Deliberazione Della Giunta Comunale N.493 Del 6 Settembre 2006
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Planning Versus Fortification: Sangallo's Project for the Defence of Rome Simon Pepper
Fort Vol. 2 1976 Planning versus fortification: Sangallo's project for the defence of Rome Simon Pepper Since 1527, when Rome had been captured and sacked by the mutinous soldiers of Charles V, it had been clear that the defences of the Papal capital were hopelessly outdated. The walls of the Borgo (the Vatican precinct) were constructed during the pontificate of Leo IV (847-855): those of Trastevere and the left bank, enclosing by far the largest part of the city, dated from the reign of the Emperor Aurelian (AD270-75) [1]. Impressive both for their length and antiquity, these walls were poorly maintained and fundamentally unsuitable for defence against gunpowder artillery. In 1534 the Romans were once again forcefully reminded of their vulnerability when a large Turkish fleet moored off the Tiber estuary. Fortunately the hostile intentions of the Turks were directed elsewhere: after taking on fresh water they sailed north to raid the Tuscan coastline. But in the immediate aftermath of the Turkish scare the newly elected Paul III committed himself to an ambitious scheme of re-fortification. Antonio da Sangallo the Younger, advised by many of the leading architects and soldiers employed by the Pope, was commissioned to submit design proposals [2]. Father Alberto Guglielmotti, the nineteenth-century historian of the Papal armed forces, tells us that Sangallo and his consultants decided to replace the Aurelian wall with a new line of works defending the developed areas on both banks of the river. The 18000 metre Aurelian circumfer- ence was to be reduced by half, a decision which is not difficult to understand when one glances at a contemporary map of the city. -
San Giovanni Report
San Giovanni Living Next to a Transit Corridor Brooke Shin Madeleine Galvin Raphael Laude Shareef Hussam Rome Workshop 00 Introduction San Giovanni in the urban context of Rome Image Subject Rome Workshop Outline Contents 00 Introduction 1 Outline Getting Oriented A Transit Corridor Methodology Hypotheses 01 History 15 Summary Timeline A Plan for San Giovanni Construction Begins A Polycentric Plan Metro Construction 02 Statistics 19 Summary Key Data Points Demographics & Housing Livability Audit 03 Built Form 25 Summary Solids Voids Mobility 04 Services 37 Summary Ground-Floor Use Primary Area Services Secondary Area Services Institutions 05 Engagement 49 Summary Key Stakeholders Intercept Interviews Cognitive Mapping 06 Conclusion 57 Key Takeaways Next Steps Bibliography, Appendix 3 Introduction Graphics / Tables Images Urban Context Study Area Broader / Local Transit Network 1909 Master Plan 1936 Historical Map 1962 Master Plan Population Density Population Pyramids Educational Attainment Homeownership San Giovanni Transit Node Building Typologies/Architectural Styles Public Spaces Sidewalks, Street Typologies, Flows Primary Area Services Secondary Area Services Ground Floor Use Map Daily Use Services Livability Audit Key 4 Rome Workshop Introduction The Rome Workshop is a fieldwork-based course that takes students from the classroom to the city streets in order to conduct a physical assess- ment of neighborhood quality. Determining the child and age-friendliness of public spaces and services was the main goal of this assessment. The San Giovanni neighborhood starts at the Por- ta San Giovanni and continues over two kilome- ters south, but this study focused specifically on the area that flanks the Aurelian Walls, from the Porta San Giovanni gate to the Porta Metronio gate. -
Falda's Map As a Work Of
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676. -
C HAPTER THREE Dissertation I on the Waters and Aqueducts Of
Aqueduct Hunting in the Seventeenth Century: Raffaele Fabretti's De aquis et aquaeductibus veteris Romae Harry B. Evans http://www.press.umich.edu/titleDetailDesc.do?id=17141, The University of Michigan Press C HAPTER THREE Dissertation I on the Waters and Aqueducts of Ancient Rome o the distinguished Giovanni Lucio of Trau, Raffaello Fabretti, son of T Gaspare, of Urbino, sends greetings. 1. introduction Thanks to your interest in my behalf, the things I wrote to you earlier about the aqueducts I observed around the Anio River do not at all dis- please me. You have in›uenced my diligence by your expressions of praise, both in your own name and in the names of your most learned friends (whom you also have in very large number). As a result, I feel that I am much more eager to pursue the investigation set forth on this subject; I would already have completed it had the abundance of waters from heaven not shown itself opposed to my own watery task. But you should not think that I have been completely idle: indeed, although I was not able to approach for a second time the sources of the Marcia and Claudia, at some distance from me, and not able therefore to follow up my ideas by surer rea- soning, not uselessly, perhaps, will I show you that I have been engaged in the more immediate neighborhood of that aqueduct introduced by Pope Sixtus and called the Acqua Felice from his own name before his ponti‹- 19 Aqueduct Hunting in the Seventeenth Century: Raffaele Fabretti's De aquis et aquaeductibus veteris Romae Harry B. -
Allegato Capitolato Tecnico ELENCO STRADE MUN 1
MUN. LOTTO Denominazione strada Note 1A 1 BELVEDERE ANTONIO CEDERNA 1A 1 BELVEDERE TARPEO 1A 1 BORGO ANGELICO 1A 1 BORGO PIO 1A 1 BORGO S. ANGELO 1A 1 BORGO S. LAZZARO 1A 1 BORGO S. SPIRITO 1A 1 BORGO VITTORIO 1A 1 CIRCONVALLAZIONE CLODIA 1A 1 CIRCONVALLAZIONE TRIONFALE 1A 1 CLIVO ARGENTARIO 1A 1 CLIVO DEI PUBLICII 1A 1 CLIVO DELLE MURA VATICANE 1A 1 CLIVO DI ACILIO 1A 1 CLIVO DI ROCCA SAVELLA 1A 1 CLIVO DI SCAURO 1A 1 CLIVO DI VENERE FELICE 1A 1 FORO ROMANO 1A 1 FORO TRAIANO 1A 1 GALLERIA GIOVANNI XXIII 1A 1 GALLERIA PRINCIPE AMEDEO SAVOIA AOSTA 1A 1 GIARDINO DEL QUIRINALE 1A 1 GIARDINO DOMENICO PERTICA 1A 1 GIARDINO FAMIGLIA DI CONSIGLIO 1A 1 GIARDINO GEN. RAFFAELE CADORNA 1A 1 GIARDINO PIETRO LOMBARDI 1A 1 GIARDINO UMBERTO IMPROTA 1A 1 LARGO ANGELICUM 1A 1 LARGO ARRIGO VII 1A 1 LARGO ASCIANGHI 1A 1 LARGO ASSEN PEIKOV 1A 1 LARGO BRUNO BALDINOTTI 1A 1 LARGO CARLO LAZZERINI 1A 1 LARGO CERVINIA 1A 1 LARGO CORRADO RICCI 1A 1 LARGO CRISTINA DI SVEZIA 1A 1 LARGO DEGLI ALICORNI 1A 1 LARGO DEI MUTILATI ED INVALIDI DI GUERRA 1A 1 LARGO DEL COLONNATO 1A 1 LARGO DELLA GANCIA 1A 1 LARGO DELLA POLVERIERA 1A 1 LARGO DELLA SALARA VECCHIA 1A 1 LARGO DELLA SANITA' MILITARE 1A 1 LARGO DELLA SOCIETA' GEOGRAFICA ITALIANA forse parco 1A 1 LARGO DELL'AMBA ARADAM 1A 1 LARGO DELLE TERME DI CARACALLA 1A 1 LARGO DELLE VITTIME DEL TERRORISMO 1A 1 LARGO DI PORTA CASTELLO 1A 1 LARGO DI PORTA S. -
Progetto Per Un Parco Integrato Delle Mura Storiche
ROMA PARCO INTEGRATO DELLE MURA STORICHE Mura Aureliane - Mura da Paolo III a Urbano VIII Esterno delle Mura lungo viale Metronio Mura storiche di Roma 2 Pianta di Roma di Giovanni Battista Nolli - 1748 3 Mura di Roma, Grande Raccordo Anulare e anello ciclabile 4 Piano Regolatore Generale di Roma - 2003/2008 5 Ambiti di programmazione strategica: quadro di unione 1-Tevere 2-Mura 3-Anello ferroviario 1 4-Parco dell’Appia 5-Asse nord-sud 5 2 3 4 6 Pianta di Pietro Visconti (Archeologo) e Carlo Pestrini (Incisore)- 1827 7 Quadro di unione Forma Urbis Romae di Rodolfo Lanciani - 1893/1901 8 Piano Regolatore Generale di Roma - 1883 9 Piano Regolatore Generale di Roma - 1909 10 Piano Regolatore Generale di Roma - 1931 11 Piano Regolatore Generale di Roma - 1961 12 Stralcio Piano Regolatore Generale di Roma - 1961 13 Intersezioni delle Mura con gli assi viari storici e ambiti di progettazione 2 1 - Corso_Flaminia 2 - XX Settembre_Salario 3 - Laterano_Appio 4 - Caracalla_Appia Antica 1 5 - Marmorata_Ostiense 6 - Trastevere_Gianicolo Aurelia antica 6 5 3 4 14 Centralità lungo le Mura storiche 15 Parchi e ambiti di valorizzazione ambientale Villa Borghese Villa Doria Pamphili Parco dell’Appia 16 Ambito di programmazione strategica Mura - Risorse 17 Ambito di programmazione strategica Mura - Obiettivi 18 Progetto «Porte del Tempo» Museo del Sito UNESCO a Porta del Museo dei Bersaglieri Popolo di Porta Pia Museo garibaldino e repubblica Romana a Porta Portese e Porta San Pancrazio Museo delle Mura Museo della resistenza a Porta San a Porta Ostiense Sebastiano 19 Porta del Popolo (Flaminia) 20 Porta San Sebastiano (Appia Antica) 21 Porta San Paolo (Ostiense) 22 Parco lineare integrato 23 Schema direttore generale del progetto urbano delle Mura 24 Parco lineare integrato delle Mura - Progetti realizzati e approvati Responsabili del procedimento: Arch. -
Aqueduct Architecture: Moving Water to the Masses in Ancient Rome
Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 2006 Volume IV: Math in the Beauty and Realization of Architecture Aqueduct Architecture: Moving Water to the Masses in Ancient Rome Curriculum Unit 06.04.04 by Ralph Russo Introduction This unit seeks to raise awareness of basic, yet, historic principles of architecture as they apply to the provision of water to an urban center. Exploration of Roman aqueducts should serve this goal. It fits the study of classical civilizations in the ninth grade world civilizations curriculum. Moreover, it lends itself to interdisciplinary teaching, a great way for students to see things in context. Studying aqueduct architecture encourages proficiency in quantitative skills, language arts, and organizational skills. Quantitative activities such as measuring, using scale, and calculating volume facilitate developing math skills. Critical reading of primary and secondary sources, document based questions, discussion, reflective writing, descriptive writing, and persuasive writing teach and/or reinforce language arts skills. Readings and activities can also touch on the levels of organization or government necessary to design, build, and maintain an aqueduct. The unit is not a prescribed set of steps but is meant to be a framework through which objectives, strategies, activities, and resources can be added or adjusted to meet student needs, address curriculum goals, and help students to make connections between the past and contemporary issues. The inhabitants of Rome satisfied their need for water first from the Tiber River. Rome grew from a small farming community along the Tiber into the capitol city of an empire with almost one million inhabitants. -
Building in Early Medieval Rome, 500-1000 AD
BUILDING IN EARLY MEDIEVAL ROME, 500 - 1000 AD Robert Coates-Stephens PhD, Archaeology Institute of Archaeology, University College London ProQuest Number: 10017236 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10017236 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The thesis concerns the organisation and typology of building construction in Rome during the period 500 - 1000 AD. Part 1 - the organisation - contains three chapters on: ( 1) the finance and administration of building; ( 2 ) the materials of construction; and (3) the workforce (including here architects and architectural tracts). Part 2 - the typology - again contains three chapters on: ( 1) ecclesiastical architecture; ( 2 ) fortifications and aqueducts; and (3) domestic architecture. Using textual sources from the period (papal registers, property deeds, technical tracts and historical works), archaeological data from the Renaissance to the present day, and much new archaeological survey-work carried out in Rome and the surrounding country, I have outlined a new model for the development of architecture in the period. This emphasises the periods directly preceding and succeeding the age of the so-called "Carolingian Renaissance", pointing out new evidence for the architectural activity in these supposed dark ages. -
Curriculum Vitae Europass
Curriculum Vitae Europass Informazioni personali Nome / Cognome ELEONORA SCETTI Telefono ufficio 06.67103856, cell. 339.7838558 E-mail [email protected] Cittadinanza italiana Sesso femminile Esperienza professionale (Presso ROMA CAPITALE) Lavoro o posizione ricoperti - ARCHITETTO, CON POSIZIONE DI RESPONSABILITA’ IN AMBITO ORGANIZZATIVO DI Posizione attuale COMPLESSITA’ ELEVATA, categoria D, p.e. D6O, in servizio presso la Sovrintendenza di Roma Capitale, Direzione Interventi su Edilizia Monumentale, assunta a tempo indeterminato (Contratto di lavoro n. 80 del 16.01.2006). Ruoli ricoperti nella posizione Date Dal 01 giugno 2017 ad oggi Ruolo ricoperto - RESPONSABILE DELL’UFFICIO “Appalti per i beni archeologici, architettonici e monumentali del Suburbio di Roma”, con incarico di alta responsabilita’ ex art. 19 CCDI – Direzione Tecnico Territoriale – Sovrintendenza Capitolina (O.S. n. 60, prot. N. 14695 del 6.06.2017) Dal 01 giugno 2012 al 31 maggio 2017 Date Ruolo ricoperto - TITOLARE DELLA POSIZIONE ORGANIZZATIVA di TIPO “A” con elevata Responsabilità organizzativa/gestionale per il “Coordinamento degli appalti di restauro dei monumenti archeologici, medievali e moderni del Suburbio” della U.O. Monumenti di Roma – Direzione Tecnico Territoriale - Sovrintendenza Capitolina (D. D. Rep. n. S.C. 505 del 31.05.2012) Date Dal 01 agosto 2011 Ruolo ricoperto - RESPONSABIILE DEL PROCESSO ORGANIZZATIVO - UFFICIO DI COORDINAMENTO “Gestione appalti e contabilità” E UFFICIO “Architettura Moderna e contemporanea, incarico di alta responsabilita’ ex art. 19 CCDI vigente – U.O. Tecnica di progettazione, Direzione Tecnico Territoriale – Sovrintendenza Capitolina (O.S. n.125, prot. N. 20051 del 20.09.2011) Date Dal 14 aprile 20 08 al 28 luglio 2011 Ruolo ricoperto - TITOLARE DELLA POSIZIONE ORGANIZZATIVA di TIPO “A” con elevata Responsabilità organizzativa/gestionale per il “Coordinamento, gestione tecnico amministrativa e progettazione degli interventi strategici riguardanti i monumenti medievali e moderni” della U.O. -
ROMAN EMPIRE Overview
ROMAN EMPIRE Overview Monarchy and Republic 753-27 BCE High Empire 96-192ce ● Republican architects mix Hellenistic and Etruscan Features ● Trajan extends the Empire and builds a new forum in Rome ● Republican sculptors depict patricians in super realistic portraits ● Hadrian builds the Pantheon ● Republican painters decorate walls in the first and second styles ● Domination of the classical style erodes under the Antonines Augustus 27BCE-14CE Late Empire 192-337 ce ● Augustan artists and architects revive the Classical Style ● Late Antique style takes root under the Severans ● Augustan painters introduce the 3rd style of pompeian painting ● Portraits of soldier emperors reveal the insecurity of the age ● Constantine founds a new Rome at Constantinople Julio-Claudians and Flavians 14-96 CE ● Neronian and Flavian architects realize the full potential of Concrete ● Neronian painters develop the 4th style of Pompeian wall painting Rome ● Roman empire had millions of people within its borders of many races, religions, languages, and cultures. Rome is an ancient approximation to the modern world in this regard ● Citizen and non citizen culture, Rome required labor, slaves, and soldiers to fuel it’s expanse, Soldiers over time became non citizens just by the sheer numbers of necessity Rome ● Many roman temples and basilicas have an afterlife as churches and mosques today. ● Concrete made the Roman scale of conquest possible, making large roads, apartment buildings, amphitheatres, aqueducts ● Ancient Rome lives on in western civilization today, concepts of law and government, languages, Latin, is the basis of Italian, French, and Spanish. ● You could trace the urban world’s appearance in the modern world to Rome’ s most important invention, Concrete, The Romans used Volcanic Ash and Lime. -
DIE STADT ROM Zu ENDE DER RENAISSANCE
LU q u> 'S \ //•^ ^ DIE STADT ROM zu ENDE DER RENAISSANCE r^?-*'-^^- Digitized by the Internet Archive in 2009 witii funding from University of Toronto http://www.archive.org/details/diestadtromzuendOOpast fm DIE STADT ROM ZU ENDE DER RENAISSANCE VON LUDWIG VON PASTOR ERSTE BIS DRITTE AUFLAGE MIT 102 ABBILDUNGEN UND EINEM PLAN FREIBURG IM BREISGAU 1916 HERDERSCHE VERL AGS H A N D L U NG BERLIN, KARLSRUHE, MÜNCHEN, STRASSBLRG. U lEN, LONDON UND ST LOUIS. MO. Alle Rechte vorbehalten Buchdruckerei der Herd ersehen Verlagshandlung in Freiburg i. Br. IHRER KAISERLICHEN UND KÖNIGLICHEN HOHEIT DER DURCHLAUCHTIGSTEN FRAU ERZHERZOGIN ZITA VON ÖSTERREICH-ESTE KÖNIGE. PRINZESSIN VON PARMA UNTERTANIGST GEWIDMET VOM VERFASSER Vorwort. Tn dem 1913 erschienenen sechsten Bande meiner < Geschichte der Päpste» habe ich versucht, auf Grund von zeitgenössischen Berichten, Zeichnungen und Stichen ein Bild der Stadt Rom gegen Ende der Renaissance zu entwerfen. Der Gedanke hierzu entstand angesichts der Umwandhmg, welche nach 1870 für die ewige Stadt anbrach und die noch fortdauert. Leider ist hierbei, wie noch jüngst Werner W'eisbach in den «Preußischen Jahr- büchern» betonte, Rom das Schlimmste widerfahren, was unter den neuen Verhältnissen geschehen konnte, indem es dem Prinzip des «laisser aller» ausgeliefert wurde und «die Greuel kapita- listischen Gründerfiebers über sich ergehen lassen mußte. \'er- gebens erhob Hermann Grimm in seinem Aufsatze: «Die Ver- nichtung Roms», über die Verunstaltung des Stadtbildes und das rücksichtslose Abreil^^en denkwürdiger l^auten bittere und heftige Klagen, denen sich auch Gregorovius und Franz Xaver Kraus anschlössen. Vieles Wertvolle und Herrliche ist bereits unwiderruflich zerstört, und ein Ende dieses \"orgehens ist noch gar nicht abzusehen. -
Romanit〠a Roma
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2012 Romanità a Roma: Le Basiliche del XII Secolo Fra Tradizioni e Innovazioni Dale Kinney Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Custom Citation Kinney, Dale. "Romanità a Roma: Le Basiliche del XII Secolo Fra Tradizioni e Innovazioni." In La Cattedrale Cosmatesca di Civita Castellana: Atti del Convegno Internazionale di Studi (Civita Castellana, 18-19 settembre 2010). ed. Luca Creti. Roma: L'Erma di Bretschneider, 2012. 53-76. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/64 For more information, please contact [email protected]. LA CATTEDRALE COSMATESCA DI CIVITA CASTELLANA ATTI DEL CONVEGNO INTERNAZIONALE DI STUDI (Civita Castellana, 18-19 settembre 2010) a cura di Luca Creti «L’ERMA» di BRETSCHNEIDER LA CATTEDRALE COSMATESCA DI CIVITA CASTELLANA Atti del Convegno Internazionale di Studi (Civita Castellana, 18-19 settembre 2010) a cura di LUCA CRETI Copyright 2012 © «L’ERMA» di BRETSCHNEIDER Via Cassiodoro, 11 – 00193 Roma http://www.lerma.it Progetto grafico: «L’ERMA» di BRETSCHNEIDER Tutti i diritti riservati. È vietata la riproduzione di testi e illustrazioni senza il permesso scritto dell’Editore ISBN 978-88-8265-761-1 Con l’Alto Patrocinio del Presidente della Repubblica della Presidenza del Consiglio dei Ministri della Segreteria di Stato della Santa Sede e della Conferenza Episcopale Italiana REGIONE LAZIO PROVINCIA DI VITERBO MINISTERO PER I BENI E LE ATTIVITÀ CULTURALI SOPRINTENDENZA PER I BENI ARCHITETTONICI SOPRINTENDENZA PER I BENI ARTISTICI ED ETNOANTROPOLOGICI UNIVERSITà “LA SAPIENZA” ROMA UNIVERSITÀ DELLA TUSCIA VITERBO UNIVERSITÀ DI SIENA UNIVERSITà “G.