Th E a G a K H a N P R O G R a M Fo R Is La M Ic a R C H It

Total Page:16

File Type:pdf, Size:1020Kb

Th E a G a K H a N P R O G R a M Fo R Is La M Ic a R C H It TH E AGA KHAN PROGRAM FOR ISLAMIC ARCHITECTURE & 1issue AKPIA AKDN Based at Harvard University and the The Aga Khan Trust for Culture (AKTC) is Massachusetts Institute of Technology, an agency of the Aga Khan Development The Aga Khan Program for Islamic Network (AKDN), a group of agencies Architecture (AKPIA) is dedicated to the founded by His Highness the Aga Khan akpia study of Islamic art and architecture, that work in the poorest parts of Asia and urbanism, landscape design, and conser- Africa.The Aga Khan Foundation focuses october 2004 a k t c vation - and the application of that on rural development, health, education knowledge to contemporary design proj- and the enhancement of non-governmen- TH features: ects. The goals of the program are to tal organizations. Its programmes includes E AGA KHAN TRUST FOR CULTURE improve the teaching of Islamic art and the Aga Khan Rural Support Programmes architecture - to promote excellence in and the Mountain Societies Development Lecture Series p.2 advanced research - to enhance the Support Programme. Aga Khan Health Aga Khan Program MIT p.3 understanding of Islamic architecture, Services is one of the largest private urbanism, and visual culture in light of health networks in the world. Aga Khan Aga Khan Program Harvard p.11 contemporary theoretical, historical, crit- Education Services operates more than Aga Khan Program GSD p.17 ical, and developmental issues - and to 300 schools and advanced educational Aga Khan Trust for Culture p.18 increase the visibility of Islamic cultural programmes at the pre-school, primary, heritage in the modern Muslim world. secondary and higher secondary levels. Established in 1979, AKPIA is supported The Aga Khan Planning and Building by an endowment from His Highness Services provides material and technical the Aga Khan. assistance to rural and urban areas.The Aga Khan Fund for Economic Development AKPIA’s faculty, students, and alumni works to strengthen the role of the private have played a substantial role in sector in developing countries by promot- advancing the practice, analysis, and ing entrepreneurial activity and support- understanding of Islamic architecture ing private sector initiatives.Two universi- as a discipline and cultural force. ties are also part of the Network: Aga Khan University, and the University of 1 Central Asia (UCA). AGA KHAN PROGRAM FOR ISLAMIC ARCHITECTURE The Fall 2004 AKP Harvard Lecture Series: “AN EVENING WITH...” A Forum for Islamic Art MIT Lecture Series & Architecture OCTOBER 4 FEBRUARY 17 AG “Images of Sufi Leaders in Ottoman and “The Tiling of The Dome of The Rock” A KHAN PROGRAM FOR ISLAMIC ARCHITECTURE & Safavid Manuscripts” Dr. John Carswell Prof. Ethel Sara Wolper, University of Independent Scholar, Aga Khan Fellow (2005) New Hampshire MARCH 17 OCTOBER 25 “Moments of Vision: Exhibiting The issue “The Afghan Girl’in Transnational Visual Culture” Relationship Between Venice and The Prof. Holly Edwards, Williams College Islamic World” 1 Dr. Stefano Carboni akpia NOVEMBER 15 Curator, Department of Islamic Art a k t c “Rural-imperial Relations in Medieval october 2004 TH Jordan: An Architectural Perspective from APRIL 14 E AGA KHAN TRUST FOR CULTURE Tall Hisban” “Examples of Exquisite Jewelry and Bejewelled Dr. Bethany Walker, Grand Valley Objects in Classical Arabic Texts” State University Dr. Ghada H. Qaddumi Independent Scholar, Aga Khan Fellow (2005) SPECIAL EVENT, DECEMBER 6 “Deliberating Iraq” film screening and The AKP Harvard Lecture Series takes place discussion with one of the directors of at Harvard University’s Sackler Museum, “About Baghdad” 485 Broadway, Room 318 Cambridge,MA. Sinan Antoon, Dartmouth College Lectures are held on Thursdays at 5:30pm and are open to the public. For further For abstracts and biographies, please consult: information, contact the Aga Khan Program web.mit.edu/akpia/www/fall04bios& at Harvard University. abstracts.htm All events are free and open to the public. All events are on Mondays from 5:30 2 to 7:30pm in room MIT 3-133 AGA KHAN PROGRAM AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY Faculty Currently, Nasser is working on a number of Islamic world. Heghnar just published a book books to be published in 2005 and 2006. First entitled, The Image of an Ottoman City: is a collection of essays, L’art Islamique à la Imperial Architecture and Urban Experience in Nasser Rabbat recherche d’une méthode historique, which he Aleppo in the Sixteenth and Seventeenth originally delivered as lectures at the Institut Centuries [Leiden: Brill, September 2004]. AG Nasser Rabbat is the Aga Khan Professor of du monde arabe (IMA) in Paris in January and A KHAN PROGRAM FOR ISLAMIC ARCHITECTURE & Islamic Architecture. His scholarly interests February 2002. Second is an edited book of Heghnar was awarded a National Endowment include the history and historiography of essays on the courtyard house entitled, The for the Humanities Grant as well as a J. Paul Islamic art and architecture, urban history, Courtyard House: Between Cultural Expression Getty Post-doctoral Fellowship in the History and post-colonial criticism. Among his honors and Universal Application,to be published by of Art and the Humanities, which allows her are, the Chaire de L’Institut du Monde Arabe Ashgate in 2005. Third is a book of collected to go on leave in 2004-2005 to work on her (IMA), Paris, 2003; the American Research essays co-edited with Irene Bierman and next book, Ruins into Monuments: Preservation, issue Center in Egypt (ARCE) Fellowship, 1999-2000 Nezar AlSayyad, to be published by Lexington Nationalism and the Construction of Heritage 1 and 1988-89; the J. Paul Getty Postdoctoral Press in 2005 under the title A Medieval Cairo in the Modern Middle East. This project akpia Fellowship, 1993-94; and the Malcolm H. Kerr for a Modern World. engages in the contentious debate about a k t c Dissertation Award, The Middle East Studies cultural heritage and nationalism in the october 2004 TH Association (MESA), 1991. In Fall 2004, Nasser is teaching Religious modern Middle East by focusing on the E AGA KHAN TRUST FOR CULTURE Architecture and Islamic Cultures and politics of architectural preservation in Syria Beside publishing articles in specialized schol- Historiography of Islamic Architecture. under French colonial rule, 1920-1946. arly journals and edited collections, Nasser Heghnar plans to spend time in Syria and regularly contributes to a number of Arabic Lebanon in the winter for field research. She newspapers and journals on art, architectural, will also present a paper on the historiogra- and cultural issues. He serves on the boards of phy of Mediterranean cities at the conference, various organizations concerned with Islamic Heghnar Watenpaugh “Mapping out the Eastern Mediterranean,” to cultures, including the editorial boards of be held at the German Oriental Society in Muqarnas and the Journal of Architectural Heghnar is the Assistant Professor of the Beirut. She will be in France in the spring for Education (JAE); Barakat Foundation, USA; History of Architecture and the Aga Khan archival research and to participate in a sym- Programme for Islamic Understanding (PIU), Career Development Professor of Architecture. posium on the contemporary Arab Middle London School of Economics; and the Arts In addition to early modern Islamic architec- East. In addition, Heghnar continues to work Initiative Committee of the Islamic World, tural history, her research addresses the on articles on the intersection of gender and NYC. He lectures extensively in the US and preservation and commodification of architec- the practice of space in Islamic cities, and the abroad, and maintains several websites ture, and their relationship to modernity, colo- architectural history of the co≠eehouse. focused on Islamic Architecture. nialism, and nationalism in the modern 3 AGA KHAN PROGRAM AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY Faculty of the board of directors of the Royal Society for Fine Arts - The Jordan National Gallery of Fine Arts, and is the coordinator of the inter- Irvin C. Schick Mohammad al-Asad national academic and curatorial committee of the Museum With No Frontiers Discover AG Irvin Schick received his B.S., M.S., and Ph.D. Mohammad al-Asad is an architect and archi- Islamic Art project, which is developing a A KHAN PROGRAM FOR ISLAMIC ARCHITECTURE & from MIT. He has taught at Harvard [1995- tectural historian, and the founding director virtual web-based museum of Islamic art. 2003] and at MIT, where he is currently a of the Center for the Study of the Built researcher. He is the author of The Erotic Environment in Amman (www.csbe.org). He Mohammad will be replacing Heghnar in the Margin: Sexuality and Spatiality in Alteritist studied architecture at the University of Spring semester and will be teaching two Discourse [London, 1999] and Çerkes Güzeli: Bir Illinois at Urbana-Champaign and history of courses:“Issues in Modern and Contemporary Sarkiyatçi Imgenin Serüveni [The Fair Circassian: architecture Harvard University. He held post- Islamic Architecture and Urbanism, Heritage issue Adventures of an Orientalist Motif] (in Turkish: doctoral research positions at Harvard as a Battleground”; and “Architecture of the 1 Istanbul, 2004). He has also edited or University and the Institute for Advanced Eastern Arab World: Nineteenth and akpia co-edited a number of books including Turkey Study, Princeton. He also taught at the Twentieth Centuries”. a k t c in Transition: New Perspectives [New York, 1987]. University of Jordan, Princeton University, the october 2004 TH Massachusetts Institute of Technology, and E AGA KHAN TRUST FOR CULTURE He has recently completed an annotated the University of Illinois at Urbana- anthology entitled Avrupali Esireler ve Champaign, where he was the Alan K. and Müslüman Efendileri: Türk Illerinde Esaret Leonarda Laing Distinguished Visiting Anlatilari [European Women Captives and Professor. He has published in both Arabic and their Muslim Masters: Narratives of Turkish English on the architecture of the Islamic Captivity] (Turkish:Istanbul, forthcoming) and world in edited books and in academic and is currently at work on a book on Shatranj-i professional journals.
Recommended publications
  • Newsletterakp04-05.Pdf
    TH E AGA KHAN PROGRAM FOR ISLAMIC KHAN PROGRAM ARCHITECTURE E AGA & 1issue AKPIA AKDN Based at Harvard University and the The Aga Khan Trust for Culture (AKTC) is Massachusetts Institute of Technology, an agency of the Aga Khan Development The Aga Khan Program for Islamic Network (AKDN), a group of agencies Architecture (AKPIA) is dedicated to the founded by His Highness the Aga Khan akpia study of Islamic art and architecture, that work in the poorest parts of Asia and aktc urbanism, landscape design, and conser- Africa. The Aga Khan Foundation focuses october 2004 vation - and the application of that on rural development, health, education knowledge to contemporary design proj- and the enhancement of non-governmen- TH features: ects. The goals of the program are to tal organizations. Its programmes includes E AGA KHAN TRUST FOR CULTURE TRUST KHAN E AGA improve the teaching of Islamic art and the Aga Khan Rural Support Programmes architecture - to promote excellence in and the Mountain Societies Development Lecture Series p.2 advanced research - to enhance the Support Programme. Aga Khan Health Aga Khan Program MIT p.3 understanding of Islamic architecture, Services is one of the largest private urbanism, and visual culture in light of health networks in the world. Aga Khan Aga Khan Program Harvard p.11 contemporary theoretical, historical, crit- Education Services operates more than Aga Khan Program GSD p.17 ical, and developmental issues - and to 300 schools and advanced educational Aga Khan Trust for Culture p.18 increase the visibility of Islamic cultural programmes at the pre-school, primary, heritage in the modern Muslim world.
    [Show full text]
  • Downloads/2003 Essay.Pdf, Accessed November 2012
    UCLA UCLA Electronic Theses and Dissertations Title Nation Building in Kuwait 1961–1991 Permalink https://escholarship.org/uc/item/91b0909n Author Alomaim, Anas Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Nation Building in Kuwait 1961–1991 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture by Anas Alomaim 2016 © Copyright by Anas Alomaim 2016 ABSTRACT OF THE DISSERTATION Nation Building in Kuwait 1961–1991 by Anas Alomaim Doctor of Philosophy in Architecture University of California, Los Angeles, 2016 Professor Sylvia Lavin, Chair Kuwait started the process of its nation building just few years prior to signing the independence agreement from the British mandate in 1961. Establishing Kuwait’s as modern, democratic, and independent nation, paradoxically, depended on a network of international organizations, foreign consultants, and world-renowned architects to build a series of architectural projects with a hybrid of local and foreign forms and functions to produce a convincing image of Kuwait national autonomy. Kuwait nationalism relied on architecture’s ability, as an art medium, to produce a seamless image of Kuwait as a modern country and led to citing it as one of the most democratic states in the Middle East. The construction of all major projects of Kuwait’s nation building followed a similar path; for example, all mashare’e kubra [major projects] of the state that started early 1960s included particular geometries, monumental forms, and symbolic elements inspired by the vernacular life of Kuwait to establish its legitimacy.
    [Show full text]
  • FY96 NCAR ASR Highlights
    FY96 NCAR ASR Highlights 1996 ASR Highlights Highlights of NCAR's FY96 Achievements These are the most significant highlights from each NCAR division and program. Atmospheric Chemistry Division Highlights data missing Atmospheric Technology Division Highlights AVAPS/GPS Dropsonde System The development of the advanced Airborne Vertical Atmospheric Profiling System (AVAPS)/GPS Dropsonde System was close to completion at the end of FY 96. This work has been supported by NOAA and the Deutsche Forschungsanstalt fuer Luft- und Raumfahrt (DLR, Germany). AVAPS has now progressed to the point where all the NOAA data systems (two four-channel systems plus spares for the NOAA G-IV aircraft and two four-channel systems plus spares for the NOAA P-3 aircraft) have been delivered, and the initial flight testing has been completed. Both high-level (45,000-foot-altitude) and low-level (22,000-foot-altitude) drop tests have been completed, including intercomparison tests in which sondes were dropped from both the G-IV and the P-3s. Data taken by the AVAPS system on the G-IV and by a second system installed in a leased Lear 36 aircraft are expected to play a key role in the Fronts and Atlantic Storm Tracks Experiment (FASTEX), scheduled for early 1997. The DLR four-channel AVAPS system is currently being built and will be installed on the DLR Falcon aircraft in March 1997. NCAR has transferred the technology to the public sector by licensing a commercial firm (Vaisala, Inc.) to build future GPS sondes and data systems. This effort is led by Hal Cole and Terry Hock.
    [Show full text]
  • Translation of Modjtaba's Article 2012-2020
    Weekendavisen #38 21. september 2012 Everyday Life. Is it really the case, that shame praised Copenhagen is a closed city, while troubled Teheran is open? ”Copenhagen is naked, but wears sunglasses” BY PERNILLE STEENSGAARD Philosopher and urban researcher Modjtaba Sadria has come directly from Tehran, capital city of Iran, to Copenhagen. From one of the top ten worst cities in the world to one of the best. According to some sources “the best”. From a mega city with suffocating pollution, murderous traffic and a dense population of 8-10 million with record high stress levels to a small clean city of bicyclers inhabited with the “world’s happiest people”. Still, Dr.phil. Modjtaba Sadria, born 1949, is hardly overcome with admiration. He knows Copenhagen and has been here on several occasions. Furthermore, he is educated in Germany and France. He has taught at universities in Canada, Japan and Australia. In the last three years, Dr. Sadria has lived and worked in Teheran, his native country. His interests concentrate around what it takes to create good cities to live in. “Copenhagen is proud of being full of relaxed and informal overlapping relationships, but moving across these highly structured groups is not easy, and demands knowledge of some local “oldboy-clubs”. You have given the world the illusion that the Scandinavians are an open society. And this illusion works even for the people themselves. As guest speaker in the mobile network of the Nomad Academy, whose goal is to exchange knowledge and ideas on art, design and architecture across borders, Dr. Sadria maintains a critical view of the networks that split modern man into atoms.
    [Show full text]
  • Downloaded on 2 February 2009 From
    Homogenisation of Representations Edited by Modjtaba Sadria Aga Khan Award for Architecture Acknowledgements Contents The second of two Knowledge Construction workshops organised by the Aga Khan Award Acknowledgements 2 for Architecture was held in Vancouver on the 26–28 February 2009. The workshop, on the topic of ‘Homogenisation of Representations’ was conceptualised and implemented Preface 5 on behalf of the Award by Professor Modjtaba Sadria, member of the 2007 Award Steering Farrokh Derakhshani Committee. List of Contributors 7 The Award would like to thank Professor Sadria and the participants of the workshop Introduction 11 for their thoughtful and engaging presentations and the stimulating discussions around the Modjtaba Sadria topic, all of which are reproduced in this publication. Section One: Foundations Special thanks are due to Rebecca Williamson of the Institute for the Study of Muslim Globalisation and Homogenisation: The State of Play 17 Civilisations in London (AKU-ISMC) for her assistance with the organisation of the Anthony King workshop and subsequently with the preparation of this book for publication. The Anxiety Concerning Cultural Homogenisation 35 Ian Angus The Homogenisation of Urban Space 51 Modjtaba Sadria Section Two: Building Blocks Conscious and Unconscious Aspects of Homogenisation Processes in Architectural Representation 69 George Baird Note: All images, unless otherwise noted, are courtesy of the author. Neither Homogeneity Nor Heterogeneity: Modernism’s Struggles Published by the Aga Khan Award for Architecture
    [Show full text]
  • Abstract Uysal, Zeynep Cigdem
    ABSTRACT UYSAL, ZEYNEP CIGDEM. Architectural Type as a Cultural Schema and Its Cognitive Use in Architectural Design: An Analysis of the Aga Khan Award Winning Dwellings in Turkey. (Under the direction of Kristen Schaffer). This dissertation examines the relationship between the cognitive concept of cultural schemas and the architectural concept of types, and subsequently investigates the cognitive function of types in the course of architectural design. The concept of type was investigated by previous research mostly in terms of its function in the analysis and the interpretation of architectural products. In terms of its function in the generation of architectural products however, there seems to be a need for further research. On this basis, this research focuses on the generative role of type in architectural design and examines its position in creativity from a cognitive perspective. By observing architectural types as essential attributes of culture and examining their culturally formed schematic position and cognitive function in architectural design, this study attempts to question ‘how we could conceive creativity differently if we consider culture through the use of cultural attributes such as architectural types’. Having such an attempt, it intends to find out in a broader perspective, the possibility that lie in the use of cultural information in architectural design. Examining the cultural, cognitive and creative aspects of the concept of type on this basis, the study sets out to ‘re-theorize’ its position and cognitive function in the course of architectural design in an attempt to find out its role in creative production. In order to observe, analyze and exemplify how types are creatively used in the course of architectural design, it conducts a case study on the Aga Khan Award for Architecture winning dwellings in the context of Turkey.
    [Show full text]
  • NEZAR ALSAYYAD Curriculum Vitae As of June 2018 ______ARCHITECT, PLANNER, URBAN DESIGNER, URBAN HISTORIAN & EDUCATOR
    NEZAR ALSAYYAD Curriculum Vitae as of June 2018 ______________________________________________________________________________________ ARCHITECT, PLANNER, URBAN DESIGNER, URBAN HISTORIAN & EDUCATOR AREAS OF SPECIALIZATION Architectural and Urban History Cross-cultural Design Cities, Cinema, and Virtual Reality Cultural Studies of the Built Environment Environmental Design in Developing Countries Heritage Discourses Housing and Urban Development Islamic Architecture and Urbanism Middle Eastern Studies Traditional Dwelling and Settlements Urban Design & Physical Planning Urban History ______________________________________________________________________________________ CONTACT INFORMATION College of Environmental Design 232 Wurster Hall University of California, Berkeley Berkeley CA 94720-1800 Office (510) 642-4852 Fax (510) 643-5571 IASTE 390 Wurster Hall Berkeley, CA 94720-1839 Office (510) 642-6801 Fax (510) 643-5571 _____________________________________________________________________________________ EDUCATION 1988 UNIVERSITY OF CALIFORNIA, Berkeley ◊ Doctor of Philosophy in Architecture 1981 MASSACHUSETTS INSTITUTE OF TECHNOLOGY, Cambridge ◊ Master of Science in Architecture 1979 CAIRO UNIVERSITY, Cairo, Egypt ◊ D.T.P., Diploma of Advanced Studies in Town Planning 1977 CAIRO UNIVERSITY, Cairo, Egypt ◊ Bachelor of Architectural Engineering 1 _____________________________________________________________________________________ ACADEMIC EXPERIENCE & POSITIONS 1998-present PROFESSOR ◊ Departments of Architecture & City and Regional Planning
    [Show full text]
  • NEZAR ALSAYYAD Curriculum Vitae As of July 2016 ______ARCHITECT, PLANNER, URBAN HISTORIAN & EDUCATOR
    NEZAR ALSAYYAD Curriculum Vitae as of July 2016 ______________________________________________________________________________________ ARCHITECT, PLANNER, URBAN HISTORIAN & EDUCATOR AREAS OF SPECIALIZATION - Architectural and Urban History - Cross-cultural Design - Cities, Cinema, and Virtual Reality - Cultural Studies of the Built Environment - Environmental Design in Developing Countries - Heritage Discourses - Housing and Urban Development - Islamic Architecture and Urbanism - Middle Eastern Studies - Traditional Dwelling and Settlements - Urban Design & Physical Planning - Urban History ______________________________________________________________________________________ CONTACT INFORMATION College of Environmental Design 232 Wurster Hall University of California, Berkeley Berkeley CA 94720-1800 Office (510) 642-4852 Fax (510) 643-5571 IASTE 390 Wurster Hall Berkeley, CA 94720-1839 Office (510) 642-6801 Fax (510) 643-5571 _____________________________________________________________________________________ EDUCATION 1988 UNIVERSITY OF CALIFORNIA, Berkeley ◊ Doctor of Philosophy in Architecture 1981 MASSACHUSETTS INSTITUTE OF TECHNOLOGY, Cambridge ◊ Master of Science in Architecture 1979 CAIRO UNIVERSITY, Cairo, Egypt ◊ D.T.P., Diploma of Advanced Studies in Town Planning 1977 CAIRO UNIVERSITY, Cairo, Egypt ◊ Bachelor of Architectural Engineering _____________________________________________________________________________________ ACADEMIC EXPERIENCE & POSITIONS 1998-present PROFESSOR ◊ Departments of Architecture & City and Regional
    [Show full text]
  • AKTC Media Catalogue
    Aga Khan Trust for Culture Media and Publications 2020 Aga Khan Trust for Culture 3 Aga Khan Award for Architecture 11 Aga Khan Historic Cities Programme 41 Aga Khan Music Programme 61 Education Programme 71 Aga Khan Museum 81 Aga Khan Trust for Culture he Aga Khan Trust for Culture (AKTC), the cultural agency of the T Aga Khan Development Network, shares knowledge and encourages debate about the built environment with emphasis on Muslim societies; proposes exemplars and solutions for contemporary design problems; engages in the revitalisation of local communities with regards to both their social and physical environment; creates and rehabilitates green spaces in urban centres; and, through education and cultural initiatives in the realm of music and the arts, works to properly position the cultures of the Muslim world as an integral part of global cultural heritage. For three decades, AKTC has shared its knowledge and experiences through publications films, and exhibitions presented in this booklet. 3 Mimar Architecture in Development Edited by Hasan-Uddin Khan Published by Concept Media (1981-1992) out of print Mimar was first published in 1981 and had a print run of 43 issues. At the time of Mimar’s inception, it was the only international architecture magazine focusing on architecture in the developing world and related issues of concern. It aimed at exchanging ideas and images between countries which are developing new directions for their built environment. available on www.archnet.org The Hassan Fathy Collection A Catalogue of Visual Documents of the Aga Khan Award for Architecture by James Steele Published by Aga Khan Trust for Culture (1989) out of print In 1985 the Egyptian architect Hassan Fathy donated his entire archive to the Aga Khan Award for Architecture to make this collection available to the public for research purposes.
    [Show full text]
  • Rituals of Now
    EH NC OUS DA E DIARY ISSUE 7 / 2014 The Sacred And The Profane - Rituals of Now www.dancehousediary.com.au HOUSE DIARY IS CONTENTS NCE SUE PG. 2 DA 7 Angela Conquet is Artistic Director of Dancehouse and Dancehouse Diary Contributors founder of this publication. She has worked extensively in the Issue 7 / 2014 Ben Eltham, Shruti Gosh, Alice Heyward, Deborah Jowitt, Betty independent dance sector as artistic director, presenter and Lefèvre, Linda Luke, Anne Marsh, Sarah-Jane Norman, Tere producer and her work experiences took her to di!erent contexts PG. 3 O’Connor, John Rundell, Yumi Umiumare, Soo Yeun You. and countries. She is also a translator and interpreter. Dancehouse would like to wamly thank all the contributors to In Praise of Rituals Editorial Board this issue and particularly John Rundell and Chloe Chignell. Many thanks to Modjtaba Sadria and Sally Gardner. A huge thanks to Jill Philipa Rothfield (Chair) is an Honorary Senior Lecturer in the PG. 4 Philosophy program, La Trobe University. She is a dance reviewer Orr for allowing us to use her artworks for the Diary covers. Watching Dance – Rituals for RealTime arts magazine and Momm magazine, Korea. She of Spectatorship is co-convenor of the Choreography and Corporeality working group, International Federation of Theatre Research. She has What is Dancehouse Diary? been dancing on and o! for some decades. As a philosopher, THE DANCEHOUSE DIARY is a free regular publication published PG. 6 she writes on French philosophy, political philosophy, feminism by Dancehouse, Melbourne, Australia. DANCEHOUSE DIARY is Ritual and Shamanism and postmodernism, specialising in philosophy of the body.
    [Show full text]
  • GWZ Berlin · Das Forschungsjahr 2008
    GWZBerlin Das Forschungsjahr 2008 Berlin GWZ Initiative Deutschland – Titel Land der Ideen Carl Gustav Carus: Die Dreisteine im Riesengebirge, 1826 Das Zentrum Moderner Orient und Galerie Neue Meister, Staatliche Kunstsammlungen Dresden, das Zentrum für Literatur- und Kultur- Photo: Gerhard Reinhold forschung wurden 2007 im Rahmen der Initiative „Deutschland – Land Carl Gustav Carus (1789–1869), der von 1814 bis zu seinem Tode in Dresden lebte, der Ideen“ als Ausgewählter Ort ausge- war weit mehr als ein bedeutender Künstler. Er war eine Persönlichkeit von univer- zeichnet. salem Zuschnitt und gehörte zu den herausragenden Exponenten des geistigen und wissenschaftlichen Lebens seiner Zeit. Der Arzt, Naturphilosoph, Literat, Maler und Zeichner Carl Gustav Carus nimmt im Spektrum zwischen Kunst, Wissenschaft und Philosophie der Natur des frühen 19. Jahrhunderts eine besondere Position ein. Neben Friedrich Schelling, dem Naturforscher und Philosophen Lorenz Oken und Alexander von Humboldt prägte vor allem Johann Wolfgang von Goethe, mit dem er in regem Briefkontakt stand, sein Natur- und Weltbild. Physik und Metaphysik, Natur und Kultur, Wissenschaft, Kunst und Leben, Leib und Seele, Gesundheit und Krankheit, Geburt und Tod werden in seinem Werk in eine enge Verbindung gebracht. Ein Leben lang bewegte sich Carus mit staunenswerter Energie und uner- schöpflicher Wissbegierde zwischen den Polen Kunst und Wissenschaft, zwischen dem „romantischen“ Versuch, Geist und Natur als ganzheitliches Prinzip zu denken, und dem Bestreben, sie positivistisch,
    [Show full text]
  • Homogenisation of Representations
    Homogenisation of Representations Edited by Modjtaba Sadria Aga Khan Award for Architecture Acknowledgements Contents The second of two Knowledge Construction workshops organised by the Aga Khan Award Acknowledgements 2 for Architecture was held in Vancouver on the 26–28 February 2009. The workshop, on the topic of ‘Homogenisation of Representations’ was conceptualised and implemented Preface 5 on behalf of the Award by Professor Modjtaba Sadria, member of the 2007 Award Steering Farrokh Derakhshani Committee. List of Contributors 7 The Award would like to thank Professor Sadria and the participants of the workshop Introduction 11 for their thoughtful and engaging presentations and the stimulating discussions around the Modjtaba Sadria topic, all of which are reproduced in this publication. Section One: Foundations Special thanks are due to Rebecca Williamson of the Institute for the Study of Muslim Globalisation and Homogenisation: The State of Play 17 Civilisations in London (AKU-ISMC) for her assistance with the organisation of the Anthony King workshop and subsequently with the preparation of this book for publication. The Anxiety Concerning Cultural Homogenisation 35 Ian Angus The Homogenisation of Urban Space 51 Modjtaba Sadria Section Two: Building Blocks Conscious and Unconscious Aspects of Homogenisation Processes in Architectural Representation 69 George Baird Note: All images, unless otherwise noted, are courtesy of the author. Neither Homogeneity Nor Heterogeneity: Modernism’s Struggles Published by the Aga Khan Award for Architecture
    [Show full text]