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Diminishing Connections Mary Jane King Clemson University, M.J [email protected]
Clemson University TigerPrints All Theses Theses 5-2016 Diminishing Connections Mary Jane King Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Recommended Citation King, Mary Jane, "Diminishing Connections" (2016). All Theses. 2369. https://tigerprints.clemson.edu/all_theses/2369 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. DIMINISHING CONNECTIONS ___________________________________________________ A Thesis Presented to the Graduate School Of Clemson University ___________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Fine Arts Visual Art ___________________________________________________ by Mary Jane King May 2016 ___________________________________________________ Accepted by: Professor Todd McDonald, Committee Chair Professor Kathleen Thum Professor Todd Anderson Dr. Andrea Feeser ABSTRACT I explore our skin’s durability as it protects our inner being, but its fragility in our death. Paint allows me to understand the physical quality of skin and the structure underneath it’s surface. We experience the world and one another through this outermost layer of our selves, providing the ability to feel touch and to establish corporeal bounds and connections. Skin provides a means of communication and interaction, of touch and intimacy. It contains, protects, and stretches with the growth of the body, adapting to the interior bodily demands. It is through this growth that there is also a regression or a slow decay of the body. In addition to exterior exploration, I also investigate the vitality of our viscera even when disease destroys it and claims our lives. -
PRESS RELEASE Face Time: an Exhibition in Aid of the Art Room
PRESS RELEASE Face Time: An exhibition in aid of The Art Room Threadneedle Space, Mall Galleries, London SW1 Monday 16 – Saturday 21 June 2014 10 am – 5 pm, Free Admission Over 60 works of art by international leading artists will be offered for sale in aid of The Art Room in Face Time, a week-long exhibition at the Threadneedle Space, Mall Galleries, London, SW1. Working in partnership with the Threadneedle Foundation, The Art Room, a national charity offering art as a therapeutic intervention to children and young people, have invited artists to contribute a clock or original piece of work for this important fundraising exhibition. Painters, sculptors, illustrators, architects and photographers have all contributed to Face Time and many have chosen to produce a clock face which reflects a key element of The Art Room’s methodology and practice. Face Time artists include: Emma Alcock ▪ Nicola Bayley ▪ Paul Benney ▪ Alison Berrett ▪ Tess Blenkinsop ▪ Anthony Browne ▪ Sarah Campbell ▪ Jake & Dinos Chapman ▪ Lauren Child ▪ Robert James Clarke ▪ Lara Cramsie ▪ Martin Creed ▪ Miranda Creswell ▪ Emma Faull ▪ Eleanor Fein ▪ Jennie Foley ▪ Antony Gormley ▪ Nicola Gresswell ▪ David Anthony Hall ▪ Maggi Hambling ▪ Kevin Harman ▪ The Art Room (Oxford) Oxford Spires Academy, Glanville Road, Oxford OX4 2AU (Registered Address) T 01865 779779 E [email protected] W www.theartroom.org.uk Founder Director Juli Beattie Chair Jonathan Lloyd Jones Patrons Micaela Boas, Anthony Browne, His Honour Judge Nicholas Browne QC, Dr Mina Fazel, MRCPsych -
Note to the Secretary-General Tonight You and Mrs. Annan Have
Note to the Secretary-General Tonight you and Mrs. Annan have agreed to drop by (from 6:35-6:45 p.m.) the reception in the West Terrace hosted by Yoko Ono wherein she will present grants to an Israeli and a Palestinian artist in her own Middle East humanitarian arts initiative. When Mrs. Annan and you arrive David Finn, Philippa Polskin and Holly Peppe of Ruder-Finn, will greet you. You will then be accompanied into the center of the room where two easels will display the work of the two artist recipients of the LennonOno Grants, Khalil Rabah and Zvi Goldstein. The following people will greet you and stand with you for a brief photo-op: > Yoko Ono > Zvi Goldstein, Israeli artist, grant recipient > Khalil Rabah, Palestinian artist, grant recipient > Jack Persekian, Founder & Director, Anadiel Gallery, Jerusalem > Suzanne Landau, Chief Curator, The Israel Museum, Jerusalem > Shlomit Shaked, Independent Curator, Israel. At 6:45 p.m. you will proceed to the Macalester Reception and dinner, in Private Dining Room #8. Kevin S.: 9 October 2002 Copy to: Ms. S. Burnheim ROUTING SLIP FICHE DE TRANSMISSION TO: A A: OJ *Mt* FROM: / /" DE: /64< ^*^/^^~^ Room No. — No de bureau Extension — Poste Date / G&W aiLbfo^ FOR ACTION POUR SUITE A DONNER FOR APPROVAL POUR APPROBATION FOR SIGNATURE POUR SIGNATURE FOR COMMENTS POUR OBSERVATIONS MAY WE DISCUSS? POURRIONS-NOUS EN PARLER ? YOUR ATTENTION VOTRE ATTENTION AS DISCUSSED COMME CONVENU AS REQUESTED SUITE A VOTRE DEMANDS NOTE AND RETURN NOTER ET RETOURNER FOR INFORMATION POUR INFORMATION COM.6 12-78) ZVI GOLDSTEIN Artist Recipient of the LennonOno Grant for Peace Born in Transylvania, Romania in 1947, artist Zvi Goldstein immigrated to Israel in 1958. -
2020-Commencement-Program.Pdf
One Hundred and Sixty-Second Annual Commencement JUNE 19, 2020 One Hundred and Sixty-Second Annual Commencement 11 A.M. CDT, FRIDAY, JUNE 19, 2020 2982_STUDAFF_CommencementProgram_2020_FRONT.indd 1 6/12/20 12:14 PM UNIVERSITY SEAL AND MOTTO Soon after Northwestern University was founded, its Board of Trustees adopted an official corporate seal. This seal, approved on June 26, 1856, consisted of an open book surrounded by rays of light and circled by the words North western University, Evanston, Illinois. Thirty years later Daniel Bonbright, professor of Latin and a member of Northwestern’s original faculty, redesigned the seal, Whatsoever things are true, retaining the book and light rays and adding two quotations. whatsoever things are honest, On the pages of the open book he placed a Greek quotation from the Gospel of John, chapter 1, verse 14, translating to The Word . whatsoever things are just, full of grace and truth. Circling the book are the first three whatsoever things are pure, words, in Latin, of the University motto: Quaecumque sunt vera whatsoever things are lovely, (What soever things are true). The outer border of the seal carries the name of the University and the date of its founding. This seal, whatsoever things are of good report; which remains Northwestern’s official signature, was approved by if there be any virtue, the Board of Trustees on December 5, 1890. and if there be any praise, The full text of the University motto, adopted on June 17, 1890, is think on these things. from the Epistle of Paul the Apostle to the Philippians, chapter 4, verse 8 (King James Version). -
Annual Report 2018/2019
Annual Report 2018/2019 Section name 1 Section name 2 Section name 1 Annual Report 2018/2019 Royal Academy of Arts Burlington House, Piccadilly, London, W1J 0BD Telephone 020 7300 8000 royalacademy.org.uk The Royal Academy of Arts is a registered charity under Registered Charity Number 1125383 Registered as a company limited by a guarantee in England and Wales under Company Number 6298947 Registered Office: Burlington House, Piccadilly, London, W1J 0BD © Royal Academy of Arts, 2020 Covering the period Coordinated by Olivia Harrison Designed by Constanza Gaggero 1 September 2018 – Printed by Geoff Neal Group 31 August 2019 Contents 6 President’s Foreword 8 Secretary and Chief Executive’s Introduction 10 The year in figures 12 Public 28 Academic 42 Spaces 48 People 56 Finance and sustainability 66 Appendices 4 Section name President’s On 10 December 2019 I will step down as President of the Foreword Royal Academy after eight years. By the time you read this foreword there will be a new President elected by secret ballot in the General Assembly room of Burlington House. So, it seems appropriate now to reflect more widely beyond the normal hori- zon of the Annual Report. Our founders in 1768 comprised some of the greatest figures of the British Enlightenment, King George III, Reynolds, West and Chambers, supported and advised by a wider circle of thinkers and intellectuals such as Edmund Burke and Samuel Johnson. It is no exaggeration to suggest that their original inten- tions for what the Academy should be are closer to realisation than ever before. They proposed a school, an exhibition and a membership. -
Esther Schipper Is Pleased to Announce L'invitation
L’INVITATION AU VOYAGE Sarah Buckner, Cui Jie, Cordula Ditz, Almut Heise, Hannah Höch, Leiko Ikemura, Tala Madani, Isa Melsheimer, Sojourner Truth Parsons, Paula Rego, Shahzia Sikander, Tsai Yi-Ting, and Yeesookyung April 28 — June 27, 2021 Esther Schipper is pleased to announce L’Invitation au voyage, presenting an exhibition of painting on the long history of travelling in your imagination, through fantasy or dreams, and ideas of the body as site of projection, conduit and personal discovery. At a time when travel in real life has become fraught and the ease, even recklessness, with which we took this liberty for granted has come into question, this exhibition—its title, L’Invitation au voyage is taken from a poem from Charles Baudelaire’s Les Fleurs du Mal—invokes the freedom of imaginary travel. The poem, in which the author invites his mistress to travel with him in their imagination, suggests a parallel between Flemish painting, the landscape of the Netherlands, and his lover’s body. Its famous closing lines gave the title to Henri Matisse’s 1904 painting: Là, tout n’est qu’ordre et beauté, Luxe, calme et volupté. L’Invitation au voyage spans multiple generations and artistic approaches, inspired, influenced, and expanding on representations of dream and fantasy. Beginning with pioneering avant-gardist Hannah Höch, and established figures such as Paula Rego, Almut Heise, Leiko Ikemura, and Yeesookyung, the exhibition continues into the practices of younger generations with works by Sarah Buckner, Cui Jie, Cordula Ditz, Tala Madani, Isa Melsheimer, Sojourner Truth Parsons, Shahzia Sikander, and Tsai Yi-Ting. -
The Modern Aspect of Tattoos in Prison Creativity
R ESOCJALIZACJA POLSKA 9/2015 P OLISH J OURNAL OF SOCIAL REHABILITATION ISSN 2081-3767 e-ISSN 2392-2656 THE THESIS Mariusz Snopek University of Opole New Fashion, New Trends – the Modern Aspect of Tattoos in Prison Creativity Abstract: The article concerns the phenomenon of prison tattoos. It can be recognized that the modern tattoo outside of prison in Poland is going through its “boom”, which was started in 1989, and since the new millennium has begun to be treated as art at the highest artistic level. As a result of this, also prison tattoo has begun to evolve. According to the concept of transmission, prisoners transfer all patterns from freedom to the prison environment and there they adapt them to the prevailing conditions. Therefore, the broached issues oscillate around both the traditional symbolism of prison tattoos, and their modern aspect. The article also describes the history and importance of the prison tattoo artist, whose position – due to interest among prisoners in the aesthetic tattoo – has increased significantly. Key words: prison tattoo, prison subculture, reasons for body decoration, symbolism and functions of tattoos, prison artist, fashion in prison. Introducing thought Prison creativity can manifest itself in the form of sculptures, paintings, drawings, cutouts, embroidery, poetry, novels, etc. For a few basic reasons (as described in the presented text), body tattooing in the environment of incarcerated people cannot be regarded as artistic activity. Nonetheless, modern prison tattoos (despite their pejorative meaning) can be categorized as a kind of creativity – like other products of prisoners, such as ballads and songs of subcultural content, material artefacts, so-called fajans, decorative letters, etc. -
Paul &Bevansky Had an Efibiition Called Inn the Dark a Xdeo
Bruce Nanman will receive the third annual Werner Prize in Columbus, Ohio in May. The $50,000 prize honors an Paul &Bevansky had an efibiition called Inn the Dark A artist who is "consistently original, influential and chdleng- Xdeo BnshiP11aQion in Four Scenes, spread over the four hg to convention." Nauman was preceded by Peter Brook, weeks from 15 February through 15 March 1994 at the theater director, and John Cage, composer and his coi- Sculpture Center, New York City. laborator, the choreogapher, Merce Cunningbarn. Donald dudd, famed minimalist sculptor, died in David Buchan died on 5 January 1994. The whole artists' February at the age of 55. book comuIEityworBdwidehas lost a friend, a colleague and I5etrh-o &BPnscfni, modernist architect famed for the Pan a peerless worker, one who promoted passionately the alter- Am BuHdmg in New York and the Bank of America bugding native media of artists including bookworks, performance, in San Francisco, died in February at the age of 94. video, audio, and multiples, especially when he was working Kathesim Kolta, renowned writer on art and former at Art Metropole from 1975 - 1985. His own assumption of curator at the Art Institute of Chicago, died inJanuary at the various personae such as Lamonte del Monte whose sense age of 89. of style and costume were beyond comparison. David was a Ida Applebroa~ghas created 50 new orighd drawings for true friend of the editor and publisher of this newsletter-- the 150th anniversary of the first pubEcation of Charles someone who helped in times of need, whose generosity was Dickens' A Christmas Carol, published by Arion Press in always there when you needed information, support, San Francisco. -
Lois Conner [email protected]
Lois Conner [email protected] www.loisconner.net Education 1981-Yale University-MFA, Photography; 1975-Pratt Institute, BFA, Photography Fashion Institute of Technology, New York (1971-73); University of Delaware, Newark (1969-1971) Grants and Fellowships 2010, 2011 Sol and Carol Lewitt Artist-in-Residence, Praiano, Italy 2007 Anonymous was a Woman Fellowship 2006, 2010 Princeton University Research Fellowship 1984 Guggenheim Fellowship 1983 New York State Council on the Arts Fellowship 1979 National Endowment of the Arts Fellowship Collections (selected) Metropolitan Museum of Art; Museum of Modern Art, New York; San Francisco Museum of Modern Art; Los Angeles County Museum of Art; National Museum of American Art; Smithsonian Institution; Corcoran Gallery of Art; Sackler Gallery, Washington, D.C; Philadelphia Museum of Art; New Orleans Museum of Art; Santa Barbara Museum of Art, California; Brooklyn Museum of Art; Chicago Art Institute; Cleveland Museum of Art; Toledo Art Museum; Yale University Art Gallery; The Getty Museum; Chicago Art Institute; Museum of Fine Arts, Boston; Fogg Art Museum, Harvard; The New York Public Library; The British Library; Victoria and Albert Museum, London; National Gallery of Art, Canberra; National Gallery of Victoria, Australia Solo Exhibitions 2018 Shanghai Center of Photography, “A Long View” Wairapa Academy, Featherston, New Zealand, “Lotus Leaves”; 2017 Zhizhusi, Gallery at Temple, Beijing, “Diandao: Downside Up” 2016 Naumkeag, Stockbridge, Massachusetts, “Arcadian Realms”; 2015 KMR Arts, Connecticut, -
Spring/Summer 2020 Sping/Summer 2020 We Love Books
SPRING/SUMMER 2020 SPING/SUMMER 2020 WE LOVE BOOKS. Matthias Kliefoth Distribution Sales Representatives/DACH France/Beneluxe Christian Boros Ted Dougherty DISTANZ publications are dis- Germany Phone + 44 (0) 20 74 82 24 39 tributed by Edel Germany GmbH. Customer Service [email protected] DISTANZ Verlag GmbH Please contact our distributors and Andrea Ellies Hallesches Ufer 78 sales representatives listed below. Phone + 49 (0) 40 89 08 53 74 Scandinavia D-10963 Berlin For all further enquiries regarding Fax + 49 (0) 40 89 08 59 374 (Denmark, Iceland, Norway, Sweden) distribution and sales, please contact [email protected] Gill Angell, Angell Eurosales the Edel Book Sales Department at Phone + 44 (0) 17 64 68 37 81 Phone + 49 (0) 30 24 08 33 200 [email protected]. Austria Mobile + 44 (0) 78 12 06 45 27 [email protected] Vienna [email protected] Martin Schlieber www.distanz.de Distributors [email protected] www.distanz.com Eastern Europe/Russia Germany Austria (Albania, Armenia, Azerbaijan, KNV Zeitfracht GmbH West Bulgaria, Czech Republic, Croatia, Verlagsauslieferung Dietmar Vorderwinkler Estonia, Georgia, Hungary, Latvia, Press Industriestraße 23 [email protected] Lithuania, Moldova, Poland, Romania, D-70565 Stuttgart Slovak Republic, Slovenia, Ukraine) Phone + 49 (0) 711 78 99 21 38 Austria Ewa Ledóchowicz Anna Kessel Fax + 49 (0) 711 78 99 10 10 East / South Mobile + 48 (0) 60 64 88 122 Phone + 49 (0) 30 24 08 33 201 [email protected] Wolfgang Habenschuss [email protected] [email protected] -
Tried and Tatted - OTHER
10/28/2017 Tried and Tatted - OTHER Subscribe Online Magazine ∴ Events ∴ About ∴ Articles Tried and Tatted by Avery Carmichael http://othersyndicate.com/2017/07/07/tried-and-tatted/ 1/8 10/28/2017 Tried and Tatted - OTHER When applying for a job, most potential employers ask for a resume. (I can’t think of a place that doesn’t, but I don’t want to be the one to make a sweeping claim without fact-checking. Journalism, son.) The average applicant provides information on his or her education, work experience, skills and interests. Good GPA? List it. Poor test scores? No need. The point is to provide a potential employer with the cold, hard facts of your life—to reduce oneself to a page of 11.5, Times New Roman details. An inated resume is surprisingly common. Studied abroad in Vietnam? Know how to say ‘Hello?’ ‘Cheers?’ You’re uent! At least, according to your resume. In Russia, the Vor v Zakone, or, Thieves in Law, like to showcase their criminal resumes on their bodies. However, a criminal resume, for the vory, is not one you can fudge. Tattooed to the hilt, the vory are a category of elite criminals in the Russian prison system that direct prison activities and control organized crime. This status is attained through multiple prison sentences, and a strict adherence to a code of conduct known as the Ponyatiya. (For a college student actively job searching, the Ponyatiya is your university’s honor code. For a post-graduate, this is something like a background check, a conrmation of your legit-ness.) Only upon upholding these principles can one be perceived as a true vor. -
208Th Commencement Exercises
------From President Raab ------ January 23,2014 Dear Graduates: Congratulations! You have reached a most significant milestone in your life. Your hard work, determination, and commitment to your education have been rewarded, and you and your loved ones should take pride in your accomplishments and successes. Hunter College certainly takes pride in you. Your Hunter education has prepared you to meet the challenges of a world that is rapidly changing politically, socially, economically, and technologically. As part of the next generation of thoughtful, responsible, and intelligent leaders, you will make a real difference wherever you apply your knowledge and skills. Endless opportunities await you. As you pursue your goals and move forward with your professional and personal lives, please carry with you Hunter's commitment to community, diversity, and service to others. We look forward to hearing great things about you, and we hope you will stay connected to the exciting activities and developments on campus. Please remember Hunter College and know that you will always be part of our family. Best wishes for continued success. Sincerely, Hvt~ Jennifer J. Raab President ------208th Commencement Exercises ------ Presiding Jennifer J. Raab, President Eija Ayravainen, Vice President for Student Affairs and Dean ofStudents Processional President's Parry and Members of the Faculry Candidates for Degrees Rita DiMartino, Board of Trustees of The City University ofNew York Allan Dobrin, Executive Vice Chancellor of The City University ofNew York National Anthem Anna Moscovic, Bachelor ofArts in Theatre, Class of2014 Bagpiper Nicholas M. Rozak, Bachelor ofArts, Class of2007 Charge to the Graduates President Jennifer J. Raab Commencement Speaker and Recipient of the Hunter College Distinguished Public Service Award Christine C.