KINKOLOGY: Ray Davies' 65Th Birthday Concert

Total Page:16

File Type:pdf, Size:1020Kb

KINKOLOGY: Ray Davies' 65Th Birthday Concert KINKOLOGY: Ray Davies' 65th Birthday Concert Music of the Kinks performed by Metapop String Ensemble & special guest vocalists DATE: Thursday, August 27, 2009, 9:30 pm VENUE: Alix Goolden Performance Hall, 907 Pandora Ave, Victoria, British Columbia ADMISSION: By donation at the door – fundraiser for Island Biodiesel Co-op INFO: (250) 381-6502 and email [email protected] The Kinks formed in London in 1963, and are considered one of the most influential rock bands. They gained prominence in 1964 with their hard-driving single "You Really Got Me", written by Ray Davies with his 17-year-old brother Dave on lead guitar. Ray Davies' compositions over his lengthy career have been an astonishing study in contrasts, with a range of styles and lyrics often containing elements of satire and social commentary about the aspirations and frustrations of British life. The protopunk, powerchord rock of the early Kinks hits (“All Day and All of the Night”, “Tired Of Waiting For You”) was followed by more sensitive, introspective songs ("Waterloo Sunset"), wry humour (“Sunny Afternoon”), anthems championing individualistic lifestyles and personalities ("Lola", “See My Friends”), celebrations of traditional English culture and living ("Victoria"), Music Hall-style vaudeville ("She's Bought a Hat Like Princess Marina's"), and commercial rock which combined all these elements ("Come Dancing"). 1980s New Wave groups such as The Jam, The Knack, and The Pretenders covered Kinks songs, and in the 1990s Britpop acts such as Blur, Oasis and Supergrass cited them as a major influence. Many modern bands, such as The Killers, The Libertines, Franz Ferdinand, Spoon, Sonic Youth and Ron Sexsmith, acknowledge The Kinks and Ray Davies' songwriting skills. In 2004, Ray Davies received a Commander of the British Empire (CBE) award from the Queen for "Services to Music". The Metapop String Ensemble is a grouping of Victoria classical musicians who are most interested in non-classical music. To wildly enthusiastic audiences, they have performed their gonzo takes on the music of Wolf Parade, the White Stripes, Devo, and Terry Riley, as well as their own brand of original, free-form improvisation. To celebrate the 45th Anniversary of the Kinks' single, "You Really Got Me", and the 65th birthday of Kinks' frontman Ray Davies the Metapopsters will dedicate an entire concert to the music of The Kinks. Special guest vocalists include Marcus Pollard, Veronica Tangent, and others. During the concert, Metapop will also record an overdub session to a new remix of The Kinks' classic 1969 album "Arthur, or the Decline and Fall of the British Empire", replacing the brass band arrangements with strings. A recording of this concert will be sent to Ray Davies as a present for his 65th birthday. The members of Metapop are Kenji Fuse, Terence Tam, and Laura Backstrom. · Kenji Fuse is principal violist with the Victoria Symphony. His recent activities include the soundtrack to the CBC film Saving Luna, and directing the Metapop Ensemble. He is on faculty at the Victoria Conservatory of Music. Kenji has played with the Royal Liverpool Philharmonic, the BBC National Orchestra of Wales, and the Toronto Chamber Players. Kenji co-founded the Island Biodiesel Co-op in 2006, and runs his 1976 Mercedes-Benz on used vegetable oil. · Terence Tam, concertmaster of the Victoria Symphony, is one of Canada's pre-eminent violinists. He is a frequent recitalist and chamber musician in Canada and abroad, and his performances have been regularly broadcast on radio and television. · Cellist Laura Backstrom is an Artistic Director of Eine Kleine Summer Music, Victoria's popular and long-running chamber music series. She also directs cello ensembles at the Victoria Conservatory of Music. Laura played with the Hull Chamber Orchestra for nine years. .
Recommended publications
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected]
    im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] The Kinks At The BBC (Box – lim. Import) VÖ: 14. August 2012 CD1 10. I'm A Lover, Not A Fighter - Saturday Club - Piccadilly Studios, 1964 1. Interview: Meet The Kinks ' Saturday Club 11. Interview: Ray Talks About The USA ' -The Playhouse Theatre, 1964 Saturday Club - Piccadilly Studios, 1964 2. Cadillac ' Saturday Club - The Playhouse 12. I've Got That Feeling ' Saturday Club - Theatre, 1964 Piccadilly Studios, 1964 3. Interview: Ray Talks About 'You Really Got 13. All Day And All Of The Night ' Saturday Club Me' ' Saturday Club The Playhouse Theatre, - Piccadilly Studios, 1964 1964 14. You Shouldn't Be Sad ' Saturday Club - 4. You Really Got Me ' Saturday Club - The Maida Vale Studios, 1965 Playhouse Theatre, September 1964 15. Interview: Ray Talks About Records ' 5. Little Queenie ' Saturday Club - The Saturday Club - Maida Vale Studios, 1965 Playhouse Theatre, 1964 16. Tired Of Waiting For You - Saturday Club - 6. I'm A Lover Not A Fighter ' Top Gear - The Maida Vale Studios, 1965 Playhouse Theatre, 1964 17. Everybody's Gonna Be Happy ' Saturday 7. Interview: The Shaggy Set ' Top Gear - The Club -Maida Vale Studios, 1965 Playhouse Theatre, 1964 18. This Strange Effect ' 'You Really Got.' - 8. You Really Got Me ' Top Gear - The Aeolian Hall, 1965 Playhouse Theatre, October 1964 19. Interview: Ray Talks About "See My Friends" 9. All Day And All Of The Night ' Top Gear - The ' 'You Really Got.' Aeolian Hall, 1965 Playhouse Theatre, 1964 20. See My Friends ' 'You Really Got.' Aeolian Hall, 1965 1969 21.
    [Show full text]
  • Songs of Courtship: from Wisconsin’S Ho-Chunk, Pan-Indian, and European-American Immigrant Song and Dance Traditions Recommended for High School
    Songs of Courtship: From Wisconsin’s Ho-Chunk, Pan-Indian, and European-American Immigrant Song and Dance Traditions Recommended for High School This selection of courtship songs represent a range of musical styles from within the Ho-Chunk and early European-American immigrant communities in Wisconsin. Most of these songs were recorded in the early part of the 20th century, between 1920 and 1946. The European-American voices we hear are 2nd and 3rd generation descendants of Wisconsin immigrants who learned these Old World songs from their parents, grandparents and other community members. Where possible, translations of the foreign language lyrics are provided. Altogether, these songs provide teachers and students an opportunity to reflect on the social customs and protocols surrounding courtship from an earlier era, and to reflect on contemporary social norms and behaviors surrounding dating (and breaking up), love, and marriage. All songs and instrumental selections are resourced from the “Local Centers, Global Sounds” UW Digital Collections” at https://digital.library.wisc.edu/1711.dl/LocalCenters. Follow “Audio file” for the audio recording of each individual song. Wisconsin Songs of Courtship Unit Contents: - Ten Songs, pp. 2 – 15 - Suggested Prompts for Writing, Discussion, Poetry and Song Writing, pp. 16 - 17 - Venn Diagrams for Song Analysis & Comparisons, pp. 18 - 19 - Courtship Then and Now (Comparisons of unit courtship songs to contemporary love songs, & “Let’s Dance,” p. 20 - References Cited and Additional Resources, p. 21 - Melody transcriptions for Svestkova Alej (The Prune Song), and The Cuckoo Yodel Song, pp. 22-24 “Dancing” (Local Centers, Global Sounds, Ethnic Music from Northern Wisconsin and Michigan Collection) 1 Songs 1 – 2: First Nations: Flute Song (Ho-Chunk), and “49 Song” (Pan-Indian) Song 1.
    [Show full text]
  • Bob Denson Master Song List 2020
    Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve
    [Show full text]
  • Why America's Black Mothers and Babies Are in a Life-Or-Death Crisis
    FEATURE Why America’s Black Mothers and Babies Are in a Life-or-Death Crisis The answer to the disparity in death rates has everything to do with the lived experience of being a black woman in America. By Linda Villarosa April 11, 2018 hen Simone Landrum felt tired and both nauseated and ravenous at the same time in W the spring of 2016, she recognized the signs of pregnancy. Her beloved grandmother died earlier that year, and Landrum felt a sense of divine order when her doctor confirmed on Muma’s birthday that she was carrying a girl. She decided she would name her daughter Harmony. “I pictured myself teaching my daughter to sing,” says Landrum, now 23, who lives in New Orleans. “It was something I thought we could do together.” But Landrum, who was the mother of two young sons, noticed something different about this pregnancy as it progressed. The trouble began with constant headaches and sensitivity to light; Landrum described the pain as “shocking.” It would have been reasonable to guess that the crippling headaches had something to do with stress: Her relationship with her boyfriend, the baby’s father, had become increasingly contentious and eventually physically violent. Three months into her pregnancy, he became angry at her for wanting to hang out with friends and threw her to the ground outside their apartment. She scrambled to her feet, ran inside and called the police. He continued to pursue her, so she grabbed a knife. “Back up — I have a baby,” she screamed. After the police arrived, he was arrested and charged with multiple offenses, including battery.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • The Bands and Their Tracks*
    Pass it on… vol.I A Double Album compilation CD of tracks donated by various bands playing a cover of music Pete Quaife co- founder of the KinKs played on, the bands also donated one of their own tracks,33 amazing tracks. All profits go towards The Pete Quaife Foundation* who in turn support children on dialysis. All tracks copyright reg no. 300335105 owned by PQFMusic*© 2013 All trade marks and logo’s are protected. Warning: All rights reserved. Unauthorised duplication is a violation of applicable laws. The bands and their tracks* CD A Band CD B 17 Sitting on my sofa* The Mynd Set 3 Kaleidoscope 14 Come on Now* The Get-Go 8 No Love inside 3 Gotta Move The Most 1 Scooter Girl 10 Waterloo Sunset* Chris Gray 10 She loves the morning 12 David Watts* The Lemon tops 5 Feeling bad love 11 Autumn Almanac* The Universal 13 The worshippers 13 I’m not like everybody else* Heavy Mod 15 Back out in the street 6 Rosie won’t you please come home* The Loop 14 There’s a fire 16 Tired of waiting* Electric Stars 2 I want you 2 Sunny afternoon* Rant 9 Identity 4 You Really Got Me* Steve Marriott 8 I need you* Create! 7 Love and hope 5 Dead end street* Michael Julin 6 Song to say hello 1 Where have all the good times gone* The Q 11 Diamond July 7 Picture Book* The Vals 4 Mail Box 15 Sunny Afternoon* The Grenadiers 16 Pale white Lilly 9 See my friends* The Spivs Penny for the 12 Not my revolution workhouse *Written and composed by R Davies Published by PQFMusic © 2014 All tracks mastered by Pete Maher Pete Maher is a successful mastering engineer working with the worlds leading artists, producers and labels.
    [Show full text]
  • “What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
    “What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof.
    [Show full text]
  • Waterloo Sunset” Teacher’S Notes Music Has Great Power to Inspire Us and Lift Our Mood
    Feelgood Songs 2: A2+ “Waterloo Sunset” Teacher’s Notes Music has great power to inspire us and lift our mood. Which we could all do with a bit of at the moment. We were trying to think of work to set pupils at home that was positive and good for the soul: what better than a little soul music? So here is the first in a series of resources on feelgood songs. In this case, Nina Simone and her version of “Feeling Good”. AXE DU PROGRAMME Biobox Transcript n Le village, le quartier, la ville / Espaces privé et espace public THE YEAR 1967 Discover what happened in the music world OBJECTIFS in 1967. Objectifs linguistiques : Rock music was revolutionised. n Simple present Sophisticated sound effects gave birth to n Preterite and past perfect psychedelic or acid rock! n Wh-words / questions The sounds of the wah-wah pedal on the n Contrast, opposition, concession album White Rabbit hypnotized Jefferson n Superlatives Airplane’s fans. n Feelings The Beatles stopped performing live and n City life recorded two new albums in Abbey Road n Personal opinion Studios in London. The cover of Sergeant Pepper’s Lonely Objectifs culturels : Hearts Club Band featured Albert Einstein, n London Bob Dylan, Marilyn Monroe, Oscar Wilde, Karl n Waterloo Station Marx… n The Thames The Who’s Sell Out album parodied the n The year 1967 in music Radio London DJs made famous by the film Good Morning England (2009). Objectifs méthodologiques : The Doors made their way onto the musical n Comparer deux situations / donner son stage with their first two albums in the opinion same year.
    [Show full text]
  • You Really Got Me - the Kinks! - Indie Ear - Blogs - IFC.Com
    You Really Got Me - The Kinks! - Indie Ear - Blogs - IFC.com http://www.ifc.com/blogs/indie-ear/2010/04/you-really-got-me---the-kink... 1 of 3 4/6/2010 12:07 PM You Really Got Me - The Kinks! - Indie Ear - Blogs - IFC.com http://www.ifc.com/blogs/indie-ear/2010/04/you-really-got-me---the-kink... HOME ON AIR NEWS BLOGS WEB SERIES MEDIA LAB VIDEOS Sign In | Not a member? Register IFC.com > Blogs > Indie Ear > You Really Got Me - The Kinks! Indie Ear is written by Brandon Kim. Drop him a line Covering the crossroads of music and film. at indieear (at) ifc dot com ADVERTISEMENT You Really Got Me - The Kinks! By Brandon Kim on 04/05/2010 Filed under: Music Flicks There's one 60's British invasion band that remains relevant for me above all others, and though not as magical nor as consistently great as The Beatles, they're so much more hard hitting. This becomes more true each passing year as The Beatles catalogue gets limp and washed out in advertising campaigns and Rock Band. But The Kinks remain infinity playable, with gems still long overlooked by an American public who barely knows them. Their popularity never truly got to peak after they were banned from America for four, long crucial years in 1965. Those Davies boys were a bit too rowdy for us I guess, preservin' the old ways from bein' abused . "You Really Got Me: The Story of the Kinks" might sate an appetite for all those missed Kinks performances.
    [Show full text]
  • Music in the Mid-1960S
    KSKS45 Music in the mid-1960s David Ashworth by David Ashworth is a freelance education consultant, specialising in music technology. He is project leader for INTRODUCTION www.teachingmusic. org.uk and he has This resource provides background and analysis of some of the remarkable musical developments that took been involved at a national level in most place in the pop music of the mid-1960s. This is potentially a huge topic, so I have chosen to limit the field of the major music of investigation to the music being created, recorded and performed by the most significant British pop and initiatives in recent rock bands from this era. I make regular reference to a relatively small collection of songs that exemplify all the years. features under discussion. This is designed to help teachers and students overcome the challenges of having to source a large amount of reference material. This resource addresses four questions: Why was there such an explosion of musical creativity and development at this time? What were the key influences shaping the development of this music? What are the key musical features of this music? How might we use these musical ideas in classroom activities at KS3/4? Overall aim The overall aim of the resource is twofold. It aims to provide a series of activities that will give students composition frameworks, while at the same time learning about the style and the musical conventions of music from this era. Each section provides some brief background with relevant examples for active listening exercises. These are followed with suggestions for related classroom activities.
    [Show full text]
  • Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
    Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes.
    [Show full text]