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The Influence of International Town Planning Ideas Upon Marcello Piacentini’S Work
Bauhaus-Institut für Geschichte und Theorie der Architektur und Planung Symposium ‟Urban Design and Dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography” Weimar, November 21-22, 2013 ___________________________________________________________________________ About the Internationality of Urbanism: The Influence of International Town Planning Ideas upon Marcello Piacentini’s Work Christine Beese Kunsthistorisches Institut – Freie Universität Berlin – Germany [email protected] Last version: May 13, 2015 Keywords: town planning, civic design, civic center, city extension, regional planning, Italy, Rome, Fascism, Marcello Piacentini, Gustavo Giovannoni, school of architecture, Joseph Stübben Abstract Architecture and urbanism generated under dictatorship are often understood as a materialization of political thoughts. We are therefore tempted to believe the nationalist rhetoric that accompanied many urban projects of the early 20th century. Taking the example of Marcello Piacentini, the most successful architect in Italy during the dictatorship of Mussolini, the article traces how international trends in civic design and urban planning affected the architect’s work. The article aims to show that architectural and urban form cannot be taken as genuinely national – whether or not it may be called “Italian” or “fascist”. Concepts and forms underwent a versatile transformation in history, were adapted to specific needs and changed their meaning according to the new context. The challenge is to understand why certain forms are chosen in a specific case and how they were used to create displays that offer new modes of interpretation. The birth of town planning as an architectural discipline When Marcello Piacentini (1881-1960) began his career at the turn of the 20th century, urban design as a profession for architects was a very young discipline. -
9781107013995 Index.Pdf
Cambridge University Press 978-1-107-01399-5 — Rome Rabun Taylor , Katherine Rinne , Spiro Kostof Index More Information INDEX abitato , 209 , 253 , 255 , 264 , 273 , 281 , 286 , 288 , cura(tor) aquarum (et Miniciae) , water 290 , 319 commission later merged with administration, ancient. See also Agrippa ; grain distribution authority, 40 , archives ; banishment and 47 , 97 , 113 , 115 , 116 – 17 , 124 . sequestration ; libraries ; maps ; See also Frontinus, Sextus Julius ; regions ( regiones ) ; taxes, tarif s, water supply ; aqueducts; etc. customs, and fees ; warehouses ; cura(tor) operum maximorum (commission of wharves monumental works), 162 Augustan reorganization of, 40 – 41 , cura(tor) riparum et alvei Tiberis (commission 47 – 48 of the Tiber), 51 censuses and public surveys, 19 , 24 , 82 , cura(tor) viarum (roads commission), 48 114 – 17 , 122 , 125 magistrates of the vici ( vicomagistri ), 48 , 91 codes, laws, and restrictions, 27 , 29 , 47 , Praetorian Prefect and Guard, 60 , 96 , 99 , 63 – 65 , 114 , 162 101 , 115 , 116 , 135 , 139 , 154 . See also against permanent theaters, 57 – 58 Castra Praetoria of burial, 37 , 117 – 20 , 128 , 154 , 187 urban prefect and prefecture, 76 , 116 , 124 , districts and boundaries, 41 , 45 , 49 , 135 , 139 , 163 , 166 , 171 67 – 69 , 116 , 128 . See also vigiles (i re brigade), 66 , 85 , 96 , 116 , pomerium ; regions ( regiones ) ; vici ; 122 , 124 Aurelian Wall ; Leonine Wall ; police and policing, 5 , 100 , 114 – 16 , 122 , wharves 144 , 171 grain, l our, or bread procurement and Severan reorganization of, 96 – 98 distribution, 27 , 89 , 96 – 100 , staf and minor oi cials, 48 , 91 , 116 , 126 , 175 , 215 102 , 115 , 117 , 124 , 166 , 171 , 177 , zones and zoning, 6 , 38 , 84 , 85 , 126 , 127 182 , 184 – 85 administration, medieval frumentationes , 46 , 97 charitable institutions, 158 , 169 , 179 – 87 , 191 , headquarters of administrative oi ces, 81 , 85 , 201 , 299 114 – 17 , 214 Church. -
Cassani Simonetti Matteo Tesi.Pdf
Alma Mater Studiorum - Università di Bologna Dottorato di Ricerca in Architettonica Scuola di Dottorato in Ingegneria Civile ed Architettura XXVI Ciclo di Dottorato L’architettura di Piero Bottoni a Ferrara Occasioni di moderna composizione architettonica negli ambienti storici (1932-1971) Presentata da: Matteo Cassani Simonetti Coordinatore Dottorato: prof. Annalisa Trentin Relatore: prof. Giovanni Leoni Settore concorsuale: 08/E2 – Restauro e Storia dell’Architettura Settore scientifico disciplinare di afferenza: ICAR/18 Esame finale anno 2014 Intendo dire che la speculazione può spiccare il suo volo necessariamente spericolato con qualche prospettiva di successo, solo se, invece di indossare le ali di cera dell’esoterico, cerca la sua sorgente di forza unicamente nella costruzione. La costruzione richiedeva che la seconda parte del libro fosse formata essenzialmente di materiali filologici. Si tratta perciò meno di una «disciplina ascetica» che di una precau- zione metodologica…. Quando lei parla di una «esposizione allibita della fatticità», lei caratterizza in questo modo l’atteggiamento filologico genuino. Questo dovrebbe essere calato nella costruzione non solo per amore dei suoi risultati, ma come tale… l’apparenza della chiusa fatticità, che aderisce alla ricerca filologica e getta il ricercatore nell’incanto, svanisce nella misura in cui l’oggetto viene costruito nella prospettiva storica. Le linee di fuga di questa costruzione convergono nella nostra propria esperienza storica. Con ciò l’oggetto si costruisce come monade. Nella -
The Streets of Rome Walking Through the Streets of the Capital
Comune di Roma Tourism The streets of Rome Walking through the streets of the capital via dei coronari via giulia via condotti via sistina via del babuino via del portico d’ottavia via dei giubbonari via di campo marzio via dei cestari via dei falegnami/via dei delfini via di monserrato via del governo vecchio via margutta VIA DEI CORONARI as the first thoroughfare to be opened The road, whose fifteenth century charac- W in the medieval city by Pope Sixtus IV teristics have more or less been preserved, as part of preparations for the Great Jubi- passed through two areas adjoining the neigh- lee of 1475, built in order to ensure there bourhood: the “Scortecchiara”, where the was a direct link between the “Ponte” dis- tanners’ premises were to be found, and the trict and the Vatican. The building of the Imago pontis, so called as it included a well- road fell in with Sixtus’ broader plans to known sacred building. The area’s layout, transform the city so as to improve the completed between the fifteenth and six- streets linking the centre concentrated on teenth centuries, and its by now well-es- the Tiber’s left bank, meaning the old Camp tablished link to the city centre as home for Marzio (Campus Martius), with the northern some of its more prominent residents, many regions which had risen up on the other bank, of whose buildings with their painted and es- starting with St. Peter’s Basilica, the idea pecially designed facades look onto the road. being to channel the massive flow of pilgrims The path snaking between the charming and towards Ponte Sant’Angelo, the only ap- shady buildings of via dei Coronari, where proach to the Vatican at that time. -
Jean-Louis Cohen
Jean-Louis-Louis Cohen Cohen Architecture et américanisme en Russie : architecture, design, urbanisme Mercredi 20 mai, 18 heures. 1. La Russie comme “Nouvelle Amérique” avant 1914 L’architecture,Mercredi 27 mai, 18 vecteur heures. du politique Le2. Le gouvernement taylorisme et l’américanisme de l’espace « bolchevisé » Mercredi 3 juin, 18 heures. 5.3. ImagesFigures et italiennes, diagrammes du constructivistes futurisme au postmodernisme Mercredi 10 juin, 18 heures. 4. Henry Ford et Albert Kahn : transplanter Detroit 1. Architecture des pouvoirs et pouvoir des architectes Mercredi 17 juin, 18 heures. 5. La ville stalinienne et ses modèles américains Mercredi 24 juin, 18 heures. 6. Américanisme et consommation : les années Khrouchtchev 17 mars 1861: proclamation du royaume d’Italie avec Victor Emmanuel II et Camillo Benso, comte de Cavour. 1992: Berlusconi « descend sur le terrain ». Errico Alvino, le Rettifilo, Naples, 1868. Alessandro Viviani, Piano regolatore, Rome, 1883. Giuseppe Sacconi, monument à Vittorio Emanuele II, Rome, 1884-1911. Ulisse Stacchini, Stazione centrale, Milan, 1911-1931. Giuseppe Mengoni, Galleria Vittorio Emmanuele, Milan, 1863-1875. Alessandro Antonelli, Synagogue (Mole Antonelliana), Turin, 1863-1878. Giuseppe Sommaruga, Palazzo Castiglioni, corso Venezia, Milan, 1903-1904. Esposizione del Centenario dell’Unità d’Italia, Rome, 1911: le Foro delle Regioni et le Salone delle Feste de Marcello Piacentini. Filippo Tommaso Marinetti, Manifeste du Futurisme, Le Figaro, 20 février1909. Umberto Boccioni, La Ville se lève, 1911. La marche sur Rome de Benito Mussolini, 1922. Giacomo Matté-Trucco, usine FIAT du Lingotto, Turin, 1917-1923. Mario Sironi, affiche pour la première exposition du Novecento, Milan, 1926. Margherita Sarfatti (1883-1961). Giovanni Muzio, Cà Brütta, via Moscova, Milan, 1920-1922. -
Architecture and Materials in the First Half of the 20Th Century in Italy
G. Bernardo & L. Palmero Iglesias, Int. J. of Herit. Archit., Vol. 1, No. 4 (2017) 593–607 ARCHITECTURE AND MatERIALS IN THE FIRST HALF OF THE 20TH CENTURY IN ItaLY G. BERNARDO1 & L. PALMERO IGLESIAS2 1Department of European and Mediterranean Cultures, University of Basilicata, Italy. 2Department of Architectural Constructions, Technical University of Valencia, Spain. ABSTRACT The architecture and the materials used in the constructions have always been the symbol of the culture and progress of a people. Each historical period can be described in its complexity through the architectural heritage. The built environment is really an extraordinary testimony of the creativity and intelligence of humankind, of its enormous possibilities but also of its limitations as well as of a certain sensitivity and world view. This paper illustrates a multidisciplinary and historical-critical study of the main architectural trends in Italy in the first half of the 20th century: from the Futurism of the early 20th century to the rationalism of the fascist period. The work is focused on the role of the architecture in the socio-economic development of a country and on the complex relation- ship between materials innovation and architecture, which originates even today the debate between modernity and tradition. The results highlight the outstanding importance in the evolution of the different ways of conceiving architecture. It can be just a Utopia as in the Futuristic architecture, a drive towards a better world which will be able to meet the growing needs of an ever-changing world, or rise to fulfil the function of science and art through the innovative use of new materials and manufacturing technologies. -
The Original Documents Are Located in Box 16, Folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R
The original documents are located in Box 16, folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald R. Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 16 of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library 792 F TO C TATE WA HOC 1233 1 °"'I:::: N ,, I 0 II N ' I . ... ROME 7 480 PA S Ml TE HOUSE l'O, MS • · !? ENFELD E. • lt6~2: AO • E ~4SSIFY 11111~ TA, : ~ IP CFO D, GERALD R~) SJ 1 C I P E 10 NTIA~ VISIT REF& BRU SE 4532 UI INAl.E PAL.ACE U I A PA' ACE, TME FFtCIA~ RESIDENCE OF THE PR!S%D~NT !TA y, T ND 0 1 TH HIGHEST OF THE SEVEN HtL.~S OF ~OME, A CTENT OMA TtM , TH TEMPLES OF QUIRl US AND TME s E E ~oc T 0 ON THIS SITE. I THE CE TER OF THE PR!SENT QU?RINA~ IAZZA OR QUARE A~E ROMAN STATUES OF C~STOR .... -
Nuovi Studi Livornesi Nuovi Studi Livornesi Nuovi
Associazione Livornese di Storia Lettere e Arti Nuovi Studi Livornesi Nuovi Studi Livornesi Nuovi FONDAZIONE In copertina: CASSA DI RISPARMI N L S Giovanni Pacini, Prospetto dello stato attuale DI LIVORNO del bastione della Canaviglia rispondente sul mare, vol. XIX vol. XIX ASF, Scrittoio delle Fortezze e Fabbriche, 2012 2012 Fabbriche Lorenesi ISSN 1591-7770 Associazione Livornese di Storia Lettere e Arti Nuovi Studi Livornesi vol. XIX 2012 Nuovi Studi Livornesi vol. XIX - 2012 Comitato Scientifico Comitato di Redazione Laura Bastogi Massimo Sanacore (Direttore) Fabio Bertini Luciano Bernardini Donatella Cherubini Riccardo Ciorli Bruno Di Porto Laura Dinelli Vincenzo Farinella Duccio Filippi Jean-Pierre Filippini Lucia Frattarelli Fischer Lucia Frattarelli Fischer Algerina Neri Michele Luzzati Maria Lia Papi Danilo Marrara Renzo Mazzanti Paola Meschini Editing Algerina Neri Luciano Bernardini Giacinto Nudi Laura Dinelli Massimo Sanacore Ugo Spadoni Francesca Trivellato Olimpia Vaccari Maurizio Vernassa Stefano Villani Referenze fotografiche: Le immagini e le relative autorizzazioni alla pubblicazione sono state fornite dagli autori dei saggi. Si resta a disposizione di eventuali aventi diritto che non sia stato possibile contattare. Tutti i contributi del presente volume sono stati sottoposti a referaggio. La giornata di studi “Al principio fu il Pentagono - Architettura e urbanistica del centro storico di Livorno” è stata realizzata grazie al contributo di: Camera di Commercio di Livorno, Fondazione Cassa di Risparmi di Livorno, Fratelli -
A B C D E a B C D E 5 4 3 2 1 5 4 3 2 1 F G
A B C D E F G VI VI A O A P.LE DON VIA F V A NATI D M . EL MINZONI CO M . M TI M VIA V RR VIA AMMAN ON ER IA ID IA CA DI V V TI L O TI ILLA O N LU F P E ARSO L IN I SACC N A AR ZI O G M IO CH L O HETT AN P.ZZA V.LE C IN UOZ AC IE T. LI GLI A IO I I I O B IO G AN BAINSIZZA G G VIA . RUN DI BELLIN P.Z I G D O A A VIA PRESTINARI VI A V VIA B E B VAN VIA V. RN O ER G. O VIAL VI DRO IA O O L LE D A VE C L ENT SI A G AL RD C I N VIALE DELLE BELLE ART AM O . SSE I E L P IO M GLI A ULI R E AN VI C EB P.ZA DELLE VIA TA . VIA E A Z I GI G V VIA O TE BELLE ARTA LI M V G N IA N SL ERC IN O PONTE RISORGIMENTO AV P.ZA MONTE G A M VIA DI VILLA GIULIA AD IO A IA A GRAPPA 1 V 1 AN VI A VIA N E TE TI N L.GO B. P.ZA L TO I RS N P A I O A BUENOS T MARCELLO IS I SA T E TE IE AIRES V GIARDINO L IZ N L O VI N LANA GALLE O M A I O O V. -
St. Mary Major Termini Visitors Centre Vatican City
VISITORS CENTRE VATICAN CITY VIA LUDOVISI 8 VENETO VISITORS CENTRE 9 BARBERINI VISITORS CENTRE TERMINI STATION VISITORS CENTRE ST. PETER’S BASILICA TREVI 7 1 TERMINI FOUNTAIN VATICAN & ST ANGELO 6 17 12 ST. MARY MAJOR 10 2 11 1 7 15 13 16 PIAZZA FREE WALKING TOURS VENEZIA 5 2 Walk 1: In the heart of the Eternal City 6 14 2 Capitoline Hill 11 Piazza Farnese 5 13 Piazza Venezia 12 Piazza Navona 7 Largo Argentina 10 Pantheon 4 1 Campo de’ Fiori 17 Trevi Fountain 9 8 Walk 2: Colosseum and Ancient Forum 3 COLOSSEUM 2 Capitoline Hill 5 Forum 13 Piazza Venezia 4 Colosseum 3 15 Trajan’s Column 9 Palatine Hill 16 Trajan’s Markets CIRCO 4 MASSIMO Walk 3: From Ghetto to Colosseum 14 Teatro Marcello 3 Circus Maximus 6 Ghetto 9 Palatine Hill 8 Mouth of Truth 4 Colosseum MAP LEGEND STOPS AND ATTRACTIONS DATES AND TIMES PANORAMIC ROUTE / WEEKDAYS FREQUENCY PANORAMIC ROUTE / HOLIDAYS 1 TERMINI STATION DAILY First Dep: 8:30 AM | Last Complete Run: 6:45 PM | End of service: 8:30 PM 10/15 MINUTES LARGO DI VILLA PERETTI CORNER PIAZZA DEI CINQUECENTO I LOVE ROME Main Train Station, if you get o! here you can visit FIRST DEPARTURE POINTS the National Roman Museum , Piazza della Repubblica and Via Nazionale for relaxing shopping. TERMINI STATION 8:30 AM I LOVE ROME GUIDED TOURS AND ACTIVITIES 2 ST. MARY MAJOR First Dep: 8:40 AM | Last Complete Run: 5:10 PM | End of service: 6:55 PM LAST DEPARTURE PIAZZA ESQUILINO, 12 TERMINI STATION GENERAL INFORMATION Visit one of the most ancient Basilicas of Christianity and, very M T W T F S S close, the S. -
Elenco Opere 4 Incontri Di Storia Dell'architettura
ELENCO OPERE 4 INCONTRI DI STORIA DELL’ARCHITETTURA DEL ‘900 IN ITALIA E IN TOSCANA ELENCO OPERE 1 1914-45 Architettura in Italia. Dagli eclettismi al moderno. Giuseppe Sacconi, Monumento a Vittorio Emanuele II, 1885-1911, Roma Giuseppe Sacconi, Cappella Espiatoria per Umberto I, 1900-10, Monza Leonardo Bistolfi, Locandina della Prima Esposizione Internazionale d’Arte decorativa, 1902, Torino Raimondo D’Aronco, Padiglione principale dell’Esposizione Internazionale d’Arte Decorativa di Torino, 1902 Carlo Bugatti, Mobili e sedie per salotto, 1895 circa Charles Rennie Mackintosh, Mobili e sedie per salotto, ca.1900 Giuseppe Sommaruga, Palazzo Catiglioni, 1901-03, Milano Giuseppe Sommaruga, Hotel Tre Croci al Campo dei Fiori, 1908-12, Varese Antonio Sant’Elia, Progetto di Stazione d’aereoplani e treni ferroviari, 1914, disegno a inchiotro su carta, propr. Comune di Como Antonio Sant’Elia, La città nuova: casa e gradinata, 1914, Collezione privata, Roma Antonio Sant’Elia, La città nuova: Casa con ascensori esterni e sistemi di collegamento su più piani stradali, 1914, matita nera ripassata a inchiostro nero su carta, coll. priv. Sant’Elia Antonio Sant’Elia, Progetto di Stazione d’aereoplani e treni ferroviari, 1914, disegno a inchiotro su carta, propr. Comune di Como Antonio Sant’Elia, Centrale idroelettrica, 1914, matite colorate ed acquarello, propr. Comune di Como Giovanni Muzio, Ca’ Brutta, 1919-1922, Milano Giovanni Muzio, Chiesa di Santa Maria Annunciata in Chiesa Rossa in via Neera, 1932, Milano Giovanni Muzio, Arengario di Piazza del -
Marcello Piacentini: a Case of Controversial Heritage” in Architecture As Propaganda in Twentieth-Century Totalitarian Regimes
“Marcello Piacentini: A case of controversial heritage” in Architecture as Propaganda in Twentieth-Century Totalitarian Regimes. History and Heritage, ed. Håkan Hökerberg (Polistampa, 2018). http://www.polistampa.com/scheda_libro.php?id=7005 Architecture as Propaganda in Twentieth-Century Totalitarian Regimes. History and Heritage Hannah Malone Abstract As the most prominent architect and urban designer of Italy’s fascist regime, Marcello Piacentini (1881–1960) left an indelible mark on numerous cities across Italy. Nonetheless, his reception has been marred by controversy. Whereas some accounts dismiss Piacentini’s career as unredeemably tainted by associations with fascism, others acknowledge his skill, professionalism and inventiveness. Efforts to deal with the history of Piacentini’s work have prompted a range of different approaches. Some scholars have attempted to disassociate morality and aesthetics by focusing exclusively on the formal characteristics of Piacentini’s urban and architectural projects. Others have addressed the historical context in which those projects were produced, and have viewed them as vehicles of fascist propaganda. In effect, Piacentini’s legacy invites questions of how buildings that were created under the aegis of Mussolini’s dictatorship carried political meanings, and whether those meanings remain current today. Those questions are investigated with respect to Piacentini’s Arch of Victory, built in Genoa in the 1930s. More broadly, they provide insights into the ways in which the fascist past has been handled and remains relevant today. Marcello Piacentini: A case of controversial heritage A number of Italian cities bear the mark of Marcello Piacentini, the most prominent architect of Mussolini’s regime. Piacentini (1881–1960) designed and directed a significant quantity of projects in most major Italian cities during the twenty years of fascist rule.