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A Queer Aes- Thetic Is Suggested in the Nostalgia of Orton’S List of 1930S Singers, Many of Whom Were Sex- Ual Nonconformists
Orton in Deckchair in Tangier. Courtesy: Orton Collection at the University of Leicester, MS237/5/44 © Orton Estate Rebel playwright Joe Orton was part of a ‘cool customer’, Orton shopped for the landscape of the Swinging Sixties. clothes on Carnaby Street, wore ‘hipster Irreverent black comedies that satirised pants’ and looked – in his own words the Establishment, such as Entertaining – ‘way out’. Although he cast himself Mr Sloane (1964), Loot (1965) and as an iconoclast, Emma Parker suggests What the Butler Saw (first performed that Orton’s record collection reveals a in 1969), contributed to a new different side to the ruffian playwright counterculture. Orton’s representation who furiously pitched himself against of same-sex desire on stage, and polite society. The music that Orton candid account of queer life before listened to in private suggests the same decriminalisation in his posthumously queer ear, or homosexual sensibility, that published diaries, also made him a shaped his plays. Yet, stylistically, this gay icon. Part of the zeitgeist, he was music contradicts his cool public persona photographed with Twiggy, smoked and reputation for riotous dissent. marijuana with Paul McCartney and wrote a screenplay for The Beatles. Described by biographer John Lahr as A Q U E E R EAR Joe Orton and Music 44 Music was important to Joe Orton from an early age. His unpublished teenage diary, kept Issue 37 — Spring 2017 sporadically between 1949 and 1951, shows that he saved desperately for records in the face of poverty. He also lovingly designed and constructed a record cabinet out of wood from his gran’s old dresser. -
Highgate Cricket & Lawn Tennis Club AUCTION 2015 Saturday 14Th
list as at 7th November Highgate Cricket & Lawn Tennis Club AUCTION 2015 Saturday 14th2015 November (some details to be confirmed) Silent Auction from 7pm Live Auction starts at 9pm - there will be a 15 minute break after live auction items 43 to 58 have been sold...at the end of this break, silent auction will close Payment by cash, cheque or online payment (Highgate Cricket & Lawn Tennis Club No 1 Account Sortcode 20-58-51 Account number 40472743) * see photo or additional details SILENT AUCTION - bids accepted in advance & until the end of the first break taken in the live auction on Saturday Number Item & Description Donated /organised by Value 1* Wilson Tennis Bag ( for 9 rackets) Steve Shea 90 2 Tennis lesson with Sara Hancock Sara Hancock 30 3 Tennis lesson with Ted Buckley Ted Buckley 4 Tennis lesson with Ted Buckley Ted Buckley 5 Three individual off peak coaching sessions with Toby Freedman Toby Freedman 90 Sessions to be arranged between 9am and 2pm Monday to Friday. Can be split into 3 x indivual lessons if you would like to share with friends. 6 Three off peak 'Strength and Conditioning' sessions with Piotr Narecki Piotr Narecki 135 Sessions to be arranged during the week, day time but not evening or weekend. 7 Three off-peak private lessons with Toma Dragomir Toma Dragomir 90 The sessions to be arranged between 10am and 2pm Wednesday to Friday with at least 48h booking in advance. 8 A free restring with either a synthetic gut, polyester or combination of both strings. Rob Heeney 25 9* Borrow a 'Topspin Pro' machine Patsy Nightingale 10 each £10 per 24 hours 10* Use of a tennis ball machine for one week Susan Patterson 11* Twelve month subscription to TennisHead TennisHead / Miki Lentin 29 A subscription to tennishead is a must have for tennis fans and players alike. -
Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected]
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] The Kinks At The BBC (Box – lim. Import) VÖ: 14. August 2012 CD1 10. I'm A Lover, Not A Fighter - Saturday Club - Piccadilly Studios, 1964 1. Interview: Meet The Kinks ' Saturday Club 11. Interview: Ray Talks About The USA ' -The Playhouse Theatre, 1964 Saturday Club - Piccadilly Studios, 1964 2. Cadillac ' Saturday Club - The Playhouse 12. I've Got That Feeling ' Saturday Club - Theatre, 1964 Piccadilly Studios, 1964 3. Interview: Ray Talks About 'You Really Got 13. All Day And All Of The Night ' Saturday Club Me' ' Saturday Club The Playhouse Theatre, - Piccadilly Studios, 1964 1964 14. You Shouldn't Be Sad ' Saturday Club - 4. You Really Got Me ' Saturday Club - The Maida Vale Studios, 1965 Playhouse Theatre, September 1964 15. Interview: Ray Talks About Records ' 5. Little Queenie ' Saturday Club - The Saturday Club - Maida Vale Studios, 1965 Playhouse Theatre, 1964 16. Tired Of Waiting For You - Saturday Club - 6. I'm A Lover Not A Fighter ' Top Gear - The Maida Vale Studios, 1965 Playhouse Theatre, 1964 17. Everybody's Gonna Be Happy ' Saturday 7. Interview: The Shaggy Set ' Top Gear - The Club -Maida Vale Studios, 1965 Playhouse Theatre, 1964 18. This Strange Effect ' 'You Really Got.' - 8. You Really Got Me ' Top Gear - The Aeolian Hall, 1965 Playhouse Theatre, October 1964 19. Interview: Ray Talks About "See My Friends" 9. All Day And All Of The Night ' Top Gear - The ' 'You Really Got.' Aeolian Hall, 1965 Playhouse Theatre, 1964 20. See My Friends ' 'You Really Got.' Aeolian Hall, 1965 1969 21. -
Proquest Dissertations
UNIVERSITY OF CALGARY Living With Military-Related Posttraumatic Stress Disorder (PTSD) - A Hermeneutic Phenomenological Study by Rachel Kroch A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DIVISION OF APPLIED PSYCHOLOGY CALGARY, ALBERTA JUNE, 2009 © Rachel Kroch 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-54472-3 Our Hie Notre r6f6rence ISBN: 978-0-494-54472-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
Information and Secrecy in the Chicago DIY Punk Music Scene Kaitlin Beer University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2016 "It's My Job to Keep Punk Rock Elite": Information and Secrecy in the Chicago DIY Punk Music Scene Kaitlin Beer University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Social and Cultural Anthropology Commons Recommended Citation Beer, Kaitlin, ""It's My Job to Keep Punk Rock Elite": Information and Secrecy in the Chicago DIY Punk Music Scene" (2016). Theses and Dissertations. 1349. https://dc.uwm.edu/etd/1349 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. “IT’S MY JOB TO KEEP PUNK ROCK ELITE”: INFORMATION AND SECRECY IN THE CHICAGO DIY PUNK MUSIC SCENE by Kaitlin Beer A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Anthropology at The University of Wisconsin-Milwaukee December 2016 ABSTRACT “IT’S MY JOB TO KEEP PUNK ROCK ELITE”: INFORMATION AND SECRECY IN THE CHICAGO DIY PUNK MUSIC SCENE by Kaitlin Beer The University of Wisconsin—Milwaukee, 2016 Under the Supervision of Professor W. Warner Wood This thesis examines how the DIY punk scene in Chicago has utilized secretive information dissemination practices to manage boundaries between itself and mainstream society. Research for this thesis started in 2013, following the North Atlantic Treaty Organization’s meeting in Chicago. This event caused a crisis within the Chicago DIY punk scene that primarily relied on residential spaces, from third story apartments to dirt-floored basements, as venues. -
After the Ball David Williamson
David Williamson’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002), Birthrights (2003), Amigos, Flatfoot (both in 2004), Operator and Influence(both 2005) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. -
No. 2 Newsmaker of 2016 Was City Manager Change Rodgers Christmas Basket Fund Are Still Being Accepted
FRIDAY 162nd YEAR • No. 208 DECEMBER 30, 2016 CLEVELAND, TN 22 PAGES • 50¢ Basket Fund Donations to the William Hall No. 2 Newsmaker of 2016 was city manager change Rodgers Christmas Basket Fund are still being accepted. Each By LARRY C. BOWERS Service informed Council members of year, the fund supplies boxes of Banner Staff Writer the search process they faced. food staples to needy families TOP 10 MTAS provided assistance free of during the holiday season. The The Cleveland City Council started charge, and Norris recommended the fund, which is a 501(c)(3) charity, the 2016 calendar year with a huge city hire a consultant. This was prior is a volunteer-suppported effort. challenge — an ordeal which devel- NEWSMAKERS to the Council’s decision to hire Any funds over what is needed to oped into the No. 2 news story of the Wallace, who had also assisted with pay for food bought this year will year as voted by Cleveland Daily the city’s hiring of Police Chief Mark be used next Christmas. Banner staff writers and editors — The huge field of applicants was Gibson. Donations may be mailed to First when the city celebrated the retire- vetted by city consultant and former Council explored the possibility of Tennessee Bank, P.O. Box 3566, ment of City Manager Janice Casteel Tennessee Bureau of Investigation using MTAS and a recruiting agency, Cleveland TN 37320-3566 or and announced the hiring of new City Director Larry Wallace, of Athens, as but Norris told them she had never dropped off at First Tennessee Manager Joe Fivas. -
Men's Basketball Decade Info 1910 Marshall Series Began 1912-13
Men’s Basketball Decade Info 1910 Marshall series began 1912-13 Beckleheimer NOTE Beckleheimer was a three sport letterwinner at Morris Harvey College. Possibly the first in school history. 1913-14 5-3 Wesley Alderman ROSTER C. Fulton, Taylor, B. Fulton, Jack Latterner, Beckelheimer, Bolden, Coon HIGHLIGHTED OPPONENT Played Marshall, (19-42). NOTE According to the 1914 Yearbook: “Latterner best basketball man in the state” PHOTO Team photo: 1914 Yearbook, pg. 107 flickr.com UC sports archives 1917-18 8-2 Herman Beckleheimer ROSTER Golden Land, Walter Walker HIGHLIGHTED OPPONENT Swept Marshall 1918-19 ROSTER Watson Haws, Rollin Withrow, Golden Land, Walter Walker 1919-20 11-10 W.W. Lovell ROSTER Watson Haws 188 points Golden Land Hollis Westfall Harvey Fife Rollin Withrow Jones, Cano, Hansford, Lambert, Lantz, Thompson, Bivins NOTE Played first full college schedule. (Previous to this season, opponents were a mix from colleges, high schools and independent teams.) 1920-21 8-4 E.M. “Brownie” Fulton ROSTER Land, Watson Haws, Lantz, Arthur Rezzonico, Hollis Westfall, Coon HIGHLIGHTED OPPONENT Won two out of three vs. Marshall, (25-21, 33-16, 21-29) 1921-22 5-9 Beckleheimer ROSTER Watson Haws, Lantz, Coon, Fife, Plymale, Hollis Westfall, Shannon, Sayre, Delaney HIGHLIGHTED OPPONENT Played Virginia Tech, (22-34) PHOTO Team photo: The Lamp, May 1972, pg. 7 Watson Haws: The Lamp, May 1972, front cover 1922-23 4-11 Beckleheimer ROSTER H.C. Lantz, Westfall, Rezzonico, Leman, Hager, Delaney, Chard, Jones, Green. PHOTO Team photo: 1923 Yearbook, pg. 107 Individual photos: 1923 Yearbook, pg. 109 1923-24 ROSTER Lantz, Rezzonico, Hager, King, Chard, Chapman NOTE West Virginia Conference first year, Morris Harvey College one of three charter members. -
Jay Z Nas Live
Jay z nas live click here to download With JAY-Z and Beyoncé releasing their album a day after Nas' He likened his mind to a Lexus on “Can I Live” (“My mind is infested, with sick. Jay-Z and Nas united onstage at the Continental Airlines Arena, embracing each other and performing together. No, this was happening live. Nas hit the stage this past weekend at Coachella to perform 'Illmatic' - his seminal debut Nas Performs 'Illmatic' In Full & Rocks With Jay Z Live At Coachella. Let's backtrack to an earlier time when Jay Z and Nas vied for New York Recall that Jay likened his mind to a Lexus on "Can I Live" ("My mind. Nas is not salty Jay-Z and Beyonce dropped their joint album the day after his. Jay-Z and Beyonce dropping their surprise album the day after Nas released TMZ Live: A-Rod's Spousal & Child Support War With Ex-Wife. On this day, Oct. 27, in hip-hop history JAY-Z AND NAS REUNITED:LIVE. Subscribe to XXL on. It was one of the most famous feuds in. Shawn Corey Carter (born December 4, ) known professionally as Jay-Z ( stylized as . Nas responded with a diss track called "Ether" and Jay-Z straightaway added a The album's only single, "Numb/Encore", went on to win a Grammy for Best Rap/Sung Collaboration, and was performed with Linkin Park live at the. Many say Jay Z is the one of greatest rappers of all time. However, others say that Nas is one of the greatest rappers who ever lived. -
International Students Reflect on Floyd Widener ~Ware Campus Closed Due to Floyd's Effects
THE STUDENT .; .... :.;.;.:::::: ::::: ~ :c. .~ NEWSPAPER OF ....... :.: ::.::::::~::: :«0:::::::::: :::. WIDENER UNIVERSITY http://dome.life.nu Covering the good stuff (610) 499'4.421 INSIDE ENTERTAINMENT NEWS SPORTS University 2 Philadelphia 3 NY Surrenders Widener students Women's V Opinion 4 to Chemical Comics/Games 6 Ball p.12 Brothers p.8 abroad p.2 Entertainment 8 WIDENER PROFESSOR PASSES AWAY, Widener Feels Floyd SAYING FAIRWELL TO DR. CLARK. Ben Myers Brian O'Rourke RELATIONS MANAGER The University suffered a terrible first faculty member to participate in the STAFF WRITER defeat two weeks ago, when Dr. Michael German Exchange Program. Clark passed away. Dr. Clark Both teachers and students gave the Hurricane Floyd which passed along joined Widener IS faculty in 1981, same answers in describing- Dr. Clark: after receiving his Ph.D. from the IIFine mind ... very accessible ... down-to the east coast on September 18, 19, and University of Wisconsin-Madison. earth... he was the best in the 20 left devastation everywhere. Causing He was a professor of English and Department. II Dr. Lopota, a colleague for a time, the Associate Dean of hired by Dr. Clark, said, IIHe was the massive flooding and property damage Humanities. type of guy who could write two books Dr. Clark had a hand in just on Dos Passos, and then turn around in the Carolinas, Floyd also caused dam and have a drink with you at WalliolS. 1I about every facet of English at age along the upper east coast. In New Widener University. He did not Dr. Serambis, present Associate Dean speak the English language, he of Humanities, had this to say of his Jersey and Delaware states of emergen commanded it.