AKTC Media Catalogue
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The Application of Visualisation
THE APPLICATION OF VISUALISATION TOOLS TO ENABLE ARCHITECTS TO EXPLORE THE DYNAMIC CHARACTERISTICS OF SMART MATERIALS IN A CONTEMPORARY SHANASHIL BUILDING DESIGN ELEMENT FOR HOT ARID CLIMATES Tamarah Alqalami Ph.D. Thesis 2017 THE APPLICATION OF VISUALISATION TOOLS TO ENABLE ARCHITECTS TO EXPLORE THE DYNAMIC CHARACTERISTICS OF SMART MATERIALS IN A CONTEMPORARY SHANASHIL BUILDING DESIGN ELEMENT FOR HOT ARID CLIMATES School of the Built Environment University of Salford, Salford, UK Submitted in Partial Fulfilment of the Requirements of the Degree of Doctor of Philosophy, August 2017 Table of Contents TABLE OF CONTENTS ......................................................................................................................... I LIST OF FIGURES ................................................................................................................................ V LIST OF TABLES ................................................................................................................................. IX ACKNOWLEDGEMENT ....................................................................................................................... X DEDICATION ...................................................................................................................................... XI ABBREVIATIONS ............................................................................................................................. XII ABSTRACT ...................................................................................................................................... -
Archnet 2.0: Building a New Asset Management System for MIT’S Online Architectural Library of the Islamic World
Archnet 2.0: Building a new asset management system for MIT’s online architectural library of the Islamic World Andrea Schuler is the Visual Resources Librarian for Islamic Architecture in the Aga Khan Documentation Center (AKDC) at MIT. In that role she manages the creation, cataloging, uploading and storage of digital assets from the AKDC’s vast collections. She administers the Aga Khan Visual Archive and provides access to the Documentation Center’s visual collections for the MIT community and for a worldwide community of users. She also contributes content to Archnet as part of the AKDC team. Abstract Archnet 2.0 is a new front end website and back end cataloging tool and asset management system for Archnet (http://archnet.org), the largest openly accessible online architectural library focusing on the Muslim world. The site, a partnership between the Massachusetts Institute for Technology and the Aga Khan Trust for Culture (AKTC), contains articles and publications, images, maps and drawings, video, archival material, course syllabi, and site records relating to architecture in the Islamic world. By 2012, when the Aga Khan Documentation Center (AKDC) at MIT, part of the MIT Libraries, took over the digital library, the site has become dated and was no longer meeting the needs of its users. A software development firm was hired to build new front and back ends for the site. This paper explores the development of the new back end cataloging and asset management tool, including the reasoning behind building a new tool from scratch; considerations during development such as database structure, fields, and migration; highlights of features; and lessons learned from the process. -
Th E a G a K H a N P R O G R a M Fo R Is La M Ic a R C H It
TH E AGA KHAN PROGRAM FOR ISLAMIC ARCHITECTURE & 1issue AKPIA AKDN Based at Harvard University and the The Aga Khan Trust for Culture (AKTC) is Massachusetts Institute of Technology, an agency of the Aga Khan Development The Aga Khan Program for Islamic Network (AKDN), a group of agencies Architecture (AKPIA) is dedicated to the founded by His Highness the Aga Khan akpia study of Islamic art and architecture, that work in the poorest parts of Asia and urbanism, landscape design, and conser- Africa.The Aga Khan Foundation focuses october 2004 a k t c vation - and the application of that on rural development, health, education knowledge to contemporary design proj- and the enhancement of non-governmen- TH features: ects. The goals of the program are to tal organizations. Its programmes includes E AGA KHAN TRUST FOR CULTURE improve the teaching of Islamic art and the Aga Khan Rural Support Programmes architecture - to promote excellence in and the Mountain Societies Development Lecture Series p.2 advanced research - to enhance the Support Programme. Aga Khan Health Aga Khan Program MIT p.3 understanding of Islamic architecture, Services is one of the largest private urbanism, and visual culture in light of health networks in the world. Aga Khan Aga Khan Program Harvard p.11 contemporary theoretical, historical, crit- Education Services operates more than Aga Khan Program GSD p.17 ical, and developmental issues - and to 300 schools and advanced educational Aga Khan Trust for Culture p.18 increase the visibility of Islamic cultural programmes at the pre-school, primary, heritage in the modern Muslim world. -
Arabesques, Unicorns, and Invisible Masters: the Art Historian's Gaze
ARABESQUES, UNICORNS, AND INVISIBLE MASTERS 213 EVA-MARIA TROELENBERG ARABESQUES, UNICORNS, AND INVISIBLE MASteRS: THE ART HISTORIAN’S GAZE AS SYMPTOMATIC ACTION? Is it still true that art history, traditionally understood as be to look at these objects. As Margaret Olin has argued, an explicitly object-based discipline, lacks a thorough “The term ‘gaze’ … leaves no room to comprehend the understanding of an “action tradition” that could be em- visual without reference to someone whose vision is un- ployed to explain and theorize, for example, artistic der discussion.”3 Although she refers generally to the agency? And that therefore art history, as opposed to gaze of all possible kinds of beholders, viewers, or spec- other disciplines such as sociology or linguistic studies, tators, she also stresses: “While most discourse about the has found it particularly difficult to look at its own his- gaze concerns pleasure and knowledge, however, it gen- toriography in terms of academic or scholarly action or erally places both of these in the service of issues of agency? Such explanations were employed until quite power, manipulation, and desire”; furthermore, “The recently when expounding the problem of a general de- choice of terms from this complex can offer a key to the lay in critical historiography concerning the discipline’s theoretical bent or the ideology of the theorist.”4 Ac- traditions and methods, particularly in relation to Ger- cordingly, an action-based theory of historiography man art history under National Socialism.1 must find -
The Traditional Arts and Crafts of Turnery Or Mashrabiya
THE TRADITIONAL ARTS AND CRAFTS OF TURNERY OR MASHRABIYA BY JEHAN MOHAMED A Capstone submitted to the Graduate School-Camden Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Master of Art Graduate Program in Liberal Studies Written under the direction of Dr. Martin Rosenberg And Approved by ______________________________ Dr. Martin Rosenberg Camden, New Jersey May 2015 CAPSTONE ABSTRACT The Traditional Arts and Crafts of Turnery or Mashrabiya By JEHAN MOHAMED Capstone Director: Dr. Martin Rosenberg For centuries, the mashrabiya as a traditional architectural element has been recognized and used by a broad spectrum of Muslim and non-Muslim nations. In addition to its aesthetic appeal and social component, the element was used to control natural ventilation and light. This paper will analyze the phenomenon of its use socially, historically, artistically and environmentally. The paper will investigate in depth the typology of the screen; how the different techniques, forms and designs affect the function of channeling direct sunlight, generating air flow, increasing humidity, and therefore, regulating or conditioning the internal climate of a space. Also, in relation to cultural values and social norms, one can ask how the craft functioned, and how certain characteristics of the mashrabiya were developed to meet various needs. Finally, the study of its construction will be considered in relation to artistic representation, abstract geometry, as well as other elements of its production. ii Table of Contents Abstract……………………………………………………………………….……….…..ii List of Illustrations………………………………………………………………………..iv Introduction……………………………………………….…………………………….…1 Chapter One: Background 1.1. Etymology………………….……………………………………….……………..3 1.2. Description……………………………………………………………………...…6 1.3. -
Newsletterakp04-05.Pdf
TH E AGA KHAN PROGRAM FOR ISLAMIC KHAN PROGRAM ARCHITECTURE E AGA & 1issue AKPIA AKDN Based at Harvard University and the The Aga Khan Trust for Culture (AKTC) is Massachusetts Institute of Technology, an agency of the Aga Khan Development The Aga Khan Program for Islamic Network (AKDN), a group of agencies Architecture (AKPIA) is dedicated to the founded by His Highness the Aga Khan akpia study of Islamic art and architecture, that work in the poorest parts of Asia and aktc urbanism, landscape design, and conser- Africa. The Aga Khan Foundation focuses october 2004 vation - and the application of that on rural development, health, education knowledge to contemporary design proj- and the enhancement of non-governmen- TH features: ects. The goals of the program are to tal organizations. Its programmes includes E AGA KHAN TRUST FOR CULTURE TRUST KHAN E AGA improve the teaching of Islamic art and the Aga Khan Rural Support Programmes architecture - to promote excellence in and the Mountain Societies Development Lecture Series p.2 advanced research - to enhance the Support Programme. Aga Khan Health Aga Khan Program MIT p.3 understanding of Islamic architecture, Services is one of the largest private urbanism, and visual culture in light of health networks in the world. Aga Khan Aga Khan Program Harvard p.11 contemporary theoretical, historical, crit- Education Services operates more than Aga Khan Program GSD p.17 ical, and developmental issues - and to 300 schools and advanced educational Aga Khan Trust for Culture p.18 increase the visibility of Islamic cultural programmes at the pre-school, primary, heritage in the modern Muslim world. -
Maquetación 1
Barcelona Cultura Balanç08 INSTITUT DE CULTURA DE BARCELONA Consell d’Administració BARCELONA CULTURA. BALANÇ 2008 President Direcció Carles Martí Montserrat Tort Vicepresidenta Pilar Roca Montserrat Ballarín Coordinació Vocals Assumpta Manils Jordi Martí Jaume Ciurana Redacció Ángeles Esteller Marta Pérez Ricard Gomà Carles Guerra Documentació David Albet Marta Pérez Josep M. Montaner Clàudia Alemany Carlota Subirós Mara Dierssen Indicadors Isaki Lacuesta Pere Casas Pius Alibek Isis Olba Carme Cazalla Josep Sánchez Coordinació editorial Barcelona Cultura Ana Álvarez Delegat de Cultura Jordi Martí Disseny gràfic Gerent Luz de la Mora Marta Clari Balanç Secretària Correcció de textos Lluïsa Pedrosa Rosa Chico Impressió SYL Creaciones gráficas y publicitarias, S.A. Palau de la Virreina Dipòsit legal: La Rambla, 99 08002 Barcelona © Edició 2009: Institut de Cultura www.bcn.cat/canalcultura de l’Ajuntament de Barcelona © Textos: els autors © Fotografies: Giannina Urmeneta Ottiker 08 NOTA A AQUESTA EDICIÓ Per elaborar aquest BALANÇ s’ha partit de la informació que han facilitat les entitats que hi apareixen, tant la que ha estat escrita expressament per a aquesta publicació com les dades que han fet públiques aquestes mateixes entitats a través de les seves pàgines web o altres mitjans de comunicació. Un cop recollit tot el material, s’ha dut a terme la tasca de redacció, resum i adaptació dels textos i les dades originals, amb l’objectiu de presentar la informació de la manera més clara i entenedora possible. Qualsevol desajust que s’hagi pogut produir durant aquest procés d’elaboració s’intentarà tenir en compte amb vista a futures edicions. D’altra banda, un recull d’aquesta mena obliga a prendre decisions respecte a l’estructura, l’ordenació, la selecció i la priorització dels continguts. -
Towards a Deleuzian Approach in Urban Design
Difference and Repetition in Redevelopment Projects for the Al Kadhimiya Historical Site, Baghdad, Iraq: Towards a Deleuzian Approach in Urban Design A Dissertation submitted to the Graduate School of the University of Cincinnati In partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY IN ARCHITECTURE In the School of Architecture and Interior Design Of the college of Design, Architecture, Art, and Planning 2018 By Najlaa K. Kareem Bachelor of Architecture, University of Technology 1999 Master of Science in Urban and Regional Planning, University of Baghdad 2004 Dissertation Committee: Adrian Parr, PhD (Chair) Laura Jenkins, PhD Patrick Snadon, PhD Abstract In his book Difference and Repetition, the French philosopher Gilles Deleuze distinguishes between two theories of repetition, one associated with the ‘Platonic’ theory and the other with the ‘Nietzschean’ theory. Repetition in the ‘Platonic’ theory, via the criterion of accuracy, can be identified as a repetition of homogeneity, using pre-established similitude or identity to repeat the Same, while repetition in the ‘Nietzschean’ theory, via the criterion of authenticity, is aligned with the virtual rather than real, producing simulacra or phantasms as a repetition of heterogeneity. It is argued in this dissertation that the distinction that Deleuze forms between modes of repetition has a vital role in his innovative approaches to the Nietzschean’s notion of ‘eternal return’ as a differential ontology, offering numerous insights into work on issues of homogeneity and heterogeneity in a design process. Deleuze challenges the assumed capture within a conventional perspective by using German philosopher Friedrich Nietzsche’s conception of the ‘eternal return.’ This dissertation aims to question the conventional praxis of architecture and urban design formalisms through the impulse of ‘becoming’ and ‘non- representational’ thinking of Deleuze. -
13. Yussupova Et Al 11-3-193-213
Akmaral Yussupova*, Liu Songfu, Ardasher Namazbay, Farzad Pour Rahimian, Ahad Nejad Ebrahim Archnet-IJAR, Volume 12 - Issue 3 – November 2017 - (193-213) – Original Research Papers Archnet-IJAR: International Journal of Architectural Research www.archnet-ijar.net/ -- https://archnet.org/collections/34 ORNAMENTAL ART AND SYMBOLISM: ACTIVATORS OF HISTORICAL REGENERATION FOR KAZAKHSTAN’S LANDSCAPE ARCHITECTURE DOI: http://dx.doi.org/10.26687/archnet-ijar.v11i3.1358 Akmaral Yussupova*, Liu Songfu, Ardasher Namazbay, Farzad Pour Rahimian, Ahad Nejad Ebrahimi Keywords Abstract landscape architecture; The use of symbolism in contemporary architecture is symbolism; floral; increasingly gaining momentum, especially so in the Eastern zoomorphic; geometric; countries currently undergoing rapid economic development. cosmogonic Sociologically, this phenomenon can be related to a desire to manifest a vast wealth of national art and respond to the globalisation and unification of world culture. Taking this tendency as a prompt, this study explores different ways of implementing symbolic ornaments in landscape architecture. Traditionally architecture has been defined through and judged against culturally acceptable criteria that set the norm for appropriate form and expression. Yet, technical advances have altered this process and contributed to a certain level of oblivion of traditional architectural form. Thus, the meaning of many Kazakh ornaments has been lost through time. On one ArchNet-IJAR is indexed and hand, this paper collects historical information on the listed in several databases, semiotics of Kazakh ornaments and on the other hand, it including: conducts field studies focusing on the cultural tradition of the native people in Eurasia. The study introduces the use of • Avery Index to Architectural symbolism in landscape architecture as an aspiration for luck Periodicals and prosperity which then dictates the quality of the EBSCO-Current Abstracts-Art • landscape compositions. -
TFL Extended 2019
TFL Extended 2019 Join TFL Extended in 2020! Develop your projects, deepen your competences & network with film professionals from all over the world in these intensive 4-day workshops. TFL Extended – TV Series Gain the tools necessary to develop original and ambitious TV series projects. TURIN, FEBRUARY 12TH – 16TH TFL Extended – Feature Film Dive deep into the writing process in these intensive development workshops. TURIN, APRIL 17TH – 21ST TURIN, JUNE 13TH – 16TH TURIN, JUNE 18TH – 22ND TURIN, SEPTEMBER 11TH – 15TH TFL Extended 2019 TFL Extended was a challenge and, like all TFL EXTENDED challenges, needed to have ambitious goals. With TFL Extended we aim at enlarging Angelica Cantisani our community, by granting access to professionals coming from all over the Head of TFL Extended world. We want to offer our pedagogic expertise also to the countries that cannot take part in our regular programmes and that do not benefit from any professional training possibilities in their areas. TFL Extended is now a dynamic reality able to offer immediate and tailor-made consultations in different areas: script development for fiction feature films, documentaries and TV series; professional training for story editors and audience designers and an international hub for creative producers who want to boost their projects and improve their networking skills. In the past two years we have had the pleasure to work with more than 200 professionals coming from all over the world, helping them to deliver new singular and intimate stories, born through productive collaborations. Stories that can engage audiences personally. These professionals worked together in a process of creation that perfectly honoured the main goal of storytelling: generating a unique voice, loud enough to catch the attention of the rest of the world, inspiring others. -
Downloads/2003 Essay.Pdf, Accessed November 2012
UCLA UCLA Electronic Theses and Dissertations Title Nation Building in Kuwait 1961–1991 Permalink https://escholarship.org/uc/item/91b0909n Author Alomaim, Anas Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Nation Building in Kuwait 1961–1991 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture by Anas Alomaim 2016 © Copyright by Anas Alomaim 2016 ABSTRACT OF THE DISSERTATION Nation Building in Kuwait 1961–1991 by Anas Alomaim Doctor of Philosophy in Architecture University of California, Los Angeles, 2016 Professor Sylvia Lavin, Chair Kuwait started the process of its nation building just few years prior to signing the independence agreement from the British mandate in 1961. Establishing Kuwait’s as modern, democratic, and independent nation, paradoxically, depended on a network of international organizations, foreign consultants, and world-renowned architects to build a series of architectural projects with a hybrid of local and foreign forms and functions to produce a convincing image of Kuwait national autonomy. Kuwait nationalism relied on architecture’s ability, as an art medium, to produce a seamless image of Kuwait as a modern country and led to citing it as one of the most democratic states in the Middle East. The construction of all major projects of Kuwait’s nation building followed a similar path; for example, all mashare’e kubra [major projects] of the state that started early 1960s included particular geometries, monumental forms, and symbolic elements inspired by the vernacular life of Kuwait to establish its legitimacy. -
Media and Publications
Aga Khan Trust for Culture Media and Publications 2020 Aga Khan Trust for Culture 3 Aga Khan Award for Architecture 11 Aga Khan Historic Cities Programme 41 Aga Khan Music Programme 61 Education Programme 71 Aga Khan Museum 79 Aga Khan Trust for Culture he Aga Khan Trust for Culture (AKTC), the cultural agency of the T Aga Khan Development Network, shares knowledge and encourages debate about the built environment with emphasis on Muslim societies; proposes exemplars and solutions for contemporary design problems; engages in the revitalisation of local communities with regards to both their social and physical environment; creates and rehabilitates green spaces in urban centres; and, through education and cultural initiatives in the realm of music and the arts, works to properly position the cultures of the Muslim world as an integral part of global cultural heritage. For three decades, AKTC has shared its knowledge and experiences through publications films, and exhibitions presented in this booklet. 3 Mimar Architecture in Development Edited by Hasan-Uddin Khan Published by Concept Media (1981-1992) out of print Mimar was first published in 1981 and had a print run of 43 issues. At the time of Mimar’s inception, it was the only international architecture magazine focusing on architecture in the developing world and related issues of concern. It aimed at exchanging ideas and images between countries which are developing new directions for their built environment. available on www.archnet.org The Hassan Fathy Collection A Catalogue of Visual Documents of the Aga Khan Award for Architecture by James Steele Published by Aga Khan Trust for Culture (1989) out of print In 1985 the Egyptian architect Hassan Fathy donated his entire archive to the Aga Khan Award for Architecture to make this collection available to the public for research purposes.