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Falda's Map As a Work Of
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676. -
Museo Delle Mura Passeggiata Da Porta San Sebastiano a Via C
Municipio I copertura costituita da una volta a vela con una particolare da notare, infine, due stemmi papali: uno, fra le torri 5 e tessitura di mattoni, e l'assenza della scala di accesso alla 6, ricorda i restauri di Alessandro VI (1492 - 1507) d P camera superiore. a a La terza torre nel XV sec. fu usata, probabilmente, come P o luogo di ritiro di un eremita che lasciò a ricordo l'immagine s r t di una Madonna con Bambino, dipinta sul muro all'uscita s a della torre. La galleria che porta verso la torre 4 conserva la S e pavimentazione originaria con al centro una fessura che a g indica l'attacco fra la struttura di Aureliano e quella di n S Onorio, aggiunta per allargare la piattaforma su cui g e b costruire i pilastri e le arcate della galleria. La parete i a frontale della quarta torre crollò e fu ricostruita in età a s t medioevale in posizione più arretrata restringendone così t i a la camera di manovra; stessa cosa accadde nelle torri 6 e 7 a n o dove il restauro medioevale ridusse la camera ad un l u semplice passaggio. a v In alcuni punti lungo il cammino di ronda si possono notare n i a delle feritoie di forma quadrata che furono così trasformate g nel 1848 per adattarle alla fucileria, quando le mura furono C . o teatro di scontri durante la Repubblica Romana. C o Nell'ottava torre si può notare la copertura a volta rivestita di l l e laterizi come quella vista nella torre 2 del tratto in esame, o m mentre la nona torre ha perso del tutto la struttura originaria M b all'interno e all'esterno, manca anche la copertura della o camera le cui pareti sono costituite da murature medievali, u del XIX sec. -
C HAPTER THREE Dissertation I on the Waters and Aqueducts Of
Aqueduct Hunting in the Seventeenth Century: Raffaele Fabretti's De aquis et aquaeductibus veteris Romae Harry B. Evans http://www.press.umich.edu/titleDetailDesc.do?id=17141, The University of Michigan Press C HAPTER THREE Dissertation I on the Waters and Aqueducts of Ancient Rome o the distinguished Giovanni Lucio of Trau, Raffaello Fabretti, son of T Gaspare, of Urbino, sends greetings. 1. introduction Thanks to your interest in my behalf, the things I wrote to you earlier about the aqueducts I observed around the Anio River do not at all dis- please me. You have in›uenced my diligence by your expressions of praise, both in your own name and in the names of your most learned friends (whom you also have in very large number). As a result, I feel that I am much more eager to pursue the investigation set forth on this subject; I would already have completed it had the abundance of waters from heaven not shown itself opposed to my own watery task. But you should not think that I have been completely idle: indeed, although I was not able to approach for a second time the sources of the Marcia and Claudia, at some distance from me, and not able therefore to follow up my ideas by surer rea- soning, not uselessly, perhaps, will I show you that I have been engaged in the more immediate neighborhood of that aqueduct introduced by Pope Sixtus and called the Acqua Felice from his own name before his ponti‹- 19 Aqueduct Hunting in the Seventeenth Century: Raffaele Fabretti's De aquis et aquaeductibus veteris Romae Harry B. -
The Spirit of Rome, by Vernon Lee 1
The Spirit of Rome, by Vernon Lee 1 The Spirit of Rome, by Vernon Lee The Project Gutenberg EBook of The Spirit of Rome, by Vernon Lee This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Spirit of Rome Author: Vernon Lee Release Date: January 22, 2009 [EBook #27873] Language: English Character set encoding: ISO-8859-1 The Spirit of Rome, by Vernon Lee 2 *** START OF THIS PROJECT GUTENBERG EBOOK THE SPIRIT OF ROME *** Produced by Delphine Lettau & the Online Distributed Proofreading Team at http://www.pgdpcanada.net This file was produced from images generously made available by The Internet Archive/American Libraries. THE SPIRIT OF ROME BY VERNON LEE. CONTENTS. Explanatory and Apologetic I. First Return to Rome II. A Pontifical Mass at the Sixtine Chapel III. Second Return to Rome IV. Ara Coeli V. Villa Cæsia VI. The Pantheon VII. By the Cemetery SPRING 1895. I. Villa Livia II. Colonna Gallery III. San Saba IV. S. Paolo Fuori V. Pineta Torlonia SPRING 1897. I. Return at Midnight II. Villa Madama III. From Valmontone to Olevano IV. From Olevano to Subiaco V. Acqua Marcia VI. The Sacra Speco VII. The Valley of the Anio VIII. Vicovaro IX. Tor Pignattara X. Villa Adriana XI. S. Lorenzo Fuori XII. On the Alban Hills XIII. Maundy Thursday XIV. Good Friday XV. -
Progetto Per Un Parco Integrato Delle Mura Storiche
ROMA PARCO INTEGRATO DELLE MURA STORICHE Mura Aureliane - Mura da Paolo III a Urbano VIII Esterno delle Mura lungo viale Metronio Mura storiche di Roma 2 Pianta di Roma di Giovanni Battista Nolli - 1748 3 Mura di Roma, Grande Raccordo Anulare e anello ciclabile 4 Piano Regolatore Generale di Roma - 2003/2008 5 Ambiti di programmazione strategica: quadro di unione 1-Tevere 2-Mura 3-Anello ferroviario 1 4-Parco dell’Appia 5-Asse nord-sud 5 2 3 4 6 Pianta di Pietro Visconti (Archeologo) e Carlo Pestrini (Incisore)- 1827 7 Quadro di unione Forma Urbis Romae di Rodolfo Lanciani - 1893/1901 8 Piano Regolatore Generale di Roma - 1883 9 Piano Regolatore Generale di Roma - 1909 10 Piano Regolatore Generale di Roma - 1931 11 Piano Regolatore Generale di Roma - 1961 12 Stralcio Piano Regolatore Generale di Roma - 1961 13 Intersezioni delle Mura con gli assi viari storici e ambiti di progettazione 2 1 - Corso_Flaminia 2 - XX Settembre_Salario 3 - Laterano_Appio 4 - Caracalla_Appia Antica 1 5 - Marmorata_Ostiense 6 - Trastevere_Gianicolo Aurelia antica 6 5 3 4 14 Centralità lungo le Mura storiche 15 Parchi e ambiti di valorizzazione ambientale Villa Borghese Villa Doria Pamphili Parco dell’Appia 16 Ambito di programmazione strategica Mura - Risorse 17 Ambito di programmazione strategica Mura - Obiettivi 18 Progetto «Porte del Tempo» Museo del Sito UNESCO a Porta del Museo dei Bersaglieri Popolo di Porta Pia Museo garibaldino e repubblica Romana a Porta Portese e Porta San Pancrazio Museo delle Mura Museo della resistenza a Porta San a Porta Ostiense Sebastiano 19 Porta del Popolo (Flaminia) 20 Porta San Sebastiano (Appia Antica) 21 Porta San Paolo (Ostiense) 22 Parco lineare integrato 23 Schema direttore generale del progetto urbano delle Mura 24 Parco lineare integrato delle Mura - Progetti realizzati e approvati Responsabili del procedimento: Arch. -
Architectural Spolia and Urban Transformation in Rome from the Fourth to the Thirteenth Century
Patrizio Pensabene Architectural Spolia and Urban Transformation in Rome from the Fourth to the Thirteenth Century Summary This paper is a historical outline of the practice of reuse in Rome between the th and th century AD. It comments on the relevance of the Arch of Constantine and the Basil- ica Lateranensis in creating a tradition of meanings and ways of the reuse. Moreover, the paper focuses on the government’s attitude towards the preservation of ancient edifices in the monumental center of Rome in the first half of the th century AD, although it has been established that the reuse of public edifices only became a normal practice starting in th century Rome. Between the th and th century the city was transformed into set- tlements connected to the principal groups of ruins. Then, with the Carolingian Age, the city achieved a new unity and several new, large-scale churches were created. These con- struction projects required systematic spoliation of existing marble. The city enlarged even more rapidly in the Romanesque period with the construction of a large basilica for which marble had to be sought in the periphery of the ancient city. At that time there existed a highly developed organization for spoliating and reworking ancient marble: the Cos- matesque Workshop. Keywords: Re-use; Rome; Arch of Constantine; Basilica Lateranensis; urban transforma- tion. Dieser Artikel bietet eine Übersicht über den Einsatz von Spolien in Rom zwischen dem . und dem . Jahrhundert n. Chr. Er zeigt auf, wie mit dem Konstantinsbogen und der Ba- silica Lateranensis eine Tradition von Bedeutungsbezügen und Strategien der Spolienver- wendung begründet wurde. -
Rome Metro – Where Engineering Meets Art
Rome Metro – where engineering meets art tender estimate of €2.5bn and there Rome’s Metro Line C is a fascinating project on many levels. was talk of the whole line being As the two TBMs mining the latest section were preparing commissioned early in 2013, rather than in 2015 as expected. to pass by the city’s famed Colosseum, Kristina Smith took a The earliest ambition for Line C was that it would cross the tour round site. city from the northwest to the southeast with almost 40 stations. One of the first signs of the of Line C on behalf of the City Intersecting twice with the existing tunnelling works underway of Rome. “The Colosseum has metro Line A and once with Line beneath the centre of Rome been completely monitored with B, it would reduce congestion in are the huge metal braces sensors for horizonal and vertical the city centre and improve air supporting some of the city’s displacement and vibration since quality and passenger journeys. The historic monuments. The Aurelian 2015.” line is Rome’s first driverless one Walls are braced either side This latest section of Line C and features technology such as with a system of shoring in two consists of just two stations, Fori platform screen doors. locations. Similar support is visible Imperiali and Amba Aradam, 3km Metro C’s package of works on the Church of Santa Maria of parallel tunnels and two shafts. encompassed six sections of line – in Dominica and the Pilot of Known as Section T3, it runs right T2 through to T7 (see Figure 1) and Aqueduct Celimontano. -
Aqueduct Architecture: Moving Water to the Masses in Ancient Rome
Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 2006 Volume IV: Math in the Beauty and Realization of Architecture Aqueduct Architecture: Moving Water to the Masses in Ancient Rome Curriculum Unit 06.04.04 by Ralph Russo Introduction This unit seeks to raise awareness of basic, yet, historic principles of architecture as they apply to the provision of water to an urban center. Exploration of Roman aqueducts should serve this goal. It fits the study of classical civilizations in the ninth grade world civilizations curriculum. Moreover, it lends itself to interdisciplinary teaching, a great way for students to see things in context. Studying aqueduct architecture encourages proficiency in quantitative skills, language arts, and organizational skills. Quantitative activities such as measuring, using scale, and calculating volume facilitate developing math skills. Critical reading of primary and secondary sources, document based questions, discussion, reflective writing, descriptive writing, and persuasive writing teach and/or reinforce language arts skills. Readings and activities can also touch on the levels of organization or government necessary to design, build, and maintain an aqueduct. The unit is not a prescribed set of steps but is meant to be a framework through which objectives, strategies, activities, and resources can be added or adjusted to meet student needs, address curriculum goals, and help students to make connections between the past and contemporary issues. The inhabitants of Rome satisfied their need for water first from the Tiber River. Rome grew from a small farming community along the Tiber into the capitol city of an empire with almost one million inhabitants. -
Building in Early Medieval Rome, 500-1000 AD
BUILDING IN EARLY MEDIEVAL ROME, 500 - 1000 AD Robert Coates-Stephens PhD, Archaeology Institute of Archaeology, University College London ProQuest Number: 10017236 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10017236 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The thesis concerns the organisation and typology of building construction in Rome during the period 500 - 1000 AD. Part 1 - the organisation - contains three chapters on: ( 1) the finance and administration of building; ( 2 ) the materials of construction; and (3) the workforce (including here architects and architectural tracts). Part 2 - the typology - again contains three chapters on: ( 1) ecclesiastical architecture; ( 2 ) fortifications and aqueducts; and (3) domestic architecture. Using textual sources from the period (papal registers, property deeds, technical tracts and historical works), archaeological data from the Renaissance to the present day, and much new archaeological survey-work carried out in Rome and the surrounding country, I have outlined a new model for the development of architecture in the period. This emphasises the periods directly preceding and succeeding the age of the so-called "Carolingian Renaissance", pointing out new evidence for the architectural activity in these supposed dark ages. -
MUSSOLINI's ITALIAN and ITALIAN AMERICAN STUDIES Stanislao G
MUSSOLINI'S ITALIAN AND ITALIAN AMERICAN STUDIES Stanislao G. Pugliese Hofstra University Series Editor This publishing initiative seeks to bring the latest scholarship in Italian and Ital ian American history, literature, cinema, and cultural studies to a large audience of specialists, general readers, and students. I&IAS will feature works on mod ern Italy (Renaissance to the present) and Italian American culture and society by established scholars as well as new voices in the academy. This endeavor will help to shape the evolving fields of Italian and Italian American Studies by re emphasizing the connection between the two. The following editorial board of esteemed senior scholars are advisors to the series editor. REBECCA WEST JOHN A. DAVIS University of Chicago University of Connecticut FRED GARDAPHE PHILIP V. CANNISTRARO Stony Brook University Queens College and the Graduate School, CUNY JOSEPHINE GATTUSO HENDIN VICTORIA DeGRAZIA New York University Columbia University Queer Italia: Same-Sex Desire in Italian Literature and Film edited by Gary P. Cestaro July 2004 Frank Sinatra: History, Identity, and Italian American Culture edited by Stanislao G. Pugliese October 2004 The Legacy ofPrimo Levi edited by Stanislao G. Pugliese December 2004 Italian Colonialism edited by Ruth Ben-Ghiat and Mia Fuller July 2005 Mussolini's Rome: Rebuilding the Eternal City Borden W Painter Jr. July 2005 Representing Sacco and Vanzetti edited by Jerome A. Delamater and Mary Ann Trasciatti forthcoming, September 2005 Carlo Tresca: Portrait ofa Rebel Nunzio Pernicone forthcoming, October 2005 MUSSOLINI'S Rebuilding the Eternal City BORDEN W. PAINTER, JR. MUSSOLINI'S ROME Copyright © Borden Painter, 2005. Softcover reprint of the hardcover 1st edition 2005 978-1-4039-6604-9 All rights reserved. -
Commission on Genetic Resources for Food and Agriculture
June 2018 CGRFA/WG-PGR/9/18/Inf.1 Rev.1 E COMMISSION ON GENETIC RESOURCES FOR FOOD AND AGRICULTURE INTERGOVERNMENTAL TECHNICAL WORKING GROUP ON PLANT GENETIC RESOURCES FOR FOOD AND AGRICULTURE Ninth Session Rome, 25-27 July 2018 INFORMATION NOTE FOR PARTICIPANTS TABLE OF CONTENTS Paragraphs I. Informal Dialogue 1 - 2 II. Regional consultations 3 III. Ninth Session of the Intergovernmental Technical Working Group on Plant Genetic Resources for Food and Agriculture 4 - 5 IV. Registration Registration procedure 6 Access to FAO 7 - 8 V. Accommodation 9 VI. Facilities and additional services Banking and currency exchange facilities 10 Catering facilities and vending machines 11 - 14 Electricity 15 Emergency telephone numbers in Rome 16 Internet access, Wi-Fi, printing, photocopying, fax 17 - 20 Medical services 21 Postal services 22 Local transportation 23 - 24 Security 25 Taxis 26 Telephone 27 This document can be accessed using the Quick Response Code on this page; an FAO initiative to minimize its environmental impact and promote greener communications. Other documents can be consulted at www.fao.org 2 CGRFA/WG-PGR/9/18/Inf.1 Rev.1 I. INFORMAL DIALOGUE Building Linkages to Strengthen On-Farm Management of Farmer’s Varieties/Landraces: Community Seed Banks 24 July 2018 Red Room (1st floor, building A) 1. On 24 July 2018, an Informal Dialogue, entitled Building linkages to strengthen on-far management of farmer’s varieties/landraces: Community Seed Banks will be held in the Red Room (1st floor, Building A) at FAO Headquarters, from 10:00 to 17:00 hours. 2. The Informal Dialogue will precede the Ninth Session of the Intergovernmental Technical Working Group on Plant Genetic Resources for Food and Agriculture (Working Group). -
Roma Metropolitane Linea C ROME’S 21ST CENTURY CHARIOT
Roma Metropolitane Linea C ROME’S 21ST CENTURY CHARIOT www.metrocspa.it Roma Metropolitane Linea C ROME’S 21ST CENTURY CHARIOT Protecting the historic legacy of this tunnel network is just one of the engineering challenges that the team behind Roma Metropolitane has to overcome in bringing the project to realisation RESEARCH BY Abi Abagun 2 [ JULY 2021 ] BUSINESS EXCELLENCE BUSINESS EXCELLENCE [ JULY 2021 ] 3 ROMA METROPOLITANE LINEA C t is a long-held open secret of Business Excellence recently had the Background: C is for Challenge Rome that the city is traversed pleasure of speaking with Mr. Andrea Sciotti, “The soil of Rome is The C Line is the city of Rome’s third I underground by a labyrinth of Technical Director of Roma Metropolitane, underground line, running from the eastern tunnels. The city’s tunnel network has been and Project Manager of Linea C, about characterized by fluvial- suburbs of the city through to its historic city used for everything from catacombs to some of those engineering challenges, as lacustrine recent sediments centre. This route, leading into San Giovanni, mushroom farming, and from bomb shelters well as some of the hurdles unrelated to with extreme vertical and is already in operation. Determining its to an unofficial sewer system. Protecting engineering that had to be overcome. During route presented the first major challenge, the historic legacy of this tunnel network our interview, Mr. Sciotti exhibited something lateral lithological variations, as Mr. Sciotti tells us: “Italy has very strict is just one of the engineering challenges which appears common among teams on and gradual or abrupt conservation laws, so archaeology represented that the team behind Roma Metropolitane projects like Linea C forward: More than transitions.” the first major challenge for us to overcome.