisiche, da specifici modelli insediativi dell’età del Bronzo e del Ferro presenti nelle valli di accesso. -
Birth and Death of the Housewife
Introduction — 1 Introduction “Defeatist and cynical” were the words Fascist censors used to defi ne Paola Masino’s boldest and most controversial novel, Birth and Death of the Housewife (Nascita e morte della massaia), fi rst published in installments between 1941 and 1942, and then as a single volume by Bompiani in 1945. Indeed, such indignant reaction comes as no surprise, given that the book attacks those very same institutions—marriage and motherhood—that Fascism sought to idealize and promote for the sake of the homeland. Already at the outset of the novel, the nameless female protagonist strikes the reader as being quite the opposite of a submissive homemaker concerned exclusively with the well-being of her household and family. Emerging, like a character out of Samuel Beckett’s plays, from a trunk “that served as her wardrobe, bed, dresser, table, and bedroom, a trunk full of blanket rags, bits of bread, books, and funeral remains” (BDH 17), she displays—already at a very young age—a stubbornly desperate need to feed her mind and unleash her imagination, even at the expense of a body that carries “deadlines, rules, and the need to take precautions” (BDH 90). When she agrees, for her mother’s sake, to step out of the trunk and comply with the role society has assigned to her, she gives up her potential as a human being, turns off her intellect, and prepares for a lifelong performance as a female marionette. Her marriage to an ordinary, socially “proper” older man (whose pompous speeches on the function of women as the guardian angels of the hearth echo those of the regime) marks her further metamorphosis into a Housewife, forever tied to the four walls of an abode that neither shelters nor represents her, but that still lays claim to all of her energy, stifl ing her creativity. -
Il Castellet 'Italiano' La Porta Per La Nuova Letteratura Latinoamericana
Rassegna iberistica ISSN 2037-6588 Vol. 38 – Num. 104 – Dicembre 2015 Il Castellet ‘italiano’ La porta per la nuova letteratura latinoamericana Francesco Luti (Universitat Autònoma de Barcelona, España) Abstract This paper seeks to recall the ‘Italian route’ of the critic Josep Maria Castellet in the last century, a key figure in Spanish and Catalan literature. The Italian publishing and literary worlds served as a point of reference for Castellet, and also for his closest literary companions (José Agustín Goytisolo and Carlos Barral). All of these individuals formed part of the so-called Barcelona School. Over the course of at least two decades, these men managed to build and maintain a bridge to the main Italian publishing houses, thereby opening up new opportunities for Spanish literature during the Franco era. Thanks to these links, new Spanish names gained visibility even in the catalogues of Italian publishing houses. Looking at the period from the mid- 1950s to the end of the 1960s, the article focuses on the Italian contacts of Castellet as well as his publications in Italy. The study concludes with a comment on his Latin American connections, showing how this literary ‘bridge’ between Barcelona and Italy also contributed to exposing an Italian audience to the Latin American literary boom. Sommario 1. I primi contatti. – 2. Dario Puccini e i nuovi amici scrittori. – 3. La storia italiana dei libri di Castellet. – 4. La nuova letteratura proveniente dall’America latina. Keywords Literary relationships Italy-Spain. 1950’s 1960’s. Literary criticism. Spanish poetry. Alla memoria del Professor Gaetano Chiappini e del ‘Mestre’ Castellet. -
Agazzoni, Debora (2017) Syntax and Style in Alberto Arbasino's Early Works (1957-1963)
Agazzoni, Debora (2017) Syntax and style in Alberto Arbasino's early works (1957-1963). PhD thesis. http://theses.gla.ac.uk/8122/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten:Theses http://theses.gla.ac.uk/ [email protected] Syntax and Style in Alberto Arbasino’s Early Works (1957-1963) Debora Agazzoni Submitted in fulfilment of the requirements for the Degree of PhD School of Modern Languages and Cultures College of Arts University of Glasgow January 2017 3 Abstract This thesis examines the syntax of the sentence and the style of three of Alberto Arbasino’s early works: Le piccole vacanze (1957), Il ragazzo perduto (1959) and Fratelli d’Italia (1963). The period in which these works were written and published was one of great linguistic changes, with Italian starting to become the language spoken by the majority of the population and the consequent formation of a new variety, the italiano dell’uso medio. This social evolution has also consequences for the language of narrative: whereas some authors embrace the lingua media and a clear, communicative style (stile semplice), others reject it and opt for linguistic experimentation. -
Gotthard Bergstrecke’
University of Lugano, Switzerland Faculty of Economics The touristic future on and along the ‘Gotthard Bergstrecke’ Exploring the associations people have with the region, the motivations of prospective visitors, their requirements to a ‘Gottardo Express’ train offer and the potential of regional attractions. Master’s dissertation Author: Fabio Flepp Supervisor: Prof. Rico Maggi Second Reader: Stefano Scagnolari Academic year: 2014/2015 Submission date: December 2014 ! Contact Author: Fabio Flepp - Linkedin: https://ch.linkedin.com/in/fabio-flepp-a2567043 - Email: [email protected] Table of Contents LIST OF FIGURES IV LIST OF TABLES V LIST OF ABBREVIATIONS VI 1. INTRODUCTION 1 1.1 CHOICE OF TOPIC 1 1.1.1 ALPTRANSIT AND “BERGSTRECKE” 2 1.1.2 CONSEQUENCES, FEARS AND SIMILAR PLACES 3 1.1.3 DISCUSSIONS ABOUT THE FUTURE TOURISM DEVELOPMENT 4 1.2 RESEARCH AIM 5 1.3 OUTLINE 7 2. TRANSPORT AND TOURISM 8 2.1 GENERAL 8 2.2 TRANSPORTATION FOR TOURISM 9 2.3 (TOURISM-) IMPACTS OF NEW TRAFFIC INFRASTRUCTURE 9 2.4 TRANSPORT AS TOURISM & SLOW TRAVEL 10 2.5 RAIL TOURISM 12 2.5.1 MOTIVATION FOR TRAIN TRAVEL 12 2.5.2 HERITAGE RAILWAYS 13 3. GOTTHARD 14 3.1 HISTORY OF THE TRANSPORTATION LANDSCAPE 14 3.2 TOURISM HISTORY IN THE GOTTHARD REGION 15 3.3 TOURISM TODAY 17 3.3.1 TOURISM NUMBERS OF THE GOTTHARD REGION 18 3.3.2 TOURISM MONITOR 2013 18 3.3.3 PRESENT TOURISM PRODUCTS AND TOURISM CARD OFFERS 19 4. TOURISM PRODUCTS (+ DESTINATIONS) 23 4.1 GENERAL 23 4.2 CO-CREATION OF THE TOURISM EXPERIENCE 24 4.3 TOURISM PRODUCT DEVELOPMENT 25 I 5. -
Community, Place, and Cultural Battles: Associational Life in Central Italy, 1945-1968
Community, Place, and Cultural Battles: Associational Life in Central Italy, 1945-1968 Laura J. Hornbake Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 2013 Laura J. Hornbake This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. ABSTRACT Community, Place, and Cultural Battles: Associational Life in Central Italy, 1945-1968 Laura J. Hornbake This dissertation is an exploration of associational life in central Italy, an examination of organizations that were central to the everyday experience of tens of thousands of Italians at a time when social, economic and geographical transformations were upending their everyday lives, 1945-1968. This dissertation examines facets of these transformations: the changing shape of cities, increasing mobility of people, technological changes that made possible new media and new cultural forms, from the perspective of local associations. The many lively groups, the cultural circles and case del popolo of central Italy were critical sites where members encountered new ideas, navigated social change, and experimented with alternative cultures. At the same time, these organizations themselves were being transformed from unitary centers that expressed the broad solidarity of the anti-fascist Resistance to loose federations of fragmentary single-interest groups. They were tangles of intertwined politics, culture, and community, important sites in culture -
Mauro Marzo Lotus. the First Thirty Years of an Architectural Magazine
DOI: 10.1283/fam/issn2039-0491/n43-2018/142 Mauro Marzo Lotus. The first thirty years of an architectural magazine Abstract Imagined more as an annual dedicated to the best works of architectu- re, urban and industrial design, during the first seven issues, the maga- zine «Lotus» shifts the axis of its purpose from that of information and professional updating to one of a critical examination of the key issues intrinsic to the architectural project. This article identifies some themes, which pervaded the first thirty years of «Lotus» life, from 1964 to 1994, re- emerging, with variations, in many successive issues. If the monographic approach set a characteristic of the editorial line that endures over time, helping to strengthen the magazine’s identity, the change in the themes dealt with over the course of the decades is considered as a litmus test of the continuous evolution of the theoretical-design issues at the core of the architectural debate. Keywords Lotus International — Architectural annual — Little Magazine — Pier- luigi Nicolin — Bruno Alfieri The year 1963 was a memorable one for the British racing driver Jim Clark. At the helm of his Lotus 25 custom-made for him by Colin Chapman, he had won seven of the ten races scheduled for that year. The fastest lap at the Italian Grand Prix held at Monza on 8 September 1963 had allowed him and his team to win the drivers’ title and the Constructors’ Cup,1 with three races to go before the end of the championship. That same day, Chap- man did “the lap of honour astride the hood of his Lotus 25”.2 This car, and its success story, inspired the name chosen for what was initially imagined more as an annual dedicated to the best works of archi- tecture, urban and industrial design, rather than a traditional magazine. -
The Collection, Exhibition, and Practice of Weltliteratur
All That Is the Case: The Collection, Exhibition, and Practice of Weltliteratur A DISSERTATION SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Andrew Nance Patten IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Professor Rembert Hueser, Advisor January 2015 Andrew Nance Patten© Acknowledgments This dissertation would not have been possible without the generous support of a number of institutions, fellowship donors, and the lasting encouragement of dedicated family, friends, colleagues, and advisors. To properly express my gratitude for the support I have received would be to exceed the space allotted for acknowledgments. I would like to convey my most sincere appreciation to the following individuals and institutions for their assistance throughout my studies: The Department of German, Scandinavian and Dutch for numerous fellowships and the continued expression of confidence in my research projects and academic development; Hella Mears for the generous Mears Fellowship and the continued commitment to German Studies at the University of Minnesota; Gerhard Weiss for the Gerhard Weiss Summer Fellowship; Die Freie Universität Berlin for the supportive exchange opportunity; and finally the University of Minnesota for the Doctoral Dissertation Fellowship and the absolutely integral progress it afforded me during this year-long award. In the course of my studies, these institutions and private contributors have been essential to my progress. I am very pleased to express my gratitude for their generosity with this dissertation. The personal contributions of my advisors and mentors have been and remain to be central to my research and development as a scholar. Thank you to Rembert Hueser for the many hours of critical input, advice, feedback, and good company throughout the years. -
1968, Tendenza and Education in Aldo Rossi
1 Histories of PostWar Architecture 2 | 2018 | 1 Monument in Revolution: 1968, Tendenza and Education in Aldo Rossi Kenta Matsui PhD Candidate, The University of Tokyo (Japan), Department of Architecture, Graduate School of Engineering [email protected] MA Degree in History of Architecture at the Graduate school of the University of Tokyo. Research Fellowship for Young Scientists supported by Japan Society for the Promotion of Science (2016-2018). His research focuses on the architectural theories of Aldo Rossi and other contemporary Italian architects in relation to the contexts of postwar Italy. ABSTRACT In the 1960’s, as Italian architectural schools faced student protests and forceful occupation attempts, Aldo Rossi tried to reform the schools through the idea of ‘tendency school’ shared with Carlo Aymonino, and to reconstruct architecture as discipline and theory. His theory has two aspects: urban analysis and architectural project. The former presents a dynamic conception of the temporal evolution of the city, as if echoing the restless social situation of the time; the latter centers on the logicality of architecture represented by monuments. This study explores the meaning of this dualism between urban analysis and architectural project as an intent for revolution, and in light of this, investigates the idea of ‘monument in revolution’. This study was supported by a research fund from the Japan Society for the Promotion of Science (JSPS KAKENHI, Grant Number JP16J05298). I would like to thank Bébio Amaro (Assistant Professor at Tianjin University, School of Architecture) for his aid in checking and revising the English text. Additionally, I would like to kindly acknowledge the many helpful suggestions and remarks provided by the anonymous reviewers, which have greatly contributed towards improving the overall quality and readability of this paper.