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13.–29.5.21 Stuecke.De MTT.46
13.–29.5.21 stuecke.de 46.MTT Willkommen Stücke KinderStücke 14 Reich des Todes 42 Bär im Universum Liebe Freundinnen und Freunde der Rainald Goetz Dea Loher „Stücke“, Deutsches Schauspielhaus Hamburg Staatstheater Kassel 18 9/26 – Das Oktoberfestattentat 46 Das Leben ist ein Wunschkonzert Christine Umpfenbach Esther Becker unter allen Theaterfestivals haben die Begegnungen ermöglicht. Jetzt wech- Münchner Kammerspiele Grips Theater Berlin Mülheimer Theatertage in Pandemie- seln wir in den digitalen Raum. Am 22 Stummes Land 52 Megafad oder Der längste zeiten vielleicht noch die besten Kar- Spielplan – nun für Streamings – hal- Thomas Freyer Nachmittag des Universums ten – geht es doch in Mülheim seit 46 ten wir fest. Staatsschauspiel Dresden Bernhard Studlar Theater Erlangen Jahren in erster Linie um Stücke, nicht 26 Erste Staffel. um Inszenierungen. Auch wenn Stücke Auch wenn wir auf die Gastspiele 20 Jahre Großer Bruder 54 Löwenherzen Boris Nikitin Nino Haratischwili natürlich auf die Bühne gehören, so verzichten müssen: Die „Stücke 2021“ Staatstheater Nürnberg Consol Theater Gelsenkirchen bleiben uns im Fall von geschlossenen finden statt. Es wird die Wettbewerbe 30 Und sicher ist mit mir 60 Time Out Theatern immer noch die für Mülheim geben und die öffentlich geführten die Welt verschwunden Christina Kettering entscheidenden Texte. Jurydebatten. Sie werden Gelegenheit Sibylle Berg Comedia Theater Köln haben, die Autor:innen in umfangrei- Maxim Gorki Theater Berlin Die Auswahlgremien haben im ver- chen Filmporträts kennenzulernen. Sie 34 Der goldene Schwanz Festival Plus Rebekka Kricheldorf gangenen Jahr unter erschwerten werden Aufzeichnungen von Auffüh- Staatstheater Kassel 66 Überblick Bedingungen ihre Arbeit getan, unter rungen sehen können. Und wir laden 67 Filmporträts 38 Tragödienbastard 68 StückeWerkstatt freudloseren als sonst. -
Annual Report and Review 2015
Annual Report and Review 2015 Beyond the digital Big data: Interdisciplinary Undesirable and humanities: exploring open research: unreturnable: integrating digital data and web bringing humanities stimulating debate approaches into the archives with new and life sciences on excluded asylum- research lifecycle methodologies together seekers I Front cover: Senate House with © Nik Merkulov/Shutterstock overlay. Above: SAS graduands at the 2014 graduation ceremony held at Senate House. II Contents School of Advanced Study .............................................................. 2 The School of Advanced Study Institutes ........................................ 6 News review ................................................................................... 8 People ........................................................................................... 12 Digital humanities at SAS: DH@SAS ............................................ 16 Moving beyond digital humanities ................................................ 18 Exile archives speak ....................................................................... 20 IALS Digital law projects ............................................................... 22 British History Online ................................................................... 24 Experimental narratives ................................................................... 25 Philosophers and psychologists exploring our senses digitally ......... 26 A year of big data .......................................................................... -
Durham E-Theses
Durham E-Theses Grillparzer's adoption and adaptation of the philosophy and vocabulary of Weimar classicism Roe, Ian Frank How to cite: Roe, Ian Frank (1978) Grillparzer's adoption and adaptation of the philosophy and vocabulary of Weimar classicism, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/7954/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Summary After a summary of German Classicism and of Grillparzer's at times confusing references to it, the main body of the thesis aims to assess Grillparzer's use of the philosophy and vocahulary of Classicism, with particular reference to his ethical, social and political ideas, Grillparzer's earliest work, including Blanka, leans heavily on Goethe and Schiller, but such plagiarism is avoided after 1810. Following the success of Ahnfrau, however, Grillparzer returns to a much more widespread use of Classical themes, motifs and vocabulary, especially in Sappho, Grillparzer's mood in the period 1816-21 was one of introversion and pessimism, and there is an emphasis on the vocabulary of quiet peace and withdrawal. -
Weimar Classicism and Intellectual Exile: Schiller, Goethe and Die Horen
Davies, S. (2019). Weimar Classicism and Intellectual Exile: Schiller, Goethe and Die Horen. Modern Language Review, 114(4), 751-787. https://doi.org/10.5699/modelangrevi.114.4.0751 Peer reviewed version Link to published version (if available): 10.5699/modelangrevi.114.4.0751 Link to publication record in Explore Bristol Research PDF-document This is the author accepted manuscript (AAM). The final published version (version of record) is available online via Modern Humanities Research Association at https://www.jstor.org/stable/10.5699/modelangrevi.114.4.0751#metadata_info_tab_contents. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ 1 Steffan Davies Weimar Classicism and Intellectual Exile: Schiller, Goethe, and Die Horen ABSTRACT This article asks how Goethe and Schiller’s works in Die Horen, in the shadow of the French Revolution and the ‘émigré question’, prefigured the concerns of later exile writing. It asks how far they established principles of ‘intellectual exile’ that have gained currency in the writings of Edward Said and Vilém Flusser. It compares Schiller’s Ästhetische Briefe with Adorno’s reception of them; it examines concepts of exile in Goethe’s ‘Erste Epistel’ and Unterhaltungen deutscher Ausgewanderten. Finally, it asks how elegy fits into a poetics of exile. The article suggests a fresh perspective on Weimar Classicism, and widened scope for Exilforschung. -
The Essential Goethe
Introduction Reading a French translation of his drama Faust in 1828, Goethe was struck by how “much brighter and more deliberately constructed” it appeared to him than in his original German. He was fascinated by the translation of his writing into other languages, and he was quick to acknowledge the important role of translation in modern culture. Literature, he believed, was becoming less oriented toward the nation. Soon there would be a body of writing— “world literature” was the term he coined for it— that would be international in scope and readership. He would certainly have been delighted to find that his writing is currently enjoying the attention of so many talented translators. English- speaking readers of Faust now have an embarrassment of riches, with modern versions by David Luke, Randall Jarrell, John Williams, and David Constantine. Constantine and Stanley Corngold have recently produced ver- sions of The Sorrows of Young Werther, the sentimental novel of 1774 that made Goethe a European celebrity and prompted Napoleon to award him the Le- gion d’Honneur. Luke and John Whaley have done excellent selections of Goethe’s poetry in English. At the same time the range of Goethe’s writing available in English remains quite narrow, unless the reader is lucky enough to find the twelve volumes of Goethe’s Collected Works published jointly by Princeton University Press and Suhrkamp Verlag in the 1980s. The Princeton edition was an ambitious undertaking. Under the general editorship of three Goethe scholars, Victor Lange, Eric Blackall, and Cyrus Hamlyn, it brought together versions by over twenty translators covering a wide range of Goethe’s writings: poetry, plays, novels and shorter prose fiction, an autobiography, and essays on the arts, philosophy, and science. -
STUDY the AESTHETIC ASPECTS of GOETHE's POEM Zeynab
International Journal of Asian Social Science, 2016, 6(6): 347-358 International Journal of Asian Social Science ISSN(e): 2224-4441/ISSN(p): 2226-5139 URL: www.aessweb.com STUDY THE AESTHETIC ASPECTS OF GOETHE’S POEM Zeynab Rahmanyan1 1Department of Persian Language Literature, Payame Noor University, Tehran, Iran ABSTRACT Goethe, the prominent German poet, writer, philosopher and scholar should be regarded as a joint between the literature of Classicism and Romanticism. Some of his works belong to the classical movement and another part of his work belongs to the radical and progressive movement in German Romanticism. In fact, Goethe is known as a poet, scholar and philosopher between the two main streams in Europe: Classicism and Romanticism. He carries the ideas of Classicism and also establishes new ideas of Romanticism. Hence, in terms of aesthetics, he is considered to be among the leading theorists of Romanticism school because he has reflected many creative and pure ideas of Romanticism in his literary and philosophical works. German literature owes to Goethe's intellectual and aestheticism. This article tries to display aesthetic aspects of Goethe’s poem in addition to study the literary and artistic features and characteristics of Romanticism school. © 2016 AESS Publications. All Rights Reserved. Keywords: Poetry, Aesthetics, German literature, Romanticism, Goethe. Contribution/ Originality This study is one of very few studies which have investigated about Goethe and its Aesthetic poetry. Johann Wolfgang von Goethe is one of the German Poets, Writers, Philosophers, and thinkers that he should see a Joint among Classicism and Romanticism literature. Some of his works has belong to the classical movement and another part of his Works belonged to the Radical Movement Romantic is in Germany. -
Northeast Modern Language Association 40Th Convention
Northeast Modern Language Association 40th Convention February 26 – March 1, 2009 Boston, Massachusetts Host Institution: Boston University Convention Staff Executive Director: Elizabeth Abele, SUNY Nassau Community College Local Liaisons & Registration: Adeline Soldin, Boston University Carrie McGrory, Boston University Convention Associates: Clare Callahan, Brooklyn College - CUNY Deb Travis, Brooklyn College - CUNY Alex Miller, Fordham University Media Coordinator: Jennifer Harris, Mount Allison University Graduate Fellows Program Editor: Elizabeth Foley O’Connor, Fordham University Program Assistant: Marta Bladek, CUNY Graduate Center 40th Anniversary Assistant: Lisa Hinrichsen, University of Arkansas Newsletter Editor: Sean Dempsey, Boston University Media Assistant: Jen Cadwallader, University of North Carolina Chair Liaison: Hannah Gurman, Columbia University Awards Assistant: Audrey Evrard, U. of Illinois at Urbana-Champaign Special Events Assistant: Maureen O. Gallagher, University of Massachusetts Newsletter Assistant: Christy Wenger, Lehigh University Communications Assistant: Michael Cadwallader, University of North Carolina Travel Grant Assistant: Henrike Lehnguth, University of Maryland 3 Promotions Assistant: Joy Bracewell, University of Georgia Montreal Assistant: Kelly MacPhail, Universite de Montreal NeMLA Italian Studies Editors: Julia Bloch, University of Pennsylvania Johanna Rossi Wagner, Rutgers University Webmasters: Andrew Schopp, SUNY Nassau Community College Vincent Guihan, Carleton University Zachary Hutchins, University of North Carolina Printing: Thomas Conigliaro, Printing Supervisor SUNY Nassau Community College Computer Services: Laura Sullivan, SUNY Nassau Community College Design: Michael O’Connor, http://conchobar.org Upcoming NeMLA Conventions 2010 2011 Montreal, Quebec New Brunswick, New Jersey April 7 - 11 April 6 - 10 Host: McGill University Host: Rutgers University 4 NeMLA’s 40th Anniversary History No organization is able to survive—and indeed to thrive— for forty years without strong leadership. -
Goethe's 'Faust' and European Epic: Forgetting the Future
Goethe’s Faust and European Epic Goethe has long been enshrined as the greatest German poet, but his admirers have always been uneasy with the idea that he did not produce a great epic poem. A master in all the other genres and modes, it has been felt, should have done so. Arnd Bohm proposes that Goethe did compose an epic poem, which has been hidden in plain view: Faust. Goethe saw that the Faust legends provided the stuff for a national epic: a German hero, a villain (Mephistopheles), a quest (to know all things), a sublime conflict (good versus evil), a love story (via Helen of Troy), and elasticity (all human knowledge could be accommodated by the plot). Bohm reveals the care with which Goethe draws upon such sources as Tasso, Ariosto, Dante, and Vergil. In the micro- cosm of the “Auerbachs Keller” episode Faust has the opportu- nity to find “what holds the world together in its essence” and to end his quest happily, but he fails. He forgets the future because he cannot remember what epic teaches. His course ends tragically, bringing him back to the origin of epic, as he replicates the Trojans’ mistake of presuming to cheat the gods. Arnd Bohm is associate professor of English at Carleton University, Ottawa. Studies in German Literature, Linguistics, and Culture Disclaimer: Some images in the printed version of this book are not available for inclusion in the eBook. To view the image on this page please refer to the printed version of this book. Men’s Bath, woodcut by Albrecht Dürer. -
Dämonische Texturen. Der Durchkreuzte Wunsch in Goethes Wilhelm Meisters Wanderjahren
CORNELIA ZUMBUSCH Dämonische Texturen. Der durchkreuzte Wunsch in Goethes Wilhelm Meisters Wanderjahren „Der alternde Goethe“, so stellt Fritz Mauthner nicht ohne Ironie fest, „liebte die Worte Dämonen und dämonisch.“ Insbesondere im Gespräch mit Ecker- mann habe sich sein „Aberglaube an freundlich gesinnte Dämonen [...] gern und oft redselig“ geäußert: je höher ein Mensch, desto mehr stehe er unter dem Einfluß der Dämonen; Raphael, Mozart, Napoleon, auch Lord Byron, werden dämonisch genannt; das Dämonische werfe sich gern an bedeutende Figuren; in einer klaren prosaischen Stadt, wie Berlin, fände es kaum Gelegenheit sich zu manifestieren (1831). Sehr drollig ist es, wenn die subalternen Freunde mit einer Art von Echolalie Goethes Greisenworte wiederholen, und z.B. Eckermann eine kleine Abhandlung über das Dämonische zum besten gibt.1 Das Material für seine Bemerkungen zu Goethes Greisenstil und Eckermanns Echolalie findet Mauthner in den Gesprächen Eckermanns mit Goethe aus dem Jahr 1831. Diese Unterhaltungen werden parallel zur Überarbeitung des Schlussteils von Dichtung und Wahrheit geführt, in dem Goethe mehrfach auf das Dämonische zu sprechen kommt. Den Auftakt zum zwanzigsten und letz- ten Buch seiner Autobiographie, die von der Zeit zwischen seiner ersten Schweizer Reise und dem Aufbruch nach Weimar erzählt, bildet ein Passus, in dem Goethe die Erzählung des eigenen Lebens zum Bildungsroman formt. Man habe „im Verlaufe dieses biographischen Vortrags umständlich gesehn, wie das Kind, der Knabe, der Jüngling sich auf verschiedenen -
Goethe's Torquato Tasso and James's Roderick Hudson
Erschienen in: Anglia : Journal of English Philology ; 136 (2018), 4. - S. 687-704 https://dx.doi.org/10.1515/ang-2018-0068 Anglia 2018; 136(4): 687–704 Timo Müller* Framing the Romantic Artist: Goethe’s Torquato Tasso and James’s Roderick Hudson https://doi.org/10.1515/ang-2018-0068 Abstract: Johann Wolfgang Goethe’s Torquato Tasso (1790) and Henry James’s Roderick Hudson (1875) share not only a number of structural parallels but also an interest in the fate of the romantic artist in a regulated society. The article suggests Goethe’s play as a possible influence on James’s novel. After a brief outline of James’s relationship to Goethe and of the structural parallels between the texts, the article discusses the similarities of their stance on the romantic artist. Both texts contrast the protagonist’s classicist-idealist art with his broadly romantic personality, both remain ambivalent about the romantic conception of the poet-genius, and both take an analytical attitude toward their artist figures. On this poetological level, the article concludes, their portraits of a proto-Roman- tic and a late Romantic respectively form a revealing historical frame of the phenomenon of the Romantic artist. Henry James’s first Italian journey culminated in his visit to Rome in October 1869. “At last—for the first time—I live!” he wrote to his brother William. “I went reeling and moaning thro’ the streets, in a fever of enjoyment” (James 1974–1980: 160). James was not the first writer, of course, to find inspiration in Italy, but few have responded so enthusiastically. -
Titel Kino 2/2001(2 Alternativ)
EXPORT-UNION OF GERMAN CINEMA 2/2001 ”MEDIUM OF ENTERTAINMENT & CULTURAL MESSENGER“ A message from the new Federal Government Commissioner for Cultural Affairs and the Media, Prof. Dr. Julian Nida-Rümelin GERMAN FILM PRIZE ... and the nominees are … GERMAN BOX OFFICE HIT ”THE EXPERIMENT“ by Oliver Hirschbiegel Kino Moritz Bleibtreu, in ”THE EXPERIMENT“ (photo © SENATOR Christian Berkel FILM) GERMAN CINEMA GERMAN FILMS at the official program of the Directors’ Fortnight Ecce Homo by Mirjam Kubescha World Sales please contact: Confine Film, Munich phone/fax +49-89-13 03 87 66 Directors’ Fortnight: ”Le Cinéma dans tous ses états“ The Films of the Fishes by Helma Sanders-Brahms World Sales please contact: Helma Sanders GmbH, Berlin phone/fax +49-30-2 15 83 44 Cannes Junior Eine Hand voll Gras A Handful of Grass by Roland Suso Richter World Sales: Bavaria Film International, Geiselgasteig phone +49-89-64 99 26 86 · fax +49-89-64 99 37 20 Critics’ Week: Short Film Competition Staplerfahrer Klaus – Der erste Arbeitstag Forklift Driver Klaus – The First Day on the Job by Jörg Wagner, Stefan Prehn World Sales: ShortFilmAgency Hamburg phone +49-40-3 91 06 30 · fax +49-40-39 10 63 20 Critics’ Week: FIPRESCI Discovery of the Year Die Innere Sicherheit The State I Am In by Christian Petzold World Sales: First Hand Films, CH-Bülach phone +41-1-8 62 21 06 · fax +41-1-8 62 21 46 CANNES FILM FESTIVAL Critics’ Week: Short Film Night Forever Flirt: Nijinsky at the Laundromat The Autograph Triumph of the Kiss by Percy Adlon World Sales please contact: Leora -
Johann Wolfgang Von Goethe (1749 - 1832)
JOHANN WOLFGANG VON GOETHE (1749 - 1832) JOHANN WOLFGANG VON GOETHE (1749 - 1832) Danh Nhân về Văn Chương và Triết Học của Nước Đức Với 2 Tác Phẩm “Faust” và “Các Nỗi Buồn của Chàng Trẻ Werther" Phạm Văn Tuấn Johann Wolfgang von Goethe là một trong các vĩ nhân của nền Văn Chương của Thế Giới, ông là một nhân vật đa diện: nhà văn, nhà thơ, nhà viết kịch, nhà báo, nhà phê bình, họa sĩ, nhà điều khiển sân khấu, chính khách, nhà giáo dục, nhà khoa học, nhà triết học thiên nhiên (natural philosopher)… Sự đa dạng và khối lượng của các tác phẩm của Goethe thì rất lớn lao, gồm có thơ anh hùng ca và thơ trữ tình, các vở kịch viết bằng văn xuôi và bằng lời thơ, các hồi tưởng, một cuốn tự thuật, các bài phê bình văn chương và thẩm mỹ, các khám phá về thực vật, cơ thể học và màu sắc, và 4 cuốn tiểu thuyết. Riêng phần ông viết về khoa học đã chiếm hết 14 quyển sách. Goethe đã diễn tả thơ phú theo nhiều đề tài và thể văn (styles). Về các truyện hư cấu, ông đã từng viết ra các truyện thần tiên tới các truyện liên quan tới ngành phân tâm học (psychoanalysis), xuất bản nhiều cuốn tiểu thuyết loại ngắn (novellas), ông cũng viết ra nhiều vở kịch với đề tài từ lịch sử, chính trị tới tâm lý, và Faust là một tuyệt tác phẩm của nền Văn Chương Hiện Đại (modern literature).