Ford Foundation Annual Report 2005
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Appel Candidatures
APPEL À CANDIDATURE ATELIER DE RÉALISATION DE FILMS DOCUMENTAIRES du MARDI 31 OCTOBRE au LUNDI 18 DÉCEMBRE 2017 ALLIANCE FRANÇAISE de BANGUI Cet atelier de formation s'adresse à tous les Centrafricains, femmes et hommes, désireux de se tourner vers la réalisation de films documentaires et soucieux de rendre compte de la réalité de leur pays. Il ne concerne pas seulement des personnes qui auraient déjà une expérience de la réalisation, mais s'adresse aussi bien à des personnes venant d'horizons différents (journalistes, fixeurs, responsables associatifs, etc.) attirés par ce moyen d’expression artistique. Aucune connaissance technique n'est requise. Les participants à l'atelier seront choisis à la fois pour leur motivation, pour leur aptitude à observer la réalité qui les entoure et leur capacité à travailler en groupe. LES ATELIERS VARAN Créés par Jean Rouch en 1981, les Ateliers Varan sont une école de cinéma unique en son genre, née du désir de former des réalisateurs de pays émergents à s’emparer des outils du cinéma documentaire pour refléter leurs réalités propres. Varan n’est pas une école au sens classique et académique du terme : les méthodes de travail y poussent à l’extrême le principe d’enseignement par la pratique : tout s’articule, pour chaque stagiaire, autour de la fabrication de films « en grandeur réelle ». Cet apprentissage du “regard documentaire” s’appuie sur une pédagogie qui s’est rôdée au fil de stages et d’ateliers menés sur les cinq continents. Le but est de décomplexer les participants face au langage cinématographique et de définir le rôle et la place du cinéaste, ses enjeux éthiques par rapport aux personnes filmées et au monde qui l’entoure. -
Film Funding Grants Programme 2013
Film Funding Grants Programme 2013 Film Funding Grants Programme 2013 Doha Film Institute established its Grants We contribute to films that have strong directorial Programme with the vision of fostering creative vision and that are challenging, creative and talent in the Middle East and North Africa (MENA) thought-provoking. Support for grantees is holistic, region. We are proud that over its first three- with financial assistance bolstered by professional and-a-half years the programme supported the development, mentorship and creative development development of more than 137 projects from opportunities that are made available throughout 14 countries. a project’s life cycle. In 2013, the Institute embarked on a new phase of the Grants Programme designed to further the It is our hope that through the Grants Programme goal of nurturing emerging talent. Projects from and the growing number of its alumni, we will all over the world became eligible for funding, continue to widen our flourishing community with a special focus on first- and second-time of filmmakers. As we extend our reach, we also filmmakers. enable professional, cultural and creative exchanges between our local talent and the wider international Alongside this expansion, the Institute’s industry. commitment to talent from the MENA region remains strong, with specific categories and I am honoured to welcome our newest grant criteria in place. Our focus on first- and second- recipients to the Doha Film Institute family. time filmmakers will greatly enhance our ability to discover and nurture new voices, both at home in Abdulaziz Al-Khater Qatar and around the globe. -
Minutes Ga 2014
General Assembly 2018 MINUTES Whistling Woods International, Mumbai, India 12 & 14 November 2018 PAGE 1 OF 67 GENERAL ASSEMBLY MINUTES – WHISTLING WOODS INTERNATIONAL, MUMBAI, INDIA (12 & 14 NOVEMBER 2018) TABLE OF CONTENTS 1. PARTICIPANTS 5 1.1 ATTENDEES (FINAL LIST AS OF 17 NOV 2018) 5 1.2 PROXIES (IN ALPHABETICAL ORDER OF SCHOOLS) 10 1.3 QUORUM 12 2. ELECTIONS 13 2.1 FULL MEMBERS 13 2.2 PRESIDENT 13 2.3 REGIONAL COUNCILS 13 2.4 CILECT EXECUTIVE COUNCIL – COMPOSITION 15 2.5 REGIONAL COUNCILS – COMPOSITION 15 2.6 APPROVAL OF DOCUMENTS 16 3. REPORT OF THE CILECT PRESIDENT 16 4. REPORT OF THE CAPA CHAIR 20 5. REPORT OF THE CARA CHAIR 25 6. REPORT OF THE CIBA CHAIR 26 7. REPORT OF THE CNA CHAIR 27 8. REPORT OF THE GEECT CHAIR 29 9. REPORT OF THE CILECT EXECUTIVE DIRECTOR 45 9.1 EXECUTIVE COUNCIL MEETINGS 45 9.2 MEMBERSHIP 45 9.2.1 REQUESTED INFORMATION FOR MEMBERSHIP 45 9.2.2 CANDIDATE MEMBERS 46 9.2.3 REMOVALS FROM MEMBERSHIP 46 9.2.4 RESIGNATIONS FROM MEMBERSHIP 46 9.2.5 HONORARY MEMBERSHIP 46 9.2.6 CILECT MEMBERSHIP BENEFITS 46 9.3 THE CILECT CONGRESS 2016 47 9.4 THE CILECT CONGRESS 2017 48 PAGE 2 OF 67 GENERAL ASSEMBLY MINUTES – WHISTLING WOODS INTERNATIONAL, MUMBAI, INDIA (12 & 14 NOVEMBER 2018) 9.5 THE CILECT CONGRESS 2018 49 9.6 THE CILECT CONGRESS 2019 49 9.7 THE CILECT PRIZE 50 9.7.1 CHANGES OF RULES & PROCESS 50 9.7.2 COMPARATIVE TABLE OF PARTICIPATION 2006-2018 50 9.7.3 THE CILECT PRIZE 2017 WINNERS/NOMINEES 50 9.7.4 THE CAPA BEST FILM AWARD 2017 51 9.7.5 THE CIBA BEST FILM AWARD 2017 51 9.7.6 THE CILECT PRIZE 2018 WINNERS/NOMINEES -
Handel Society DPMS ORDER.Indd
HOPKINS CENTER presents Handel Society of Dartmouth College Dr. Robert Duff conductor with special guests Anne Harley soprano Erma Gattie Mellinger mezzo-soprano William Hite tenor Mark Andrew Cleveland bass Cleopatra Mathis narrator Peter Saccio narrator and the Hanover Chamber Orchestra This performance is made possible in part by generous support from the Gordon Russell 1955 Fund; the Handel Society Foundation; and the Friends of the Handel Society Fund. Saturday, May 20, 2006 • 8 pm & Sunday, May 21, 2006 • 2 pm Spaulding Auditorium • Dartmouth College PROGRAM The Company of Heaven Benjamin Britten (1913-1976) Narrated by Peter Saccio, Leon D. Black Professor of Shakespearean Studies and Professor of English and Cleopatra Mathis, Frederick Sessions Beebe ’35 Professor in the Art of Writing Part One: Before the Creation I. Chaos II. The morning stars Part Two: Angels in Scripture IIIa. Jacob IIIb. Elisha IIIc. Hail, Mary! IV. Christ, the fair glory V. War in heaven Part Three: Angels in Common Life and at Our Death VI. Heaven is here VII. A thousand thousand gleaming fires VIII. Funeral march for a boy IX. Whosoever dwelleth under the defence of the most High X. Lento maestoso XI. Ye watchers and ye holy ones • INTERMISSION • Mass in C Major, Op. 86 Ludwig van Beethoven (1770-1827) Kyrie Gloria Credo Sanctus Benedictus Agnus Dei PROGRAM NOTES The Company of Heaven developed an early and remarkable professionalism, to Benjamin Britten (1913-1976) such a degree that when he won a scholarship to the Benjamin Britten began writing music about age five, Royal College of Music at 16 he was far beyond the el- almost as soon as he began playing the piano. -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
N°137 July 2015
N°137 July 2015 348 of you – directors, producers, documentary-makers, journalists – have sent us your films. For one week the selection jury worked together in Casablanca, guests of our partner, 2M. On the pages of your favourite newsletter you can read about the films which have moved forward to the final phase of the 19th PriMed. The choice for the Mediterranean Short Film category will be announced in next month's Letter. Also in this issue, the latest Mediterranean broadcasting news gleaned especially for you. Happy reading. Méditerranée Audiovisuelle-La Lettre. Dépôt Légal 12 février 2015. ISSN : 1634-4081. Tous droits réservés Directrice de publication : Valérie Gerbault Rédaction : Valérie Gerbault, Séverine Miot et Leïla Porcher CMCA - 96 La Canebière 13001 Marseille Tel : + 33 491 42 03 02 Fax : +33 491 42 01 83 http://www.cmca-med.org - [email protected] Le CMCA est soutenu par les cotisations de ses membres, la Ville de Marseille, le Département des Bouches du Rhône et la Région Provence Alpes Côte d'Azur. 1 CONTENTS HEADLINES 3 PriMed 2015 – the official selection The official selection 6 “Mediterranean Issues” 7 “Mediterranean Memories” 10 “Mediterranean Art, Heritage and Culture” 13 “First Film” 16 “Mediterranean Multimedia Award” 18 LIFE IN THE CHANNELS 21 PROGRAMMES 23 ECONOMY 24 CINEMA 25 FESTIVAL 28 Festival of the month THE EURO-MEDITERRANEAN PERSPECTIVE 29 STOP PRESS 30 2 HEADLINES The PriMed 2015 selection For a week in June, the Moroccan channel 2M, a CMCA member, welcomed the PriMed selection jury to Casablanca. The screenings took place in the channel's main auditorium. -
Integrated Coastal Zone Management Plan for Udupi Coast Using Remote Sensing, Geographical Information System and Global Position System
Journal of Applied Remote Sensing, Vol. 2, 023515 (14 April 2008) Integrated coastal zone management plan for Udupi coast using remote sensing, geographical information system and global position system G. S. Dwarakish,a S. A. Vinay,b S. M. Dinakar,c Jagadeesha B. Pai,d K. Mahaganesha,e and Usha Natesanf a Asst. Professor, Department of Applied Mechanics and Hydraulics, National Institute of Technology Karnataka, Surathkal, Srinivasnagar. P. O. 575 025, India. [email protected], [email protected] b P.G. Student, Department of Applied Mechanics and Hydraulics, National Institute of Technology Karnataka, Surathkal, Srinivasnagar. P. O. 575 025, India. [email protected] c Research Assistant, Department of Applied Mechanics and Hydraulics, National Institute of Technology Karnataka, Surathkal, Srinivasnagar. P. O. 575 025, India. [email protected] d Research Scholar, Department of Applied Mechanics and Hydraulics, National Institute of Technology Karnataka, Surathkal, Srinivasnagar. P. O. 575 025, India. [email protected] e Research Scholar, Department of Applied Mechanics and Hydraulics, National Institute of Technology Karnataka, Surathkal, Srinivasnagar. P. O. 575 025, India. [email protected] f Asst. Professor, Centre for Environmental Studies, Anna University, Chennai- 600 025, India. [email protected] Abstract: Coastal areas are under great pressure due to increase in human population and industrialization/commercialization and hence these areas are vulnerable to environmental degradation, resource reduction and user conflicts. In the present study an Integrated Coastal Zone Management Plan (ICZMP) has been developed for Udupi Coast in Karnataka, along West Coast of India. The various data products used in the present study includes IRS-1C LISS-III + PAN and IRS-P6 LISS III remotely sensed data, Naval Hydrographic Charts and Survey of India (SOI) toposheets, in addition to ground truth data. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Concert Reports from the Hellnoise Archiv Concert Reports from The
Concert Reports from the HellNoise Archiv AMOK VEDAR, MORBID MIND, CDB, DUST DEVILS 28. Februar 2003 Berlin, Garage Pankow Nach langer Fahrt mit den öffentlichen Verkehrsmitteln, traf ich gegen 21.15 Uhr endlich in der Garage Pankow ein. Erstmal hieß es Blase leeren, und dabei wurde man auch schon schön mit der passenden Musik beschallt. Von draußen klang es ein wenig wie Black Metal, umso erstaunter war ich als ich die Band erblickte und die 3 Symphoniker so gar nicht wie ne BM-Band aussahen. Als erstes (oder besser gesagt die ersten 3 Lieder die ich mitbekommen habe) dachte ich es wäre noch Soundcheck, denn irgendwie sah es auf der Bühne doch sehr entspannt aus. Der Sänger hockte ab und zu mal auf dem Boden, dann trank er mal wieder nen Schluck, dann hat die Band untereinander nen bißchen gequatscht. Irgendwann merkte ich aber das es schon der Auftritt ist und lauschte mal nen bißchen aufmerksamer. Meine Verwirrung wurde von Lied zu Lied immer größer, denn bei den Dust Devils fand wirklich jede Stilistik ihren Platz. Was eben noch, vom Drumming her, wie alte Darkthrone klang, uferte nur Sekunden später in Grindcoregebolze aus. Der Sänger hatte ne schöne abgrundtiefe Death Metal Stimme bei der sollte er aber auch bleiben, denn diese zwischenzeitliche Rumgequieke klang nun wirklich schon sehr lächerlich (ich war noch nie nen Freund von Grindcore). Irgendwann hatte die Band keine Lust mehr, was ganz natürlich ist, denn hätten die Dust Devils Applaus hören wollen hätten sie sich selbst beklatschen müssen. Obwohl die Garage zu diesem Zeitpunkt eigentlich mit ca. -
Mangalore Electricity Supply Company Limited
Mangalore Electricity Supply Company Limited Scheduled Outage Information Details of Power Shut Down due to maintenance of Distribution System from 20.12.2020 to 26.12.2020 Division: UDUPI RAPDRP FROM TO APPROXIMATE DIVISION SUBDIVISION SUBSTATION FEEDER_NAME SECTION DURATION OF AREA EFFECTED REASON FOR POWER OUTAGE DATE TIME DATE TIME POWER OUTAGE Kukkikatte Grama Alevoor Grama Korankrapadi Grama Udupi Manipal 110/33/11Kv Manipal Udayavara-II Katapady 22.12.2020 9:00 22.12.2020 17:30 8:30 MaintenanceOf 33 Kv Lines, Tree Trimming Udyavara Grama Katapady Grama Mattu Grama Kote Grama Division: UDUPI NON-RAPDRP FROM TO APPROXIMATE DIVISION SUBDIVISION SUBSTATION FEEDER_NAME SECTION DURATION OF AREA EFFECTED REASON FOR POWER OUTAGE DATE TIME DATE TIME POWER OUTAGE Udupi Manipal 110/33/11Kv Hiriyadka Hirebettu Hiriadka 23.12.2020 9:00 23.12.2020 17:30 8:30 Guddeyangadi, Kajaraguthu, Kodibettu, Pernankila Maintenance Bantakal, Grama, Polipu Grama Polipu Grama Mudabettu Grama Udupi Kaup 33/11Kv Shirva Bantakal Katapady/Shirva / Kaup 22.12.2020 9:00 22.12.2020 17:30 8:30 Maintenanceof 33 KV Lines, Tree Trimming And Pangala Grama Udupi Kaup 33/11Kv Shirva Shankarapura Katapady/Shirva 22.12.2020 9:00 22.12.2020 17:30 8:30 Shankarpura Grama , Kurkalu Grama Innanje Grama Maintenanceof 33 KV Lines, Tree Trimming Udupi Kaup 33/11Kv Shirva Shirva Shirva 22.12.2020 9:00 22.12.2020 17:30 8:30 Shirva Grama Maintenanceof 33 KV Lines, Tree Trimming Udupi Kaup 33/11Kv Shirva Mudarangadi Shirva/Kaup 22.12.2020 9:00 22.12.2020 17:30 8:30 Punchalakadu Grama -
Verbotene Spielchen
r g / Fü ute nt K e u n C d 0 e n 5 k s i o e s r t p e z n t l u o h s c / S unabhängig, überparteilich, legal #65 Ausgabe 12/06 Eckthema passend zur Saison: Baseler Aus aktuellem Anlass klärt Dr. Franjo Neue Techniken braucht der Hanf! Ist es Grass Leckerli - Den Schweizern zu Ehren. Grotenhermen über Verunreinigungen im zu feucht oder zu trocken, brauchst du Empfohlene Grassmenge: 7 g; Haschisch und deren unappetitlichen Tensio-Technik und all deine Sorgen sind ergibt ca. 140 Stück, Folgen auf. Husten garantiert auf Seite 4 (fast) vergessen. Spannende Lektüre auf E pro Leckerli ca. 0,06 g 4 6 Seite 6 news s. 02 guerilla growing s. 05 wirtschaft s. 07 cool-tour s. 08 fun+action s. 10 www.hanfjournal.de Liebe LeserInnen und Leser, VerboteneVerbotene SpielchenSpielchen sehr geehrte Frau Bätzing! kriegt die Hanfpflanze bald Gesellschaft? Michael Knodt Wie versprochen haben wir Brix plus (Hanfjournal 10/2006) von einer befreundeten Biologin, der ein Massenspektrometer zur Verfügung steht, untersuchen lassen. Das Ergebnis hat uns gelinde Nein, nicht nur Counter Strike, Half Life oder irgendein anderer Ego Shooter sondern die zahllosen Schützenvereine in gesagt die Schuhe ausgezogen, wir sind aus den Latschen gekippt. den ländlichen Gegenden unserer Republik sind schuld, wenn mal wieder ein junger Mensch seine Lehrer und Mitschüler Neben den schon erwarteten Glukoseverbindungen, also Zucker niederschießt. Also sollten sie verboten werden. Hier erst lernt der potenzielle jugendliche Amokläufer, wie Papas und Hormonen, befand sich tatsächlich ein flüssiges Polymer Waffenschrank so funktioniert und wie sich eine echte Wumme anfühlt, siehe Weimar. -
District Disaster Management Plan- Udupi
DISTRICT DISASTER MANAGEMENT PLAN- UDUPI UDUPI DISTRICT 2015-16 -1- -2- Executive Summary The District Disaster Management Plan is a key part of an emergency management. It will play a significant role to address the unexpected disasters that occur in the district effectively. The information available in DDMP is valuable in terms of its use during disaster. Based on the history of various disasters that occur in the district, the plan has been so designed as an action plan rather than a resource book. Utmost attention has been paid to make it handy, precise rather than bulky one. This plan has been prepared which is based on the guidelines from the National Institute of Disaster Management (NIDM). While preparing this plan, most of the issues, relevant to crisis management, have been carefully dealt with. During the time of disaster there will be a delay before outside help arrives. At first, self-help is essential and depends on a prepared community which is alert and informed. Efforts have been made to collect and develop this plan to make it more applicable and effective to handle any type of disaster. The DDMP developed touch upon some significant issues like Incident Command System (ICS), In fact, the response mechanism, an important part of the plan is designed with the ICS. It is obvious that the ICS, a good model of crisis management has been included in the response part for the first time. It has been the most significant tool for the response manager to deal with the crisis within the limited period and to make optimum use of the available resources.