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Descubra Las Obras De Arte Integradas En Las Nuevas Estaciones De Metro

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Descubra Las Obras De Arte Integradas En Las Nuevas Estaciones De Metro Descubra las obras de arte integradas en metro.net/art las nuevas estaciones de Metro Gold Line. Integradas en el creciente sistema de Metro Los Ángeles, las obras Tours de Metro Rail Art GRATUITOS de arte celebran las tradiciones, historias y aspiraciones de las Tours únicos guiados por miembros voluntarios del Concilio Docente de Metro Art están comunidades que son conectadas por la Extension Foothill. disponibles por cita especial para grupos de 15 ¡Explore por su cuenta! o más personas. Para más información llame al 213.922.2738 o visite Las fotografías son por cortesía de Gold Line Foothill Extension Authority. metro.net/art. Puente sobre la autopista 210 con dirección al este en Arcadia Andrew Leicester PUENTE GOLD LINE, 2012 El punto de referencia escultórico sirve como puerta de entrada simbólica al Valle de San Gabriel y como homenaje al paisaje natural y sus primeros pobladores. Está inspirado en los puntos de interés representativos de la Ruta 66 cercana y rinde homenaje a las cestas de los nativos americanos y a la serpiente cascabel diamantada del oeste. En colaboración con AECOM. Estación Arcadia Michael Davis CÉFIRO DE ARCADIA, 2015 La obra representa la historia de Arcadia con referencia a lugares de interés locales. Una escultura de veleta representa la flora y la fauna del cercano Arbolario y Jardín Botánico del Condado de Los Ángeles. Galopando la imaginería de las carreras de caballos incrustada dentro de los bancos y en los paneles de los barandales de acero rinde homenaje a la histórica pista de carreras del Parque Santa Anita. Una cubierta de vidrio inspirada en el pavo real honra al ave oficial de la ciudad. El diseño de plumas en adoquines de baldosas en el espacio de estacionamiento adyacente también alude al pavo real. Estación Monrovia Cha-Rie Tang RÍO DE TIEMPO, 2015 Las alusiones al flujo de agua y motivos de la era de los artes y oficios destacan el paisaje natural y el patrimonio arquitectónico de Monrovia. Una escultura de piedra de río tallada y vidrio de siete pies de alto se presenta en el paisaje de la plaza. Cientos de piezas cerámicas artesanales engalanan las rampas de entrada, las bases de las columnas del andén y la estructura del estacionamiento. Instalaciones de operación y mantenimiento de la División 24 Christie Beniston CAMPO DE AMAPOLAS, 2015 Un campo a gran escala de amapolas, compuesto por malla de acero con tejido arquitectónico simulando encaje, brinda un telón de fondo a la Plaza Evergreen, un nuevo recurso comunitario junto a las instalaciones de operación y mantenimiento de Foothill Gold Line. Estación Duarte/City of Hope Andrea Myklebust y Stanton Gray Sears ESPÍRITU DEL RÍO SAN GABRIEL, 2015 Columnas esculturales de acero y adoquines de bronce fundido hacen referencia a la historia de la zona. Un mapa topográfico, hojas de roble, un patrón de cesta Gabrielino-Tongva y una silla de montar de cuero con hechura del siglo 19 están tallados a mano en los capiteles voluminosos de las columnas de piedra caliza. Los diseños de bajo relieve de adoquines de bronce en los andenes de las estaciones recuerdan a las etiquetas de antaño popularizadas por la industria de cítricos local. Estación Irwindale Robin Brailsford PIONEROS DE LA RIVERA DE SAN GABRIEL, 2015 La obra de arte honra a las familias fundadoras de la zona que sacaron provecho de la geología local para crear una comunidad próspera y un centro industrial. Los textos inscritos en los paneles del barandal incluyen una canción para Irwindale y los nombres de su directorio centenario. Los mosaicos en los andenes y en la estructura de estacionamiento adyacente hacen referencia al río San Gabriel y los árboles de la vida de las familias. Estación Azusa Downtown José Antonio Aguirre UN PASAJE A TRAVÉS DE LA MEMORIA, 2015 Inspirado en la arquitectura histórica local y las tradiciones culturales de los primeros pobladores de la región, la obra cuenta con un par de portales monumentales con arcos estilo español en fibra de vidrio reforzada de concreto y mosaicos de vidrio hechos a mano. El diseño es basado en una cesta Gabrielino-Tongva y da vida a las bases de las columnas del andén. Estación APU/Citrus College Lynn Goodpasture PARAÍSO HORTÍCOLA AZUSA, 2015 Los bancos revestidos de mosaico y la luminosa cubierta de vidrio pintado a mano celebran patrimonio botánico de Azusa y a los individuos que han dado forma al paisaje de los alrededores. Visiones coloridas de elementos nativos incluyendo abejas, naranjas, jacinto silvestre, flor de camelia y la palma Washingtonia de California son homónimos de la identidad y el legado locales. Las imágenes botánicas van en cascada en la estructura de estacionamiento adyacente con diseños florales en el pavimento de concreto. Detalle de frente/reverso de la cubierta de Cha-Rie Tang, Río de Tiempo, 2015 en la estación Monrovia. Para más información acerca del programa Metro Art, visite metro.net/art. Obras de arte con derechos de autor, todos los derechos reservados. Art Guide Line Extension Metro Gold metro.net / art 16-1032eh ©2016 lacmta Discover the artworks featured at metro.net/art Metro’s new Gold Line stations. Integrated into Los Angeles’ growing Metro System, site-specific FREE Metro Rail Art Tours artworks celebrate the traditions, histories, and aspirations of Unique tours are led by volunteer members of the Metro Art Docent Council and are the distinctive communities of the stations that the Foothill Gold available by special arrangement for groups Line Extension connects. Explore for yourself! of 15 or more. For more information, call 213.922.2738 Photos provided courtesy the Gold Line Foothill Extension Authority. or visit metro.net/art. Bridge Spanning Eastbound I-210 Freeway in Arcadia Andrew Leicester GOLD LINE BRIDGE, 2012 The sculptural landmark serves as a symbolic gateway to the San Gabriel Valley, and as a tribute to the natural landscape and its earliest settlers. It is inspired by the iconic roadside attractions of nearby Route 66 and pays homage to Native American baskets and the Western Diamondback Rattlesnake. A collaboration with AECOM. Arcadia Station Michael Davis ARCADIAN ZEPHYR, 2015 The artwork depicts Arcadia’s history through references to local landmarks. A weathervane sculpture represents the flora and fauna of nearby Los Angeles County Arboretum and Botanic Garden. Galloping racehorse imagery embedded within the benches and on steel railing panels pays tribute to the historic Santa Anita Park racetrack. A peacock-inspired glass canopy honors the city’s official bird. The feathered design on tile pavers in the adjacent parking garage also allude to the peacock. Monrovia Station Cha-Rie Tang RIVER OF TIME, 2015 Allusions to flowing water and motifs of the Arts and Crafts era highlight Monrovia’s natural scenery and architectural heritage. A seven-foot- high river-carved rock and glass sculpture is presented in the plaza landscaping. Hundreds of handcrafted ceramic tiles enhance the entrance ramps, the bases of the platform columns and the parking structure. Division 24 Operations and Maintenance Facility Christie Beniston FIELD OF POPPIES, 2015 A large-scale field of poppies, composed of lace-like steel mesh architectural fabric, provides a backdrop to Evergreen Plaza, a new community amenity next to the Foothill Gold Line maintenance and operations facility. Duarte/City of Hope Station Andrea Myklebust and Stanton Gray Sears SPIRIT OF THE SAN GABRIEL RIVER, 2015 Sculptural steel columns and cast-bronze pavers signify the area’s history. A topographical map, oak leaves, a Gabrielino-Tongva basket pattern and a 19th-century tooled leather saddle are hand carved into the massive, limestone column capitals. The low-relief bronze paver designs on the station platforms reminisce upon yesteryear’s iconic crate labels popularized by the local citrus industry. Irwindale Station Robin Brailsford PIONEROS DE LA RIVERA DE SAN GABRIEL, 2015 The artwork honors the area’s founding families who capitalized on the local geology to create a thriving community and industrial center. Texts inscribed in the railing panels include a song for Irwindale and names from its centennial directory. Pavers on the platforms and adjacent parking structure reference the San Gabriel River and the families’ trees of life. Azusa Downtown Station Jose Antonio Aguirre A PASSAGE THROUGH MEMORY, 2015 Inspired by local historic architecture and the cultural traditions of the region’s earliest inhabitants, the artwork features a pair of monumental Spanish colonial-style arched portals in glass fiber-reinforced concrete and handmade glass mosaics. The patterns draw upon Gabrielino-Tongva basket designs and vivify the bases of the platform columns. APU/Citrus College Station Lynn Goodpasture AZUSA HORTICULTURAL PARADISE, 2015 The mosaic-clad benches and luminous hand-painted glass canopy celebrate Azusa’s botanical heritage and the individuals who have shaped the surrounding landscape. Colorful visions of native elements including honeybees, oranges, wild hyacinth, camellia flower and California fan palm epitomize the identity and legacy of the locale. The botanical imagery cascades into the adjacent parking structure with floral designs in the concrete paving. Front/back cover detail Monrovia Station Cha-Rie Tang, River of Time, 2015. For more information about the Metro Art program, visit metro.net/art. Artwork copyrighted, all rights reserved. Guía de Arte Line Gold Metro Extensión de metro.net / art 16-1032eh ©2016 lacmta.
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