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Appel Candidatures
APPEL À CANDIDATURE ATELIER DE RÉALISATION DE FILMS DOCUMENTAIRES du MARDI 31 OCTOBRE au LUNDI 18 DÉCEMBRE 2017 ALLIANCE FRANÇAISE de BANGUI Cet atelier de formation s'adresse à tous les Centrafricains, femmes et hommes, désireux de se tourner vers la réalisation de films documentaires et soucieux de rendre compte de la réalité de leur pays. Il ne concerne pas seulement des personnes qui auraient déjà une expérience de la réalisation, mais s'adresse aussi bien à des personnes venant d'horizons différents (journalistes, fixeurs, responsables associatifs, etc.) attirés par ce moyen d’expression artistique. Aucune connaissance technique n'est requise. Les participants à l'atelier seront choisis à la fois pour leur motivation, pour leur aptitude à observer la réalité qui les entoure et leur capacité à travailler en groupe. LES ATELIERS VARAN Créés par Jean Rouch en 1981, les Ateliers Varan sont une école de cinéma unique en son genre, née du désir de former des réalisateurs de pays émergents à s’emparer des outils du cinéma documentaire pour refléter leurs réalités propres. Varan n’est pas une école au sens classique et académique du terme : les méthodes de travail y poussent à l’extrême le principe d’enseignement par la pratique : tout s’articule, pour chaque stagiaire, autour de la fabrication de films « en grandeur réelle ». Cet apprentissage du “regard documentaire” s’appuie sur une pédagogie qui s’est rôdée au fil de stages et d’ateliers menés sur les cinq continents. Le but est de décomplexer les participants face au langage cinématographique et de définir le rôle et la place du cinéaste, ses enjeux éthiques par rapport aux personnes filmées et au monde qui l’entoure. -
Film Funding Grants Programme 2013
Film Funding Grants Programme 2013 Film Funding Grants Programme 2013 Doha Film Institute established its Grants We contribute to films that have strong directorial Programme with the vision of fostering creative vision and that are challenging, creative and talent in the Middle East and North Africa (MENA) thought-provoking. Support for grantees is holistic, region. We are proud that over its first three- with financial assistance bolstered by professional and-a-half years the programme supported the development, mentorship and creative development development of more than 137 projects from opportunities that are made available throughout 14 countries. a project’s life cycle. In 2013, the Institute embarked on a new phase of the Grants Programme designed to further the It is our hope that through the Grants Programme goal of nurturing emerging talent. Projects from and the growing number of its alumni, we will all over the world became eligible for funding, continue to widen our flourishing community with a special focus on first- and second-time of filmmakers. As we extend our reach, we also filmmakers. enable professional, cultural and creative exchanges between our local talent and the wider international Alongside this expansion, the Institute’s industry. commitment to talent from the MENA region remains strong, with specific categories and I am honoured to welcome our newest grant criteria in place. Our focus on first- and second- recipients to the Doha Film Institute family. time filmmakers will greatly enhance our ability to discover and nurture new voices, both at home in Abdulaziz Al-Khater Qatar and around the globe. -
Minutes Ga 2014
General Assembly 2018 MINUTES Whistling Woods International, Mumbai, India 12 & 14 November 2018 PAGE 1 OF 67 GENERAL ASSEMBLY MINUTES – WHISTLING WOODS INTERNATIONAL, MUMBAI, INDIA (12 & 14 NOVEMBER 2018) TABLE OF CONTENTS 1. PARTICIPANTS 5 1.1 ATTENDEES (FINAL LIST AS OF 17 NOV 2018) 5 1.2 PROXIES (IN ALPHABETICAL ORDER OF SCHOOLS) 10 1.3 QUORUM 12 2. ELECTIONS 13 2.1 FULL MEMBERS 13 2.2 PRESIDENT 13 2.3 REGIONAL COUNCILS 13 2.4 CILECT EXECUTIVE COUNCIL – COMPOSITION 15 2.5 REGIONAL COUNCILS – COMPOSITION 15 2.6 APPROVAL OF DOCUMENTS 16 3. REPORT OF THE CILECT PRESIDENT 16 4. REPORT OF THE CAPA CHAIR 20 5. REPORT OF THE CARA CHAIR 25 6. REPORT OF THE CIBA CHAIR 26 7. REPORT OF THE CNA CHAIR 27 8. REPORT OF THE GEECT CHAIR 29 9. REPORT OF THE CILECT EXECUTIVE DIRECTOR 45 9.1 EXECUTIVE COUNCIL MEETINGS 45 9.2 MEMBERSHIP 45 9.2.1 REQUESTED INFORMATION FOR MEMBERSHIP 45 9.2.2 CANDIDATE MEMBERS 46 9.2.3 REMOVALS FROM MEMBERSHIP 46 9.2.4 RESIGNATIONS FROM MEMBERSHIP 46 9.2.5 HONORARY MEMBERSHIP 46 9.2.6 CILECT MEMBERSHIP BENEFITS 46 9.3 THE CILECT CONGRESS 2016 47 9.4 THE CILECT CONGRESS 2017 48 PAGE 2 OF 67 GENERAL ASSEMBLY MINUTES – WHISTLING WOODS INTERNATIONAL, MUMBAI, INDIA (12 & 14 NOVEMBER 2018) 9.5 THE CILECT CONGRESS 2018 49 9.6 THE CILECT CONGRESS 2019 49 9.7 THE CILECT PRIZE 50 9.7.1 CHANGES OF RULES & PROCESS 50 9.7.2 COMPARATIVE TABLE OF PARTICIPATION 2006-2018 50 9.7.3 THE CILECT PRIZE 2017 WINNERS/NOMINEES 50 9.7.4 THE CAPA BEST FILM AWARD 2017 51 9.7.5 THE CIBA BEST FILM AWARD 2017 51 9.7.6 THE CILECT PRIZE 2018 WINNERS/NOMINEES -
Ford Foundation Annual Report 2005
Ford Foundation Annual Report 2005 our mission Strengthen democratic values, reduce poverty and injustice, promote international cooperation and advance human achievement. mission statement The Ford Foundation is a resource for innovative people and institutions worldwide. Our goals are to: strengthen democratic values, reduce poverty and injustice, promote international cooperation and advance human achievement. This has been our purpose for more than half a century. A fundamental challenge facing every society is to create political, economic and social systems that promote peace, human welfare and the sustainability of the environment on which life depends. We believe that the best way to meet this challenge is to encourage initiatives by those living and working closest to where problems are locat- ed; to promote collaboration among the nonprofit, government and business sectors; and to ensure participation by men and women from diverse communities and at all levels of society. In our experience, such activities help build common understand- ing, enhance excellence, enable people to improve their lives and reinforce their commitment to society. The Ford Foundation is one source of support for these activities. We work mainly by making grants or loans that build knowledge and strengthen organizations and networks. Since our financial resources are modest in comparison to societal needs, we focus on a limited number of problem areas and program strategies within our broad goals. Founded in 1936, the foundation operated as a local philanthropy in the state of Michigan until 1950, when it expanded to become a national and international foundation. Since its inception it has been an independent, nonprofit, nongovernmental organization. -
Viewfinder – a Close up of Contemporary International Cinema
Limassol, 20 March 2019 17th CYPRUS FILM DAYS INTERNATIONAL FESTIVAL 2019 12 - 20 April 2019 Announcement of the films in the programme: "Viewfinder - A Close Up of Contemporary International Cinema" Cyprus Film Days International Festival, a cinematic event dedicated entirely to contemporary world cinema, announces this year's Viewfinder section films, screening out of competition. All the films are Cyprus premieres and are the work of newcomers or established filmmakers that have been awarded in multiple international festivals during the past festival year 2018 - 2019. The Festival will run from the 12th to the 20th of April 2019, at the Rialto Theatre, in Limassol and at Zena Palace Cinema, in Nicosia. The Festival is organised by the Cultural Services of the Ministry of Education and Culture and the Rialto Theatre. The films screening at this year's "Viewfinder - A Close Up of Contemporary International Cinema" section are the following: Beautiful Boy, Directed by: Felix van Groeningen (U.S.A.) (Nominated for Best Performance by an Actor in a Supporting Role in a Motion Picture - Golden Globes, Nominated for Best Supporting Actor - BAFTA Awards, Best Feature Award – Chicago IFF, Best Actor Award- Palm Springs IFF etc.) In his first English-speaking film, Flemish director Felix van Groeningen (The Broken Circle Breakdown) is adapting the best-selling pair of memoirs from father and son David and Nic Sheff about latter’s experience with drug addiction. Emerging new star Timothée Chalamet (Call Me By Your Name) in a demanding and challenging physical performance of a young man suffering and acclaimed comedian Steve Carell, who once again proves his powerful talent in dramatic roles, as the father, deliver a heart-breaking realistic family drama. -
Maquetación 1
Barcelona Cultura Balanç08 INSTITUT DE CULTURA DE BARCELONA Consell d’Administració BARCELONA CULTURA. BALANÇ 2008 President Direcció Carles Martí Montserrat Tort Vicepresidenta Pilar Roca Montserrat Ballarín Coordinació Vocals Assumpta Manils Jordi Martí Jaume Ciurana Redacció Ángeles Esteller Marta Pérez Ricard Gomà Carles Guerra Documentació David Albet Marta Pérez Josep M. Montaner Clàudia Alemany Carlota Subirós Mara Dierssen Indicadors Isaki Lacuesta Pere Casas Pius Alibek Isis Olba Carme Cazalla Josep Sánchez Coordinació editorial Barcelona Cultura Ana Álvarez Delegat de Cultura Jordi Martí Disseny gràfic Gerent Luz de la Mora Marta Clari Balanç Secretària Correcció de textos Lluïsa Pedrosa Rosa Chico Impressió SYL Creaciones gráficas y publicitarias, S.A. Palau de la Virreina Dipòsit legal: La Rambla, 99 08002 Barcelona © Edició 2009: Institut de Cultura www.bcn.cat/canalcultura de l’Ajuntament de Barcelona © Textos: els autors © Fotografies: Giannina Urmeneta Ottiker 08 NOTA A AQUESTA EDICIÓ Per elaborar aquest BALANÇ s’ha partit de la informació que han facilitat les entitats que hi apareixen, tant la que ha estat escrita expressament per a aquesta publicació com les dades que han fet públiques aquestes mateixes entitats a través de les seves pàgines web o altres mitjans de comunicació. Un cop recollit tot el material, s’ha dut a terme la tasca de redacció, resum i adaptació dels textos i les dades originals, amb l’objectiu de presentar la informació de la manera més clara i entenedora possible. Qualsevol desajust que s’hagi pogut produir durant aquest procés d’elaboració s’intentarà tenir en compte amb vista a futures edicions. D’altra banda, un recull d’aquesta mena obliga a prendre decisions respecte a l’estructura, l’ordenació, la selecció i la priorització dels continguts. -
THE SUBSTANCE Albert Hofmann’S LSD
THE SUBSTANCE Albert Hofmann’s LSD Un film de Martin Witz Durée: 89 min. Sortie: le 25 avril 2012 Download for pictures: www.frenetic.ch/films/847/pro/index.php RELATIONS PRESSE DISTRIBUTION Eric Bouzigon FRENETIC FILMS AG prochaine ag Bachstrasse 9 • 8038 Zürich Tél. 079 320 63 82 1 Tél. 044 488 44 00 • Fax 044 488 44 11 [email protected] www.frenetic.ch SYNOPSIS “ Three drops of this colorless, odorless, tasteless liquid would put you out of your mind for hours! – If you haven’t heard of LSD, you will! “ En 1943, le chimiste Albert Hofmann fait dans son laboratoire bâlois la découverte d’une substance jusqu’alors inconnue. La testant sur lui-même, il prend conscience de l’extrême puissance de ce principe actif permettant de modifier radicalement la perception humaine. Il ignore encore que son LSD va changer le monde. Dans les années 1950, les psychiatres recourent au LSD comme médicament et celui-ci devient un outil d’exploration de la psyché humaine. Le phénomène prend toute son ampleur lorsque cette « bombe atomique de l’esprit » se propage hors de l’hôpital au début des années 1960 : le LSD semble fait pour les gens en marge de la société d’abondance. Au début des années 1970, cette substance à l’effet traître est mise sur liste noire. À l’heure où certaines drogues psychédéliques pourraient être utilisées dans un cadre légal, s’apprête- t-on à reconsidérer aujourd’hui le LSD comme un médicament, à l’instar d’Albert Hofmann ? THE SUBSTANCE raconte l'histoire de notre relation trouble avec le LSD, depuis ses origines jusqu'à aujourd'hui. -
The Thrill of Cinema Lives at the Mole Antonelliana
THE THRILL OF CINEMA LIVES AT THE MOLE ANTONELLIANA Unique in Italy and among the most important worldwide, the NATIONAL MUSEUM OF CINEMA is hosted within the Mole Antonelliana in Turin, the symbol of the city. Inaugurated in July 2000, it has become one of the most visited museums in Italy, garnering much acclaim at an international level; a remarkable goal for a very particular museum, which proposes to charm its visitors by drawing them into the enchanting world of the Seventh Art. What really makes the National Museum of Cinema unique is the invaluable asset of its collections and the peculiarity of its layout, developed spiral-wise upwards and structured over several display levels, illustrating the history of cinema by alternating spectacular and evocative posters, objects, film fragments and set-staging, covering an overall surface of about 3,200 square metres. In planning the museum layout, François Confino did not only take into account the characteristics of the building housing it, but, as he followed Antonelli’s crescendo, he overlaid different levels of perception, combining the need for rigorous scientific foundations with the need for a spectacular presentation which aimed to reproduce and play with those fascination mechanisms at the basis of cinematographic depiction. The Museum preserves a considerable fund of rare and precious material, holding over 1,800,000 items, in many cases one-off pieces worldwide: its collections number 950,000 photographs, 530,000 posters and advertising material, 8,900 gadgets and film memorabilia, 8,950 devices and 10,850 artistic artefacts, 37,000 silent and sound films, 42,000 volumes, 138,000 brochures and magazines, 250,000 press clippings, 1,350 musical scores, 15,000 archive files, 37,700 titles in its video library and 4,800 film audio recordings. -
38 TORINO FILM FESTIVAL 20/28 NOVEMBRE 2020 Tutti I Film Su Mymovies! © Lapresse
38 TORINO FILM FESTIVAL 20/28 NOVEMBRE 2020 Tutti i film su MYmovies! © LaPresse PROGRAMMA MAGAZINE MUSEO 38 TORINO FILM FESTIVAL NAZIONALE DIRETTORE DEL CINEMA Stefano Francia di Celle PRESIDENTE SEGRETARIO GENERALE VICEDIRETTRICE Enzo Ghigo Bruna Ponti Fedra Fateh DIRETTORE ASSISTENTE ALLA DIREZIONE RELAZIONI ESTERNE Domenico De Gaetano E RAPPORTI CON GLI AUTORI Massimo Sordella Mara Signori COMITATO DI GESTIONE CON LA COLLABORAZIONE DI CONSULENTI PER LA SELEZIONE Giorgia Valle (Vicepresidente) Paola Ramello Federico Bernocchi, Massimo Causo, Paolo Del Brocco, Gaetano Renda, Paola Cassano (TFFdoc – Italiana.corti) Rita Di Santo, Giuseppe Gariazzo, Annapaola Venezia Sofia Nadalini, Grazia Paganelli COORDINAMENTO DEL PROGRAMMA CONSERVATORE E RICERCA FILM TFFDOC E ITALIANA.CORTI E CURATORE CAPO Luca Andreotti, Salvo Cutaia Davide Oberto Donata Pesenti Campagnoni CON LA COLLABORAZIONE DI LOGISTICA E PROGETTAZIONE Paola Cassano, Mazzino Montinari, COORDINATORE GENERALE TECNICA EVENTI ONLINE Séverine Petit Daniele Tinti Flavio Armone LE STANZE DI ROL COMUNICAZIONE, PROMOZIONE, SEGRETERIA Pier Maria Bocchi RELAZIONI ESTERNE Silvana Brunero, Piero Valetto Maria Grazia Girotto TORINO 38 SHORTS COMUNICAZIONE E MARKETING CINEMA È SCUOLA UFFICIO STAMPA Maria Grazia Girotto Daniele De Cicco Veronica Geraci CON LA COLLABORAZIONE DI Jenny Bertetto, Giovanna Lomonte SCHERMI ERETICI AMMINISTRAZIONE Caterina Taricano Giulia Fiorio UFFICIO STAMPA Lorena Borghi, Veronica Geraci COORDINAMENTO CREATIVO CON LA COLLABORAZIONE DI Vahid Rastgou Serena Santoro, -
A Queer Analysis of the James Bond Canon
MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester A Dissertation Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL May 2019 Copyright 2019 by Grant C. Hester ii MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester This dissertation was prepared under the direction of the candidate's dissertation advisor, Dr. Jane Caputi, Center for Women, Gender, and Sexuality Studies, Communication, and Multimedia and has been approved by the members of his supervisory committee. It was submitted to the faculty of the Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Khaled Sobhan, Ph.D. Interim Dean, Graduate College iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to Jane Caputi for guiding me through this process. She was truly there from this paper’s incubation as it was in her Sex, Violence, and Hollywood class where the idea that James Bond could be repressing his homosexuality first revealed itself to me. She encouraged the exploration and was an unbelievable sounding board every step to fruition. Stephen Charbonneau has also been an invaluable resource. Frankly, he changed the way I look at film. His door has always been open and he has given honest feedback and good advice. Oliver Buckton possesses a knowledge of James Bond that is unparalleled. I marvel at how he retains such information. -
Queer Screen E News
Queer Screen E News http://www.vision6.com.au/em/message/email/view.php?id=949072&... Visit our Website | Contact Queer Screen | Click here if this email does not display properly QUEER SCREEN FILM FEST, THE NEWTOWN SESSIONS, 19-22 SEPTEMBER 2013 We are proud to announce the birth of a new film festival: our own very first QUEER SCREEN FILM FEST (the Newtown Sessions) . We’ve been listening to our members and audience who lament that they have too much in the calendar during Mardi Gras, therefore we are back by popular demand with a stand alone four day event to brighten up our queer screens in September during the Sydney Fringe Festival . We also know many of our members have been craving a little more of an inner west focus, so the Queer Screen Film Fest will see us setting up camp with some of our favourite partners on Kings Street: the Dendy Newtown Cinemas and the Newtown Hotel. The Queer Screen Film Festival will also be another important part of our fundraising calendar, helping us raise the much needed funds for an amazing program for our 21 st Mardi Gras Film Festival in Feb 2014. Stay tuned for the full Queer Screen Film Fest program release SOON . Opening Night Film: Alain Guiraudie's "Stranger by the Lake" We could not be more excited about announcing our new film festival's Opening Night movie! Thanks to Madman Entertainment, we managed to secure Stranger by the Lake to screen at Dendy Newtown, Thursday 19 th September at 7pm. Stranger by the Lake comes directly from wins at the 2013 Cannes Film Festival, including the coveted Queer Palm Award and Best Director in the Un Certain Regard. -
Un Cadeau Tombé Du Ciel
FESTIVAL DE CANNES « Welcome to New York », une vision américaine de l’affaire DSK P.12 June Project / LLC www.20minutes.fr Lundi 19 mai 2014 N° 2664 MONTPELLIER - LANGUEDOC MER Un cadeau N. Bonzom / Maxele Presse tombé du ciel Les pêcheurs de thon rouge vont quitter Sète P.3 SOCIÉTÉ La médiation familiale va prendre de l’ampleur P.5 EUROPÉENNES Des étudiants Erasmus jugent ! ci er l’UE et la France P.4 . M le z- ne HANDBALl on e : d qu li ub e p oi a v Un administré de Rouez l ur s a légué À ce petit village al rn EHF ou sarthois plus de 38 millions e j c Le MAHB rate d’euros. Un héritage as Le maire de Rouez, p le sacre européen ez Paul Melot, le 29 avril. pas si rare. P.6 et d’un but P.22 V. Vantighem / 20 Minutes e j , n é ycl ec r ier ap u p *)!42, d 5),3(,'. ur s # É é IT im ',%!+ IC pr 0/)$" $")&-2$ Im 111#5),3(,'.#5)+ BL PU 2 ■■■ Grand Montpellier Lundi 19 mai 2014 PHOTOGRAPHIE Les 14e Boutographies s’installent en ville, jusqu’au 1er juin 20 secondes Le monde dans l’objectif FAITS DIVERS Porté disparu au Salagou Nicolas Bonzom Dimanche, un campeur de 28 ans, originaire de l’Orne, usqu’au 1er juin, Montpellier de- a été porté disparu au lac vient la capitale européenne de du Salagou. Le jeune homme, J la photographie. Les Boutogra- en vacances avec un ami et sa phies, qui ont rassemblé 15 000 visi- compagne, aurait coulé après teurs en 2013, prennent possession de le chavirement de son canot la ville avec dix expositions, des pro- pneumatique.