Institute of Sacred Music 2010–2011
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T H E P Ro G
Thursday, April 19, 2018, at 7:30 pm m a Art of the Song r g o Mark Padmore , Tenor r P Paul Lewis , Piano e h SCHUMANN Liederkreis (1840) Morgens steh’ ich auf und frage T Es treibt mich hin Ich wandelte unter den Bäumen Lieb Liebchen Schöne Wiege meiner Leiden Warte, warte, wilder Schiffmann Berg’ und Burgen schaun herunter Anfangs wollt’ ich fast verzagen Mit Myrten und Rosen BRAHMS Es liebt sich so lieblich im Lenze Sommerabend Mondenschein (1878) Es schauen die Blumen Meerfahrt Der Tod, das ist die kühle Nacht Intermission Please make certain all your electronic devices are switched off. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Alice Tully Hall, Starr Theater Adrienne Arsht Stage Great Performers Support is provided by Rita E. and Gustave M. Hauser, Audrey Love Charitable Foundation, Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. Endowment support for Symphonic Masters is provided by the Leon Levy Fund. Endowment support is also provided by UBS. Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center UPCOMING GREAT PERFORMERS EVENTS: Friday, April 27 at 8:00 pm in David Geffen Hall Los Angeles Philharmonic Gustavo Dudamel, conductor ESA-PEKKA SALONEN: Pollux (New York premiere) VARÈSE: Amériques SHOSTAKOVICH: Symphony No. 5 Pre-concert -
XXVI CICLO DE LIED Recital 05 | TEATRO DE LA ZARZUELA | Lunes 13/01/20 20:00H
Centro nacional de Difusión Musical XXVI CICLO DE LIED rECItaL 05 | TEATRO DE LA ZARZUELA | LunEs 13/01/20 20:00h Christian Gerhaher BARítonO Gerold Huber piAnO Centro nacional de Difusión Musical Centro nacional de Difusión Musical UniVERsO BARROCO AUDiTORiO nACiOnAL DE MÚsiCA sala sinfónica 26/01/20 18:00h IL POMO D’ORO FRAnCEsCO CORTi DIrECtOr G. F. Haendel: Orlando M. E. Cencˇic´ COntratEnOr K. Lewek sOPranO D. Galou mEzzOsOPranO XXVI CICLO DE LIED rECItaL 05 | TEATRO DE LA ZARZUELA | LunEs 13/01/20 20:00h n. Rial sOPranO L. pisaroni bajO-barítOnO © Anna Hoffmann Christian Gerhaher BARítonO piAnO 02/03/20 19:30h Gerold Huber AKADEMIE FÜR ALTE MUSIK BERLIN | ISABELLE FAUST VIOLín BERnHARD FORCK COnCErtInO y DIrECCIón X. Löffler ObOE Obras DE j. s. bach y C. P. E. bach 22/03/20 19:00h EUROPA GALANTE FABiO BiOnDi DIrECtOr | s. Prina COntraLtO | H. summers y V. Genaux mEzzOsOPranOs s. Im, r. Invernizzi y m. Piccinini sOPranOs | m. borth bajO G. F. Haendel: Silla 05/04/20 18:00h VOX LUMINIS & FREIBURGER BAROCKORCHESTER | LiOnEL MEUniER DIrECtOr r. Höhn tEnOr j. s. bach: La Pasión según san Mateo síguenos cndm.mcu.es © Hugh Turvey para CNDM para © Hugh Turvey localidades: de 12€ a 50€, según concierto Auditorio nacional de Música Teatros del inAEM entradasinaem.es 902 22 49 49 * PrEsEntaCIón En EL Ciclo DE LIED Pantone 186c cmyk 100/81/0/4 pantone: 258C | cmyk 42/84/5/1 pantone: 144C | cmyk 0/50/100/0 pantone: 144C | cmyk 0/50/100/0 pantone: 2995C | cmyk 100/0/0/0 pantone: 370C | cmyk 50/0/100/25 pantone: 2935C | cmyk 100/46/0/0 pantone: -
Dr. Med. Christian Gerhaher Bariton Im Gespräch Mit Hans Jürgen Mende
BR-ONLINE | Das Online-Angebot des Bayerischen Rundfunks http://www.br-online.de/alpha/forum/vor0609/20060911.shtml Sendung vom 11.09.2006, 20.15 Uhr Dr. med. Christian Gerhaher Bariton im Gespräch mit Hans Jürgen Mende Mende: Willkommen, meine Damen und Herren, zum heutigen alpha-forum mit einem jungen Bariton, der in einer erstaunlich kurzen Zeit eine erstaunlich große Karriere gemacht hat, und das auf einem Sektor, auf dem man das normalerweise gar nicht erwartet. Herzlich willkommen, Christian Gerhaher. Gerhaher: Guten Abend, vielen Dank. Mende: Ich bin ja froh, dass Sie nicht auch noch Kammersänger sind, denn um Sie titelgerecht anzusprechen, müsste ich eigentlich schon Professor Dr. Christian Gerhaher sagen. Sie haben nämlich erstens eine Professur an der Musikhochschule und zweitens ein Medizinstudium absolviert, in dem Sie sogar promoviert haben. Erst dann haben Sie sich so richtig auf diesen Opernweg begeben. Heute sind Sie ein Mann, der es schafft, mit Liederabenden Säle zu füllen. das ist etwas ganz Besonderes, denn selbst renommierte Sänger, die Liederabende geben, haben oft Probleme, mehr als die ersten drei Reihen voll zu bekommen. Warum kommen die Leute Ihrer Meinung nach zu Ihnen? Was erwarten die Menschen von Ihnen? Gerhaher: Oh, Sie gehen wirklich gleich in medias res. Ich habe keine Ahnung. Ich denke mir und ich hoffe, dass die Leute erwarten, dem Komponisten und seinen Werken an so einem Abend vielleicht etwas näher zu kommen, als sie das bis dahin möglicherweise sind. Ich sage ausdrücklich "vielleicht", da ich natürlich selbst nicht wirklich weiß, was der Komponist meint. Ich kann nur immer hoffen, dem näher zu kommen. -
The Jacques Barzun Award Lecture
PERNICIOUS AMNESIA: COMBATING THE EPIDEMIC Response to the Conferral of the Inaugural Jacques Barzun Award The American Academy for Liberal Education Washington, D.C. 8 November 1997 Jaroslav Pelikan Sterling Professor Emeritus Yale University The Jacques Barzun Award for Outstanding Contributions to Liberal Education The American Academy for Liberal Education is proud to establish the Jacques Barzun Award, honoring outstanding contributions to liberal education. Named in honor of one of the Academy’s founders, and its honorary chairman, Jacques Barzun, the award recognizes and celebrates qualities of scholarship and leadership in liberal education so perfectly embodied by Dr. Barzun himself. A distinguished scholar, teacher, author, and university administrator (he served for twelve years as Dean of Faculties and Provost of Columbia University), Jacques Barzun is internationally known as one of our most thoughtful commentators on the cultural history of the modern period. Among his most recent books are Critical Questions (a collection of his essays from 1940-1980), A Stroll With William James, and A Word or Two Before You Go. He has reflected on contemporary education in Begin Here: The Forgotten Conditions of Teaching and Learning, Teacher in America, and The American University, How it Runs, Where it is Going. Even a full recounting of Jacques Barzun’s forty or so books and translations, or of his many honors (he is a member of the American Philosophical Society, the American Academy of Arts and Sciences, and a fellow of the Royal Society of Arts) would fail to do full justice to the extent of Barzun’s influence on liberal education in this country. -
Books Added to Benner Library from Estate of Dr. William Foote
Books added to Benner Library from estate of Dr. William Foote # CALL NUMBER TITLE Scribes and scholars : a guide to the transmission of Greek and Latin literature / by L.D. Reynolds and N.G. 1 001.2 R335s, 1991 Wilson. 2 001.2 Se15e Emerson on the scholar / Merton M. Sealts, Jr. 3 001.3 R921f Future without a past : the humanities in a technological society / John Paul Russo. 4 001.30711 G163a Academic instincts / Marjorie Garber. Book of the book : some works & projections about the book & writing / edited by Jerome Rothenberg and 5 002 B644r Steven Clay. 6 002 OL5s Smithsonian book of books / Michael Olmert. 7 002 T361g Great books and book collectors / Alan G. Thomas. 8 002.075 B29g Gentle madness : bibliophiles, bibliomanes, and the eternal passion for books / Nicholas A. Basbanes. 9 002.09 B29p Patience & fortitude : a roving chronicle of book people, book places, and book culture / Nicholas A. Basbanes. Books of the brave : being an account of books and of men in the Spanish Conquest and settlement of the 10 002.098 L552b sixteenth-century New World / Irving A. Leonard ; with a new introduction by Rolena Adorno. 11 020.973 R824f Foundations of library and information science / Richard E. Rubin. 12 021.009 J631h, 1976 History of libraries in the Western World / by Elmer D. Johnson and Michael H. Harris. 13 025.2832 B175d Double fold : libraries and the assault on paper / Nicholson Baker. London booksellers and American customers : transatlantic literary community and the Charleston Library 14 027.2 R196L Society, 1748-1811 / James Raven. -
Christian Gerhaher Barítono
70 Festival de Granada Biografías Christian Gerhaher Barítono Durante sus estudios con Paul Kuen y Raimund Grumbach, el barítono alemán Christian Gerhaher asistió a la Escuela de Ópera de la Academia de Música de Múnich y, junto con Gerold Huber, estudió interpretación de lied con Friedemann Berger. Mientras completaba sus estudios médicos, Christian Gerhaher perfeccionó su formación vocal en clases magistrales impartidas por Dietrich Fischer-Dieskau, Elisabeth Schwarzkopf e Inge Borkh. En la actualidad, el propio Christian Gerhaher enseña ocasionalmente en la Academia de Música y Teatro de Múnich, así como en la Real Academia de Música de Londres. Junto con su acompañante habitual de piano Gerold Huber, Christian Gerhaher se ha dedicado a la interpretación de lied desde hace 30 años, en conciertos y grabaciones, siendo galardonados con varios premios importantes. Este dúo de lied se puede escuchar en los escenarios de las principales salas internacionales de concierto, por ejemplo, en las salas de Nueva York, Concertgebouw y Muziekgebouw Amsterdam, Filarmónica de Colonia y Berlín, Cité de la Musique de París, Konzerthaus y Musikverein de Viena y Teatro de la Zarzuela de Madrid. Son invitados especialmente frecuentes en el Wigmore Hall de Londres. Christian Gerhaher y Gerold Huber actúan también regularmente en los principales festivales. Christian Gerhaher ha trabajado junto con directores como Sir Simon Rattle, Daniel Harding, Herbert Blomstedt, Bernard Haitink, Christian Thielemann, Kirill Petrenko, Nikolaus Harnoncourt, Pierre Boulez, Daniel Barenboim, Andris Nelsons, Kent Nagano y Mariss Jansons, dando conciertos en las principales salas de conciertos del mundo. Las orquestas que regularmente invitan a Christian Gerhaher a actuar incluyen la Orquesta Sinfónica de Londres, la Orquesta del Concertgebouw de Ámsterdam y, en particular, la Filarmónica de Berlín, donde fue el primer cantante en ser artista en residencia, así como la Orquesta Sinfónica de la Radio Sueca y la Orquesta Sinfónica de la Radio Bávara. -
T H E P Ro G
Sunday, April 29, 2018 at 3:00 pm m a Symphonic Masters r g o Los Angeles Philharmonic r Gustavo Dudamel, Conductor P John Holiday , Countertenor Julianna Di Giacomo , Soprano e Jennifer Johnson Cano , Mezzo-Soprano h Michael König , Tenor T Davóne Tines , Bass-Baritone Concert Chorale of New York James Bagwell , Choral Director BERNSTEIN Chichester Psalms (1965) Part I: Psalm 108:2—Psalm 100 Part II: Psalm 23—Psalm 2:1-4 Part III: Psalm 131—Psalm 133:1 Intermission BEETHOVEN Symphony No. 9 in D minor (1822–24) Allegro ma non troppo, un poco maestoso Scherzo: Molto vivace Adagio molto e cantabile— Presto—Allegro ma non troppo—Allegro assai (Choral finale) Please make certain all your electronic devices are switched off. This afternoon’s performance is dedicated to the memory of Paul Milstein, philanthropist and builder. These programs are supported by the Leon Levy Fund for Symphonic Masters. Symphonic Masters is made possible in part by endowment support from UBS. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. David Geffen Hall Great Performers Support is provided by Rita E. and Gustave M. Hauser, Audrey Love Charitable Foundation, Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. Endowment support for Symphonic Masters is provided by the Leon Levy Fund. Endowment support is also provided by UBS. Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center UPCOMING GREAT PERFORMERS EVENTS: Wednesday, May 2 at 7:30 pm in Alice Tully Hall Gerald Finley, bass-baritone Julius Drake, piano Songs by BEETHOVEN, SCHUBERT, TCHAIKOVSKY, and RACHMANINOFF Selection of favorite folk songs Friday, May 4 at 8:00 pm in David Geffen Hall London Symphony Orchestra Simon Rattle, conductor MAHLER: Symphony No. -
Institute of Sacred Music 2011–2012
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut Institute of Sacred Music 2011–2012 Institute of Music Institute Sacred 2011–2012 BULLETIN OF YALE UNIVERSITY Series 107 Number 14 September 1, 2011 BULLETIN OF YALE UNIVERSITY Series 107 Number 14 September 1, 2011 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, or PO Box 208227, New Haven CT 06520-8227 national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Linda Koch Lorimer University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and covered veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to the O∞ce for Equal Opportu- nity Programs, 221 Whitney Avenue, 203.432.0849 (voice), 203.432.9388 (TTY). -
Digital Concert Hall Where We Play Just for You
www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
LIEDERABEND CHRISTIAN GERHAHER Samstag, 19.11.2016 · 20.00 Uhr
LIEDERABEND CHRISTIAN GERHAHER Samstag, 19.11.2016 · 20.00 Uhr KONZERTHAUS DORTMUND CHRISTIAN GERHAHER BARITON GEROLD HUBER KLAVIER Abo: Liederabend In unserem Haus hören Sie auf allen Plätzen gleich gut – leider auch Husten, Niesen und Handy- klingeln. Ebenfalls aus Rücksicht auf die Künstler bitten wir Sie, von Bild- und Tonaufnahmen während der Vorstellung abzusehen. Wir danken für Ihr Verständnis! 2,50 E 4I5 ROBERT SCHUMANN (1810 – 1856) Lieder und Gesänge op. 77 (1850) ›Der frohe Wandersmann‹ ›Mein Garten‹ HECTOR BERLIOZ (1803 – 1869) ›Geisternähe‹ »Les nuits d’été« op. 7 (1841) ›Stiller Vorwurf‹ ›Villanelle‹ ›Aufträge‹ ›Le spectre de la rose‹ ›Sur les lagunes‹ Zwölf Gedichte op. 35 (1840) ›Absence‹ ›Lust der Sturmnacht‹ ›Au cimetière‹ ›Stirb, Lieb und Freud!‹ ›L’île inconnue‹ ›Wanderlied‹ ›Erstes Grün‹ ROBERT SCHUMANN ›Sehnsucht nach der Waldgegend‹ Vier Gesänge op. 142 (1840) ›Auf das Trinkglas eines verstorbenen Freundes‹ ›Trost im Gesang‹ ›Wanderung‹ ›Lehn deine Wang’‹ ›Stille Liebe‹ ›Mädchen-Schwermut‹ ›Frage‹ ›Mein Wagen rollet langsam‹ ›Stille Tränen‹ ›Wer machte dich so krank?‹ – Ende ca. 22.00 Uhr – ›Alte Laute‹ – Pause ca. 20.50 Uhr – 6I7 PROGRAMM 8I9 AUSDRUCK LEIBHAFTIGER TIEFE ROBERT SCHUMANN LIEDER UND GESÄNGE OP. 77 Über 260 Lieder hat Robert Schumann der Nachwelt hinterlassen. Damit steht er zahlenmäßig zwar im Schatten Franz Schuberts, der auf unglaubliche 634 Liedkompositionen kommt, doch das schmälert seine Bedeutung für die Gattung keineswegs. Es ist vor allem Schumanns Ver- mögen, ein »Gedicht in seiner leibhaftigen Tiefe« wiederzugeben, wie er selbst es als Zielvorgabe für den Liedkomponisten formuliert hat. Und genau darin zeigt sich seine überragende Bedeu- tung für die Geschichte des Liedes: Schumanns privilegierter Zugriff auf Musik und Literatur durch seine persönliche Doppelbegabung zeigt sich in der Fähigkeit, pianistische Virtuosität und satztechnische Komplexität mit einer unerhörten Sensibilität für das Wort zu verbinden. -
Digital Concert Hall Programme 2018/2019 3
2 DIGITAL CONCERT HALL PROGRAMME 2018/2019 3 WELCOME TO THE DIGITAL CONCERT HALL The 2018/2019 season marks a very special Zubin Mehta. Another highlight is the return phase in the history of the Berliner Philhar- on two occasions of Sir Simon Rattle, and moniker. Following on from the end of the with several debuts, new artistic connections Simon Rattle era, it is characterised by look- will also be made. Among the top-class guest ing forward to a new beginning when Kirill soloists is the pianist Daniil Trifonov to name Petrenko takes up office as chief conductor. but one, the Berliner Philharmoniker’s current Although this is not due until the summer of Artist in Residence. 2019, exciting joint concerts are on the hori- zon, beginning with the season opening con- Another special feature of this season: cert which is dedicated to the core repertoire the 10th anniversary of the Digital Concert of the Berliner Philharmoniker: a Beethoven Hall. On 17 December 2008, this unprece- symphony and two symphonic poems by dented project went online, followed by a first Richard Strauss. In the Digital Concert Hall live broadcast on 6 January 2009. Since then, we are also showing a tour concert from Lu- around 50 live concerts have been shown cerne, a programme with works by Schoen- per season. The video archive now holds more berg and Tchaikovsky in the spring of 2019, than 500 concert recordings, from the and Kirill Petrenko appears at the helm of the present day back to the Karajan era. There National Youth Orchestra of Germany as well.