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African American History & Culture
IN September 2016 BLACK AMERICAsmithsonian.com Smithsonian WITH CONTRIBUTIONS FROM: REP. JOHN LEWIS BLACK TWITTER OPRAH WINFREY A WORLD IN SPIKE LEE CRISIS FINDS ANGELA Y. DAVIS ITS VOICE ISABEL WILKERSON LONNIE G. BUNCH III HEADING NATASHA TRETHEWEY NORTH BERNICE KING THE GREAT ANDREW YOUNG MIGRATION TOURÉ JESMYN WARD CHANGED WENDEL A. WHITE EVERYTHING ILYASAH SHABAZZ MAE JEMISON ESCAPE FROM SHEILA E. BONDAGE JACQUELINE WOODSON A LONG-LOST CHARLES JOHNSON SETTLEMENT JENNA WORTHAM OF RUNAWAY DEBORAH WILLIS SLAVES THOMAS CHATTERTON WILLIAMS SINGING and many more THE BLUES THE SALVATION DEFINING MOMENT OF AMERICA’S ROOTS MUSIC THE NATIONAL MUSEUM OF AFRICAN AMERICAN HISTORY & CULTURE OPENS IN WASHINGTON, D.C. SMITHSONIAN.COM SPECIAL�ADVERTISING�SECTION�|�Discover Washington, DC FAMILY GETAWAY TO DC FALL�EVENTS� From outdoor activities to free museums, your AT&T�NATION’S�FOOTBALL� nation’s capital has never looked so cool! CLASSIC�® Sept. 17 Celebrate the passion and tradition of IN�THE� the college football experience as the Howard University Bisons take on the NEIGHBORHOOD Hampton University Pirates. THE�NATIONAL�MALL NATIONAL�MUSEUM�OF� Take a Big Bus Tour around the National AFRICAN�AMERICAN�HISTORY�&� Mall to visit iconic sites including the CULTURE�GRAND�OPENING Washington Monument. Or, explore Sept. 24 on your own to find your own favorite History will be made with the debut of monument; the Martin Luther King, Jr., the National Mall’s newest Smithsonian Lincoln and World War II memorials Ford’s Th eatre in museum, dedicated to the African are great options. American experience. Penn Quarter NATIONAL�BOOK�FESTIVAL� CAPITOL�RIVERFRONT Sept. -
Edited by A. J. SEYMOUR. TWO SHILLINGS
Year-End, J954 Ie .. , . _, Dr TTi£ , , - , .' .. • I ", . • , . ' . .I . " '; \ v,./~ I .~ -.-- (/." <y-<> ' . '')7 '-:J _ . --r i'\ ,,,. ...0 d'J6 <n • • J I • / , , . • • , --.,.".---- Special Issue • OF • r Edited by A. J. SEYMOUR. Vol. 6 No 19. TWO SHILLINGS , l,;O,- , .')7S ~ S · I I I , \ Try this test and see! Watch each member of your family read the Guiana Graphic. , You may be surprised. For you'll find Junior scanning general news as well as comics, your wife reading sports as well as the women's page, and you may turn to the gossip column. Yes, there's lots of ,. cross over" reading in every I family, and this means planning and editing your Guiana Graphic to please everyone. Every story, on i Page I 2 as well as page one, must be easily I understood, accurate and interesting. The Guiana Graphic knows this. That's why it's the paper that is written to be under ake the stood by everybody. your daily tonic 65, Robb & King Streets $ 1.40 per ii\onth Georgetown 30c. per week ....... ~ L» ) • i'( • • SCOTCH WHISKY • AGENTS: • • • Letln l C ter, . , Water Street, Georgetown. '--- _._ - K - I You are Leaving Today 1 , For Tomorrow. Wish Yourself Well. I I I I Choose . I I I I I • • I I I ) • • The Quali ty Bevel'3.ge with t he Chocolate Fhtvour. The Malted Milk Supreme. I I \ --.~- Other Agencies Include: • \ GAYMER'S CVDER, I I MAZAWATTEE rrEA • McEwAN-YOUNGER'S MALTS, O ' KEEFE'S OLD VIENNA LAGER, \ IVHITE HORSE SCOTCH WHISKY, l . J OHNNY WALKER SCOTCH VVHISKY, VVINTERMANS J)UTCH CIGAHS. -
English Renaissance Dream Theory and Its Use in Shakespeare
THE RICE INSTITUTE ENGLISH RENAISSANCE DREAM THEORY MID ITS USE IN SHAKESPEARE By COMPTON REES, JUNIOR A THESIS SUBMITTED TO THE FACULTY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Houston, Texas April, 1958 TABLE OF CONTENTS Introduction .............. 1-3 Chapter I Psychological Background: Imagination and Sleep ............................... 4-27 Chapter II Internal Natural Dreams 28-62 Chapter III External Natural Dreams ................. 63-74 Chapter IV Supernatural Dreams ...................... 75-94 Chapter V Shakespeare’s Use of Dreams 95-111 Bibliography 112-115 INTRODUCTION This study deals specifically with dream theories that are recorded in English books published before 1616, the year of Shakespeare1s death, with a few notable exceptions such as Robert Burton’s Anatomy of Melancholy (1621). Though this thesis does not pretend to include all available material on this subject during Shakespeare*s time, yet I have attempted to utilise all significant material found in the prose writings of selected doctors, theologians, translated Latin writers, recognised Shakespeare sources (Holinshed, Plutarch), and other prose writers of the time? in a few poets; and in representative dramatists. Though some sources were not originally written during the Elizabethan period, such as classical translations and early poetry, my criterion has been that, if the work was published in English and was thus currently available, it may be justifiably included in this study. Most of the source material is found in prose, since this A medium is more suited than are imaginative poetry anl drama y:/h to the expository discussions of dreams. The imaginative drama I speak of here includes Shakespeare, of course. -
Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected]
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] The Kinks At The BBC (Box – lim. Import) VÖ: 14. August 2012 CD1 10. I'm A Lover, Not A Fighter - Saturday Club - Piccadilly Studios, 1964 1. Interview: Meet The Kinks ' Saturday Club 11. Interview: Ray Talks About The USA ' -The Playhouse Theatre, 1964 Saturday Club - Piccadilly Studios, 1964 2. Cadillac ' Saturday Club - The Playhouse 12. I've Got That Feeling ' Saturday Club - Theatre, 1964 Piccadilly Studios, 1964 3. Interview: Ray Talks About 'You Really Got 13. All Day And All Of The Night ' Saturday Club Me' ' Saturday Club The Playhouse Theatre, - Piccadilly Studios, 1964 1964 14. You Shouldn't Be Sad ' Saturday Club - 4. You Really Got Me ' Saturday Club - The Maida Vale Studios, 1965 Playhouse Theatre, September 1964 15. Interview: Ray Talks About Records ' 5. Little Queenie ' Saturday Club - The Saturday Club - Maida Vale Studios, 1965 Playhouse Theatre, 1964 16. Tired Of Waiting For You - Saturday Club - 6. I'm A Lover Not A Fighter ' Top Gear - The Maida Vale Studios, 1965 Playhouse Theatre, 1964 17. Everybody's Gonna Be Happy ' Saturday 7. Interview: The Shaggy Set ' Top Gear - The Club -Maida Vale Studios, 1965 Playhouse Theatre, 1964 18. This Strange Effect ' 'You Really Got.' - 8. You Really Got Me ' Top Gear - The Aeolian Hall, 1965 Playhouse Theatre, October 1964 19. Interview: Ray Talks About "See My Friends" 9. All Day And All Of The Night ' Top Gear - The ' 'You Really Got.' Aeolian Hall, 1965 Playhouse Theatre, 1964 20. See My Friends ' 'You Really Got.' Aeolian Hall, 1965 1969 21. -
Martin Luther King, Jr. Day - January 16, 2017
Martin Luther King, Jr. Day - January 16, 2017 Alexander Elementary We’ve talked a lot about empathy and compassion in classroom guidance lessons. We want Alexander to be a place where kindness and compassion are evident everywhere, every day. MLK was a voice of love and compassion and he believed that respect and love were actions that should be shown to others. On Tuesday, January 17, we held a Gathering of Peace and Kindness in Martin Luther King Jr’s Honor at 1:30 pm in the gym. We did a Kindness March to commemorate the Freedom March, as we did last year. We also recited the school pledge, which also aligns with Dr. King’s beliefs. Each grade level memorized a section of the pledge that was read aloud. We also used MLK’s birthday to kick off a month-long Kindness Challenge. Submitted by: Salina Hemann, MC.GF Representative Borlaug Elementary Learn about Martin Luther King, Jr. Prior to January 13th, classroom teachers shared grade appropriate literature and activities about the life and work of Dr. Martin Luther King, Jr. These books were selected by our teacher-librarian. On Martin Luther King, Jr. Day, teachers shared with their students a created power point about the life of Dr. Martin Luther King., Jr. Service Learning Our School-Community connection was with the University of Iowa Children’s Hospital in conjunction with the Children’s Miracle Network through Borlaug’s Mini Dance Marathon on January 13th. In January, our Borlaug Bulletin, parent newsletter, the service project was announced with the different donation opportunities to benefit the U of I Children’s Oncology Unit – see attached flyer. -
The Bands and Their Tracks*
Pass it on… vol.I A Double Album compilation CD of tracks donated by various bands playing a cover of music Pete Quaife co- founder of the KinKs played on, the bands also donated one of their own tracks,33 amazing tracks. All profits go towards The Pete Quaife Foundation* who in turn support children on dialysis. All tracks copyright reg no. 300335105 owned by PQFMusic*© 2013 All trade marks and logo’s are protected. Warning: All rights reserved. Unauthorised duplication is a violation of applicable laws. The bands and their tracks* CD A Band CD B 17 Sitting on my sofa* The Mynd Set 3 Kaleidoscope 14 Come on Now* The Get-Go 8 No Love inside 3 Gotta Move The Most 1 Scooter Girl 10 Waterloo Sunset* Chris Gray 10 She loves the morning 12 David Watts* The Lemon tops 5 Feeling bad love 11 Autumn Almanac* The Universal 13 The worshippers 13 I’m not like everybody else* Heavy Mod 15 Back out in the street 6 Rosie won’t you please come home* The Loop 14 There’s a fire 16 Tired of waiting* Electric Stars 2 I want you 2 Sunny afternoon* Rant 9 Identity 4 You Really Got Me* Steve Marriott 8 I need you* Create! 7 Love and hope 5 Dead end street* Michael Julin 6 Song to say hello 1 Where have all the good times gone* The Q 11 Diamond July 7 Picture Book* The Vals 4 Mail Box 15 Sunny Afternoon* The Grenadiers 16 Pale white Lilly 9 See my friends* The Spivs Penny for the 12 Not my revolution workhouse *Written and composed by R Davies Published by PQFMusic © 2014 All tracks mastered by Pete Maher Pete Maher is a successful mastering engineer working with the worlds leading artists, producers and labels. -
The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
Interview, Martin Luther King, January, 1965
JAN 1'1~> FJ ® PLAYBOY INTERVIEW: MARTIN LUTHER KING a candid conversation with the nobel prize-winning leader of the civil rights movement On December 5, 1955, to the amused himself; and millions were outraged by So heavy, in fact, were his commit annoyance of the white citizens of Mont front-page pictures of Negro demonstra ments when we called him last summer gornery, Alabama, an obscure young tors being brutalize d by the billy sticks, for an interview, that two months Baptist minister named Martin Luther police dogs and fire hoses of police chief elapsed before he was able to accept Ottr King, ]1-., called a city-wide Negro boy Bull Connor. request for an appointment. We kept it colt of its segregated bus system. To In the months that followed, mass sit -only to spend a week in Atlanta wait thei1· constemation, however, it was al ins and demonstrations erupted in 800 ing vainly for him to find a moment for most 100 pe1·cent successful; it lasted for Southern cities; President Kennedy pro more than an apology and a hun·ied 381 days and nearly bankrupted the posed a Civil Rights Bill aimed at the handshal<e: A bit less pressed when we bus line. When King's home was enforcement of voting rights, equal em 1·etumed for a second visit, King was bombed dming the siege, thousands of ployment opportunities, and the deseg finally able to sandwich in a series of enraged Negroes wae ready to riot, regation of public facilities; and the hour and half-hour conversations with but the soft-spoken clergyman prevailed now-famous march on Washington, 200,- us among the other demands of a gruel on them to channel their anger into 000 strong, was eloquently addressed by ing week. -
Life Is a Dream I.Fdx
Life is a Dream: A New Vintage Magical Realism Adaptation by Calderon Adapted by Annie R. Such Annie R. Such [email protected] www.arsplays.com 917.474.4850 CHARACTER NAME BRIEF DESCRIPTION AGE GENDER ACT I We hear whispers echoed as if in a cave. The lights come up on Segismundo sleeping in his cell held by chains and lit by a tine lamp. He is dressed in rags and animal skins. The whispers become clear bible verses, studies of the universe, all seem to swirl around the man. As the scene mounts, the whispers beckon him “Wake Up, Wake Up, Wake Up” HIGH ON A MOUNTAIN. THE WIND HOWLS AS THE SUN SETS. ROSAURA, DRESSED IN MALE SAILING ATTIRE, COMES UP FROM BEHIND THE BACK OF THE MOUNTAIN. ROSAURA Damn You, Poland. You give an ill welcome to a foreigner. Your blood stained sands mark an unwanted entrance into your lands. Don’t you know how long I’ve traveled, how far I’ve come? Hardly have I voyaged without struggles and torment- ‘Tis in my blood. But when have the unfortunate ever been delivered mercy? Clarin, Rosaura’s servant, comes around the mountain, panting heavily, carrying luggage like a pack mule. CLARIN Don’t speak for me, Lady-- as a lackey on your revenge quest, I should resent being added to your anguish, but not your speech to the stars. ROSAURA I refrained from giving you a share in my laments, Clarin, so as not to deprive you of your own soliloquy, your own philosophical answer to a rhetorical whine. -
Remembering Jobs and Not Just Freedom: the Intersectionality of Race and Class & the Rhetorical Ecology of the 1963 March on Washington
REMEMBERING JOBS AND NOT JUST FREEDOM: THE INTERSECTIONALITY OF RACE AND CLASS & THE RHETORICAL ECOLOGY OF THE 1963 MARCH ON WASHINGTON A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts In English By Terrel Raynard Champion, B.A. Washington, D.C. November 12, 2015 Copyright 2016 Terrel Raynard Champion All Rights Reserved ii REMEMBERING JOBS AND NOT JUST FREEDOM: THE INTERSECTIONALITY OF RACE AND CLASS & THE RHETORICAL ECOLOGY OF THE 1963 MARCH ON WASHINGTON Terrel Raynard Champion, B.A. Thesis Advisor: Angelyn L. Mitchell, Ph.D. ABSTRACT Leading civil rights organizer Bayard Rustin famously described the Civil Rights Movement by dividing it into two phases. As Rustin proposes, the first phase, circumscribed by the 1954 Brown v. Board of Education decision and the Civil Rights Act of 1964, mainly focused on legal advancements. In contrast, he pontificates that the second phase (post-1964) dissimilarly featured the pursuit of economic gains that did not accompany the judicial enhancements of the previous phase. Instead of observing the Civil Rights Movement in the hardened, dichotomous phases that Rustin presents, “Remembering Jobs and Not Just Freedom” theorizes how the 1963 March on Washington can be treated as a junction that embodies the focuses of both phases. The historic event provides fertile ground to analyze the intersectionality between race and class. By using revisionist historiography as a foundation, this thesis probes how the speeches delivered by A. Philip Randolph and Martin Luther King, Jr. -
Music in the Mid-1960S
KSKS45 Music in the mid-1960s David Ashworth by David Ashworth is a freelance education consultant, specialising in music technology. He is project leader for INTRODUCTION www.teachingmusic. org.uk and he has This resource provides background and analysis of some of the remarkable musical developments that took been involved at a national level in most place in the pop music of the mid-1960s. This is potentially a huge topic, so I have chosen to limit the field of the major music of investigation to the music being created, recorded and performed by the most significant British pop and initiatives in recent rock bands from this era. I make regular reference to a relatively small collection of songs that exemplify all the years. features under discussion. This is designed to help teachers and students overcome the challenges of having to source a large amount of reference material. This resource addresses four questions: Why was there such an explosion of musical creativity and development at this time? What were the key influences shaping the development of this music? What are the key musical features of this music? How might we use these musical ideas in classroom activities at KS3/4? Overall aim The overall aim of the resource is twofold. It aims to provide a series of activities that will give students composition frameworks, while at the same time learning about the style and the musical conventions of music from this era. Each section provides some brief background with relevant examples for active listening exercises. These are followed with suggestions for related classroom activities. -
Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes.