The Kinks (Dave Davies)
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A Queer Aes- Thetic Is Suggested in the Nostalgia of Orton’S List of 1930S Singers, Many of Whom Were Sex- Ual Nonconformists
Orton in Deckchair in Tangier. Courtesy: Orton Collection at the University of Leicester, MS237/5/44 © Orton Estate Rebel playwright Joe Orton was part of a ‘cool customer’, Orton shopped for the landscape of the Swinging Sixties. clothes on Carnaby Street, wore ‘hipster Irreverent black comedies that satirised pants’ and looked – in his own words the Establishment, such as Entertaining – ‘way out’. Although he cast himself Mr Sloane (1964), Loot (1965) and as an iconoclast, Emma Parker suggests What the Butler Saw (first performed that Orton’s record collection reveals a in 1969), contributed to a new different side to the ruffian playwright counterculture. Orton’s representation who furiously pitched himself against of same-sex desire on stage, and polite society. The music that Orton candid account of queer life before listened to in private suggests the same decriminalisation in his posthumously queer ear, or homosexual sensibility, that published diaries, also made him a shaped his plays. Yet, stylistically, this gay icon. Part of the zeitgeist, he was music contradicts his cool public persona photographed with Twiggy, smoked and reputation for riotous dissent. marijuana with Paul McCartney and wrote a screenplay for The Beatles. Described by biographer John Lahr as A Q U E E R EAR Joe Orton and Music 44 Music was important to Joe Orton from an early age. His unpublished teenage diary, kept Issue 37 — Spring 2017 sporadically between 1949 and 1951, shows that he saved desperately for records in the face of poverty. He also lovingly designed and constructed a record cabinet out of wood from his gran’s old dresser. -
Lola (The Kinks)
Lola (The Kinks) I met her in a club down in North Soho Where you drink champagne and it tastes I pushed her away. I walked to the door just like I fell to the floor. I got down on my knees Cherry Cola I looked at her, and she at me C-O-L-A Cola Well that's the way that I want it to stay She walked up to me and she asked me to I always want it to be that way for my Lola dance Lo lo lo Lola I asked her her name and in a dark brown Girls will be boys, and boys will be girls voice she said, "Lola" It's a mixed up, muddled up, shook up L-O-L-A Lola, lo lo lo lo Lola world Except for Lola. Lo lo lo lo Lola. Lo lo lo Well, I'm not the world's most physical guy loLola But when she squeezed me tight she nearly Lola, lo lo lo lo Lola, lo lo lo lo Lola broke my spine Oh my Lola, lo lo lo Lola, lo lo lo Lola Well I'd left home just a week before Well, I'm not dumb but I can't understand And I'd never ever kissed a woman before Why she walks like a woman and talks like Lola smiled and took me by the hand a man She said, "Little boy, gonna make you a Oh my Lola, lo lo lo lo Lola, lo lo lo lo Lola man." Well I'm not the world's most masculine Well, we drank champagne and danced all man night But I know what I am and I'm glad I'm a Under electric candlelight man She picked me up and sat me on her knee So is Lola She said, "Little boy won't you come home Lo lo lo lo Lola. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected]
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] The Kinks At The BBC (Box – lim. Import) VÖ: 14. August 2012 CD1 10. I'm A Lover, Not A Fighter - Saturday Club - Piccadilly Studios, 1964 1. Interview: Meet The Kinks ' Saturday Club 11. Interview: Ray Talks About The USA ' -The Playhouse Theatre, 1964 Saturday Club - Piccadilly Studios, 1964 2. Cadillac ' Saturday Club - The Playhouse 12. I've Got That Feeling ' Saturday Club - Theatre, 1964 Piccadilly Studios, 1964 3. Interview: Ray Talks About 'You Really Got 13. All Day And All Of The Night ' Saturday Club Me' ' Saturday Club The Playhouse Theatre, - Piccadilly Studios, 1964 1964 14. You Shouldn't Be Sad ' Saturday Club - 4. You Really Got Me ' Saturday Club - The Maida Vale Studios, 1965 Playhouse Theatre, September 1964 15. Interview: Ray Talks About Records ' 5. Little Queenie ' Saturday Club - The Saturday Club - Maida Vale Studios, 1965 Playhouse Theatre, 1964 16. Tired Of Waiting For You - Saturday Club - 6. I'm A Lover Not A Fighter ' Top Gear - The Maida Vale Studios, 1965 Playhouse Theatre, 1964 17. Everybody's Gonna Be Happy ' Saturday 7. Interview: The Shaggy Set ' Top Gear - The Club -Maida Vale Studios, 1965 Playhouse Theatre, 1964 18. This Strange Effect ' 'You Really Got.' - 8. You Really Got Me ' Top Gear - The Aeolian Hall, 1965 Playhouse Theatre, October 1964 19. Interview: Ray Talks About "See My Friends" 9. All Day And All Of The Night ' Top Gear - The ' 'You Really Got.' Aeolian Hall, 1965 Playhouse Theatre, 1964 20. See My Friends ' 'You Really Got.' Aeolian Hall, 1965 1969 21. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
Waterloo Sunset” Teacher’S Notes Music Has Great Power to Inspire Us and Lift Our Mood
Feelgood Songs 2: A2+ “Waterloo Sunset” Teacher’s Notes Music has great power to inspire us and lift our mood. Which we could all do with a bit of at the moment. We were trying to think of work to set pupils at home that was positive and good for the soul: what better than a little soul music? So here is the first in a series of resources on feelgood songs. In this case, Nina Simone and her version of “Feeling Good”. AXE DU PROGRAMME Biobox Transcript n Le village, le quartier, la ville / Espaces privé et espace public THE YEAR 1967 Discover what happened in the music world OBJECTIFS in 1967. Objectifs linguistiques : Rock music was revolutionised. n Simple present Sophisticated sound effects gave birth to n Preterite and past perfect psychedelic or acid rock! n Wh-words / questions The sounds of the wah-wah pedal on the n Contrast, opposition, concession album White Rabbit hypnotized Jefferson n Superlatives Airplane’s fans. n Feelings The Beatles stopped performing live and n City life recorded two new albums in Abbey Road n Personal opinion Studios in London. The cover of Sergeant Pepper’s Lonely Objectifs culturels : Hearts Club Band featured Albert Einstein, n London Bob Dylan, Marilyn Monroe, Oscar Wilde, Karl n Waterloo Station Marx… n The Thames The Who’s Sell Out album parodied the n The year 1967 in music Radio London DJs made famous by the film Good Morning England (2009). Objectifs méthodologiques : The Doors made their way onto the musical n Comparer deux situations / donner son stage with their first two albums in the opinion same year. -
All Day and All of the Night I'm Not Content to Be with You in the Daytime Girl I Want to Be with You All of the Time the Only T
All Day and All of the Night (The Kinks) I'm not content to be with you in the daytime Girl I want to be with you all of the time The only time I feel alright is by your side Girl I want to be with you all of the time All day and all of the night All day and all of the night All day and all of the night I believe that you and me last forever Oh yeah, all day and nighttime yours, leave me never The only time I feel alright is by your side Girl I want to be with you all of the time All day and all of the night All day and all of the night Oh, come on {Instrumental} I believe that you and me last forever Oh yeah, all day and nighttime yours, leave me never The only time I feel alright is by your side Girl I want to be with you all of the time All day and all of the night All day and all of the night-time All day and all of the night 3 "All Day and All of the Night" is a song by the English rock band The Kinks from 1964. It reached No. 2 on the UK Singles Chart and No. 7 on Billboard's United States chart in 1965. The song was released on the American studio album Kinks-Size. Like their previous hit "You Really Got Me", the song relies on a simple sliding power chord riff, although this song's riff is slightly more complicated, incorporating a B Flat after the chords F and G. -
You Really Got Me - the Kinks! - Indie Ear - Blogs - IFC.Com
You Really Got Me - The Kinks! - Indie Ear - Blogs - IFC.com http://www.ifc.com/blogs/indie-ear/2010/04/you-really-got-me---the-kink... 1 of 3 4/6/2010 12:07 PM You Really Got Me - The Kinks! - Indie Ear - Blogs - IFC.com http://www.ifc.com/blogs/indie-ear/2010/04/you-really-got-me---the-kink... HOME ON AIR NEWS BLOGS WEB SERIES MEDIA LAB VIDEOS Sign In | Not a member? Register IFC.com > Blogs > Indie Ear > You Really Got Me - The Kinks! Indie Ear is written by Brandon Kim. Drop him a line Covering the crossroads of music and film. at indieear (at) ifc dot com ADVERTISEMENT You Really Got Me - The Kinks! By Brandon Kim on 04/05/2010 Filed under: Music Flicks There's one 60's British invasion band that remains relevant for me above all others, and though not as magical nor as consistently great as The Beatles, they're so much more hard hitting. This becomes more true each passing year as The Beatles catalogue gets limp and washed out in advertising campaigns and Rock Band. But The Kinks remain infinity playable, with gems still long overlooked by an American public who barely knows them. Their popularity never truly got to peak after they were banned from America for four, long crucial years in 1965. Those Davies boys were a bit too rowdy for us I guess, preservin' the old ways from bein' abused . "You Really Got Me: The Story of the Kinks" might sate an appetite for all those missed Kinks performances. -
The Kinks Are the Village Green Preservation Society 4Th October – 18Th November 2018 Proud: the Central,Village London Green Preservation Society
The Kinks Are The Village Green Preservation Society 4th October – 18th November 2018 Proud: The Central,Village London Green Preservation Society Proud Galleries is delighted to announce ‘The Kinks Are The Village Green Preservation Society’, an exhibition celebrating the 50th anniversary multi-format release of The Kinks’ sixth studio album, The Kinks Are the Village Green Preservation Society. On display is a selection of rare collector’s items including specially commissioned artworks by members of the band and vintage memorabilia, together with a collection of photographs documenting this remarkable period in the band’s history. Each work is hand- signed by surviving band members Ray Davies, Dave Davies and Mick Avory. ‘The Kinks Are The Village Green Preservation Society’ explores the album’s defiantly British sensibilities and commemorates what is now considered to be the high point of The Kinks’ outstanding career. The Village Green was originally released by The Kinks in November 1968 and became the final album from the original quartet: Ray Davies, Dave Davies, Pete Quaife and Mick Avory. Despite a positive critical reception upon its release, the album did not perform well commercially, perhaps due to the band’s deliberate step away from the musical trends of the era. In retrospect, audiences have come to value the album’s timeless quality, with Pete Townshend of The Who describing it as, ‘Ray [Davies]’s masterpiece… what makes him the definitive pop poet laureate’. Defying the 60’s typical approach to rock ‘n’ roll, The Village Green offers an affectionate and charming ode to the countryside through vignettes of English life. -
Special Report: HOUSESYSTEM Collapse!
ARROWHEAD OCTOBER 1980 NUMBER 1 100 Special Report: HOUSESYSTEM COllAPSE! SPONSER - Nance Matviko EDITOR -IN - CHIEF - Paul MaiIon MANAGING EDITOR - Ron Miller CONSULTING EDITORS - Chris McKenna, Joan Jessop, Sue Zitelli, Jeff Grieve. PHOTOGRAPHY DIRECTOR - Rob Pillar WCC ART DIRECTOR - Ross McBride "Welcome to the camp, I guess you all know why we're here." As strange as it may seem, that quote bests sums up the intentions of the 1980-81 Arrowhead staff. We will attempt to provide information and insights into a variety of topics every month (or so) and thereby pro• Forethought - p. 1. duce a high-class "journalistic ex• perience" for all those involved. (What else?) We encourage our read• Communique - p. 2,3. ers to provide us with feedback on our performance. (i.e. Letters to Discs - p. 4, 12. the Editor). Also, anyone out there in this vast educational abyss who feels they have something worthy to Sports - p. 5, 6. write about, feel free to drop it off in our office anytime. Just make it "good" and it will be published. It Special Report is that simple. The End. Oh yeah. Musical Administration-p. 8 I forgot. This years' Arrowhead will Interview - p. 9. break from the pithy style of pre• Scheduling - p. 11. vious years and struggle to cre• ate a newspaper of imparalleled ex• cellence and noteworthiness. Okay? Muni Trek ( The Adcentures of Muni Sortahimsa) - p. 13 Afterthought - p. 14. Paul J. Mallon, Jr. NOTE: Muni t-shirts will soon be available in the Arrowhead office nest to B-229 in the Senior Build• ing. -
KINKOLOGY: Ray Davies' 65Th Birthday Concert
KINKOLOGY: Ray Davies' 65th Birthday Concert Music of the Kinks performed by Metapop String Ensemble & special guest vocalists DATE: Thursday, August 27, 2009, 9:30 pm VENUE: Alix Goolden Performance Hall, 907 Pandora Ave, Victoria, British Columbia ADMISSION: By donation at the door – fundraiser for Island Biodiesel Co-op INFO: (250) 381-6502 and email [email protected] The Kinks formed in London in 1963, and are considered one of the most influential rock bands. They gained prominence in 1964 with their hard-driving single "You Really Got Me", written by Ray Davies with his 17-year-old brother Dave on lead guitar. Ray Davies' compositions over his lengthy career have been an astonishing study in contrasts, with a range of styles and lyrics often containing elements of satire and social commentary about the aspirations and frustrations of British life. The protopunk, powerchord rock of the early Kinks hits (“All Day and All of the Night”, “Tired Of Waiting For You”) was followed by more sensitive, introspective songs ("Waterloo Sunset"), wry humour (“Sunny Afternoon”), anthems championing individualistic lifestyles and personalities ("Lola", “See My Friends”), celebrations of traditional English culture and living ("Victoria"), Music Hall-style vaudeville ("She's Bought a Hat Like Princess Marina's"), and commercial rock which combined all these elements ("Come Dancing"). 1980s New Wave groups such as The Jam, The Knack, and The Pretenders covered Kinks songs, and in the 1990s Britpop acts such as Blur, Oasis and Supergrass cited them as a major influence. Many modern bands, such as The Killers, The Libertines, Franz Ferdinand, Spoon, Sonic Youth and Ron Sexsmith, acknowledge The Kinks and Ray Davies' songwriting skills. -
The History of the Kinks Singalongs and the Kinksfan Kollektiv by Geoff
The History of the Kinks Singalongs and The Kinksfan Kollektiv by Geoff Lewis Photos courtesy of WhyKinks, Retroman Blog, Brigitte Jeffs, Ben Elsendoorn, Ruud Kerstiens, Alison Neale, Olga Ruocco, Dave Quayle, Simon van den Bergh, Jeanine Hoedemakers, Jurrien Schadron, Rob Williams, Steph Williams, Julia Reinhart, Rebecca G Wilson There is a tradition of fans getting together for a few drinks before Kinks-related events, Ray Davies gigs, Dave Davies gigs etc., and in 1998, a few Dutch fans suggested meeting up the evening before the annual Official Kinks Fan Club Meeting (known colloquially to the fans as “The Konvention” and held on a Sunday afternoon late in November). The Clissold Arms has always been well known to the fans as the home of the Kinks, as it was the site of the first ever live performance by Ray and Dave Davies, so that was the obvious place to meet up. About a dozen of us had a very pleasant evening in the saloon (now the main restaurant - the layout of the pub in those days was somewhat different) discussing all matters Kinks and examining the small area of wall that contained a few pieces of Kinks memorabilia and photos, and it became a regular feature of the Konvention weekend for those who had travelled to London on the Saturday to gather at the Clissold. The Clissold Arms Kinks wall 1998 The numbers meeting gradually increased over the years and in 2002, Henny Stahli and the late Herman Gombert (“The Kinky Two”) were among our number. Herman got his guitar out and started strumming and the rest of us happily sang along to a few Kinks classics.