208Th Commencement Exercises
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Lois Conner [email protected]
Lois Conner [email protected] www.loisconner.net Education 1981-Yale University-MFA, Photography; 1975-Pratt Institute, BFA, Photography Fashion Institute of Technology, New York (1971-73); University of Delaware, Newark (1969-1971) Grants and Fellowships 2010, 2011 Sol and Carol Lewitt Artist-in-Residence, Praiano, Italy 2007 Anonymous was a Woman Fellowship 2006, 2010 Princeton University Research Fellowship 1984 Guggenheim Fellowship 1983 New York State Council on the Arts Fellowship 1979 National Endowment of the Arts Fellowship Collections (selected) Metropolitan Museum of Art; Museum of Modern Art, New York; San Francisco Museum of Modern Art; Los Angeles County Museum of Art; National Museum of American Art; Smithsonian Institution; Corcoran Gallery of Art; Sackler Gallery, Washington, D.C; Philadelphia Museum of Art; New Orleans Museum of Art; Santa Barbara Museum of Art, California; Brooklyn Museum of Art; Chicago Art Institute; Cleveland Museum of Art; Toledo Art Museum; Yale University Art Gallery; The Getty Museum; Chicago Art Institute; Museum of Fine Arts, Boston; Fogg Art Museum, Harvard; The New York Public Library; The British Library; Victoria and Albert Museum, London; National Gallery of Art, Canberra; National Gallery of Victoria, Australia Solo Exhibitions 2018 Shanghai Center of Photography, “A Long View” Wairapa Academy, Featherston, New Zealand, “Lotus Leaves”; 2017 Zhizhusi, Gallery at Temple, Beijing, “Diandao: Downside Up” 2016 Naumkeag, Stockbridge, Massachusetts, “Arcadian Realms”; 2015 KMR Arts, Connecticut, -
Untitled (Forever), 2017
PUBLISHERS DISTRIBUTED BY D.A.P. SP21 CATALOG CAPTIONS PAGE 6: Georgia O’Keeffe, Series I—No. 3, 1918. Oil on Actes Sud | Archive of Modern Conflict | Arquine | Art / Books | Art Gallery of York board, 20 × 16”. Milwaukee Art Museum. Gift of Jane University | Art Insights | Art Issues Press | Artspace Books | Aspen Art Museum | Atelier Bradley Pettit Foundation and the Georgia O’Keeffe Foundation. PAGE 7: Georgia O’Keeffe, Black Mesa Éditions | Atlas Press | August Editions | Badlands Unlimited | Berkeley Art Museum | Landscape, New Mexico / Out Back of Marie’s II, 1930. Oil on canvas. 24.5 x 36”. Georgia O’Keeffe Museum, Gift Blank Forms | Bokförlaget Stolpe | Bywater Bros. Editions | Cabinet | Cahiers d’Art of the Burnett Foundation. PAGE 8: (Upper) Emil Bisttram, | Canada | Candela Books | Carnegie Museum Of Art | Carpenter Center | Center For Creative Forces, 1936. Oil on canvas, 36 x 27”. Private collection, Courtesy Aaron Payne Fine Art, Santa Fe. Art, Design and Visual Culture, UMBC | Chris Boot | Circle Books | Contemporary Art (Lower) Raymond Jonson, Casein Tempera No. 1, 1939. Casein on canvas, 22 x 35”. Albuquerque Museum, gift Museum, Houston | Contemporary Art Museum, St Louis | Cooper-Hewitt | Corraini of Rose Silva and Evelyn Gutierrez. PAGE 9: (Upper) The Editions | DABA Press | Damiani | Dancing Foxes Press | Deitch Projects Archive | Sun, c. 1955. Oil on board, 6.2 × 5.5”. Private collection. © Estate of Leonora Carrington. PAGE 10: (Upper left) DelMonico Books | Design Museum | Deste Foundation for Contemporary Art | Dia Hayao Miyazaki, [Woman] imageboard, Nausicaä of the Valley of the Wind (1984). © Studio Ghibli. (Upper right) Center For The Arts | Dis Voir, Editions | Drawing Center | Dumont | Dung Beetle | Hayao Miyazaki, [Castle in the Sky] imageboard, Castle Dust to Digital | Eakins Press | Ediciones Poligrafa | Edition Patrick Frey | Editions in the Sky (1986). -
Curriculum Vitae Table of Contents
CURRICULUM VITAE Revised February 2015 ADRIAN MARGARET SMITH PIPER Born 20 September 1948, New York City TABLE OF CONTENTS 1. Educational Record ..................................................................................................................................... 2 2. Languages...................................................................................................................................................... 2 3. Philosophy Dissertation Topic.................................................................................................................. 2 4. Areas of Special Competence in Philosophy ......................................................................................... 2 5. Other Areas of Research Interest in Philosophy ................................................................................... 2 6. Teaching Experience.................................................................................................................................... 2 7. Fellowships and Awards in Philosophy ................................................................................................. 4 8. Professional Philosophical Associations................................................................................................. 4 9. Service to the Profession of Philosophy .................................................................................................. 5 10. Invited Papers and Conferences in Philosophy ................................................................................. -
Full Bibliography
Harmony Hammond Full Bibliography PUBLICATIONS BY AND ABOUT HARMONY HAMMOND AND HER WORK 2019 Harmony Hammond: Material Witness, Five Decades of Art, Catalogue essay by Amy Smith- Stewart. Aldrich Contemporary Art Museum and Gregory R. Miller & Co. (New York) Vitamin T: Threads & Textiles, 2019. Phaidon Press Limited (London) “Harmony Hammond”, interviewed by Tara Burk. Art After Stonewall: 1969 – 1989, ed. Jonathan Weinberg. Rizzoli Electa (New York) Queer Abstraction, Des Moines Art Center, Des Moines, IA. Catalogue essays by Jared Ledesma and David Getsy, About Face: Gender, Revolt & the New Queer Art, Wrightwood 659, Chicago, IL. Catalogue essay by Jonathan D. Katz “Artists and Creatives Reflect on How Stonewall Changed Art”, Julia Wolkoff. Artsy, June 14 “Queer Art, Gay Pride, and the Stonewall Riots –50 Years Later”,Sur Rodney (Sur). Artsy. June 3, “West By Southwest: Considering Landscape in Contemporary Art”, Shane Tolbert. The Magazine, June “Lucy Lippard”, Jenn Shapland. The Magazine, June “Queer Artists in Their Own Words: Savannah Knoop Is an Intimacy Hound”, Zachary Small. Hyperallergic, June 7 “Beyond Boston: 6 Summer Exhibits Around New England”. WBUR. The ARTery. June 4 “A Show About Stonewall’s Legacy Falters on Indecision”,Danilo Machado, Hyperallergic,June 6 “Critic’s Pick’s, Holland Cotter. The New York Times, May 30 “Material Witness: Five Decades of Art”, Ariella Wolens. SPIKE ART #59, Spring “Blood, Sweat and Piss: Art Is a Hard Job”, Osman Can Yerebakan. ELEPHANT, May 18 “Why So Many Artists Have Been Drawn to New Mexico”, Alexxa Gotthardt, Artsy, May 17 “Art After Stonewall, 1969 – 1989”, Jonathan Weinberg and Anna Conlan, The Archive, Spring “Playful furniture, Native Art, and hidden grottoes are a few of the highlights from this season’s top exhibitions”, AFAR, May 10 “’art after stonewall’ examines a crucial moment in lgbtq history”. -
S21-DAP-Catalogue.Pdf
PUBLISHERS DISTRIBUTED BY D.A.P. SP21 CATALOG CAPTIONS PAGE 6: Georgia O’Keeffe, Series I—No. 3, 1918. Oil on Actes Sud | Archive of Modern Conflict | Arquine | Art / Books | Art Gallery of York board, 20 × 16”. Milwaukee Art Museum. Gift of Jane University | Art Insights | Art Issues Press | Artspace Books | Aspen Art Museum | Atelier Bradley Pettit Foundation and the Georgia O’Keeffe Foundation. PAGE 7: Georgia O’Keeffe, Black Mesa Éditions | Atlas Press | August Editions | Badlands Unlimited | Berkeley Art Museum | Landscape, New Mexico / Out Back of Marie’s II, 1930. Oil on canvas. 24.5 x 36”. Georgia O’Keeffe Museum, Gift Blank Forms | Bokförlaget Stolpe | Bywater Bros. Editions | Cabinet | Cahiers d’Art of the Burnett Foundation. PAGE 8: (Upper) Emil Bisttram, | Canada | Candela Books | Carnegie Museum Of Art | Carpenter Center | Center For Creative Forces, 1936. Oil on canvas, 36 x 27”. Private collection, Courtesy Aaron Payne Fine Art, Santa Fe. Art, Design and Visual Culture, UMBC | Chris Boot | Circle Books | Contemporary Art (Lower) Raymond Jonson, Casein Tempera No. 1, 1939. Casein on canvas, 22 x 35”. Albuquerque Museum, gift Museum, Houston | Contemporary Art Museum, St Louis | Cooper-Hewitt | Corraini of Rose Silva and Evelyn Gutierrez. PAGE 9: (Upper) The Editions | DABA Press | Damiani | Dancing Foxes Press | Deitch Projects Archive | Sun, c. 1955. Oil on board, 6.2 × 5.5”. Private collection. © Estate of Leonora Carrington. PAGE 10: (Upper left) DelMonico Books | Design Museum | Deste Foundation for Contemporary Art | Dia Hayao Miyazaki, [Woman] imageboard, Nausicaä of the Valley of the Wind (1984). © Studio Ghibli. (Upper right) Center For The Arts | Dis Voir, Editions | Drawing Center | Dumont | Dung Beetle | Hayao Miyazaki, [Castle in the Sky] imageboard, Castle Dust to Digital | Eakins Press | Ediciones Poligrafa | Edition Patrick Frey | Editions in the Sky (1986). -
Pulitzer Prize Winners and Finalists
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Sarah Billinghurst Solomon Retired from the General Manager, Artistic of the Metropolitan Metropolitan Opera As the Assistant General Opera
International Society labels large groups of individuals Society for the through a single lens – oversimplifying ISPA Performing Arts by race, gender, religion, economic status or sexual orientation. The arts have an opportunity to reject the need to stereotype and create a broader cultural understanding. There has been an unprecedented shift of place for many of the world’s peoples in the past five years. How are communities accepting these new residents and how are some political powers rejecting them? As a traditional tool of advocacy and diplomacy what role will the arts play in this ongoing debate? January 10–12, 2017 CURRENTS OF NEW YORK CONGRESS New tools present opportunities to enhance dialogue, interactivity and under- standing. CHANGE ARTS, POWER+POLITICS In a society where many cultures and art forms come together, is the traditional approach to artistic curation still valid? Many festivals, art venues and public spaces are relying on the individual artist to self-program. MESSAGE FROM THE CHAIR OF ISPA Dear Colleagues, urrents of Change—indeed! Arts, Power & Politics—ingredients for a potent stew, now on full boil all across the globe. When the theme for this congress was set early last year, many of us could not imagine the world as it is today. C Borders seem meaningless; yet nationalism is on the rise. Contrasts and conflicts stand on equal ground. Differences divide us and still we strive for diversity in all its forms. Confusion and upheaval is having its heyday in every corner of the globe. WELCOME So where does that leave us? Are the arts a mirror of what is happening around us or are we to be vital participants in world issues? Is it enough to want to share artistic work with our communities or must we consider how artistic experiences will shape our communities? And at the end of the day, how do our actions (or inactions) impact each other, our work and the future? REIMAGINING, the theme of our outstanding Melbourne Congress last May, kicked open the doors to this deeper dive on issues that are increasingly pressing with each passing day. -
A Fragile Inheritance: Radical Stakes in Contemporary Indian
A FrAgile inheritAnce This page intentionally left blank Saloni Mathur A FrAgile inheritAnce Radical Stakes in Contemporary Indian Art Duke univerSity PreSS · DurhaM anD lonDon · 2019 © 2019 Duke univerSity PreSS This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/us/. Printed in the United States of America on acid- free paper ♾ Designed by Matthew Tauch Typeset in Quadraat Pro by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data Names: Mathur, Saloni, author. Title: A fragile inheritance : radical stakes in contemporary Indian art / Saloni Mathur. Description: Durham : Duke University Press, 2019. | Includes bibliographical references and index. Identifiers: lccn 2019006362 (print) | lccn 2019009378 (ebook) iSbn 9781478003380 (ebook) iSbn 9781478001867 (hardcover : alk. paper) iSbn 9781478003014 (pbk. : alk. paper) Subjects: lcSh: Art, Indic—20th century. | Art, Indic—21st century. | Art—Political aspects—India. | Sundaram, Vivan— Criticism and interpretation. | Kapur, Geeta, 1943—Criticism and interpretation. Classification: lcc n7304 (ebook) | lcc n7304 .M384 2019 (print) | DDc 709.54/0904—dc23 lc record available at https://lccn.loc.gov/2019006362 Cover art: Vivan Sundaram, Soldier of Babylon I, 1991, diptych made with engine oil and charcoal on paper. Courtesy of the artist. Duke University Press gratefully acknowledges the ucla Academic Senate, the ucla Center for the Study of Women, and the ucla Dean of Humanities for providing funds toward the publication of this book. This title is freely available in an open access edition thanks to the toMe initiative and the generous support of Arcadia, a charitable fund of Lisbet Rausing and Peter Baldwin, and of the ucla Library. -
THE D.A.P. CATALOG FALL 2019 Recent Releases from Artbook | D.A.P
THE D.A.P. CATALOG FALL 2019 Recent releases from Artbook | D.A.P. Paul Klee: Pedagogical Sketchbook 9783037785850 Hbk, U.S. $35.00 CDN $49.95 Lars Müller Publishers Piet Mondrian: New Design 9783037785867 Hbk, U.S. $35.00 CDN $49.95 Lars Müller Publishers Woodstock: 3 Days of Peace & Music 9781909526624 Hbk, U.S. $59.95 CDN $75.00 Reel Art Press Jean-Philippe Delhomme: Artists’ Instagrams 9781947359048 Hbk, U.S. $29.95 CDN $27.00 August Editions Walks to the Paradise Garden: A Lowdown Southern Odyssey 9781732848207 Hbk, U.S. $45.00 CDN $55.00 Institute 193 Balkrishna Doshi: William Klein: Celebration Architecture for the People 9788417048792 9783945852316 Hbk, U.S. $39.95 CDN $55.00 Sebastian Posingis, from Sebastian Posingis: Salt River, published by Steidl. See page 128. Hbk, U.S. $85.00 CDN $115.00 La Fábrica Vitra Design Museum Antonello da Messina: The Spectacle of Illusion Inside Painting Deception, Magic and the Paranormal 9788857238982 9781942884378 Hbk, U.S. $50.00 CDN $69.95 Featured Releases 2 Hbk, U.S. $35.00 CDN $49.95 Skira Journals 109 D.A.P. Limited Editions 112 Picasso: Blue and Rose Periods Fall Highlights 114 9783775745055 CATALOG EDITOR Hbk, U.S. $85.00 CDN $115.00 Thomas Evans Photography 116 Hatje Cantz DESIGNER Art 132 Soviet Asia Martha Ormiston Design 176 PHOTOGRAPHY 9780995745551 Architecture 180 Justin Lubliner, Carter Seddon Hbk, U.S. $32.50 CDN $45.00 Fuel Publishing COPY WRITING Arthur Cañedo, Janine DeFeo, Megan Ashley DiNoia, Thomas Evans, Jack Patterson Specialty Books 188 Art 190 FRONT COVER IMAGE Henrietta Shore, Two Worlds (1921). -
Newsletter 2014
HISTORY OF ART, UNIVERSITY OF CALIFORNIA, BERKELEY Annual Newsletter Annual 2014 - For Friends of the Department ofthe Friends For 1 2015 Letter from the Chair Selected Lectures and Events 2014-15 Please visit arthistory.berkeley.edu for the latest listings and to confirm times and locations. September 11, 2014 “In My Backyard: Conversations with Art History Neighbors” The department hosts colleagues from San Francisco State University September 17, 2014 Lecture: “Art History in India and Its Discontents in Global Times” The last few years have been ones of rapid change in the De- Parul Dave-Mukherji, Jawaharlal Nehru University partment of History of Art, and 2013-14 turned out to be no exception. We added two new members of faculty, completed September 25, 2014 our new high-tech lecture hall and conference space (p. 13), and Lecture: “Counterfeit Money, Starring Patty Hearst” undertook a complete overhaul of the History of Art major (p. Byron Hamann, The Ohio State University 7). And that is just for starters. October 2, 2014 Our search for a “global modernist” resulted in the appoint- Lecture: “Memorial Mania: Public Feeling in America” ment of Anneka Lenssen, formerly a member of the faculty of Erika Doss, University of Notre Dame the American University in Cairo (p. 3); and we were fortunate enough to be able to appoint in addition Lauren Kroiz, who spe- February 26, 2015 cializes in American art in the early twentieth century. Lauren Mary C. Stoddard Lecture comes to us from the University of Wisconsin–Madison, and Thomas B. F. Cummins, Harvard University already began teaching for the department in spring 2014 (p. -
Kalup Linzy CV Fall 2014.Fdx
Kalup Linzy Born 1977, Florida, USA Lives and works in Brooklyn, NY Education 2003 Master of Fine Arts, Studio Art, University of South Florida, Tampa, FL 2002 Skowhegan School of Painting and Sculpture, Skowhegan, Maine 2001 University of South Florida Study Abroad Program, Paris, France 2000 Bachelor of Fine Arts, University of South Florida, Tampa, FL Awards 2012 Alumni Awards Residency, Headlands Center For The Arts, Sausalito, CA 2009 Harpo Foundation Grant 2008 Creative Capital Foundation Grant Jerome Foundation Grant Art Matters Grant 2007 John Simon Guggenheim Memorial Foundation Fellowship Award 2005 Louis Comfort Tiffany Foundation Grant Marie Walsh Sharpe Art Foundation, The Space Program, Studio Residency, New York, NY 2002 Matching Fellowship, Skowhegan School of Painting and Sculpture, Skowhegan, ME Matching Fellowship, University of South Florida CPVA, Skowhegan, ME 2001 Scholarship, University of South Florida CPVA, Tampa, FL 2001 Scholarship, University of South Florida Study Abroad Program (Paris, France) Teaching Experience 2015 New York University, ART-UE 1995, Interdisciplinary Undergraduate Projects in Studio Art: Photo/Video, Performance, Installation, Spring 2013 Harvard University, (2 Courses) VES Title: Visiting Faculty First Course: VES 66 - Music Melodrama, and Performance Art, Fall 2013 Second Course: VES 60k - A Soap Opera Within Itself, Fall 2013 2011 New York University, New York, NY Tisch Performance Studies Title: Visiting Artist, Fall 2011 Graduate Course Taught: Compositions Residencies 2. 2014 GraphicStudio,