Digital Concert Hall Where We Play Just for You

Total Page:16

File Type:pdf, Size:1020Kb

Digital Concert Hall Where We Play Just for You www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca. In addition to the symphonic season also reveal the rich diversity of classi- concerts of the Berliner Philharmoniker, there cal music. There is much here to discover, is a lot more to see and hear in the Digital such as the music of John Adams, the current Concert Hall Late Night concerts, education Composer in Residence of the Berliner Phil- projects, concerts by youth orchestras, inter- harmoniker. Many famous works from the or- views and documentaries. chestral repertoire are also represented, such as symphonies by Mahler with chief conduc- You can access all of this easily on the tor Sir Simon Rattle, Berlioz’s Symphonie device of your choice. Don’t miss anything – fantastique with Andris Nelsons, Mahler’s whether you’re at home or on the go, whether Das Lied von der Erde with Bernard Haitink, on the TV screen, on mobile devices or on works by Bruckner with Christian Thielemann, your computer. The Berliner Philharmoniker Verdi’s Requiem with Riccardo Chailly, are looking forward to your visit! Dvořák’s Symphony “From the New World” with Gustavo Dudamel, and much more. www.digital-concert-hall.com 2 DIGITAL CONCERT HALL PROGRAMME 2016/2017 3 TICKETS DEVICES Our tickets allow you to watch all concerts SUBSCRIPTION: and films in the Digital Concert Hall – as € 14.90 US$ 17 / MONTH often as you like, on any device you choose. With a 12-Month Ticket or Subscription, you Automatic renewal won’t miss any of the live broadcasts, plus Cancellation possible at any time you have permanent access to the archive. If you would like to try out the Digital Concert 12MONTH TICKET: Hall, we recommend our tickets with 7 or 30 € 149 US$ 169 days’ duration. Or you can explore the Digital Concert Hall free of charge with a no-obli- No automatic renewal gation registration which grants access to hundreds of interviews, to performances of 30-Day Ticket € 19.90 (US$ 23) our Educational Programme and a complete 7-Day Ticket € 9.90 (US$ 11) concert recording. By the way: the 12-Month Ticket, the 30- Day Ticket and the 7-Day Ticket are also Computer Streaming Devices available as gift vouchers. And, as a regis- At www.digital-concert-hall.com, not only can The Digital Concert Hall is also available for tered user, you can give a friend 48-hours’ you find out everything about our offer, but external streaming devices such as Apple TV, access free of charge! you can also watch all the videos – or do so Amazon Fire TV and the Google Nexus on your television too, via a cable connection. Player: a simple way to enjoy our concerts on television sets without their own Internet con- TV & Blu-ray nection. The Digital Concert Hall is installed as a free app on current devices from Sony, Samsung, Smartphone & Tablet LG, Loewe, Toshiba, Panasonic, Philips and Use our free mobile apps for iPhone and iPad Oppo. This allows you to easily enjoy great and for Android devices to be a guest in the concert experiences in your living room. Berlin Philharmonie wherever you happen to be – or to transmit the signal to your TV screen via Apple TV or Chromecast. PROGRAMME 2016/2017 5 PROGRAMME 2016/2017 AUGUST 2016 LIVE LIVE FROM THE PHILHARMONIE FRI 26 AUGUST 7 P.M. New York: 1 p.m. / Tokyo: Sat, 2 a.m. Berliner Philharmoniker Sir Simon Rattle Conductor Pierre Boulez Éclat (1st version for 15 instruments from 1965) Gustav Mahler Symphony No. 7 6 DIGITAL CONCERT HALL SEPTEMBER 2016 LIVE LIVE FROM THE PHILHARMONIE LIVE FROM THE PHILHARMONIE SAT 10 SEPTEMBER 7 P.M. SAT 24 SEPTEMBER 7 P.M. New York: 1 p.m. / Tokyo: Sun, 2 a.m. New York: 1 p.m. / Tokyo: Sun, 2 a.m. Berliner Philharmoniker Berliner Philharmoniker Andris Nelsons Conductor Daniele Gatti Conductor Claude Debussy Arthur Honegger Symphonie Prélude à l’après-midi d’un faune liturgique (Symphony No. 3) Edgard Varèse Henri Dutilleux Métaboles Arcana for large orchestra Claude Debussy La Mer Hector Berlioz Symphonie fantastique op. 14 In cooperation with Berliner Festspiele/ Musikfest Berlin LIVE FROM THE PHILHARMONIE SAT 17 SEPTEMBER 7 P.M. New York: 1 p.m. / Tokyo: Sun, 2 a.m. Berliner Philharmoniker John Adams Conductor Leila Josefowicz Violin John Adams Harmonielehre for orchestra John Adams Sheherazade.2, Dramatic Symphony for violin and orchestra In cooperation with Berliner Festspiele/ Musikfest Berlin PROGRAMME 2016/2017 9 OCTOBER 2016 LIVE LIVE FROM THE PHILHARMONIE LIVE FROM THE PHILHARMONIE SAT 01 OCTOBER 7 P.M. SAT 15 OCTOBER 7 P.M. New York: 1 p.m. / Tokyo: Sun, 2 a.m. New York: 1 p.m. / Tokyo: Sun, 2 a.m. Berliner Philharmoniker Berliner Philharmoniker Manfred Honeck Conductor Tugan Sokhiev Conductor Matthias Goerne Baritone Nikolai Lugansky Piano Antonín Dvořák Rusalka Fantasy, César Franck Le Chasseur maudit Suite from the opera, conceptualised by Sergei Rachmaninov Manfred Honeck, orchestrated by Tomáš Ille Rhapsody on a Theme of Paganini Orchestral songs by Richard Strauss for piano and orchestra op. 43 and lieder by Franz Schubert, Nikolai Rimsky-Korsakov arranged for orchestra Scheherazade, Symphonic Suite op. 35 Antonín Dvořák Symphony No. 8 in G major op. 88 LIVE FROM THE PHILHARMONIE FRI 28 OCTOBER 8 P.M. LIVE FROM THE PHILHARMONIE New York: 2 p.m. / Tokyo: Sat, 3 a.m. SAT 08 OCTOBER 7 P.M. Berliner Philharmoniker New York: 1 p.m. / Tokyo: Sun, 2 a.m. Iván Fischer Conductor Berliner Philharmoniker Christiane Karg Soprano Bernard Haitink Conductor Christian Elsner Tenor George Enescu Prélude à l’unison, Christian Gerhaher Baritone 1st movement from the Orchestral Suite No. 1 in C major op. 9 Franz Schubert Symphony No. 7 Béla Bartók Music for Strings, Percussion in B minor D 759 “Unfinished” and Celesta Sz 106 Gustav Mahler Das Lied von der Erde Wolfgang Amadeus Mozart Opera and concert arias for soprano and orchestra Wolfgang Amadeus Mozart Symphony No. 38 in D major K. 504 “Prague” 10 DIGITAL CONCERT HALL PROGRAMME 2016/2017 11 NOVEMBER 2016 DECEMBER 2016 LIVE LIVE LIVE FROM THE PHILHARMONIE Anton Webern Six Pieces for large LIVE FROM THE PHILHARMONIE LIVE FROM THE PHILHARMONIE FRI 04 NOVEMBER 8 P.M. orchestra op. 6 SAT 03 DECEMBER 7 P.M. SAT 10 DECEMBER 7 P.M. Arnold Schoenberg New York: 3 p.m. / Tokyo: Sat, 4 a.m. New York: 1 p.m. / Tokyo: Sun, 3 a.m. New York: 1 p.m. / Tokyo: Sun, 3 a.m. Five Pieces for orchestra op. 16 Berliner Philharmoniker Alban Berg Three Pieces for Berliner Philharmoniker Berliner Philharmoniker Sir Simon Rattle Conductor orchestra op. 6 Alan Gilbert Conductor Christian Thielemann Conductor Johannes Brahms Symphony No. 2 Frank Peter Zimmermann Violin Gidon Kremer Violin in D major op. 73 Anne Schwanewilms Soprano John Adams Short Ride in a Fast Machine Wiebke Lehmkuhl Alto Béla Bartók Violin Concerto No. 2 Sz 112 Michael Schade Tenor John Adams Lollapalooza for orchestra Franz-Josef Selig Bass Piotr Ilyich Tchaikovsky Symphony No. 4 Rundfunkchor Berlin in F minor op. 36 Gijs Leenaars Chorus Master Sofia Gubaidulina In tempus praesens, LIVE FROM THE PHILHARMONIE Concerto for violin and orchestra SUN 04 DECEMBER 11 A.M. Anton Bruckner Mass No. 3 in F minor New York: 5 a.m. / Tokyo: 7 p.m. Education Project: Family Concert LIVE FROM THE PHILHARMONIE SAT 10 DECEMBER 10 P.M. Horns of the Berliner Philharmoniker New York: 4 p.m. / Tokyo: Sun, 6 a.m. Sarah Willis Presenter Philharmonie “Late Night” Ho, Ho, Horn! Christmas Concert Members of the Berliner Philharmoniker Sir Simon Rattle Conductor Barbara Hannigan Soprano Gérard Grisey Quatre Chants pour franchir le seuil for soprano and 15 instruments 12 DIGITAL CONCERT HALL LIVE FROM THE PHILHARMONIE LIVE FROM THE PHILHARMONIE SAT 17 DECEMBER 7 P.M. SAT 31 DECEMBER 5:30 P.M. New York: 1 p.m. / Tokyo: Sun, 3 a.m. New York: 11:30 a.m.
Recommended publications
  • Fri, Aug 20, 2021
    Fri, Aug 20, 2021 - 09 Listener Requests on The Classical Station 1 Start Description Performers Requested by Additional 09:01:10 Overture to Candide / Bernstein Bournemouth Symphony/Litton Carol in Fuquay-Varina 09:06:32 Grand Canyon Suite / Grofé London Philharmonic George in Raleigh Orchestra/Handley 09:40:50 Rider March in C, D. 866 No. 1 / Vienna Academy Cathy in Menominee Falls, Schubert Orchestra/Haselbock Wisc. 09:51:27 Romance for String Orchestra, Op. 11 / Northern Sinfonia/Griffiths Vincent in Greensboro, Finzi NC 10:01:30 Radetzky March / Strauss Sr. Johann Strauss Orchestra Timothy in Rocky Mount, Vienna/Francek NC 10:05:38 Nuvole bianche / Einaudi Ludovico Einaudi Rachel in Raleigh 10:13:03 Suite Bergamasque / Debussy Alexis Weissenberg Kenneth in Apex, NC also for Linda in Whitewater, Wisc. 10:29:23 Piano Quintet in E flat, Op. 44 / Robert Schumann Ensemble Vivian in Carrboro, NC Schumann 11:00:20 Suite for Flute and Strings / Respighi Fabbriciani/Abruzzo Adrienne in Raleigh Symphony/Paszkowski 11:21:15 Eclogue for Piano and Strings / Finzi Jones/English String Cyndi in Raleigh Orchestra/Boughton 11:32:28 The Girl with the Flaxen Hair from Samson Francois Greg in Ronkonkoma, NY in memory of his Preludes, Book I / Debussy beloved wife, Carol 11:35:53 Partita No. 2 in C minor, BWV 826 / Simone Dinnerstein Desiree in Coconut Creek, Bach Fla. 12:00:25 Concerto in B minor for 4 Violins and English Concert/Pinnock Rhowan in Garner, NC Cello, Op. 3 No. 10 / Vivaldi 12:10:50 Recuerdos de la Alhambra / Tarrega David Russell Lynn in Durham, NC 12:17:30 Finlandia, Op.
    [Show full text]
  • Report to the Friends of Music
    Summer, 2020 Dear Friends of the Music Department, The 2019-20 academic year has been like no other. After a vibrant fall semester featur- ing two concerts by the Parker Quartet, the opening of the innovative Harvard ArtLab featuring performances by our faculty and students, an exciting array of courses and our inaugural department-wide throwdown–an informal sharing of performance projects by students and faculty–we began the second semester with great optimism. Meredith Monk arrived for her Fromm Professorship, Pedro Memelsdorff came to work with the Univer- sity Choir as the Christoph Wolff Scholar, Esperanza Spalding and Carolyn Abbate began co-teaching an opera development workshop about Wayne Shorter’s Iphigenia, and Vijay Iyer planned a spectacular set of Fromm Players concerts and a symposium called Black Speculative Musicalities. And then the world changed. Harvard announced on March 10, 2020 that due to COVID-19, virtual teaching would begin after spring break and the undergraduates were being sent home. We had to can- cel all subsequent spring events and radically revise our teaching by learning to conduct classes over Zoom. Our faculty, staff, and students pulled together admirably to address the changed landscape. The opera workshop (Music 187r) continued virtually; students in Vijay Iyer’s Advanced Ensemble Workshop (Music 171) created an album of original mu- sic, “Mixtape,” that is available on Bandcamp; Meredith Monk created a video of students in her choral class performing her work in progress, Fields/Clouds, and Andy Clark created an incredible performance of the Harvard Choruses for virtual graduation that involved a complicated process of additive recording over Zoom.
    [Show full text]
  • Mozart À Cordes Et À Plumes |
    Les Concerts du Mercredi à 18h Mozart à cordes et à plume Mercredi 4 octobre à 18h Wolfgang Amadeus Mozart Avec Divertimento en Fa Majeur KV 138 (125c) (1772) Les solistes du Concert d’Astrée [Allegro] Andante Agnieszka Rychlik, violon [Presto] Charles-Etienne Marchand, violon Quatuor à cordes en Sol Majeur KV 80 (73f), Michel Renard, alto dit « Quatuor Lodi » (1770) Felix Knecht, violoncelle Adagio Allegro et Menuetto Rondeau [allegro] Antoine Suarez-Pazos, récitant Lettres de W. A. Mozart : traduction complète par Henri de Curzon - Paris 1888 Brève de concert Dans la scène finale du premier acte de Cosi fan tutte, Despina déguisée en médecin chante : « Ceci est un fameux morceau d’aimant, pierre mesmérique qui eut son origine en Allemagne et fut ensuite si célèbre là-bas en France ». Elle soigne ainsi, avec cette pierre, Ferrando et Guglielmo feignant de s’être empoisonnés pour mettre fin à leur déception amoureuse. Da Ponte et Mozart évoquent dans cette grande scène comique le fondateur du magnétisme, Franz- Anton Mesmer qui exerça à Vienne en 1776 avant de se rendre à Paris. Mélomane averti et riche mécène, il reçut chez lui Gluck, Haydn et Mozart… Avant d’immortaliser cette référence dans son Cosi, le compositeur avait déjà croisé la route du médecin : c’est Mesmer qui probablement commanda Bastien und Bastienne au jeune Wolfgang Amadeus âgé de 12 ans, opéra qui précède de quelques mois les œuvres au programme de ce soir ! www.opera-lille.fr #operalille Note de programme Je me porte bien, grâce à Dieu; je baise les mains de maman, et la fi gure, le nez, la bouche et le cou de ma sœur et ma mauvaise plume, et le derrière s’il est propre.
    [Show full text]
  • June WTTW & WFMT Member Magazine
    Air Check Dear Member, The Guide As we approach the end of another busy fiscal year, I would like to take this opportunity to express my The Member Magazine for WTTW and WFMT heartfelt thanks to all of you, our loyal members of WTTW and WFMT, for making possible all of the quality Renée Crown Public Media Center content we produce and present, across all of our media platforms. If you happen to get an email, letter, 5400 North Saint Louis Avenue or phone call with our fiscal year end appeal, I’ll hope you’ll consider supporting this special initiative at Chicago, Illinois 60625 a very important time. Your continuing support is much appreciated. Main Switchboard This month on WTTW11 and wttw.com, you will find much that will inspire, (773) 583-5000 entertain, and educate. In case you missed our live stream on May 20, you Member and Viewer Services can watch as ten of the area’s most outstanding high school educators (and (773) 509-1111 x 6 one school principal) receive this year’s Golden Apple Awards for Excellence WFMT Radio Networks (773) 279-2000 in Teaching. Enjoy a wide variety of great music content, including a Great Chicago Production Center Performances tribute to folk legend Joan Baez for her 75th birthday; a fond (773) 583-5000 look back at The Kingston Trio with the current members of the group; a 1990 concert from the four icons who make up the country supergroup The Websites wttw.com Highwaymen; a rousing and nostalgic show by local Chicago bands of the wfmt.com 1960s and ’70s, Cornerstones of Rock, taped at WTTW’s Grainger Studio; and a unique and fun performance by The Piano Guys at Red Rocks: A Soundstage President & CEO Special Event.
    [Show full text]
  • The Pianist's Freedom and the Work's Constrictions
    The Pianist’s Freedom and the Work’s Constrictions What Tempo Fluctuation in Bach and Chopin Indicate Alisa Yuko Bernhard A thesis submitted in partial fulfilment of the requirements for the degree of Master of Music (Performance) Sydney Conservatorium of Music University of Sydney 2017 Declaration I declare that the research presented here is my own original work and has not been submitted to any other institution for the award of a degree. Alisa Yuko Bernhard 10 November 2016 i Abstract The concept of the musical work has triggered much discussion: it has been defined and redefined, and at times attacked and deconstructed, by writers including Wolterstorff, Goodman, Levinson, Davies, Nattiez, Goehr, Abbate and Parmer, to name but a few. More often than not, it is treated either as an abstract sound-structure or, in contrast, as a culturally constructed concept, even a chimera. But what is a musical work to the performer, actively engaged in a “relationship” with the work he or she is interpreting? This question, not asked often enough in scholarship, can be used to yield fascinating insights into the ontological status of the work. My thesis therefore explores the relationship between the musical work and the performance, with a specific focus on classical pianists of the twentieth and twenty-first centuries. I make use of two methodological starting-points for considering the nature of the work. Firstly, I survey what pianists have said and written in interviews and biographies regarding their role as interpreters of works. Secondly, I analyse pianists’ use of tempo fluctuation at structurally significant moments in a selection of pieces by Johann Sebastian Bach and Frederic Chopin.
    [Show full text]
  • Sat Oct 5 Program Notes
    PROGRAM NOTES: SAT / OCT 5 By Bill Crane, Director of Audience Engagement, Portland Piano International “When it comes to translating human emotions, the piano is the most perfect instrument I know.” – Marc-André Hamelin in his recent interview for BBC Music Magazine Whether as listener, student, teacher, composer, or performer, one has so many ways to approach the seemingly endlessly varied sonorities of the piano, ripe for expressing myriad emotions. As well, the piano allows a single performer to create such abundance of music – with such satisfying results, when in good hands – that composers for it have stretched its capacities tirelessly, always exploring possibilities. We live in a time well after all constraints of harmonic and formal practice that characterized music before the “modern” period were thrown off. Much of the music after the end of the 19th century, indeed, was quite reflective of the tumultuous times in which the Western world lived with boundless conflict and astounding change. This is particularly true, of course, of the Russian piano tradition, from which we will hear stellar examples in these recitals, but not there only. French music comes to mind, of course, with its own special harmonic innovations and suave, evocative ways. You are about to encounter bazillions of notes, more than seems humanly possible. More important, though, you are in for sublime artistry. This swirling world of music and musical ideas borne of many profound influences, some directly “artistic” and some esoteric (spiritual matters, political intrigue, lovers’ longing and laments), some clear to understand and others distinctly not so. I would bet that a majority of the pieces found in these two programs will be new to you, as they were to me.
    [Show full text]
  • Daniel Saidenberg Faculty Recital Series
    Daniel Saidenberg Faculty Recital Series Frank Morelli, Bassoon Behind every Juilliard artist is all of Juilliard —including you. With hundreds of dance, drama, and music performances, Juilliard is a wonderful place. When you join one of our membership programs, you become a part of this singular and celebrated community. by Claudio Papapietro Photo of cellist Khari Joyner Photo by Claudio Papapietro Become a member for as little as $250 Join with a gift starting at $1,250 and and receive exclusive benefits, including enjoy VIP privileges, including • Advance access to tickets through • All Association benefits Member Presales • Concierge ticket service by telephone • 50% discount on ticket purchases and email • Invitations to special • Invitations to behind-the-scenes events members-only gatherings • Access to master classes, performance previews, and rehearsal observations (212) 799-5000, ext. 303 [email protected] juilliard.edu The Juilliard School presents Faculty Recital: Frank Morelli, Bassoon Jesse Brault, Conductor Jonathan Feldman, Piano Jacob Wellman, Bassoon Wednesday, January 17, 2018, 7:30pm Paul Hall Part of the Daniel Saidenberg Faculty Recital Series GIOACHINO From The Barber of Seville (1816) ROSSINI (arr. François-René Gebauer/Frank Morelli) (1792–1868) All’idea di quell metallo Numero quindici a mano manca Largo al factotum Frank Morelli and Jacob Wellman, Bassoons JOHANNES Sonata for Cello, No. 1 in E Minor, Op. 38 (1862–65) BRAHMS Allegro non troppo (1833–97) Allegro quasi menuetto-Trio Allegro Frank Morelli, Bassoon Jonathan Feldman, Piano Intermission Program continues Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by The Bay Foundation and the Josephine Bay Paul and C.
    [Show full text]
  • Navigating, Coping & Cashing In
    The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings.
    [Show full text]
  • Friday 8 May 2020
    Koanga - New Zealand SO/John Hopkins Zealand National Youth Choir/Karen (EX Tartar TRL 020) Grylls (TRUST MMT 2016) 2:00 approx ELGAR: Nursery Suite - New Zealand JOPLIN: Maple Leaf Rag; Magnetic Rag (2) SO/James Judd (Naxos 8.557166) - Elizabeth Hayes (pno) (QUARTZ QTZ 2005) COPLAND: Down a Country Lane - Saint Friday 8 May 2020 BECK: Sinfonia in G minor Op 3/3 - Paul CO/Hugh Wolff (Teldec 77310) Toronto CO/Kevin Mallon (Naxos 5:00 approx 12:00 Music Through the Night 8.570799) BRAHMS: Violin Sonata No 2 in A Op 100 - RAMEAU: The Entrance of Polyhymnia, GAY: Virgins Are Like The Fair Flow'r, from Tasmin Little (vln), Piers Lane (pno) from Les Boréades - Ensemble The Beggar's Opera - Kiri Te Kanawa (sop), (Chandos CHAN 10977) Pygmalion/Raphaël Pichon (Harmonia National Phil/Richard Bonynge (Decca 475 VAUGHAN WILLIAMS: In the Fen Country - Mundi HMM902288) 459) London Festival Orch/Ross Pople (ASV CD DELIUS: Walk to the Paradise Garden - DETT: Eight Bible Vignettes - Denver DCA 779) Symphony Nova Scotia/Georg Tintner Oldham (piano) (New World NW 367) ANONYMOUS: Masque Dances - Alison (CBC Records SMCD 5134) HAN KUN SHA: Shepherd's Song - Melville (recorder), Margaret Gay (cello), CIMAROSA: Concerto in G for two flutes - Shanghai Quartet (Delos DE 3308) Peter Lehman (theorbo), Valerie Weeks Mathieu Dufour (fl), Alex Klein (ob), Czech 3:00 approx (hpschd) (EBS EBS 6016) National SO/Paul Freeman (Cedille CDR TELEMANN: Trumpet Concerto in D - DELIUS arr Fenby: Serenade, from Hassan 90000 080) Niklas Eklund (baroque tpt), - Julian Lloyd Webber
    [Show full text]
  • 5. September 2020 Vladimir Jurowski 2 BEETHOVEN – SINFONIE NR
    5. September 2020 Vladimir Jurowski 2 BEETHOVEN – SINFONIE NR. 7 „Der Stil also, den Schönberg und seine Schule sucht, ist eine neue Durchdringung des musika- lischen Materials in der Horizontalen und in der Vertikalen, eine Polyphonie, die ihre Höhepunkte bisher gefunden hat bei den Niederländern und bei Bach, und dann weiter bei den Klassikern.“ Anton Webern 4 PROGRAMM 5 Johann Sebastian Bach Anton Webern (1685 – 1750) (1883 – 1945) Fuga (2. Ricercata) à 6 voci aus Variationen für Orchester op. 30 5. September 2020 „Ein musikalisches Opfer“ BWV 1079, für Orchester gesetzt Alfred Schnittke Samstag /19 Uhr von Anton Webern (1934 – 1998) Philharmonie Berlin Concerto grosso Nr. 1 für zwei Alban Berg Violinen, Cembalo, präpariertes (1885 – 1935) Klavier und Streichorchester Drei Bruchstücke für Gesang und › Preludio. Andante Orchester aus der Oper „Wozzeck“ › Toccata. Allegro op. 7 nach Georg Büchners › Recitativo. Lento Drama – für den Konzertgebrauch › Cadenza VLADIMIR JUROWSKI eingerichtet von Alban Berg, Be- › Rondo. Agitato – Meno mosso – Anne Schwanewilms / Sopran arbeitung für kleines Orchester Tempo I Erez Ofer / Violine von Eberhard Kloke › Postludio. Andante – Allegro – Nadine Contini / Violine › Langsam (I. Akt, Szenen 2, 3) Andante Helen Collyer / Klavier und Cembalo › Thema, sieben Variationen und Kinderchor der Staatsoper Unter den Linden Berlin Fuge (III. Akt, Szene 1) Vinzenz Weissenburger / Choreinstudierung › Langsam (III. Akt, Szenen 4, 5) Ralf Sochaczewsky / Assistent des Chefdirigenten Rundfunk-Sinfonieorchester Berlin Liebe Konzertbesucher*innen! Schön, dass Sie da sind! Lassen Sie uns gemeinsam dafür sorgen, dass das nicht nur so bleiben, sondern bald wieder zur erfreulichen Normalität werden kann! Bitte beachten Sie die allgemeine Hygiene-, Husten- und Nies-Etikette, folgen Sie der besonderen Wegführung innerhalb des Hauses und halten Sie den Mindestabstand von 1,5 Metern ein.
    [Show full text]
  • 2018 Available in Carbon Fibre
    NFAc_Obsession_18_Ad_1.pdf 1 6/4/18 3:56 PM Brannen & LaFIn Come see how fast your obsession can begin. C M Y CM MY CY CMY K Booth 301 · brannenutes.com Brannen Brothers Flutemakers, Inc. HANDMADE CUSTOM 18K ROSE GOLD TRY ONE TODAY AT BOOTH #515 #WEAREVQPOWELL POWELLFLUTES.COM Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 408 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2018 available in Carbon Fibre. Orlando! 00 44 (0)20 8778 0752 [email protected] www.wisemanlondon.com MAKE YOUR MUSIC MATTER Longy has created one of the most outstanding flute departments in the country! Seize the opportunity to study with our world-class faculty including: Cobus du Toit, Antero Winds Clint Foreman, Boston Symphony Orchestra Vanessa Breault Mulvey, Body Mapping Expert Sergio Pallottelli, Flute Faculty at the Zodiac Music Festival Continue your journey towards a meaningful life in music at Longy.edu/apply TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ................................................................ 14 From the Convention Program Chair ................................................. 21 2018 Lifetime Achievement and Distinguished Service Awards ........ 22 Previous Lifetime Achievement and Distinguished
    [Show full text]
  • Ernst, Daniel & Andreas Ottensamer
    THE CLARINOTTS ERNST, DANIEL & ANDREAS OTTENSAMER THE CLARINOTTS 2 FELIX MENDELSSOHN 1809–1847 AMILCARE PONCHIELLI 1834–1886 Concert Piece for Clarinet, Basset Horn and Orchestra op. 113 7 Il convegno op. 76 9.54 arranged by Rainer Schottstädt The Meeting | Die Zusammenkunft | Le Rendez-vous 1 1. Allegro con fuoco 2.27 arranged by The Clarinotts 2 2. Andante 2.55 DANIEL OTTENSAMER clarinet I | ANDREAS OTTENSAMER clarinet II 3 3. Presto 2.23 WIENER VIRTUOSEN DANIEL OTTENSAMER clarinet | ANDREAS OTTENSAMER basset horn JEAN FRANÇAIX 1912–1997 WIENER VIRTUOSEN 8 Petit Quatuor: Cantilène (2nd mvt.) 2.28 WOLFGANG AMADEUS MOZART 1756–1791 arranged by Rainer Schottstädt 4 Trio “Soave sia il vento” from Mozart’s Così fan tutte 2.54 ANDREAS OTTENSAMER clarinet | DANIEL OTTENSAMER basset horn ERNST OTTENSAMER bass clarinet ANDREAS OTTENSAMER clarinet I | DANIEL OTTENSAMER clarinet II ERNST OTTENSAMER basset horn BELA KORENY *1946 WIENER VIRTUOSEN 9 Cinema I 10.25 FRANZ DOPPLER 1821–1883 & KARL DOPPLER 1825–1900 ANDREAS OTTENSAMER A clarinet | DANIEL OTTENSAMER B flat clarinet bass clarinet piano 5 Fantasy on Themes from Verdi’s Rigoletto 10.01 ERNST OTTENSAMER | CHRISTOPH TRAXLER arranged by Rainer Schottstädt WIENER VIRTUOSEN DANIEL OTTENSAMER clarinet I | ANDREAS OTTENSAMER clarinet II LUIZ BONFÁ 1922–2001 ERNST OTTENSAMER basset horn 0 Manhã de Carnaval 5.40 WIENER VIRTUOSEN THE CLARINMorning of Carnival | Karnevalsmorgen | MatinO de carnaval TTS GIOACCHINO ROSSINI 1792–1868 arranged by The Clarinotts 6 La danza 4.35 ANDREAS & DANIEL OTTENSAMER
    [Show full text]