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Black Women, Educational Philosophies, and Community Service, 1865-1965/ Stephanie Y
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2003 Living legacies : Black women, educational philosophies, and community service, 1865-1965/ Stephanie Y. Evans University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Evans, Stephanie Y., "Living legacies : Black women, educational philosophies, and community service, 1865-1965/" (2003). Doctoral Dissertations 1896 - February 2014. 915. https://scholarworks.umass.edu/dissertations_1/915 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. M UMASS. DATE DUE UNIVERSITY LIBRARY UNIVERSITY OF MASSACHUSETTS AMHERST LIVING LEGACIES: BLACK WOMEN, EDUCATIONAL PHILOSOPHIES, AND COMMUNITY SERVICE, 1865-1965 A Dissertation Presented by STEPHANIE YVETTE EVANS Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2003 Afro-American Studies © Copyright by Stephanie Yvette Evans 2003 All Rights Reserved BLACK WOMEN, EDUCATIONAL PHILOSOHIES, AND COMMUNITY SERVICE, 1865-1964 A Dissertation Presented by STEPHANIE YVETTE EVANS Approved as to style and content by: Jo Bracey Jr., Chair William Strickland, -
Visit the PAGB on Stand A34
Issue 249extra 01 Mar 2020 Chase Jarvis on the Super Stage at The Photography Show Making up just one part of the extensive programme of talks and demos, the highly-acclaimed Super Stage sessions serve as a platform for some of the world’s best-known photographers and filmmakers to share stories about their work, what inspires them and the journey that took them to the top. The line-up has been carefully curated across a broad range of genres so enthusiasts can gain first-hand insight that they wouldn’t be able to get elsewhere. One of the most influential photographers of the past 20 years, Chase Jarvis’ expansive portfolio ranges from shooting for Apple, Nike, and Red Bull, to working with Serena Williams and Tony Hawk, and collaborating with renowned icons, Lady Gaga and Richard Branson. Alongside a number of fine art gallery shows and award nominations, Chase created Best Camera - the first photo app to share images to social networks - and he is the Founder of CreativeLive, where more than 10 million students can learn photography, video, design, music and business from the world’s top creatives and entrepreneurs. A renowned creator and innovator, Chase believes that life isn’t about ‘finding’ fulfilment and success – it’s about creating it – and this is the focus of his latest book, Creative Calling, which debuted as an instant best-seller. In this rare UK appearance, Chase will show attendees how to harness their creativity, delving into this philosophy and his wealth of experience as a photographer, entrepreneur and creator, unpacking and re-framing the creative process step-by-step. -
1 Instituições Culturais
R.cient./FAP, Curitiba, v.4, n.1 p.1-19, jan./jun. 2009 1 INSTITUIÇÕES CULTURAIS: GÊNERO, NARRATIVAS E MEMÓRIAS Adriana Vaz 1 RESUMO: Neste artigo, são discutidas as várias funções atribuídas ao museu ao longo da sua trajetória como instituição de conhecimento, cultura e lazer. Dentre as considerações teóricas pertinentes à Sociologia da Arte, discute-se sua abrangência tendo como objeto de estudo as instituições no campo da arte. Empiricamente, o foco é a pesquisa de gênero, ou seja, a transmissão da produção feminina nas artes visuais comparando três espaços de legitimação: o Museu Oscar Niemeyer (MON), as pastas [arte br] produzidas pelo Instituto Arte na Escola pólo UNICENTRO/PR e o Livro Didático de Arte adotado pelo Estado do Paraná para o Ensino Médio. PALAVRAS-CHAVE : sociologia da arte; produção feminina; público; museu. ABSTRACT: The different functions assigned to museums along their history as institutions of knowledge, culture and leisure are discussed in this article. Among the theoretical considerations relevant to the Sociology of Art, the scope of the museum is discussed, having as an object of study the institutions in the field of art. Empirically, the focus is on gender research, that is, the transmission of works produced by women in the visual arts as three legitimating spaces are compared: the Oscar Niemeyer Museum (ONM), the materials [art br] produced by the Institute Art in School UNICENTRO/PR pole and the Art Textbook published by the state of Paraná for middle school. KEYWORDS : sociology of art; production by women; audience; museum. INTRODUÇÃO A pesquisa contempla as áreas de artes visuais, teoria da recepção e sociologia da arte, sendo assim, a relevância é tanto teórica quanto prática, visto que cabe ao sociólogo elucidar o processo de criação do status do artista e sua obra, ou seja, não a produção em si mesma, mas como determinado objeto e /ou produto ascende ao cânone de arte. -
The Modern Aspect of Tattoos in Prison Creativity
R ESOCJALIZACJA POLSKA 9/2015 P OLISH J OURNAL OF SOCIAL REHABILITATION ISSN 2081-3767 e-ISSN 2392-2656 THE THESIS Mariusz Snopek University of Opole New Fashion, New Trends – the Modern Aspect of Tattoos in Prison Creativity Abstract: The article concerns the phenomenon of prison tattoos. It can be recognized that the modern tattoo outside of prison in Poland is going through its “boom”, which was started in 1989, and since the new millennium has begun to be treated as art at the highest artistic level. As a result of this, also prison tattoo has begun to evolve. According to the concept of transmission, prisoners transfer all patterns from freedom to the prison environment and there they adapt them to the prevailing conditions. Therefore, the broached issues oscillate around both the traditional symbolism of prison tattoos, and their modern aspect. The article also describes the history and importance of the prison tattoo artist, whose position – due to interest among prisoners in the aesthetic tattoo – has increased significantly. Key words: prison tattoo, prison subculture, reasons for body decoration, symbolism and functions of tattoos, prison artist, fashion in prison. Introducing thought Prison creativity can manifest itself in the form of sculptures, paintings, drawings, cutouts, embroidery, poetry, novels, etc. For a few basic reasons (as described in the presented text), body tattooing in the environment of incarcerated people cannot be regarded as artistic activity. Nonetheless, modern prison tattoos (despite their pejorative meaning) can be categorized as a kind of creativity – like other products of prisoners, such as ballads and songs of subcultural content, material artefacts, so-called fajans, decorative letters, etc. -
Latin American & Caribbean Studies Courses 2019-2020
LATIN AMERICAN & CARIBBEAN STUDIES COURSES 2019-2020 *These courses will tentatively be offered in the 2019-20 academic year. Courses will be updated on the website as new information is obtained. COURSE GUIDE § Courses numbered 10000-19000 are general education and introductory courses. § Courses numbered 20000- 29900 are intermediate, advanced, or upper-level courses and are open only to undergraduates. § Courses numbered 30000 and above are graduate or professional school courses and are available to undergraduate students only with the consent of the instructor. § Undergraduates registered for 30000-level courses will be held to the graduate-level requirements. To register for courses that are cross listed as both undergraduate and graduate (20000/30000), undergraduates must use the undergraduate number (20000). § Courses are listed in numerical order by the course host’s listing number. Course numbers in parentheses indicate departments with which the course is cross-listed. All courses on this sheet count toward the LACS major/minor and MA program content course requirements unless otherwise indicated. AUTUMN 2019 PORT 12200 (LACS 12200) Portuguese for Spanish Speakers Ana Lima MWF 10:30 – 11:20AM This course is intended for speakers of Spanish to develop competence quickly in spoken and written Portuguese. In this intermediate-level course, students learn ways to apply their Spanish language skills to mastering Portuguese by concentrating on the similarities and differences between the two languages. 2019-2020 LACS Courses 1 updated 4/2/19 LACS 16100/34600 (ANTH 23101; HIST 16101/36101; SOSC 26100; CRES 16101) Introduction to Latin American Civilizations I Emilio Kourí MWF 1:30 – 2:20PM May be taken in sequence or individually. -
Lois Conner [email protected]
Lois Conner [email protected] www.loisconner.net Education 1981-Yale University-MFA, Photography; 1975-Pratt Institute, BFA, Photography Fashion Institute of Technology, New York (1971-73); University of Delaware, Newark (1969-1971) Grants and Fellowships 2010, 2011 Sol and Carol Lewitt Artist-in-Residence, Praiano, Italy 2007 Anonymous was a Woman Fellowship 2006, 2010 Princeton University Research Fellowship 1984 Guggenheim Fellowship 1983 New York State Council on the Arts Fellowship 1979 National Endowment of the Arts Fellowship Collections (selected) Metropolitan Museum of Art; Museum of Modern Art, New York; San Francisco Museum of Modern Art; Los Angeles County Museum of Art; National Museum of American Art; Smithsonian Institution; Corcoran Gallery of Art; Sackler Gallery, Washington, D.C; Philadelphia Museum of Art; New Orleans Museum of Art; Santa Barbara Museum of Art, California; Brooklyn Museum of Art; Chicago Art Institute; Cleveland Museum of Art; Toledo Art Museum; Yale University Art Gallery; The Getty Museum; Chicago Art Institute; Museum of Fine Arts, Boston; Fogg Art Museum, Harvard; The New York Public Library; The British Library; Victoria and Albert Museum, London; National Gallery of Art, Canberra; National Gallery of Victoria, Australia Solo Exhibitions 2018 Shanghai Center of Photography, “A Long View” Wairapa Academy, Featherston, New Zealand, “Lotus Leaves”; 2017 Zhizhusi, Gallery at Temple, Beijing, “Diandao: Downside Up” 2016 Naumkeag, Stockbridge, Massachusetts, “Arcadian Realms”; 2015 KMR Arts, Connecticut, -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
Tried and Tatted - OTHER
10/28/2017 Tried and Tatted - OTHER Subscribe Online Magazine ∴ Events ∴ About ∴ Articles Tried and Tatted by Avery Carmichael http://othersyndicate.com/2017/07/07/tried-and-tatted/ 1/8 10/28/2017 Tried and Tatted - OTHER When applying for a job, most potential employers ask for a resume. (I can’t think of a place that doesn’t, but I don’t want to be the one to make a sweeping claim without fact-checking. Journalism, son.) The average applicant provides information on his or her education, work experience, skills and interests. Good GPA? List it. Poor test scores? No need. The point is to provide a potential employer with the cold, hard facts of your life—to reduce oneself to a page of 11.5, Times New Roman details. An inated resume is surprisingly common. Studied abroad in Vietnam? Know how to say ‘Hello?’ ‘Cheers?’ You’re uent! At least, according to your resume. In Russia, the Vor v Zakone, or, Thieves in Law, like to showcase their criminal resumes on their bodies. However, a criminal resume, for the vory, is not one you can fudge. Tattooed to the hilt, the vory are a category of elite criminals in the Russian prison system that direct prison activities and control organized crime. This status is attained through multiple prison sentences, and a strict adherence to a code of conduct known as the Ponyatiya. (For a college student actively job searching, the Ponyatiya is your university’s honor code. For a post-graduate, this is something like a background check, a conrmation of your legit-ness.) Only upon upholding these principles can one be perceived as a true vor. -
208Th Commencement Exercises
------From President Raab ------ January 23,2014 Dear Graduates: Congratulations! You have reached a most significant milestone in your life. Your hard work, determination, and commitment to your education have been rewarded, and you and your loved ones should take pride in your accomplishments and successes. Hunter College certainly takes pride in you. Your Hunter education has prepared you to meet the challenges of a world that is rapidly changing politically, socially, economically, and technologically. As part of the next generation of thoughtful, responsible, and intelligent leaders, you will make a real difference wherever you apply your knowledge and skills. Endless opportunities await you. As you pursue your goals and move forward with your professional and personal lives, please carry with you Hunter's commitment to community, diversity, and service to others. We look forward to hearing great things about you, and we hope you will stay connected to the exciting activities and developments on campus. Please remember Hunter College and know that you will always be part of our family. Best wishes for continued success. Sincerely, Hvt~ Jennifer J. Raab President ------208th Commencement Exercises ------ Presiding Jennifer J. Raab, President Eija Ayravainen, Vice President for Student Affairs and Dean ofStudents Processional President's Parry and Members of the Faculry Candidates for Degrees Rita DiMartino, Board of Trustees of The City University ofNew York Allan Dobrin, Executive Vice Chancellor of The City University ofNew York National Anthem Anna Moscovic, Bachelor ofArts in Theatre, Class of2014 Bagpiper Nicholas M. Rozak, Bachelor ofArts, Class of2007 Charge to the Graduates President Jennifer J. Raab Commencement Speaker and Recipient of the Hunter College Distinguished Public Service Award Christine C. -
Organiza Patrocina Colabora
ORGANIZA PATROCINA COLABORA 1 AGRADECIMIENTOS AGRADECIMIENTOS GUADALUPE GALVÁN HAMPA STUDIO ADRIANA KRASOVA (CENTRO CHECO) HARDI VOLMER (OÜ NUKUFILM) ADRIENNE MICHEL-LONG HASN-GÜNTHER LÖFFLER (EMBAJADA DE ALEMANIA) ADRZEJ KLIMOWSKI HAZEL GRIAN (LICORICE FILM) ALBERTINA CARRI HILA RON (THE SAM SPIEGEL FILM & TV SCHOOL ALSIRA GARCÍA-MAROTO ISRAEL) ANA GONZALEZ (SHADOW MACHINE FILMS) INÉS GARCÍA (TNT) ANDREA ANSAREO ISABEL GRANDE (INSTITUTO CERVANTES) ANNE MARIE HARMS (DRAMATISKA INSTITUTE) ISOBEL PALOS (PARTIZAN) ANTONIO HENS XUAN ACOSTA JAN ERIK HOLST (NFI) BARBARA WOOD (TURSIMO DE IRLANDA) JASON TAMMEMAGI BARRY KELLY JAVIER BARCHÍN BEATRIZ CHAPAPRIETA (GRUPO CONSULTORES) JENNIFER KEEGAN BETTINA SCHWARZ (EUROPEAN FILMACADEMY) JEZ ALDIS BRENDAN MULDOWNEY JIM CULLEN BRIAN DURNIN JOÃO DE MELO (EMBAJADA DE PORTUGAL) CIARAN FOY JOHN CALLAGHAN CILEA MENESES JOHN HAYES CORKY QUARKENBUSH (SPACE BASS FILMS) JOHNNY O’REILLY CHAD MESERVE (LUDICROUS PRODUCTIONS) JORDAN GALLAND CHRISTIAN GUINOT (FESTIVAL DU COURT METRAGE DE JORGE SEGADO (NOTODOFILMFEST.COM) CLERMONT-FERRAND) JOSÉ ANTONIO HURTADO (IVAC) CHRISTOFFER OLOFFSON (UPPSALA INTERNATIONELLA JOSÉ MARIA DE CARVALHO (INSTITUTO CAMÕES) KORTFILMFESTIVAL) JUAN BOETA DAMON SYLVESTER KAREN WALL (REEL IRELAND) DARIO OLIVEIRO (CURTAS VILA DO CONDE) KEITH ALLAN & COURTNEY BRANCH DIANA RUMJAHN KEN WARDROP DON PORTOLESE KIERON J. WALSH EDITH PIEPERHOFF KIRSTI BAGGETHUN (EMBAJADA DE NORUEGA) EOIN RYAN LILIAN SALY (EMBAJADA DE FRANCIA) FADEL AKHAMLICH (EDITORIAL PEARSON) LORCAN FINNEGAN FILMOTECA DE CASTILLA -
A Queda Do Céu: Representação E Mímesis Em Uma “Arte Índia”1
DOI 10.14393/OUV24-v15n1a2019-9 A queda do céu: representação e mímesis em uma “arte índia”1 PEDRO ERNESTO FREITAS LIMA 126 Pedro Ernesto Freitas Lima é doutorando do Programa de Pós-Graduação em Artes Visuais da Universidade de Brasília (UnB), na linha de Teoria e História da Arte, pesquisa narrativas curatoriais de caráter identitário. Graduado em Desenho Industrial pela Universidade de Brasília e Mestre em Arte pelo PPG em Artes Visuais da mesma instituição. (<http://lattes.cnpq.br/5379538202080398>). AFILIAÇÃO: Universidade de Brasília (UnB) Brasília DF, Brasil . _______ 1 O presente trabalho foi realizado com apoio da Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - Brasil (CAPES) - Código de Financiamento 001. ouvirouver Uberlândia v. 15 n. 1 p. 126-141 jan.|jun. 2019 RESUMO Pelo menos desde 2010, Moacir dos Anjos tem realizado curadorias de exposições de artes visuais nas quais, partindo de motes literários, discute com produções ar- tísticas a situação de determinados discursos subalternos sob uma perspectiva pós- colonial. Entre elas, A queda do céu, realizada no Paço das Artes em São Paulo no ano de 2015, parte da obra homônima escrita pelo yanomami Davi Kopenawa junto ao antropólogo francês Bruce Albert para tratar da “questão indígena” e reivindicar o reconhecimento de uma produção artística no Brasil comprometida em trazer essa questão para o campo do sensível como “arte índia”. Pretendemos discutir aqui co- mo a curadoria aciona procedimentos de representação e mímesis, recorrentes em muitas obras, de modo a construir seu argumento político a partir de diálogos com a obra de difícil classificação de Kopenawa e Albert. -
ABSTRACT BITCHES and THIEVES: GULAG GUARDS, ADMINISTRATORS, and PROFESSIONAL CRIMINALS in the BITCHES' WAR by Adam Richard
ABSTRACT BITCHES AND THIEVES: GULAG GUARDS, ADMINISTRATORS, AND PROFESSIONAL CRIMINALS IN THE BITCHES’ WAR by Adam Richard Rodger Amongst the professional criminals imprisoned in the Soviet Gulag, a split developed between those who kept to the Thieves’ Law and those who broke the Law and collaborated with the State. This violent schism, the Bitches’ War, raged across the entire Gulag system, becoming most heated between 1948 and 1953, and implicated the camps’ guards and administrators as much as the prisoners themselves. This research examines primary and secondary sources, heavily incorporating Gulag survivor memoirs, to investigate the culture of the Thieves-in-Law, these professional criminals, and also to uncover the involvement, intentions, and guilt of the camp administration. This study argues that the Bitches’ War sheds light on the real purpose and function of the Gulag; that it was not primarily about ideological re-education, nor was it primarily about economics and production, but that the Gulag served as a model for social control through use of power, persuasion, and violence. BITCHES AND THIEVES: GULAG GUARDS, ADMINISTRATORS, AND PROFESSIONAL CRIMINALS IN THE BITCHES’ WAR Thesis Submitted to the Faculty of Miami University in partial fulfillment of Master’s Degree by Adam Richard Rodger Miami University Oxford, Ohio 2017 Advisor: Dr. Stephen Norris Reader: Dr. Dan Prior Reader: Dr. Scott Kenworthy ©2017 Adam Richard Rodger This thesis titled BITCHES AND THIEVES GULAG GUARDS, ADMINISTRATORS, AND PROFESSIONAL CRIMINALS IN THE BITCHES’ WAR by Adam Richard Rodger has been approved for publication by The College of Arts and Sciences and The Department of History ____________________________________________________ Dr.