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10-07 WL St Matthew_GP 9/24/14 12:00 PM Page 1 Tuesday and Wednesday Evenings, October 7–8, 2014, at 7:00 St. Matthew Passion (U.S. premiere production) Berliner Philharmoniker Simon Rattle , Conductor Peter Sellars , Director Mark Padmore , Evangelist Christian Gerhaher , Jesus Camilla Tilling , Soprano Magdalena Kožená , Mezzo-soprano Topi Lehtipuu , Tenor Eric Owens , Bass-baritone Rundfunkchor Berlin Simon Halsey , Chorus Master Boy Choristers of St. Thomas Church John Scott , Chorus Master This performance is approximately three hours and 40 minutes long, including intermission. Co-presented by Lincoln Center’s White Light Festival and Park Avenue Armory (Program continued) The White Light Festival is sponsored by Time Warner Inc. These performances are supported by The Andrew W. Mellon Foundation. Additional support provided by The Fan Fox and Leslie R. Samuels Foundation, Inc. and members of the Producers Circle. These performances are made possible in part by the Josie Robertson Fund for Lincoln Center. Wade Thompson Drill Hall, Please make certain all your electronic devices Park Avenue Armory are switched off. WhiteLightFestival.org 10-07 WL St Matthew_GP 9/24/14 12:00 PM Page 2 Endowment support is provided by the American Upcoming White Light Festival Events: Express Cultural Preservation Fund. Thursday–Saturday Evenings, October 9–11, MetLife is the National Sponsor of Lincoln Center. at 8:00 in Baryshnikov Arts Center, Jerome Robbins Theater Movado is an Official Sponsor of Lincoln Center. Chalk and Soot (New York premiere) Dance Heginbotham United Airlines is the Official Airline of Lincoln Brooklyn Rider Center. Co-presented with Baryshnikov Arts Center WABC-TV is the Official Broadcast Partner of Friday Evening, October 10, at 7:30 Lincoln Center. in the Church of St. Mary the Virgin Vespers William Hill Estate Winery is the Official Wine of Rundfunkchor Berlin Lincoln Center. Simon Halsey , Conductor RACHMANINOFF: All-Night Vigil Artist Catering is provided by Zabar’s and Zabars.com. Saturday Evening, October 11, at 7:30 in the New York Society for Ethical Culture Ecstatic Journeys Lincoln Center and Park Avenue Armory would Rizwan-Muazzam Qawwali like to thank Carnegie Hall for its collaboration in Pre-concert lecture at 6:15 making possible these Berliner Philharmoniker performances. Wednesday–Friday Evenings, October 15–17, at 7:30, and Saturday, October 18, at 2:00 The Berliner Philharmoniker residency in New York and 7:30 in the Rose Theater City is made possible by a leadership gift from the The Rite of Spring (New York premiere) Anna-Maria and Stephen Kellen Foundation, and Basil Twist , Director and Designer Marina Kellen French. Orchestra of St. Luke’s Jayce Ogren , Conductor Deutsche Bank is proud to support the Berliner ALL-STRAVINSKY PROGRAM Philharmoniker. Fireworks; Pulcinella Suite; The Rite of Spring Pre-concert discussion with Basil Twist and Jane Moss on Friday, October 17, at 6:15 at the Irene Diamond Education Center For tickets, call (212) 721-6500 or visit WhiteLightFestival.org. Call the Lincoln Center Info ReQuest Line at (212) 875-5766 to learn about pro - gram cancellations or to reQuest a White Light Festival brochure. Visit WhiteLightFestival.org for more information relating to the Festival’s programs. Join the conversation: #LCWhiteLight We would like to remind you that the sound of coughing and rustling paper might distract the performers and your fellow audience members. In consideration of the performing artists and members of the audience, those who must leave before the end of the performance are asked to do so between pieces. The taking of photographs and the use of recording eQuipment are not allowed in the building. 10-07 WL St Matthew_GP 9/24/14 12:00 PM Page 3 BACH St. Matthew Passion , BWV 244 (1727) First Part Chorus: Kommt, ihr Töchter, helft mir klagen Chorale: O Lamm Gottes unschuldig Recitative: Da Jesus diese Rede vollendet hatte Chorale: Herzliebster Jesu, was hast du verbrochen Recitative: Da versammleten sich die Hohenpriester Chorus: Ja nicht auf das Fest Recitative: Da nun Jesus war zu Bethanien Chorus: Wozu dienet dieser Unrat Recitative: Da das Jesus merkete Recitative: Du lieber Heiland du Aria: Buß und Reu Recitative: Da ging hin der Zwölfen einer Aria: Blute nur, du liebes Herz Recitative: Aber am ersten Tage der süßen Brot Chorus: Wo willst du, daß wir dir bereiten Recitative: Er sprach: Gehet hin in die Stadt Recitative: Und sie wurden sehr betrübt Chorus: Herr, bin ich’s Chorale: Ich bin’s, ich sollte büßen Recitative: Er antwortete und sprach Recitative: Wiewohl mein Herz in Tränen schwimmt Aria: Ich will dir mein Herze schenken Recitative: Und da sie den Lobgesang gesprochen hatten Chorale: Erkenne mich, mein Hüter Recitative: Petrus aber antwortete und sprach zu ihm Chorale: Ich will hier bei dir stehen Recitative: Da kam Jesus mit ihnen zu einem Hofe Recitative: O Schmerz! Hier zittert das geQuälte Herz Chorus: Was ist die Ursach’ aller solcher Plagen Aria: Ich will bei meinem Jesu wachen Chorus: So schlafen unsre Sünden ein Recitative: Und ging hin ein wenig Recitative: Der Heiland fällt vor seinem Vater nieder Aria: Gerne will ich mich beQuemen Recitative: Und er kam zu seinen Jüngern Chorale: Was mein Gott will, das g’scheh’ allzeit Recitative: Und er kam und fand sie aber schlafend Aria: So ist mein Jesus nun gefangen Chorus: Laßt ihn! Haltet! Bindet nicht Chorus: Sind Blitze, sind Donner in Wolken verschwunden Recitative: Und siehe, einer aus denen Chorale: O Mensch, bewein dein Sünde groß Intermission WhiteLightFestival.org 10-07 WL St Matthew_GP 9/24/14 12:00 PM Page 4 Second Part Aria: Ach! nun ist mein Jesus hin Chorus: Wo ist denn dein Freund hingegangen Recitative: Die aber Jesum gegriffen hatten Chorale: Mir hat die Welt trüglich gericht’ Recitative: Und wiewohl viel falsche Zeugen herzutraten Recitative: Mein Jesus schweigt zu falschen Lügen stille Aria: Geduld, geduld Recitative: Und der Hohepriester antwortete Chorus: Er ist des Todes schuldig Recitative: Da speieten sie aus in sein Angesicht Chorale: Wer hat dich so geschlagen Recitative: Petrus aber saß draußen im Palast Chorus: Wahrlich, du bist auch einer von denen Recitative: Da hub er an, sich zu verfluchen Aria: Erbarme dich Chorale: Bin ich gleich von dir gewichen Recitative: Des Morgens aber hielten alle Hohepriester Chorus: Was gehet uns das an Recitative: Und er warf die Silberlinge in den Tempel Aria: Gebt mir meinen Jesum wieder Recitative: Sie hielten aber einen Rat Chorale: Befiehl du deine Wege Recitative: Auf das Fest aber hatte der Landpfleger Gewohnheit Chorus: Laß ihn kreuzigen Chorale: Wie wunderbarlich ist doch diese Strafe Recitative: Der Landpfleger sagte Recitative: Er hat uns allen wohlgetan Aria: Aus Liebe will mein Heiland sterben Recitative: Sie schrieen aber noch mehr Chorus: Laß ihn kreuzigen Recitative: Da aber Pilatus sahe Chorus: Sein Blut komme über unsre Kinder Recitative: Da gab er ihnen Barrabam los Recitative: Erbarm es Gott Aria: Können Tränen meiner Wangen Recitative: Da nahmen die Kriegsknechte Chorus: Gegrüßet seist du, Jüdenkönig Recitative: Und speieten ihn an Chorale: O Haupt voll Blut und Wunden Recitative: Und da sie ihn verspottet hatten Recitative: Ja freilich will in uns das Fleisch und Blut Aria: Komm, süßes Kreuz, so will ich sagen Recitative: Und da sie an die Stätte kamen Chorus: Der du den Tempel Gottes zerbrichst Recitative: Desgleichen auch die Hohepriester Chorus: Andern hat er geholfen Recitative: Desgleichen schmäheten ihn auch die Mörder Recitative: Ach, Golgatha, unsel’ges Golgatha Aria: Sehet, Jesus hat die Hand Recitative: Und von der sechsten Stunde an Chorus: Der rufet dem Elias Recitative: Und bald lief einer unter ihnen 10-07 WL St Matthew_GP 9/24/14 12:00 PM Page 5 Chorus: Halt! laß sehen Recitative: Aber Jesus schriee abermal laut Chorale: Wenn ich einmal soll scheiden Recitative: Und siehe da, der Vorhang im Tempel zerriß Chorus: Wahrlich, dieser ist Gottes Sohn gewesen Recitative: Und es waren viel Weiber da Recitative: Am Abend, da es kühle war Aria: Mache dich, mein Herze, rein Recitative: Und Joseph nahm den Leib Chorus: Herr, wir haben gedacht Recitative: Pilatus sprach zu ihnen Recitative: Nun ist der Herr zur Ruh gebracht Chorus: Wir setzen uns mit Tränen nieder For the St. Matthew Passion libretto, visit WhiteLightFestival.org/events/st-matthew-passion . WhiteLightFestival.org 10-07 WL St Matthew_GP 9/24/14 12:00 PM Page 6 Note from the Director by Peter Sellars Imagine the first followers, broken and bereft the night after the Crucifixion. After a tri - umphal entry into Jerusalem, their leader was executed in public following a sham trial by a discredited government. How could everything have gone so wrong? Bach wrote the St. Matthew Passion not as a concert work and not as a work of theater, but as a transformative ritual reaching across time and space, uniting disparate and dispir - ited communities. His achievement is one of the most powerful acts of remembrance in human history. In the St. Matthew Passion , there are no spectators, only participants. We are all present as witnesses, all called upon to testify. Our own internal conflicts are exposed as the larger contradictions of the world, and our gradually expanding levels of personal and collective recognition lead to an expanded sense of personal and collective responsibility. The sheer scale of the work tests our endurance and becomes an over - whelming exercise in compassion. My ritual “staging” is primarily focused on Bach’s spatial imagination and the moral ener - gies that his dialogues and juxtapositions release. Bach’s musical images are often vividly pictorial, but they also move beyond the visual, passing through the tactile, to find their redemptive and healing power in the act of making music itself, which is its own kind of spiritual path of concentration, shared attention, and transcendent achievement.
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    Centro nacional de Difusión Musical XXVI CICLO DE LIED rECItaL 05 | TEATRO DE LA ZARZUELA | LunEs 13/01/20 20:00h Christian Gerhaher BARítonO Gerold Huber piAnO Centro nacional de Difusión Musical Centro nacional de Difusión Musical UniVERsO BARROCO AUDiTORiO nACiOnAL DE MÚsiCA sala sinfónica 26/01/20 18:00h IL POMO D’ORO FRAnCEsCO CORTi DIrECtOr G. F. Haendel: Orlando M. E. Cencˇic´ COntratEnOr K. Lewek sOPranO D. Galou mEzzOsOPranO XXVI CICLO DE LIED rECItaL 05 | TEATRO DE LA ZARZUELA | LunEs 13/01/20 20:00h n. Rial sOPranO L. pisaroni bajO-barítOnO © Anna Hoffmann Christian Gerhaher BARítonO piAnO 02/03/20 19:30h Gerold Huber AKADEMIE FÜR ALTE MUSIK BERLIN | ISABELLE FAUST VIOLín BERnHARD FORCK COnCErtInO y DIrECCIón X. Löffler ObOE Obras DE j. s. bach y C. P. E. bach 22/03/20 19:00h EUROPA GALANTE FABiO BiOnDi DIrECtOr | s. Prina COntraLtO | H. summers y V. Genaux mEzzOsOPranOs s. Im, r. Invernizzi y m. Piccinini sOPranOs | m. borth bajO G. F. Haendel: Silla 05/04/20 18:00h VOX LUMINIS & FREIBURGER BAROCKORCHESTER | LiOnEL MEUniER DIrECtOr r. Höhn tEnOr j. s. bach: La Pasión según san Mateo síguenos cndm.mcu.es © Hugh Turvey para CNDM para © Hugh Turvey localidades: de 12€ a 50€, según concierto Auditorio nacional de Música Teatros del inAEM entradasinaem.es 902 22 49 49 * PrEsEntaCIón En EL Ciclo DE LIED Pantone 186c cmyk 100/81/0/4 pantone: 258C | cmyk 42/84/5/1 pantone: 144C | cmyk 0/50/100/0 pantone: 144C | cmyk 0/50/100/0 pantone: 2995C | cmyk 100/0/0/0 pantone: 370C | cmyk 50/0/100/25 pantone: 2935C | cmyk 100/46/0/0 pantone:
  • Mark Padmore

    Mark Padmore

    ` BRITTEN Death in Venice, Royal Opera House, Covent Garden At the centre, there’s a tour de force performance by tenor Mark Padmore as the blocked writer Aschenbach, his voice apparently as fresh at the end of this long evening as at the beginning Erica Jeal, The Guardian, November 2019 Tenor Mark Padmore, exquisite of voice, presents Aschenbach’s physical and spiritual breakdown with extraordinary detail and insight Warwick Thompson, Metro, November 2019 Mark Padmore deals in a masterly fashion with the English words, so poetically charged by librettist Myfanwy Piper, and was in his best voice, teasing out beauty with every lyrical solo. Richard Fairman, The Financial Times, November 2019 Mark Padmore is on similarly excellent form as Aschenbach. Padmore doesn’t do much opera, but this role is perfect for him………Padmore is able to bring acute emotion to these scenes, without extravagance or lyricism, drawing the scale of the drama back down to the personal level. Mark Padmore Gavin Dixon, The Arts Desk, November 2019 Tenor ..It’s the performances of Mark Padmore and Gerald Finley that make the show unmissable. …Padmore……conveys so believably the tragic arc of Aschenbach’s disintegration, from pompous self-regard through confusion and brief ecstatic abandon to physical and moral collapse. And the diction of both singers is so clear that surtitles are superfluous. You will not encounter a finer performance of this autumnal masterpiece. Richard Morrison, The Times, November 2019 BACH St John Passion¸ Orchestra of the Age of Enlightenment, Simon Rattle. Royal Festival Hall, London Mark Padmore has given us many excellent evangelists, yet this heartfelt, aggrieved, intimate take on St John’s gospel narrative, sometimes spiked with penetrating pauses, still seemed exceptional.