Northeast Modern Language Association 40Th Convention
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Black Women, Educational Philosophies, and Community Service, 1865-1965/ Stephanie Y
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2003 Living legacies : Black women, educational philosophies, and community service, 1865-1965/ Stephanie Y. Evans University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Evans, Stephanie Y., "Living legacies : Black women, educational philosophies, and community service, 1865-1965/" (2003). Doctoral Dissertations 1896 - February 2014. 915. https://scholarworks.umass.edu/dissertations_1/915 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. M UMASS. DATE DUE UNIVERSITY LIBRARY UNIVERSITY OF MASSACHUSETTS AMHERST LIVING LEGACIES: BLACK WOMEN, EDUCATIONAL PHILOSOPHIES, AND COMMUNITY SERVICE, 1865-1965 A Dissertation Presented by STEPHANIE YVETTE EVANS Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2003 Afro-American Studies © Copyright by Stephanie Yvette Evans 2003 All Rights Reserved BLACK WOMEN, EDUCATIONAL PHILOSOHIES, AND COMMUNITY SERVICE, 1865-1964 A Dissertation Presented by STEPHANIE YVETTE EVANS Approved as to style and content by: Jo Bracey Jr., Chair William Strickland, -
13.–29.5.21 Stuecke.De MTT.46
13.–29.5.21 stuecke.de 46.MTT Willkommen Stücke KinderStücke 14 Reich des Todes 42 Bär im Universum Liebe Freundinnen und Freunde der Rainald Goetz Dea Loher „Stücke“, Deutsches Schauspielhaus Hamburg Staatstheater Kassel 18 9/26 – Das Oktoberfestattentat 46 Das Leben ist ein Wunschkonzert Christine Umpfenbach Esther Becker unter allen Theaterfestivals haben die Begegnungen ermöglicht. Jetzt wech- Münchner Kammerspiele Grips Theater Berlin Mülheimer Theatertage in Pandemie- seln wir in den digitalen Raum. Am 22 Stummes Land 52 Megafad oder Der längste zeiten vielleicht noch die besten Kar- Spielplan – nun für Streamings – hal- Thomas Freyer Nachmittag des Universums ten – geht es doch in Mülheim seit 46 ten wir fest. Staatsschauspiel Dresden Bernhard Studlar Theater Erlangen Jahren in erster Linie um Stücke, nicht 26 Erste Staffel. um Inszenierungen. Auch wenn Stücke Auch wenn wir auf die Gastspiele 20 Jahre Großer Bruder 54 Löwenherzen Boris Nikitin Nino Haratischwili natürlich auf die Bühne gehören, so verzichten müssen: Die „Stücke 2021“ Staatstheater Nürnberg Consol Theater Gelsenkirchen bleiben uns im Fall von geschlossenen finden statt. Es wird die Wettbewerbe 30 Und sicher ist mit mir 60 Time Out Theatern immer noch die für Mülheim geben und die öffentlich geführten die Welt verschwunden Christina Kettering entscheidenden Texte. Jurydebatten. Sie werden Gelegenheit Sibylle Berg Comedia Theater Köln haben, die Autor:innen in umfangrei- Maxim Gorki Theater Berlin Die Auswahlgremien haben im ver- chen Filmporträts kennenzulernen. Sie 34 Der goldene Schwanz Festival Plus Rebekka Kricheldorf gangenen Jahr unter erschwerten werden Aufzeichnungen von Auffüh- Staatstheater Kassel 66 Überblick Bedingungen ihre Arbeit getan, unter rungen sehen können. Und wir laden 67 Filmporträts 38 Tragödienbastard 68 StückeWerkstatt freudloseren als sonst. -
Annual Report and Review 2015
Annual Report and Review 2015 Beyond the digital Big data: Interdisciplinary Undesirable and humanities: exploring open research: unreturnable: integrating digital data and web bringing humanities stimulating debate approaches into the archives with new and life sciences on excluded asylum- research lifecycle methodologies together seekers I Front cover: Senate House with © Nik Merkulov/Shutterstock overlay. Above: SAS graduands at the 2014 graduation ceremony held at Senate House. II Contents School of Advanced Study .............................................................. 2 The School of Advanced Study Institutes ........................................ 6 News review ................................................................................... 8 People ........................................................................................... 12 Digital humanities at SAS: DH@SAS ............................................ 16 Moving beyond digital humanities ................................................ 18 Exile archives speak ....................................................................... 20 IALS Digital law projects ............................................................... 22 British History Online ................................................................... 24 Experimental narratives ................................................................... 25 Philosophers and psychologists exploring our senses digitally ......... 26 A year of big data .......................................................................... -
L'uso Dei Piaceri Di Michel Foucault Testi Di Pierre Bourdieu E Salvatore Natoli G.L
OTTOBRE 1984 - ANNO I - N. 1 — IN COLLABORAZIONE CON IL MANIFESTO - LIRE 4.000 L'uso dei piaceri di Michel Foucault Testi di Pierre Bourdieu e Salvatore Natoli G.L. Beccaria: Tutte le poesie di Giorgio Caproni G. Corsini: Elezioni in Usa. Chi e il sovrano? P. Partner: I denari del Vaticano da Avignone a Marcinkus Sommario 4 Il Libro del Mese Michel Foucault: "L1uso dei piaceri" Testi di Pierre Bourdieu e Salvatore Natoli 17 Finestra sul Mondo G. Corsini: Le elezioni americane, chi e il sovrano ? M. Tirabassi: La storia delle altre sta diventando storia 27 Il Salvagente C. Cases: I ricordi dimenticati di Bertolt Brecht 35 La Traduzione L. Terzi: Swift in italiano, metrica o poesia t 40 Libri di Testo Le nuove antologie (a cura di L. De Federicis) RECENSORE AUTORE TITOLO 7 iGia n Giacomo Migone Bianca Guidetti Serra Le schedature Fiat 9 Alberto Caracciolo Franco Venturi I grandi stati dell'Occidente 13 Aldo Natoli Massimo L. Salvadori Storia del pensiero comunista 14 Rina Gagliardi Arrigo Levi La De nell'Italia che cambia Adrian Lyttelton Luisa Passerini Torino operaia e fascismo: una storia orale 15 Paolo Murialdi Giancarlo Carcano Il fascismo e la stampa 1922-1925 Sandro Medici Loris Rizzi Lo sguardo del potere 20 Massimo S. Giannini Gruppo di Milano Verso una nuova costituzione 24 Peter Partner Richard Hammer The Vatican Connection Rupert Cornwell Il banchiere di Dio Benny Lai I segreti del Vaticano Grado G. Merlo Jean Leclercq I monaci e il matrimonio 26 Antonio Melis Carlos Germàn Belli 0 Fata cibernetica 29 Gian Luigi Beccaria Giorgio Caproni Tutte le poesie Massimo Romano Giorgio Caproni Il labirinto 30 Rossana Rossanda Ford Madox Ford Il buon soldato Anna Chiarloni Christa Wolf Cassandra 31 Giovanna Ioli Albino Pierro Si po ' nu jurne 33 Franco Marenco Anthony Burgess Gli strumenti delle tenebre 36 Gianni Rondolino Roman Polanski Roman Polanski 37 Enrico Castelnuovo Roland Bechmann Le radici delle cattedrali Paolo Parrini Karl R. -
Dire Che Amavo La Poesia Fortemente È Dir Poco, Mi Sostentavo a Versi, La
Dire che amavo la poesia fortemente è dir poco, mi sostentavo a versi, la letteratura era la mia vita; non c’era libro di poesia che io non cercassi di possedere, da Anna Achmatova a Pasternak, da Baudelaire a Rimbaud, il genio, da Pascoli a Montale, e poi tutti gli altri, Garcia Lorca e gli americani da Walt Witmann a Ferlinghetti, ma ne dimenticheremmo molti; infine erano arrivati sul mio comodino Alfonso Gatto, Lucio Piccolo, Ripellino, Vittorio Sereni e tanti altri. Ma non volevo imitarli, volevo scavare all’interno dei loro versi per trovare la mia vera via. E poi mi innamoravo facilmente e ad ogni ragazza che incontravo scrivevo poesie e le affidavo loro come pegno del mio amore. Mi ero iscritto a lettere e frequentavo i corsi di letteratura italiana di Gaetano Trombatore che con Walter Binni e Natalino Sapegno aveva redatto la celebre antologia. Nella grande aula circolare di via Maqueda sedevamo in religioso silenzio ascoltando «Memoria e simbolo nella poesia di Giovanni Pascoli» e con il nostro maestro entravamo nel mondo di Mallarmè e poi di Marcel Proust. Mi facevano compagnia due dolcissime ragazze, una palermitana ed una veneziana, a cui regalai il mio Thomas Mann. E poi uscendo da quell’aula spesso incappavo in battaglie furibonde con gruppi di neo fascisti, tra le colonne dell’atrio. Ma io mi rifugiavo in librerie e chiese, era il tempo della Galleria Flaccovio di via Maqueda. E poi da Immordino in via Gagini, al primo piano e sotto la celebre cartoleria di De Magistris, trovavo posto per dormire accanto ai primi tunisini arrivati in Sicilia, impiegati della giovane repubblica che venivano a Palermo a fare acquisti. -
Atelier-58-XV-Giugno-2010
www.andreatemporelli.com www.andreatemporelli.com April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. T. S. Eliot www.andreatemporelli.com Trimestrale di poesia, critica, letteratura Direttori: Giuliano Ladolfi (direttore responsabile) e Andrea Temporelli Collaboratori: Paolo Bignoli, Davide Brullo, Matteo Fantuzzi, Umberto Fiori, Riccardo Ielmini, Federico Italiano, Andrea Masetti, Massimo Orgiazzi, Alessandro Rivali, Riccardo Sappa, Giovanni Tuzet, Cesare Viviani Direzione e amministrazione C.so Roma, 168 - 28021 Borgomanero (NO) - tel. e fax 0322835681 - Sito web: http://www.atelierpoesia.it indirizzo e-mail: [email protected] Stampa Tipografia Litopress - Borgomanero (NO) - Via Maggiate, 98 Autorizzazione del tribunale di Novara n. 8 del 23/03/1996. Associazione Culturale “Atelier” Quote per il 2010: euro 25,00 sostenitore: euro 50,00 I versamenti vanno effettuati sul ccp n 12312286 intestato a Ass. Cult. Atelier - C.so Roma, 168 - 28021 Borgomanero (NO). AI «SOSTENITORI» SARANNO INVIATE IN OMAGGIO LE PUBBLICAZIONI EDITE DALL’ASSOCIAZIONE NEL 2010 www.andreatemporelli.com Indice Editoriale 5 Morte e fioritura dei talenti Andrea Temporelli 7 In questo numero Giuliano Ladolfi L’incontro 8 Il corpo, la voce, lo sguardo. Incontro con Tiziano Scarpa, un’amica a qualche fantasma Andrea Temporelli L’inchiesta 14 Carotaggio grullo e geniale per tastare la narrativa d’oggidì Andrea Temporelli Voci Paolo Fabrizio Iacuzzi 30 Notizia biografica 33 Opere: poesia -
Poetry and the Visual in 1950S and 1960S Italian Experimental Writers
The Photographic Eye: Poetry and the Visual in 1950s and 1960s Italian Experimental Writers Elena Carletti Faculty of Arts and Social Sciences The University of Sydney A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy 2020 This is to certify that to the best of my knowledge, the content of this thesis is my own work. This thesis has not been submitted for any degree or other purposes. I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. I acknowledge that this thesis has been read and proofread by Dr. Nina Seja. I acknowledge that parts of the analysis on Amelia Rosselli, contained in Chapter Four, have been used in the following publication: Carletti, Elena. “Photography and ‘Spazi metrici.’” In Deconstructing the Model in 20th and 20st-Century Italian Experimental Writings, edited by Beppe Cavatorta and Federica Santini, 82– 101. Newcastle upon Tyne: Cambridge Scholars Publishing, 2019. Abstract This PhD thesis argues that, in the 1950s and 1960s, several Italian experimental writers developed photographic and cinematic modes of writing with the aim to innovate poetic form and content. By adopting an interdisciplinary framework, which intersects literary studies with visual and intermedial studies, this thesis analyses the works of Antonio Porta, Amelia Rosselli, and Edoardo Sanguineti. These authors were particularly sensitive to photographic and cinematic media, which inspired their poetics. Antonio Porta’s poetry, for instance, develops in dialogue with the photographic culture of the time, and makes references to the photographs of crime news. -
STEFANO GIANNINI Associate Professor of Italian Department of Languages, Literatures, and Linguistics H
STEFANO GIANNINI Associate Professor of Italian Department of Languages, Literatures, and Linguistics H. B. Crouse 340, Syracuse University Syracuse, NY 13244-1160 Office Phone 315.443.2136 Fax 315-443-5376 [email protected] EDUCATION Ph.D. in Italian, Johns Hopkins University, Baltimore, MD, 2003. Dissertation: The Writer in the Coffeehouse. The Provincial Muse of Piero Chiara, Vittorio Sereni and Lucio Mastronardi, directed by Professor Pier Massimo Forni. Ph.D. Panel: Professors Luigi Burzio, Pier Massimo Forni, Georg Luck, Alan Shapiro, Walter Stephens. Master of Arts in Italian with distinction, University of Oregon, OR, 1996. Master of Art Thesis: Il progetto pedagogico nella Città del Sole di Tommaso Campanella, directed by Professor Massimo Lollini. Laurea in Lettere (B.A.) cum Laude, Università di Genova, Italy, 1991. Tesi: La Repubblica di Genova nella Corrispondenza Diplomatica di Pier Paolo Celesia (1756-1759) directed by Professor Salvatore Rotta. ACADEMIC AND PROFESSIONAL EXPERIENCE Associate Professor, Department of Languages, Literatures, and Linguistics, Syracuse University. 2014 – present. Chair, Department of Languages, Literatures, and Linguistics, Syracuse University. 2016 – 2019. Assistant Professor, Department of Languages, Literatures, and Linguistics, Syracuse University. 2008 – 2014. Assistant Professor, Department of French, Italian and Spanish, University of Calgary. 2005 – 2008. Adjunct Assistant Professor,* Department of Romance Languages and Literatures, Wesleyan University. 2003 –2005. While at Wesleyan University: -Spring 2004, Visiting Professor at University of Connecticut at Storrs. Visiting Assistant Professor, Department of Romance Languages and Literatures, Wesleyan University. 2002 –2003. 2 Teaching Assistant, Johns Hopkins University. 1997 – 2002. Teaching Assistant, University of Oregon. 1994 – 1996. CURRICULUM DEVELOPMENT Co-organizer of “Italian Film Studies and Production in Bologna – SU Abroad” Summer Program 2011-and following years. -
The Honolulu NAACP and Race Relations in Hawai'i
ALBERT S. BROUSSARD The Honolulu NAACP and Race Relations in Hawai'i HAWAI'I DREW almost no attention among African American lead- ers or protest organizations such as the National Association for the Advancement of Colored People (NAACP) or the National Urban League prior to World War II. However, the onset of global conflict changed the racial landscape of Hawai'i in profound ways. For the first time, tens of thousands of African American servicemen and war workers passed through Hawai'i, admittedly a fraction of the nearly one million American soldiers, sailors, and marines who traversed this Pacific paradise or were stationed on one of Hawai'i's military bases. Yet the 30,000 African Americans who came to Hawai'i during World War II, wrote David Farber and Beth Bailey, "found themselves in a racial hothouse."1 Although World War II marked the first large in-migration of Afri- can Americans to Hawai'i, blacks had settled in the islands for more than a century prior to 1941. Anthony Allen, a fugitive slave from Schenectady, New York, arrived in Hawai'i in 1810. Allen was attempt- ing to escape the oppressive conditions of that both slaves and free blacks faced in northern states such as New York. In Hawai'i, Allen Albert S. Broussard is a professor of history at Texas A&M University. He is the 2005 Langston Hughes Professor of American Studies at the University of Kansas. He is the author of five books, including Black San Francisco: The Struggle for Racial Equal- ity in the West, 1900-1945, and African American Odyssey: The Stewarts, 1853- 1963. -
S21-DAP-Catalogue.Pdf
PUBLISHERS DISTRIBUTED BY D.A.P. SP21 CATALOG CAPTIONS PAGE 6: Georgia O’Keeffe, Series I—No. 3, 1918. Oil on Actes Sud | Archive of Modern Conflict | Arquine | Art / Books | Art Gallery of York board, 20 × 16”. Milwaukee Art Museum. Gift of Jane University | Art Insights | Art Issues Press | Artspace Books | Aspen Art Museum | Atelier Bradley Pettit Foundation and the Georgia O’Keeffe Foundation. PAGE 7: Georgia O’Keeffe, Black Mesa Éditions | Atlas Press | August Editions | Badlands Unlimited | Berkeley Art Museum | Landscape, New Mexico / Out Back of Marie’s II, 1930. Oil on canvas. 24.5 x 36”. Georgia O’Keeffe Museum, Gift Blank Forms | Bokförlaget Stolpe | Bywater Bros. Editions | Cabinet | Cahiers d’Art of the Burnett Foundation. PAGE 8: (Upper) Emil Bisttram, | Canada | Candela Books | Carnegie Museum Of Art | Carpenter Center | Center For Creative Forces, 1936. Oil on canvas, 36 x 27”. Private collection, Courtesy Aaron Payne Fine Art, Santa Fe. Art, Design and Visual Culture, UMBC | Chris Boot | Circle Books | Contemporary Art (Lower) Raymond Jonson, Casein Tempera No. 1, 1939. Casein on canvas, 22 x 35”. Albuquerque Museum, gift Museum, Houston | Contemporary Art Museum, St Louis | Cooper-Hewitt | Corraini of Rose Silva and Evelyn Gutierrez. PAGE 9: (Upper) The Editions | DABA Press | Damiani | Dancing Foxes Press | Deitch Projects Archive | Sun, c. 1955. Oil on board, 6.2 × 5.5”. Private collection. © Estate of Leonora Carrington. PAGE 10: (Upper left) DelMonico Books | Design Museum | Deste Foundation for Contemporary Art | Dia Hayao Miyazaki, [Woman] imageboard, Nausicaä of the Valley of the Wind (1984). © Studio Ghibli. (Upper right) Center For The Arts | Dis Voir, Editions | Drawing Center | Dumont | Dung Beetle | Hayao Miyazaki, [Castle in the Sky] imageboard, Castle Dust to Digital | Eakins Press | Ediciones Poligrafa | Edition Patrick Frey | Editions in the Sky (1986). -
Title Author Call Number/Location Library 1964 973.923 US "I Will Never Forget" : Interviews with 39 Former Negro League Players / Kelley, Brent P
Title Author Call Number/Location Library 1964 973.923 US "I will never forget" : interviews with 39 former Negro League players / Kelley, Brent P. 920 K US "Master Harold"-- and the boys / Fugard, Athol, 822 FUG US "They made us many promises" the American Indian experience, 1524 to the present 973.049 THE US "We'll stand by the Union" Robert Gould Shaw and the Black 54th Massachusetts Regiment Burchard, Peter US "When I can read my title clear" : literacy, slavery, and religion in the antebellum South / Cornelius, Janet Duitsman. 305.5 US "Why are all the Black kids sitting together in the cafeteria?" and other conversations about race / Tatum, Beverly Daniel. 305.8 US #NotYourPrincess : voices of Native American women / 971.004 #NO US 100 amazing facts about the Negro / Gates, Henry Louis, 973 GAT US 100 greatest African Americans : a biographical encyclopedia / Asante, Molefi K., 920 A US 100 Hispanic-Americans who changed American history Laezman, Rick j920 LAE MS 1001 things everyone should know about women's history Jones, Constance 305.409 JON US 1607 : a new look at Jamestown / Lange, Karen E. j973 .21 LAN MS 18th century turning points in U.S. history [videorecording] 1736-1750 and 1750-1766 DVD 973.3 EIG 2 US 1919, the year of racial violence : how African Americans fought back / Krugler, David F., 305.800973 KRU US 1920 : the year that made the decade roar / Burns, Eric, 973.91 BUR US 1954 : the year Willie Mays and the first generation of black superstars changed major league baseball forever / Madden, Bill. -
Kampert, Magdalena Anna (2018) Self-Translation in 20Th-Century Italian and Polish Literature: the Cases of Luigi Pirandello, Maria Kuncewiczowa and Janusz Głowacki
Kampert, Magdalena Anna (2018) Self-translation in 20th-century Italian and Polish literature: the cases of Luigi Pirandello, Maria Kuncewiczowa and Janusz Głowacki. PhD thesis. https://theses.gla.ac.uk/71946/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Self-translation in 20th-century Italian and Polish literature: the cases of Luigi Pirandello, Maria Kuncewiczowa and Janusz Głowacki Magdalena Anna Kampert Submitted in fulfilment of the requirements for the Degree of PhD School of Modern Languages and Cultures College of Arts University of Glasgow September 2018 3 Abstract This thesis examines the phenomenon of self-translation in two different cultural contexts: the Italian context of self-translation within national borders and the Polish context of self-translation in displacement. It focuses on four case studies: Luigi Pirandello’s self-translations of ’A birritta cu ’i ciancianeddi (1916) and Tutto per bene (1920), Maria Kuncewiczowa’s self-translation of Thank you for the Rose (1950-1960) and Janusz Głowacki’s assisted self-translation of Antygona w Nowym Jorku (1992).