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The Chamber Music Society of Lincoln Center
Concerts from the Library of Congress 2013-2014 THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC THE CHAMBER MUSIC SOCIETY oF LINCOLN CENTER Thursday, April 10, 2014 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building THE DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC Endowed by the late composer and pianist Dina Koston (1929-2009) and her husband, prominent Washington psychiatrist Roger L. Shapiro (1927-2002), the DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC supports commissions and performances of contemporary music. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Presented in association with: The Chamber Music Society’s touring program is made possible in part by the Lila Acheson and DeWitt Wallace Endowment Fund. Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Thursday, April 10, 2014 — 8 pm THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC THE CHAMBER MUSIC SOCIETY oF LINCOLN CENTER • Gilles Vonsattel, piano Nicolas Dautricourt, violin Nicolas Altstaedt, cello Amphion String Quartet Katie Hyun, violin David Southorn, violin Wei-Yang Andy Lin, viola Mihai Marica, cello Tara Helen O'Connor, flute Romie de Guise-Langlois, clarinet Jörg Widmann, clarinet Ian David Rosenbaum, percussion 1 Program PIERRE JALBERT (B. -
Das Rheingau Musik Festival Präsentiert Das Chamber Orchestra of Europe Mit Der Nachwuchselite Der Kronberg Academy
Pressemitteilung – Mit der Bitte um Veröffentlichung – Streichergipfel 2021: Das Rheingau Musik Festival präsentiert das Chamber Orchestra of Europe mit der Nachwuchselite der Kronberg Academy Oestrich-Winkel/Kronberg, 8.4.2021 – Die beiden großen Kulturinstitutionen der Rhein-Main- Region, das Rheingau Musik Festival als Veranstalter und die Kronberg Academy als Ausbildungsstätte, legen in diesem Sommer den Grundstein zu einer auf mehrere Jahre ausgelegten Kooperation. In sechs Konzerten wird das Chamber Orchestra of Europe am letzten Juli-Wochenende sein lang erwartetes Debüt beim Rheingau Musik Festival feiern und bei diesen Konzerten mit zehn jungen Solistinnen und Solisten der Kronberg Academy gemeinsam musizieren. An drei Tagen widmen sich je zwei Konzerte einer musikalischen Epoche: Die zwei Konzerte an Tag 1 nehmen die Epoche des Barock näher in den Blick, die zwei Konzerte am Folgetag Werke der Klassik und die letzten beiden Konzerte das romantische Repertoire. In diesen herausfordernden Zeiten möchte das Rheingau Musik Festival die Nachwuchsförderung auf einer breiteren Ebene sicherstellen und in die Zukunft führen. Gemeinsam können das Festival und die Kronberg Academy den jungen, aufstrebenden Musikerinnen und Musikern eine breitere Karriereentwicklung ermöglichen, von der Ausbildung in Kronberg über weitere nachhaltigere und vielfältige Auftrittsmöglichkeiten beim Rheingau Musik Festival und zusätzlichen Saisonveranstaltern der Region. Für das Festival ist es ein weiterer, wichtiger Baustein zur Identifizierung, Bindung und Begleitung der musikalischen Nachwuchselite auf ihrem Weg an die Weltspitze. Wenn diese Vorhaben zusätzlich mit einem international renommierten Spitzenensemble wie dem Chamber Orchestra of Europe als zukünftigem Residenzorchester im Casals Forum in Kronberg realisiert werden können, ist es für alle eine Win-Win-Situation. Raimund Trenkler: „Partnerschaften machen Freude, erst recht in diesem Fall, wo so wunderbare Dinge gemeinsam entstehen können. -
Cédric Pescia | Piano
Cédric Pescia | piano Biography | January 2021 Cédric Pescia, born in Lausanne, studied with Christian Favre in Lausanne, later with Dominique Merlet in Geneva and with Klaus Hellwig in Berlin. He continued his education at the “International Piano Academy” at Lake Como (Italy) as student of Dimitri Bashkirov, Leon Fleisher, William Grant Naboré, Menahem Pressler, Andreas Staier and Fou Ts’ong. Furthermore the young pianist got impulses from Pierre-Laurent Aimard, Daniel Barenboim, Dietrich Fischer-Dieskau, Ivan Klánsky, Christian Zacharias, and the Alban Berg Quartet. In 2002, he won one of the most prestigious competitions of the world, the Gina Bachauer International Artists Piano Competition” in Salt Lake City, in which more than 500 pianists from 40 countries took part. In 2007, Cédric Pescia was honoured with the Prix Musique de la Fondation Vaudoise pour la culture. He was also a prize-winner at the Bourse de la Fondation Leenaards in Lausanne. Concert tours have taken him throughout Europe, China, South America, North Africa and in the USA. He has performed at the Berlin Philharmonie, the Berlin Konzerthaus, the Hamburg Laieszhalle, Kölner Philharmonie, the Mozarteum Salzburg, Tonhalle Zurich and Tonhalle Düsseldorf, Carnegie Hall New York, Shanghai Oriental Arts Center, Wigmore Hall London and Frick Collection New York, Cité de la musique Paris, Vienna Konzerthaus, in Istanbul and in Moscow. He has appeared in leading music festivals such as: Prague Spring Festival, Lucerne Festival, Menuhin Festival-Gstaad, Schleswig-Holstein Musik Festival, Klavierfestival Ruhr, Sommets Musicaux de Gstaad, Davos Festival, Festspiele Mecklenburg-Vorpommern, Rheingau Musik Festival, Busoni Festival Bolzano, Festival de Radio France et Montpellier, International Piano Festival in Miami, Festival Chopin à Bagatelle, Festival d’Eté de Bordeaux, Les Muséiques Basel and Schubertiade Hohenems. -
2013–2014 Season | Week 5
bernard haitink conductor emeritus seiji ozawa music director laureate 2013–2014 Season | Week 5 andris nelsons music director designate season sponsors Table of Contents | Week 5 7 bso news 15 on display in symphony hall 16 the boston symphony orchestra 19 a brief history of symphony hall 23 andris nelsons becomes bso music director designate 27 this week’s program Notes on the Program 28 The Program in Brief… 29 Richard Wagner 37 Wolfgang Amadè Mozart 43 Johannes Brahms 55 To Read and Hear More… Artists 63 Andris Nelsons 64 Paul Lewis 66 sponsors and donors 80 future programs 82 symphony hall exit plan 84 symphony hall information the friday preview talk on october 18 is given by bso assistant director of program publications robert kirzinger. program copyright ©2013 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photo of Andris Nelsons by Marco Borggreve BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org andris nelsons, ray and maria stata music director designate bernard haitink, lacroix family fund conductor emeritus, endowed in perpetuity seiji ozawa, music director laureate 133rd season, 2013–2014 trustees of the boston symphony orchestra, inc. Edmund Kelly, Chair William F. Achtmeyer • David Altshuler • George D. Behrakis • Jan Brett • Paul Buttenwieser • Ronald G. Casty • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Diddy Cullinane • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. Henry • Charles W. Jack, ex-officio • Stephen B. Kay • Joyce G. Linde • John M. Loder • Nancy K. -
Pierluigi Camicia Bennewitz Quartet
BENNEWITZ QUARTET JAKUB FIŠER violino ŠTĚPÁN JEŽEK violino JIŘÍ PINKAS viola ŠTĚPÁN DOLEŽAL violoncello PIERLUIGI CAMICIA pianoforte Schumann | Dvořák FONDATORI PARTNERS CONSIGLIO DI INDIRIZZO Presidente Sovrintendente Antonio Decaro Direttore artistico Massimo Biscardi Vice Presidente Corrado Petrocelli Consiglieri Direttore stabile Sara Allegretta Giampaolo Bisanti Michele Bollettieri Vito Mormando Maestro del coro Matteo Pertosa Fabrizio Cassi COLLEGIO REVISORI DEI CONTI Presidente Anna Luisa Carra 2 3 Membri effettivi Sergio Lafortezza Rosa Valicenti SPONSOR TECNICO FONDATORI Ministero per i Beni e le Attività Culturali e per il Turismo Regione Puglia Comune di Bari Città Metropolitana di Bari PER UN TEATRO DA TUTELARE. Costruzioni Barozzi Altamura [ Bari ] - Italy BENNEWITZ QUARTET PROGRAMMA JAKUB FIŠER violino Robert Schumann [1880 - 1968] ŠTĚPÁN JEŽEK violino Quintetto per pianoforte e archi, in Mi bemolle maggiore, op. 44 JIŘÍ PINKAS I. Allegro brillante viola II. In modo d’una marcia. Un poco largamente. Agitato III. Scherzo. Molto vivace, Trio I et II ŠTĚPÁN DOLEŽAL IV. Allegro, ma non troppo violoncello PIERLUIGI CAMICIA pianoforte Antonín Dvořák [1770 - 1827] 10 Quintetto n. 2, in La maggiore, 11 per pianoforte e archi, op. 81 I. Allegro, ma non tanto TEATRO PETRUZZELLI II. Dumka, Andante con moto trasmissione in streaming III. Scherzo-Furiant: Molto vivace IV. Allegro domenica 13 dicembre 2020 ore 19.00 MENO RIGORE, PIÙ SAPORE di Enrico Girardi Se si dimentica per un momento l’op. 34 di Brahms, opera la cui bellezza non prescinde dall’alto grado di complessità, dovuto alla personalità dell’autore e a una genesi travagliata come poche, si può dire che il Quintetto con pianoforte, ovvero il Quintetto per pianoforte e quartetto d’archi, si presenta agli ascoltatori come genere meno ambizioso e severo non solo del Quartetto per archi ma anche dello stesso Quintetto per soli archi (con due violoncelli o due viole). -
Programme Artikulationen 2017
Programme ARTikulationen 2017 Introduction 2 Research Festival Programme 4 Thursday, 5 October 2017 6 Friday, 6 October 2017 29 Saturday, 7 October 2017 43 Further Doctoral Researchers (Dr. artium), Internal Supervisors and External Advisors 51 Artistic Doctoral School: Team 68 Venues and Public Transport 69 Credits 70 Contact and Partners 71 1 Introduction ARTikulationen. A Festival of Artistic Research (Graz, 5–7 October 2017) Artistic research is currently a much-talked about and highly innovative field of know- ledge creation which combines artistic with academic practice. One of its central features is ambitious artistic experiments exploring musical and other questions, systematically bringing them into dialogue with reflection, analysis and other academic approaches. ARTikulationen, a two-and-a-half day festival of artistic research that has been running under that name since 2016, organised by the Artistic Doctoral School (KWDS) of the Uni- versity of Music and Performing Arts Graz (KUG), expands the pioneering format deve- loped by Ulf Bästlein and Wolfgang Hattinger in 2010, in which the particular moment of artistic research – namely audible results, which come about through a dynamic between art and scholarship that is rooted in methodology – becomes something the audience can understand and experience. In Alfred Brendel, Georg Friedrich Haas and George Lewis, the festival brings three world- famous and influential personalities and thinkers from the world of music to Graz as key- note speakers. George Lewis will combine his lecture with a version of his piece for soloist and interactive grand piano. The presentations at ARTikulationen encompass many different formats such as keynotes, lecture recitals, guest talks, poster presentations and a round table on practices in artistic research. -
27Th IAMA International Conference Shohei Abe Executive Vice President AMATI Inc. Ark Hills Executive Tower S201 1-14-5 Akasaka
27th IAMA International Conference Shohei Abe Mathieu Abelli Ahmed Abouzahra Executive Vice President Founder, President of Opera Musica General Manager AMATI Inc. Opera Musica Arabesque International LLC Ark Hills Executive Tower S201 10, allée des Champs Elysées P.O.Box. 287, jawharat Al-Shatti, 1-14-5 Akasaka F-91042 Evry Shatti Al Qurum Minato-ku France Muscat Tokyo [email protected] 134 107-0052 www.operamusica.com Oman Japan +968 24 494 553 +81 3 3560 3007 [email protected] +81 3 3560 3008 www.arabesqueint.com [email protected] www.amati-tokyo.com Kristina Aljinovic John Anderson Marie Andrieux Managing Director Odradek Records Déléguée générale Specialised Travel Ltd 1040 New Hampshire Street Le Poème Harmonique 12-15 Hanger Green Lawrence KS 66044 128 rue Léon Salva London USA F-76300 Sotteville-lès-Rouen W5 3EL +1 785 842 2756 France United Kingdom +1 785 371 0246 +33 2 3514 2090 +44 20 8799 8322 [email protected] +33 2 3515 4107 +44 20 8998 7965 www.odradek-records.com [email protected] [email protected] www.lepoemeharmonique.fr www.stlon.com Peter Ansell Wray Armstrong Jonas Arndt Director/Head of International Touring CEO MünchenMusik GmbH & Co KG Intermusica Artists' Management Ltd Armstrong Music and Arts Widderstrasse 20 Crystal Wharf DRC, Suite 12-2, Building 4-2, D-81679 München 36 Graham Street 1 XiuShui Bei Lu, Chaoyang District Germany London Changyang District, Beijing +49 89 9438 960 N1 8GJ 100600 +49 89 9393 1123 United Kingdom China [email protected] +44 20 7608 9900 -
International Viola Congress
CONNECTING CULTURES AND GENERATIONS rd 43 International Viola Congress concerts workshops| masterclasses | lectures | viola orchestra Cremona, October 4 - 8, 2016 Calendar of Events Tuesday October 4 8:30 am Competition Registration, Sala Mercanti 4:00 pm Tymendorf-Zamarra Recital, Sala Maffei 9:30 am-12:30 pm Competition Semifinal,Teatro Filo 4:00 pm Stanisławska, Guzowska, Maliszewski 10:00 am Congress Registration, Sala Mercanti Recital, Auditorium 12:30 pm Openinig Ceremony, Auditorium 5:10 pm Bruno Giuranna Lecture-Recital, Auditorium 1:00 pm Russo Rossi Opening Recital, Auditorium 6:10 pm Ettore Causa Recital, Sala Maffei 2:00 pm-5:00 pm Competition Semifinal,Teatro Filo 8:30 pm Competition Final, S.Agostino Church 2:00 pm Dalton Lecture, Sala Maffei Post-concert Café Viola, Locanda il Bissone 3:00 pm AIV General Meeting, Sala Mercanti 5:10 pm Tabea Zimmermann Master Class, Sala Maffei Friday October 7 6:10 pm Alfonso Ghedin Discuss Viola Set-Up, Sala Maffei 9:00 am ESMAE, Sala Maffei 8:30 pm Opening Concert, Auditorium 9:00 am Shore Workshop, Auditorium Post-concert Café Viola, Locanda il Bissone 10:00 am Giallombardo, Kipelainen Recital, Auditorium Wednesday October 5 11:10 am Palmizio Recital, Sala Maffei 12:10 pm Eckert Recital, Sala Maffei 9:00 am Kosmala Workshop, Sala Maffei 9:00 am Cuneo Workshop, Auditorium 12:10 pm Rotterdam/The Hague Recital, Auditorium 10:00 am Alvarez, Richman, Gerling Recital, Sala Maffei 1:00 pm Street Concerts, Various Locations 11:10 am Tabea Zimmermann Recital, Museo del Violino 2:00 pm Viola Orchestra -
Rheingau Music Festival 2020 the 33Rd “A Summer Full of Music” – from 20 June to 5 September 2020
Press release – Please publish – Rheingau Music Festival 2020 The 33rd “A summer full of music” – from 20 June to 5 September 2020 Oestrich-Winkel, 23 January 2020 – At a press conference in Oestrich-Winkel, the Artistic Director of the Rheingau Music Festival, Michael Herrmann, unveiled the programme for the 33rd season. Lisa Ballhorn and Timo Buckow (both from the programme planning team for the Rheingau Music Festival), Marsilius von Ingelheim (Managing Director of Rheingau Musik Festival Konzert GmbH), Dr. jur. Heinz-Georg Sundermann (Managing Director of LOTTO Hessen) and Claus Wisser (Chairman of Rheingau Musik Festival e.V.) were also on the platform. The 33rd Rheingau Music Festival will take place from 20 June to 5 September 2020, and is themed around the concept of “freedom”. As the Artist in Residence, Lisa Batiashvili will be showcasing all her talent in four concerts featuring music ranging from Bach to Arvo Pärt. The soprano Julia Lezhneva will be appearing in five events as the Focus Performer, with music from Bach to Rachmaninoff. Gabriela Montero is this year’s Composer & Artist in Residence. In three events, she will be performing some of her own compositions, together with works by composers ranging from Wolfgang Amadeus Mozart to Alfred Schnittke. As the Focus Jazz Performer, Wolfgang Haffner will be showcasing the entire gamut of his musical flair in four events, supported by virtuosi like Michael Wollny, Max Mutzke and Thomas Quasthoff. This year the Rheingau Music Festival will also be spotlighting the 250th anniversary of Ludwig van Beethoven’s birth, celebrating the great composer with numerous concerts and events. -
Rheingau Musik Festival 2021
Rheingau Musik Festival 2021 – Pressemappe – Rheingau Musik Festival Konzertgesellschaft mbH Rheinallee 1, 65375 Oestrich-Winkel Sabine Siemon M.A. Leitung Presse- und Öffentlichkeitsarbeit Tel.: 0 67 23 / 91 77 – 15 / Fax: 0 67 23 / 91 77 – 19 [email protected] Hauptsponsor Rheingau Musik Festival 2021 – Inhalt der Pressemappe – Rheingau Musik Festival 2021: Daten – Zahlen – Fakten 3 Das Rheingau Musik Festival multimedial entdecken 4 Konzertgenuss – aber sicher 5 Artist in Residence: Khatia Buniatishvili 6 Fokus: Bomsori Kim 7 Fokus: Tenebrae Choir 9 Spot on: Mozart 10 Piazzolla: 100. Geburtstag 12 Next Generation 13 Jazz & more 15 Festival für Kinder und Jugendliche 17 Weitere Programmhöhepunkte des 34. Festivalsommers 18 Die Sponsoren des Rheingau Musik Festivals 2021 21 Die Co-Sponsoren des Rheingau Musik Festivals 22 Die Premium-Projektpartner beim Rheingau Musik Festival 23 Digitalpartner: Deutsche Telekom 25 Medienpartner: Hessischer Rundfunk 26 Informationen der Presseabteilung und Ansprechpartnerin 28 Bestellung von Pressekarten 29 Rheingau Musik Festival 2021 Daten – Zahlen – Fakten Das 34. Rheingau Musik Festival findet vom 26. Juni bis zum 5. September 2021 statt. An einem Wochenende im Juli steht konzentriert Wolfgang Amadeus Mozarts Werk und Wirken im Mittelpunkt. Daneben wird der 100. Geburtstag des argentinischen Tangokönigs Astor Pia- zzolla mit einem musikalischen Porträt gefeiert. Herausragende Künstlerpersönlichkeiten und eines der besten Vokalensembles der Welt werden das Programm in diesem Jahr prägen: Artist in Residence Khatia Buniatishvili, Fokus-Künstlerin Bomsori Kim und der Tenebrae Choir begleiten die gesamte Festivalsaison 2021 mit einzigartigen Konzertprojekten. 192 Konzerte werden an 22 Spielstätten des Rheingaus und benachbarter Regionen veran- staltet. 115.000 Eintrittskarten stehen für die Konzerte zur Verfügung. -
Gluck and Neoclassicism Och Neoklassicismen
Gluck and neoclassicism och neoklassicismen 2014 CONTENTS | INNEHÅLL Welcome from the Artistic Director | Välkomstord 5 Sponsors | Sponsorer 8 Ulriksdals Palace Theatre Confidencen | Ulriksdals Slottsteater Confidencen 10 Swedish Academy for Realist Art | Realistisk Konstskola 14 Other venues | Övriga scener 18 PROGRAMMES | PROGRAM Neo-Orpheus meets Prince | Neo-Orfeus möter Prince 22 Celestial Harmonies | Himmelska klanger 28 3 Neoclassical Musketeers | 3 Neoklassiska Musketörer 29 A Noble Simplicity | Ädel enkelhet 32 Nordic Mass | Nordisk mässa 38 The Parthenon Frieze: A Symphony in Stone | Parthenonfrisen: en symfoni i sten 44 To the Mount of the Muses | Till musernas berg 46 An Etruscan Acrobat | En etruskisk akrobat 60 A Neoclassical Surprise | En neoklassisk överraskning 62 Gluck and 3 Neos | Gluck och 3 neos 64 Dance of the Blessed Spirits | Dans på de saligas ängder 70 A Neoclassical Mandolin | En neoklassisk mandolin 74 A Neoclassical Jazz | En neoklassisk jazz 78 ARTISTS | ARTISTER Soloists | Solister 86 Singers and Ensembles | Sångare och ensembler 96 Conductors and Composers | Dirigenter och tonsättare 100 Lecturers, Readers, Writers and Editors | Föreläsare, uppläsare, författare och redaktörer 104 Visual Artists and Designers | Konstnärer och designers 108 WELCOME from the ARTISTIC DIRECTOR It has been an eventful year for O/MODERNT. We have had our first O/MODERNT-inspired con - certs at the Muziekgebouw aan’t IJ in Amsterdam and have embarked on exciting collaborations with the Bath, St Magnus and SONORO festivals. The O/MODERNT Kammarorkester will also have its inaugural season at Musikaliska, with a series of concerts throughout the year. The orchestra has been invited to perform at Young Euro Classic 2014 in Berlin and at King’s Place in London in 2015. -
2016-Program-Book-Corrected.Pdf
A flagship project of the New York Philharmonic, the NY PHIL BIENNIAL is a wide-ranging exploration of today’s music that brings together an international roster of composers, performers, and curatorial voices for concerts presented both on the Lincoln Center campus and with partners in venues throughout the city. The second NY PHIL BIENNIAL, taking place May 23–June 11, 2016, features diverse programs — ranging from solo works and a chamber opera to large scale symphonies — by more than 100 composers, more than half of whom are American; presents some of the country’s top music schools and youth choruses; and expands to more New York City neighborhoods. A range of events and activities has been created to engender an ongoing dialogue among artists, composers, and audience members. Partners in the 2016 NY PHIL BIENNIAL include National Sawdust; 92nd Street Y; Aspen Music Festival and School; Interlochen Center for the Arts; League of Composers/ISCM; Lincoln Center for the Performing Arts; LUCERNE FESTIVAL; MetLiveArts; New York City Electroacoustic Music Festival; Whitney Museum of American Art; WQXR’s Q2 Music; and Yale School of Music. Major support for the NY PHIL BIENNIAL is provided by The Andrew W. Mellon Foundation, The Fan Fox and Leslie R. Samuels Foundation, and The Francis Goelet Fund. Additional funding is provided by the Howard Gilman Foundation and Honey M. Kurtz. NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL __ JUNE 5-7, 2016 JUNE 13-19, 2016 __ www.nycemf.org CONTENTS ACKNOWLEDGEMENTS 4 DIRECTOR’S WELCOME 5 LOCATIONS 5 FESTIVAL SCHEDULE 7 COMMITTEE & STAFF 10 PROGRAMS AND NOTES 11 INSTALLATIONS 88 PRESENTATIONS 90 COMPOSERS 92 PERFORMERS 141 ACKNOWLEDGEMENTS THE NEW YORK PHILHARMONIC ORCHESTRA THE AMPHION FOUNDATION DIRECTOR’S LOCATIONS WELCOME NATIONAL SAWDUST 80 North Sixth Street Brooklyn, NY 11249 Welcome to NYCEMF 2016! Corner of Sixth Street and Wythe Avenue.