Kalup Linzy CV Fall 2014.Fdx
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Lois Conner [email protected]
Lois Conner [email protected] www.loisconner.net Education 1981-Yale University-MFA, Photography; 1975-Pratt Institute, BFA, Photography Fashion Institute of Technology, New York (1971-73); University of Delaware, Newark (1969-1971) Grants and Fellowships 2010, 2011 Sol and Carol Lewitt Artist-in-Residence, Praiano, Italy 2007 Anonymous was a Woman Fellowship 2006, 2010 Princeton University Research Fellowship 1984 Guggenheim Fellowship 1983 New York State Council on the Arts Fellowship 1979 National Endowment of the Arts Fellowship Collections (selected) Metropolitan Museum of Art; Museum of Modern Art, New York; San Francisco Museum of Modern Art; Los Angeles County Museum of Art; National Museum of American Art; Smithsonian Institution; Corcoran Gallery of Art; Sackler Gallery, Washington, D.C; Philadelphia Museum of Art; New Orleans Museum of Art; Santa Barbara Museum of Art, California; Brooklyn Museum of Art; Chicago Art Institute; Cleveland Museum of Art; Toledo Art Museum; Yale University Art Gallery; The Getty Museum; Chicago Art Institute; Museum of Fine Arts, Boston; Fogg Art Museum, Harvard; The New York Public Library; The British Library; Victoria and Albert Museum, London; National Gallery of Art, Canberra; National Gallery of Victoria, Australia Solo Exhibitions 2018 Shanghai Center of Photography, “A Long View” Wairapa Academy, Featherston, New Zealand, “Lotus Leaves”; 2017 Zhizhusi, Gallery at Temple, Beijing, “Diandao: Downside Up” 2016 Naumkeag, Stockbridge, Massachusetts, “Arcadian Realms”; 2015 KMR Arts, Connecticut, -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
208Th Commencement Exercises
------From President Raab ------ January 23,2014 Dear Graduates: Congratulations! You have reached a most significant milestone in your life. Your hard work, determination, and commitment to your education have been rewarded, and you and your loved ones should take pride in your accomplishments and successes. Hunter College certainly takes pride in you. Your Hunter education has prepared you to meet the challenges of a world that is rapidly changing politically, socially, economically, and technologically. As part of the next generation of thoughtful, responsible, and intelligent leaders, you will make a real difference wherever you apply your knowledge and skills. Endless opportunities await you. As you pursue your goals and move forward with your professional and personal lives, please carry with you Hunter's commitment to community, diversity, and service to others. We look forward to hearing great things about you, and we hope you will stay connected to the exciting activities and developments on campus. Please remember Hunter College and know that you will always be part of our family. Best wishes for continued success. Sincerely, Hvt~ Jennifer J. Raab President ------208th Commencement Exercises ------ Presiding Jennifer J. Raab, President Eija Ayravainen, Vice President for Student Affairs and Dean ofStudents Processional President's Parry and Members of the Faculry Candidates for Degrees Rita DiMartino, Board of Trustees of The City University ofNew York Allan Dobrin, Executive Vice Chancellor of The City University ofNew York National Anthem Anna Moscovic, Bachelor ofArts in Theatre, Class of2014 Bagpiper Nicholas M. Rozak, Bachelor ofArts, Class of2007 Charge to the Graduates President Jennifer J. Raab Commencement Speaker and Recipient of the Hunter College Distinguished Public Service Award Christine C. -
Untitled (Forever), 2017
PUBLISHERS DISTRIBUTED BY D.A.P. SP21 CATALOG CAPTIONS PAGE 6: Georgia O’Keeffe, Series I—No. 3, 1918. Oil on Actes Sud | Archive of Modern Conflict | Arquine | Art / Books | Art Gallery of York board, 20 × 16”. Milwaukee Art Museum. Gift of Jane University | Art Insights | Art Issues Press | Artspace Books | Aspen Art Museum | Atelier Bradley Pettit Foundation and the Georgia O’Keeffe Foundation. PAGE 7: Georgia O’Keeffe, Black Mesa Éditions | Atlas Press | August Editions | Badlands Unlimited | Berkeley Art Museum | Landscape, New Mexico / Out Back of Marie’s II, 1930. Oil on canvas. 24.5 x 36”. Georgia O’Keeffe Museum, Gift Blank Forms | Bokförlaget Stolpe | Bywater Bros. Editions | Cabinet | Cahiers d’Art of the Burnett Foundation. PAGE 8: (Upper) Emil Bisttram, | Canada | Candela Books | Carnegie Museum Of Art | Carpenter Center | Center For Creative Forces, 1936. Oil on canvas, 36 x 27”. Private collection, Courtesy Aaron Payne Fine Art, Santa Fe. Art, Design and Visual Culture, UMBC | Chris Boot | Circle Books | Contemporary Art (Lower) Raymond Jonson, Casein Tempera No. 1, 1939. Casein on canvas, 22 x 35”. Albuquerque Museum, gift Museum, Houston | Contemporary Art Museum, St Louis | Cooper-Hewitt | Corraini of Rose Silva and Evelyn Gutierrez. PAGE 9: (Upper) The Editions | DABA Press | Damiani | Dancing Foxes Press | Deitch Projects Archive | Sun, c. 1955. Oil on board, 6.2 × 5.5”. Private collection. © Estate of Leonora Carrington. PAGE 10: (Upper left) DelMonico Books | Design Museum | Deste Foundation for Contemporary Art | Dia Hayao Miyazaki, [Woman] imageboard, Nausicaä of the Valley of the Wind (1984). © Studio Ghibli. (Upper right) Center For The Arts | Dis Voir, Editions | Drawing Center | Dumont | Dung Beetle | Hayao Miyazaki, [Castle in the Sky] imageboard, Castle Dust to Digital | Eakins Press | Ediciones Poligrafa | Edition Patrick Frey | Editions in the Sky (1986). -
33 Participants Selected for Atlanta Contemporary's ATLBNL
For Immediate Release 33 Participants Selected for Atlanta Contemporary’s ATLBNL Atlanta Contemporary presents – ATLBNL On view: August 27 – December 18, 2016 Public Opening: Saturday, August 27, 2016 from 7 – Midnight (in conjunction with ART PARTY) ATLANTA —July 18 —Atlanta Contemporary Art Center (Atlanta Contemporary) announces the 33 artists participating in the return of the Atlanta Biennial. With a roster of artists at varying points in their careers and with varying artistic practices– ATLBNL brings entirely new voices to the galleries by presenting not only the visual arts, but also book arts, film + video, fiber arts, literature, performance and music + sound. Previous Biennials – regardless of locale, curator, artists, or even the name itself – trumpeted the idea that many exceptional and relevant contemporary artists call the South home. The 2016 Atlanta Biennial further upholds this truth. “This Biennial brings together four curators with distinct points of view and curatorial methodologies,” noted Veronica Kessenich, Executive Director at Atlanta Contemporary. “They found common ground in their combined interest to exhibit individuals and collectives who have never before participated in the Atlanta Biennial. While the participants represent 8 states from across the Southeast, they do not relegate themselves to any specific sense of geography or space rather, together, their work examines the current state of contemporary art and contemporary issues.” Tue–Sat 11am – 5pm Thu open late until 8pm ATLBNL endeavors to champion these artists and their work while Sun 12pm-4pm simultaneously re-contextualizing Atlanta Contemporary’s Mon Closed commitment to our mission to engage the public in the creation, 535 Means St. -
Curriculum Vitae Table of Contents
CURRICULUM VITAE Revised February 2015 ADRIAN MARGARET SMITH PIPER Born 20 September 1948, New York City TABLE OF CONTENTS 1. Educational Record ..................................................................................................................................... 2 2. Languages...................................................................................................................................................... 2 3. Philosophy Dissertation Topic.................................................................................................................. 2 4. Areas of Special Competence in Philosophy ......................................................................................... 2 5. Other Areas of Research Interest in Philosophy ................................................................................... 2 6. Teaching Experience.................................................................................................................................... 2 7. Fellowships and Awards in Philosophy ................................................................................................. 4 8. Professional Philosophical Associations................................................................................................. 4 9. Service to the Profession of Philosophy .................................................................................................. 5 10. Invited Papers and Conferences in Philosophy ................................................................................. -
CHAPERONE This Program Was Funded in Part with Public Funds 10 June – 29 July, 2009 from the New York City Department of Cultural EFA Project Space Affairs
CHAPERONE This program was funded in part with public funds 10 June – 29 July, 2009 from the New York City Department of Cultural EFA Project Space Affairs. Additional support provided by the Carnegie CHAPERONE Corporation and Materials for the Arts. Ian Cooper & Michelle Levy Organizers SARA GREENBERGER RAFFERTY Angie Keefer Graphic Designer Beverage Sponsorship provided by Magic Hat LUCAS 10 JUNE Kelsey Mohr Chaperone Seamstress Brewing Company. Shannan Hayes Program Fellow ALEX BAG Mark Demos AV technician The creative process is essential to shaping society. 18 JUNE GRANDMA’S BOY EFA is dedicated to providing artists across all Artists disciplines with space, tools and a cooperative ANNA CRAYCROFT Alex Bag, Beth Campbell, Ian Cooper, forum for the development of individual practice. We 24 JUNE THE CENTURY OF THE SELF Anna Craycroft, Amy Granat, k8 Hardy, are a catalyst for cultural growth, stimulating new IAN COOPER Kalup Linzy, Sara Greenberger Rafferty interactions between artists, creative communities, 1 JULY SCREAM 3 and the public. Acknowledgements AMY GRANAT Artists’ galleries: Elizabeth Dee Gallery, EFA Project Space, a multi-disciplinary contemporary 8 JULY VENOM AND ETERNITY Nicole Klagsbrun Gallery, Tracy Williams LTD, art venue, encourages creative expression and Galerie Eva Presenhuber, Taxter & Spengemann, new interactions in the arts. By collaborating with k8 HARDY Rachel Uffner Gallery. organizations and individuals to present a variety 15 JULY FREAK ORLANDO of programs including exhibitions, performances, Film distributors: Criterion Pictures, USA, Inc., RDF screenings, workshops, and conversations, we CHAPERONE KALUP LINZY Rights, Re:Voir Vidéo, Swank Motion Pictures, Inc., aim to generate an ongoing dialogue about the 22 JULY DESPERATE LIVING and Ulrike Ottinger Studio. -
Artists & Allies
signs and symbols: artists & allies III participating artists adam broomberg (b. 1970 Johannesburg, South Africa) is an artist, activist and educator. He currently lives and works in Berlin. Adam is one half of the critically acclaimed artistic duo Broomberg & Chanarin. He is a professor of photography at the Hochschule für bildende Künste (HFBK) in Hamburg and teaches in the MA Photography & Society program at The Royal Academy of Art, The Hague, which he co- designed. He has had numerous solo exhibitions, most recently at The Centre Georges Pompidou (2018) and the Hasselblad Center (2017), among others. His participation in international group shows include the Yokohama Triennale (2017), Documenta, Kassel (2017), among others. His work is held in major public and private collections including Centres Pompidou, Tate, MoMA, Yale University and Stedelijk Museum. In his spare time, Adam destroys marble monuments, makes cricket cages, absurdist collages and pottery. He is the contemporary Patrick Swayze. jen denike (b. 1971) lives and works in Brooklyn, New York. Her video, performance, collage and installation work has been exhibited internationally at The Museum of Modern Art, New York; KW Institute for Contemporary Art, Berlin; The Brooklyn Museum; Crystal Bridges Museum of American Art, Bentonville; Julia Stoschek Collection; MoMA PS1; Contemporary Arts Museum, Houston; Deichtorhallen, Hamburg; Tensta Konsthall, Stockholm; Participant Inc; 54th Venice Biennale; Garage Projects, Moscow; Art Basel Miami Film Sector; Franklin Street Works, Stamford; Zendai Museum of Modern Art, Shanghai; MOCA Toronto; MACRO ROMA; and CCS Bard Hessel Museum. Select commissioned projects include Capri by Night, Schauspiel Köln Opera House, Bombay Beach Biennale, LAND Los Angeles Nomadic Division, Creative Time, Performa Biennial, Faena Art and FairPlay. -
Brooklyn Bred 2
2014 NEXT WAVE FESTIVAL Brooklyn Academy of Music Alan H. Fishman, Brooklyn Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Bred 2 Vice Chairman of the Board Karen Brooks Hopkins, President Curated by Martha Wilson Joseph V. Melillo, Executive Producer Featuring: Clifford Owens (Oct 16) Dynasty Handbag (Oct 17) Pablo Helguera (Oct 18) Lighting Design by Lenore Doxsee RUN TIME: Approx 1hr (no intermission) DATES: OCT 16—18 at 7:30 & 9pm LOCATION: BAM Fisher (Fishman Space) Season Sponsor Time Warner Inc. is the BAM 2014 Next Wave Festival Sponsor Major support for theater at BAM provided by: The Francena T. Harrison Foundation Trust Stephanie & Timothy Ingrassia Donald R. Mullen Jr. The Morris and Alma Schapiro Fund The SHS Foundation The Shubert Foundation, Inc. #BROOKLYNBRED BAM Fisher 2014 NEXT WAVE FESTIVAL About the Show MARTHA WILSON Curator, Performer (A Forum for Performance Art, Oct 16) Martha Wilson is a pioneering feminist artist and gallery director who over the past four decades has created innovative photographic and video works that explore her female subjectivity. She has been described by New York Times critic Holland Cotter as one of “the half-dozen most important people for art in downtown Manhattan in the 1970s.” In 1976 she founded Franklin Furnace, an artist-run space that champions the exploration, promotion, and preservation of artist books, temporary installation, performance art, as well as online works. She is represented by P.P.O.W Gallery in New York and has received fellowships for performance art from the National Endowment for the Arts and the New York Foundation for the Arts, Bessie and Obie awards for commitment to artists’ freedom of expression, a Yoko Ono Lennon Courage Award for the Arts, a Richard Massey Foundation-White Box Arts and Humanities Award, and in 2013 received an Honorary Doctor of Fine Arts degree from the Nova Scotia College of Art and Design University. -
Full Bibliography
Harmony Hammond Full Bibliography PUBLICATIONS BY AND ABOUT HARMONY HAMMOND AND HER WORK 2019 Harmony Hammond: Material Witness, Five Decades of Art, Catalogue essay by Amy Smith- Stewart. Aldrich Contemporary Art Museum and Gregory R. Miller & Co. (New York) Vitamin T: Threads & Textiles, 2019. Phaidon Press Limited (London) “Harmony Hammond”, interviewed by Tara Burk. Art After Stonewall: 1969 – 1989, ed. Jonathan Weinberg. Rizzoli Electa (New York) Queer Abstraction, Des Moines Art Center, Des Moines, IA. Catalogue essays by Jared Ledesma and David Getsy, About Face: Gender, Revolt & the New Queer Art, Wrightwood 659, Chicago, IL. Catalogue essay by Jonathan D. Katz “Artists and Creatives Reflect on How Stonewall Changed Art”, Julia Wolkoff. Artsy, June 14 “Queer Art, Gay Pride, and the Stonewall Riots –50 Years Later”,Sur Rodney (Sur). Artsy. June 3, “West By Southwest: Considering Landscape in Contemporary Art”, Shane Tolbert. The Magazine, June “Lucy Lippard”, Jenn Shapland. The Magazine, June “Queer Artists in Their Own Words: Savannah Knoop Is an Intimacy Hound”, Zachary Small. Hyperallergic, June 7 “Beyond Boston: 6 Summer Exhibits Around New England”. WBUR. The ARTery. June 4 “A Show About Stonewall’s Legacy Falters on Indecision”,Danilo Machado, Hyperallergic,June 6 “Critic’s Pick’s, Holland Cotter. The New York Times, May 30 “Material Witness: Five Decades of Art”, Ariella Wolens. SPIKE ART #59, Spring “Blood, Sweat and Piss: Art Is a Hard Job”, Osman Can Yerebakan. ELEPHANT, May 18 “Why So Many Artists Have Been Drawn to New Mexico”, Alexxa Gotthardt, Artsy, May 17 “Art After Stonewall, 1969 – 1989”, Jonathan Weinberg and Anna Conlan, The Archive, Spring “Playful furniture, Native Art, and hidden grottoes are a few of the highlights from this season’s top exhibitions”, AFAR, May 10 “’art after stonewall’ examines a crucial moment in lgbtq history”. -
S21-DAP-Catalogue.Pdf
PUBLISHERS DISTRIBUTED BY D.A.P. SP21 CATALOG CAPTIONS PAGE 6: Georgia O’Keeffe, Series I—No. 3, 1918. Oil on Actes Sud | Archive of Modern Conflict | Arquine | Art / Books | Art Gallery of York board, 20 × 16”. Milwaukee Art Museum. Gift of Jane University | Art Insights | Art Issues Press | Artspace Books | Aspen Art Museum | Atelier Bradley Pettit Foundation and the Georgia O’Keeffe Foundation. PAGE 7: Georgia O’Keeffe, Black Mesa Éditions | Atlas Press | August Editions | Badlands Unlimited | Berkeley Art Museum | Landscape, New Mexico / Out Back of Marie’s II, 1930. Oil on canvas. 24.5 x 36”. Georgia O’Keeffe Museum, Gift Blank Forms | Bokförlaget Stolpe | Bywater Bros. Editions | Cabinet | Cahiers d’Art of the Burnett Foundation. PAGE 8: (Upper) Emil Bisttram, | Canada | Candela Books | Carnegie Museum Of Art | Carpenter Center | Center For Creative Forces, 1936. Oil on canvas, 36 x 27”. Private collection, Courtesy Aaron Payne Fine Art, Santa Fe. Art, Design and Visual Culture, UMBC | Chris Boot | Circle Books | Contemporary Art (Lower) Raymond Jonson, Casein Tempera No. 1, 1939. Casein on canvas, 22 x 35”. Albuquerque Museum, gift Museum, Houston | Contemporary Art Museum, St Louis | Cooper-Hewitt | Corraini of Rose Silva and Evelyn Gutierrez. PAGE 9: (Upper) The Editions | DABA Press | Damiani | Dancing Foxes Press | Deitch Projects Archive | Sun, c. 1955. Oil on board, 6.2 × 5.5”. Private collection. © Estate of Leonora Carrington. PAGE 10: (Upper left) DelMonico Books | Design Museum | Deste Foundation for Contemporary Art | Dia Hayao Miyazaki, [Woman] imageboard, Nausicaä of the Valley of the Wind (1984). © Studio Ghibli. (Upper right) Center For The Arts | Dis Voir, Editions | Drawing Center | Dumont | Dung Beetle | Hayao Miyazaki, [Castle in the Sky] imageboard, Castle Dust to Digital | Eakins Press | Ediciones Poligrafa | Edition Patrick Frey | Editions in the Sky (1986). -
Hilary Harkness: Painting Arrested Ambiguity at FLAG Art Foundation
Adrian Margaret Brune: Hilary Harkness: Painting Arrested Ambiguity at FLAG Art Foundation http://www.huffingtonpost.com/adrian-margaret-brune/hilary-harkness_b_2648475.html February 12, 2013 Hilary Harkness: Painting Arrested Ambiguity at FLAG Art Foundation Posted: 02/12/2013 11:24 am The now renowned artist Hilary Harkness arrived at the Yale University Art School -- during a time of pervasive identity politics -- without one. John Currin had just graduated, leaving Yale professors and critics agape with his mash-ups of Renaissance craftsmanship against sexual and social satire. Contemporary darling Matthew Barney had come armed with "Drawing Restraint 7" -- installations built on the relationship between self-imposed social resistance and individual creativity. And Ann Gale, Marc Trujillo and Malerie Marder were in their initial attempts to discover and undress the human psyche in naked scenes of people and places. Harkness came to the prestigious school with no other objective than to learn how to paint. Without an agenda, she started making self-portraits, drawing herself over and over, each time placing her face in a different presentation. "Then I got bored," Harkness said touring the gallery of the FLAG Art Foundation where her new solo exhibition of nearly impossibly detailed paintings of a world inhabited by complex, inter-related and fated relationships opens on February 8th. "Yale didn't nurture me, but gave me a basic tool kit; getting paint to cleave to the canvas; understanding the purpose, limits, and benefits of painting mediums; and creating the illusion of space. "Outside of Yale, the Master of Osservanza Triptych -- the works of il Sassetta -- opened the door to painting narratives in a simple and easy-to-understand fashion." Maybe to Harkness, but not to her fans and patrons.