Miss Lisa's Preschool Songbook
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“Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
“UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights. -
Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected]
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] The Kinks At The BBC (Box – lim. Import) VÖ: 14. August 2012 CD1 10. I'm A Lover, Not A Fighter - Saturday Club - Piccadilly Studios, 1964 1. Interview: Meet The Kinks ' Saturday Club 11. Interview: Ray Talks About The USA ' -The Playhouse Theatre, 1964 Saturday Club - Piccadilly Studios, 1964 2. Cadillac ' Saturday Club - The Playhouse 12. I've Got That Feeling ' Saturday Club - Theatre, 1964 Piccadilly Studios, 1964 3. Interview: Ray Talks About 'You Really Got 13. All Day And All Of The Night ' Saturday Club Me' ' Saturday Club The Playhouse Theatre, - Piccadilly Studios, 1964 1964 14. You Shouldn't Be Sad ' Saturday Club - 4. You Really Got Me ' Saturday Club - The Maida Vale Studios, 1965 Playhouse Theatre, September 1964 15. Interview: Ray Talks About Records ' 5. Little Queenie ' Saturday Club - The Saturday Club - Maida Vale Studios, 1965 Playhouse Theatre, 1964 16. Tired Of Waiting For You - Saturday Club - 6. I'm A Lover Not A Fighter ' Top Gear - The Maida Vale Studios, 1965 Playhouse Theatre, 1964 17. Everybody's Gonna Be Happy ' Saturday 7. Interview: The Shaggy Set ' Top Gear - The Club -Maida Vale Studios, 1965 Playhouse Theatre, 1964 18. This Strange Effect ' 'You Really Got.' - 8. You Really Got Me ' Top Gear - The Aeolian Hall, 1965 Playhouse Theatre, October 1964 19. Interview: Ray Talks About "See My Friends" 9. All Day And All Of The Night ' Top Gear - The ' 'You Really Got.' Aeolian Hall, 1965 Playhouse Theatre, 1964 20. See My Friends ' 'You Really Got.' Aeolian Hall, 1965 1969 21. -
The Bands and Their Tracks*
Pass it on… vol.I A Double Album compilation CD of tracks donated by various bands playing a cover of music Pete Quaife co- founder of the KinKs played on, the bands also donated one of their own tracks,33 amazing tracks. All profits go towards The Pete Quaife Foundation* who in turn support children on dialysis. All tracks copyright reg no. 300335105 owned by PQFMusic*© 2013 All trade marks and logo’s are protected. Warning: All rights reserved. Unauthorised duplication is a violation of applicable laws. The bands and their tracks* CD A Band CD B 17 Sitting on my sofa* The Mynd Set 3 Kaleidoscope 14 Come on Now* The Get-Go 8 No Love inside 3 Gotta Move The Most 1 Scooter Girl 10 Waterloo Sunset* Chris Gray 10 She loves the morning 12 David Watts* The Lemon tops 5 Feeling bad love 11 Autumn Almanac* The Universal 13 The worshippers 13 I’m not like everybody else* Heavy Mod 15 Back out in the street 6 Rosie won’t you please come home* The Loop 14 There’s a fire 16 Tired of waiting* Electric Stars 2 I want you 2 Sunny afternoon* Rant 9 Identity 4 You Really Got Me* Steve Marriott 8 I need you* Create! 7 Love and hope 5 Dead end street* Michael Julin 6 Song to say hello 1 Where have all the good times gone* The Q 11 Diamond July 7 Picture Book* The Vals 4 Mail Box 15 Sunny Afternoon* The Grenadiers 16 Pale white Lilly 9 See my friends* The Spivs Penny for the 12 Not my revolution workhouse *Written and composed by R Davies Published by PQFMusic © 2014 All tracks mastered by Pete Maher Pete Maher is a successful mastering engineer working with the worlds leading artists, producers and labels. -
The ONE and ONLY Ivan
KATHERINE APPLEGATE The ONE AND ONLY Ivan illustrations by Patricia Castelao Dedication for Julia Epigraph It is never too late to be what you might have been. —George Eliot Glossary chest beat: repeated slapping of the chest with one or both hands in order to generate a loud sound (sometimes used by gorillas as a threat display to intimidate an opponent) domain: territory the Grunt: snorting, piglike noise made by gorilla parents to express annoyance me-ball: dried excrement thrown at observers 9,855 days (example): While gorillas in the wild typically gauge the passing of time based on seasons or food availability, Ivan has adopted a tally of days. (9,855 days is equal to twenty-seven years.) Not-Tag: stuffed toy gorilla silverback (also, less frequently, grayboss): an adult male over twelve years old with an area of silver hair on his back. The silverback is a figure of authority, responsible for protecting his family. slimy chimp (slang; offensive): a human (refers to sweat on hairless skin) vining: casual play (a reference to vine swinging) Contents Cover Title Page Dedication Epigraph Glossary hello names patience how I look the exit 8 big top mall and video arcade the littlest big top on earth gone artists shapes in clouds imagination the loneliest gorilla in the world tv the nature show stella stella’s trunk a plan bob wild picasso three visitors my visitors return sorry julia drawing bob bob and julia mack not sleepy the beetle change guessing jambo lucky arrival stella helps old news tricks introductions stella and ruby home -
(At) Miracosta
The Creative Music Recording Magazine Jeff Tweedy Wilco, The Loft, Producing, creating w/ Tom Schick Engineer at The Loft, Sear Sound Spencer Tweedy Playing drums with Mavis Staples & Tweedy Low at The Loft Alan Sparhawk on Jeff’s Production Holly Herndon AI + Choir + Process Ryan Bingham Crazy Heart, Acting, Singing Avedis Kifedjian of Avedis Audio in Behind the Gear Dave Cook King Crimson, Amy Helm, Ravi Shankar Mitch Dane Sputnik Sound, Jars of Clay, Nashville Gear Reviews $5.99 No. 132 Aug/Sept 2019 christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu Hello and welcome to Tape Op 10 Letters 14 Holly Herndon 20 Jeff Tweedy 32 Tom Schick # 40 Spencer Tweedy 44 Gear Reviews ! 66 Larry’s End Rant 132 70 Behind the Gear with Avedis Kifedjian 74 Mitch Dane 77 Dave Cook Extra special thanks to Zoran Orlic for providing more 80 Ryan Bingham amazing photos from The Loft than we could possibly run. Here’s one more of Jeff Tweedy and Nels Cline talking shop. 83 page Bonus Gear Reviews Interview with Jeff starts on page 20. <www.zoranorlic.com> “How do we stay interested in the art of recording?” It’s a question I was considering recently, and I feel fortunate that I remain excited about mixing songs, producing records, running a studio, interviewing recordists, and editing this magazine after twenty-plus years. But how do I keep a positive outlook on something that has consumed a fair chunk of my life, and continues to take up so much of my time? I believe my brain loves the intersection of art, craft, and technology. -
Music in the Mid-1960S
KSKS45 Music in the mid-1960s David Ashworth by David Ashworth is a freelance education consultant, specialising in music technology. He is project leader for INTRODUCTION www.teachingmusic. org.uk and he has This resource provides background and analysis of some of the remarkable musical developments that took been involved at a national level in most place in the pop music of the mid-1960s. This is potentially a huge topic, so I have chosen to limit the field of the major music of investigation to the music being created, recorded and performed by the most significant British pop and initiatives in recent rock bands from this era. I make regular reference to a relatively small collection of songs that exemplify all the years. features under discussion. This is designed to help teachers and students overcome the challenges of having to source a large amount of reference material. This resource addresses four questions: Why was there such an explosion of musical creativity and development at this time? What were the key influences shaping the development of this music? What are the key musical features of this music? How might we use these musical ideas in classroom activities at KS3/4? Overall aim The overall aim of the resource is twofold. It aims to provide a series of activities that will give students composition frameworks, while at the same time learning about the style and the musical conventions of music from this era. Each section provides some brief background with relevant examples for active listening exercises. These are followed with suggestions for related classroom activities. -
Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes. -
2019 Session 1 Chapbook
“If I’m not for myself, who will be for me? If I’m only for myself, what am I? And if not Creative Writing now, then when?” Chapbook – Pirkei Avot Session One 2019 CONTENTS Notes from the Editor “The Narrators of Life” by Benjamin B. 3 This summer, 6 Points Creative Arts Academy added a creative writing “Wongarts” by Becca N. 7 major comprised of passionate wordsmiths from both Bonim and Olim. These majors constructed narrative works, exploring dialogue, exposition, “The Death Dance” by Naomi J. 10 and scene, before crafting their final pieces all of which centered around the theme of the summer, which comes from Pirkei Avot: “If I am not for “Nine Lives” by Natanya D. 15 myself, who will be for me? If I am only for myself, what am I? And if not now, then when?” In a minor titled: Adapting Stories, campers from a “Time” by Rebecca B. 17 variety of majors came together to read, write, and create fractured fairy tales and Torah stories. Some of those stories are included in this chapbook. “The Butterfly Room” by Olivia S. 20 “Speechless” by Sunny C. 23 Creative Writing Arts Mentor: Carly Husick “Beaut-evil” by Hanna P. 24 Instructors: Allison Woitte “The Art of Trying” by Maya F. 29 Noy Israeli Tani Prell Epstein “The Ransacking” by Charlie R. 32 Abe Frankel “The Man of Iron” by Jonathon N. 34 Artistic Director: David Loewy “The Lady and the Beast” by Ciera and Sophia 36 “Grandmother” by Isabel, Hannah, and Brandon 38 “Theadora” by Ellis S. -
James Taylor
JAMES TAYLOR Over the course of his long career, James Taylor has earned 40 gold, platinum and multi- platinum awards for a catalog running from 1970’s Sweet Baby James to his Grammy Award-winning efforts Hourglass (1997) and October Road (2002). Taylor’s first Greatest Hits album earned him the RIAA’s elite Diamond Award, given for sales in excess of 10 million units in the United States. For his accomplishments, James Taylor was honored with the 1998 Century Award, Billboard magazine’s highest accolade, bestowed for distinguished creative achievement. The year 2000 saw his induction into both the Rock ‘n’ Roll Hall of Fame and the prestigious Songwriter’s Hall of Fame. In 2007 he was nominated for a Grammy Award for James Taylor at Christmas. In 2008 Taylor garnered another Emmy nomination for One Man Band album. Raised in North Carolina, Taylor now lives in western Massachusetts. He has sold some 35 million albums throughout his career, which began back in 1968 when he was signed by Peter Asher to the Beatles’ Apple Records. The album James Taylor was his first and only solo effort for Apple, which came a year after his first working experience with Danny Kortchmar and the band Flying Machine. It was only a matter of time before Taylor would make his mark. Above all, there are the songs: “Fire and Rain,” “Country Road,” “Something in The Way She Moves,” ”Mexico,” “Shower The People,” “Your Smiling Face,” “Carolina In My Mind,” “Sweet Baby James,” “Don’t Let Me Be Lonely Tonight,” “You Can Close Your Eyes,” “Walking Man,” “Never Die Young,” “Shed A Little Light,” “Copperline” and many more. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
KINKOLOGY: Ray Davies' 65Th Birthday Concert
KINKOLOGY: Ray Davies' 65th Birthday Concert Music of the Kinks performed by Metapop String Ensemble & special guest vocalists DATE: Thursday, August 27, 2009, 9:30 pm VENUE: Alix Goolden Performance Hall, 907 Pandora Ave, Victoria, British Columbia ADMISSION: By donation at the door – fundraiser for Island Biodiesel Co-op INFO: (250) 381-6502 and email [email protected] The Kinks formed in London in 1963, and are considered one of the most influential rock bands. They gained prominence in 1964 with their hard-driving single "You Really Got Me", written by Ray Davies with his 17-year-old brother Dave on lead guitar. Ray Davies' compositions over his lengthy career have been an astonishing study in contrasts, with a range of styles and lyrics often containing elements of satire and social commentary about the aspirations and frustrations of British life. The protopunk, powerchord rock of the early Kinks hits (“All Day and All of the Night”, “Tired Of Waiting For You”) was followed by more sensitive, introspective songs ("Waterloo Sunset"), wry humour (“Sunny Afternoon”), anthems championing individualistic lifestyles and personalities ("Lola", “See My Friends”), celebrations of traditional English culture and living ("Victoria"), Music Hall-style vaudeville ("She's Bought a Hat Like Princess Marina's"), and commercial rock which combined all these elements ("Come Dancing"). 1980s New Wave groups such as The Jam, The Knack, and The Pretenders covered Kinks songs, and in the 1990s Britpop acts such as Blur, Oasis and Supergrass cited them as a major influence. Many modern bands, such as The Killers, The Libertines, Franz Ferdinand, Spoon, Sonic Youth and Ron Sexsmith, acknowledge The Kinks and Ray Davies' songwriting skills. -
Jukebox Decades – 100 Hits Ultimate Soul
JUKEBOX DECADES – 100 HITS ULTIMATE SOUL Disc One - Title Artist Disc Two - Title Artist 01 Ain’t No Sunshine Bill Withers 01 Be My Baby The Ronettes 02 How ‘Bout Us Champaign 02 Captain Of Your Ship Reparata 03 Sexual Healing Marvin Gaye 03 Band Of Gold Freda Payne 04 Me & Mrs. Jones Billy Paul 04 Midnight Train To Georgia Gladys Knight 05 If You Don’t Know Me Harold Melvin 05 Piece of My Heart Erma Franklin 06 Turn Off The Lights Teddy Pendergrass 06 Woman In Love The Three Degrees 07 A Little Bit Of Something Little Richard 07 I Need Your Love So Desperately Peaches 08 Tears On My Pillow Johnny Nash 08 I’ll Never Love This Way Again D Warwick 09 Cause You’re Mine Vibrations 09 Do What You Gotta Do Nina Simone 10 So Amazing Luther Vandross 10 Mockingbird Aretha Franklin 11 You’re More Than A Number The Drifters 11 That’s What Friends Are For D Williams 12 Hold Back The Night The Tramps 12 All My Lovin’ Cheryl Lynn 13 Let Love Come Between Us James 13 From His Woman To You Barbara Mason 14 After The Love Has Gone Earth Wind & Fire 14 Personally Jackie Moore 15 Mind Blowing Decisions Heatwave 15 Every Night Phoebe Snow 16 Brandy The O’ Jays 16 Saturday Love Cherrelle 17 Just Be Good To Me The S.O.S Band 17 I Need You Pointer Sisters 18 Ready Or Not Here I The Delfonics 18 Are You Lonely For Me Freddie Scott 19 Home Is Where The Heart Is B Womack 19 People The Tymes 20 Birth The Peddlers 20 Don’t Walk Away General Johnson Disc Three - Title Artist Disc Four - Title Artist 01 Till Tomorrow Marvin Gaye 01 Lean On Me Bill Withers 02 Here