Backcover/ Title the Songs We Sang for Auntie
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Rock and Roll Rockandrollismyaddiction.Wordpress.Com
The Band, Ten Years After , Keef Hartley Band , Doris Troy, John Lennon ,George Harrison, Leslie West, Grant Green, Eagles, Paul Pena, Bruce Springsteen, Peter Green, Rory Gallagher, Stephen Stills, KGB, Fenton Robinson, Jesse “Ed” Davis, Chicken Shack, Alan Haynes,Stone The Crows, Buffalo Springfield, Jimmy Johnson Band, The Outlaws, Jerry Lee Lewis, The Byrds , Willie Dixon, Free, Herbie Mann, Grateful Dead, Buddy Guy & Junior Wells, Colosseum, Bo Diddley, Taste Iron Butterfly, Buddy Miles, Nirvana, Grand Funk Railroad, Jimi Hendrix, The Allman Brothers, Delaney & Bonnie & Friends Rolling Stones , Pink Floyd, J.J. Cale, Doors, Jefferson Airplane, Humble Pie, Otis Spann Freddie King, Mike Fleetwood Mac, Aretha Bloomfield, Al Kooper Franklin , ZZ Top, Steve Stills, Johnny Cash The Charlie Daniels Band Wilson Pickett, Scorpions Black Sabbath, Iron Butterfly, Buddy Bachman-Turner Overdrive Miles, Nirvana, Son Seals, Jeff Beck, Eric Clapton John Mayall, Neil Young Cream, Elliott Murphy, Años Creedence Clearwater Bob Dylan Thin Lizzy Albert King 2 Deep Purple B.B. King Años Blodwyn Pig The Faces De Rock And Roll rockandrollismyaddiction.wordpress.com 1 2012 - 2013 Cuando decidimos dedicar varios meses de nuestras vidas a escribir este segundo libro recopilatorio de más de 100 páginas, en realidad no pensamos que tendríamos que dar las gracias a tantas personas. En primer lugar, es de justicia que agradezcamos a toda la gente que sigue nuestro blog, la paciencia que han tenido con nosotros a lo largo de estos dos años. En segundo lugar, agradecer a todos los que en determinados momentos nos han criticado, ya que de ellas se aprende. Quizás, en ocasiones pecamos de pasión desmedida por un arte al que llaman rock and roll. -
Kinky King's Heath Press Release
Press Release King's Heath gets Kinda Kinky! Special Concert on Sunday 7 July will celebrate The Kinks' famous Ritz Ballroom Performance Fans of The Kinks are being invited to come and get Kinky in King's Heath on Sunday 7 July and celebrate a legendary performance by the group at the former Ritz Ballroom that was gutted by fire earlier this year. Brothers Ray and Dave Davies brought The Kinks to the Ritz in June 1966 and included in their line-up for the first time was John Dalton after regular bass guitarist Pete Quaife broke his leg in a car accident. Appearing only two days after being recruited, John had virtually no time to practice. Three years later he would re-join as a permanent member. The Kinks' appearance at The Ritz came just after they released "Sunny Afternoon" which became their third No. 1 hit in the UK singles charts. The group went on to have a total of seventeen Top Twenty singles including “Dedicated Follower of Fashion”, “Waterloo Sunset” and “Lola” and five Top Ten albums starting with “Kinda KInks” Fletchers Bar on York Road directly opposite the former ballroom on York Road, King's Heath will host the “All Things Kinky” event from 4 p.m. to 7 p.m. Top and emerging local musicians including Ben Calvert, Mr Apollo, Robert Lane, James Connolly and Harriet Harkcom will give their own unique interpretation of their favourite Kinks' songs. Advance tickets are now on sale and cost just £2.50 from the Kitchen Garden Cafe on York Road or www.wegottickets.com . -
Lola (The Kinks)
Lola (The Kinks) I met her in a club down in North Soho Where you drink champagne and it tastes I pushed her away. I walked to the door just like I fell to the floor. I got down on my knees Cherry Cola I looked at her, and she at me C-O-L-A Cola Well that's the way that I want it to stay She walked up to me and she asked me to I always want it to be that way for my Lola dance Lo lo lo Lola I asked her her name and in a dark brown Girls will be boys, and boys will be girls voice she said, "Lola" It's a mixed up, muddled up, shook up L-O-L-A Lola, lo lo lo lo Lola world Except for Lola. Lo lo lo lo Lola. Lo lo lo Well, I'm not the world's most physical guy loLola But when she squeezed me tight she nearly Lola, lo lo lo lo Lola, lo lo lo lo Lola broke my spine Oh my Lola, lo lo lo Lola, lo lo lo Lola Well I'd left home just a week before Well, I'm not dumb but I can't understand And I'd never ever kissed a woman before Why she walks like a woman and talks like Lola smiled and took me by the hand a man She said, "Little boy, gonna make you a Oh my Lola, lo lo lo lo Lola, lo lo lo lo Lola man." Well I'm not the world's most masculine Well, we drank champagne and danced all man night But I know what I am and I'm glad I'm a Under electric candlelight man She picked me up and sat me on her knee So is Lola She said, "Little boy won't you come home Lo lo lo lo Lola. -
Extensions of Remarks 29497 Extensions of Remarks Commonwealth Heads of 5
October 27, 1987 EXTENSIONS OF REMARKS 29497 EXTENSIONS OF REMARKS COMMONWEALTH HEADS OF 5. Meeting for the first time in full session the exception of Britain we will initiate an GOVERNMENT STATEMENT ON since the publication of the Report, we expert study, drawing on independent SOUTHERN AFRICA warmly commend the work of the EPG and sources, to examine this aspect of the South agree that the EPG mission offered a real African economy. opportunity for the South African Govern 11. Finally, mindful of our commitment at HON. MERVYN M. DYMALLY ment to initiate a negotiating process be Nassau which we reaffirm here in Vancou OF CALIFORNIA tween the Government and the true repre ver, we agree that we will continue to take sentatives of the black majority, leading ul IN THE HOUSE OF REPRESENTATIVES further action individually and collectively timately to a peaceful resolution of the as deemed appropriate in response to the Tuesday, October 27, 1987 problem of apartheid and to a break in the situation as it evolves until apartheid is dis cycle of violence in the region. Pretoria's re Mr. DYMALLY. Mr. Speaker, recently I had mantled, in the case of all but Britain that jection of the "Negotiating Concept" sub includes sanctions. the privilege of meeting with His Excellency mitted by the EPG, which was underlined Shridath Ramphal, Secretariat, Common by its brutal attacks against Botswana, SOUTH AFRICA AND ITS NEIGHBOURS wealth Heads of Government, during his Zambia and Zimbabwe on 19 May 1986, was 12. In addition to our programme of United Nations visit, in New York, to discuss nothing less than a tragedy for the region. -
Folk Song in Cumbria: a Distinctive Regional
FOLK SONG IN CUMBRIA: A DISTINCTIVE REGIONAL REPERTOIRE? A dissertation submitted in partial fulfilment of the degree of Doctor of Philosophy by Susan Margaret Allan, MA (Lancaster), BEd (London) University of Lancaster, November 2016 ABSTRACT One of the lacunae of traditional music scholarship in England has been the lack of systematic study of folk song and its performance in discrete geographical areas. This thesis endeavours to address this gap in knowledge for one region through a study of Cumbrian folk song and its performance over the past two hundred years. Although primarily a social history of popular culture, with some elements of ethnography and a little musicology, it is also a participant-observer study from the personal perspective of one who has performed and collected Cumbrian folk songs for some forty years. The principal task has been to research and present the folk songs known to have been published or performed in Cumbria since circa 1900, designated as the Cumbrian Folk Song Corpus: a body of 515 songs from 1010 different sources, including manuscripts, print, recordings and broadcasts. The thesis begins with the history of the best-known Cumbrian folk song, ‘D’Ye Ken John Peel’ from its date of composition around 1830 through to the late twentieth century. From this narrative the main themes of the thesis are drawn out: the problem of defining ‘folk song’, given its eclectic nature; the role of the various collectors, mediators and performers of folk songs over the years, including myself; the range of different contexts in which the songs have been performed, and by whom; the vexed questions of ‘authenticity’ and ‘invented tradition’, and the extent to which this repertoire is a distinctive regional one. -
The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic. -
Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected]
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] The Kinks At The BBC (Box – lim. Import) VÖ: 14. August 2012 CD1 10. I'm A Lover, Not A Fighter - Saturday Club - Piccadilly Studios, 1964 1. Interview: Meet The Kinks ' Saturday Club 11. Interview: Ray Talks About The USA ' -The Playhouse Theatre, 1964 Saturday Club - Piccadilly Studios, 1964 2. Cadillac ' Saturday Club - The Playhouse 12. I've Got That Feeling ' Saturday Club - Theatre, 1964 Piccadilly Studios, 1964 3. Interview: Ray Talks About 'You Really Got 13. All Day And All Of The Night ' Saturday Club Me' ' Saturday Club The Playhouse Theatre, - Piccadilly Studios, 1964 1964 14. You Shouldn't Be Sad ' Saturday Club - 4. You Really Got Me ' Saturday Club - The Maida Vale Studios, 1965 Playhouse Theatre, September 1964 15. Interview: Ray Talks About Records ' 5. Little Queenie ' Saturday Club - The Saturday Club - Maida Vale Studios, 1965 Playhouse Theatre, 1964 16. Tired Of Waiting For You - Saturday Club - 6. I'm A Lover Not A Fighter ' Top Gear - The Maida Vale Studios, 1965 Playhouse Theatre, 1964 17. Everybody's Gonna Be Happy ' Saturday 7. Interview: The Shaggy Set ' Top Gear - The Club -Maida Vale Studios, 1965 Playhouse Theatre, 1964 18. This Strange Effect ' 'You Really Got.' - 8. You Really Got Me ' Top Gear - The Aeolian Hall, 1965 Playhouse Theatre, October 1964 19. Interview: Ray Talks About "See My Friends" 9. All Day And All Of The Night ' Top Gear - The ' 'You Really Got.' Aeolian Hall, 1965 Playhouse Theatre, 1964 20. See My Friends ' 'You Really Got.' Aeolian Hall, 1965 1969 21. -
Dedicated 10 the Needs of the Music /Record Industry
DEDICATED 10 THE NEEDS OF THE MUSIC /RECORD INDUSTRY SINGLES SLEEPERS ALBUMS THE MIRACLES, "NIGHT LIFE" (prod. by Freddie THIN LIZZY, "THE BOYS ARE BACK IN TOWN" ROLLING STONES, "BLACK AND BLUE." Perren) (Jobete/Grimora, ASCAP). (prod. by John Alcock) (RSO, ASCAP). It's taken almost three years from start "Love Machine" was the group's big- t) One of 1976's brightest prospects is to finish with new friends and direc- .rnmu.rr/ gest across-the-board smash since this Anglo-American quartet that tions. The reggae influence is in full the departure of Smokey Robinson. has come into its own after several evidence ("Hot Stuff," "Cherry O Now they're about to do it all over overlooked outings. With a sound Baby"), along with some straightfor- again with more pulsating rhythms that could be compared to Bruce ward blues ("Melody") and some more and adventurous vocal lines. Instant Springsteen, Thin Lizzy is back in traditional sounding Stones ("Hand of pop/r&b play is assured. Tamla T town and should soon be making its Fate"). A bruiser of an album! Rolling 54268 (Motown). presence felt. Mercury 73786. Stones COC 79104 (Atlantic) (6.98). CAROLE KING, "HIGH OUT OF TIME" (prod. FOOLS GOLD, "RAIN, OH RAIN" (prod. by SEALS & CROFTS, "GET CLOSER." Their by Lou Adler) (Screen Gems -Colum- Glen Frey) (Frank Share/Big Shorty, Christmastime greatest hits package re- bia, ASCAP). An extravagant tapes- ASCAP). The group that recently minded everyone just what Seals & try of sound is woven by Ms. King served as back-up to Dan Fogelberg Crofts are capable of. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
Da´Il E´Ireann
Vol. 627 Wednesday, No. 1 8 November 2006 DI´OSPO´ IREACHTAI´ PARLAIMINTE PARLIAMENTARY DEBATES DA´ IL E´ IREANN TUAIRISC OIFIGIU´ IL—Neamhcheartaithe (OFFICIAL REPORT—Unrevised) Wednesday, 8 November 2006. Leaders’ Questions ……………………………… 1 Ceisteanna—Questions Taoiseach ………………………………… 12 Requests to move Adjournment of Da´il under Standing Order 31 ……………… 22 Order of Business ……………………………… 23 National Oil Reserves Agency Bill 2006: Order for Report Stage …………………………… 28 Report Stage ……………………………… 28 Ceisteanna—Questions (resumed) Minister for the Environment, Heritage and Local Government Priority Questions …………………………… 51 Other Questions …………………………… 67 Adjournment Debate Matters …………………………… 78 National Oil Reserves Agency Bill 2006: Report Stage (resumed) …………………………… 79 Private Members’ Business Energy Resources Motion (resumed) ……………………… 123 Adjournment Debate Special Educational Needs ………………………… 157 Ambulance Service …………………………… 161 School Accommodation …………………………… 162 Schools Building Projects …………………………… 166 Questions: Written Answers …………………………… 169 1 2 DA´ IL E´ IREANN DI´OSPO´ IREACHTAI´ PARLAIMINTE PARLIAMENTARY DEBATES TUAIRISC OIFIGIU´ IL OFFICIAL REPORT Imleabhar 627 Volume 627 De´ Ce´adaoin, 8 Samhain 2006. Wednesday, 8 November 2006. ———— Chuaigh an Ceann Comhairle i gceannas ar 10.30 a.m. ———— Paidir. Prayer. ———— Leaders’ Questions. vicinity of the Ballyowen roundabout have lost a sense of hope that anybody can do anything Mr. Kenny: I want to ask the Minister for Fin- about this. ance about traffic congestion every morning in I put forward a number of practical suggestions Dublin, particularly on the M50, and to refer to a that could relieve some of that congestion and number of related matters. Yesterday I met a ease the movement of traffic in the short term. family by the name of Price in Lucan and they For instance, the Government is discussing with are typical of 100,000 families caught in this bind. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Iar 1St Class
Friday, September 22, 1972 YOUNGSTOWN STATE UNIVERSITY Volume 50 No. 1 iar 1st class The Jambar has been awarded a rating of "First Class" from the Associated Collegiate Press for by Jack Hagan the second year in a row based NewsEditor • upon newspapers published dur• The issue of possible faculty cutbacks is expected to be ing Spring quarter of last year. settled in the next few weeks, Dr. Thomas A. Shipka, The newspaper received assistant professor of philosophy and chief negotiator for "Marks of Distinction" in Editor• the YSU Ohio Education Association said yesterday. Atty.- ial Leadership and Writing and John Weed Powers, the chief negotiator for the university, Editing, two of the five areas also states that he hopes the retrenchment issue will be evaluated, for the second year. settled soon. records dating from 1967 wuen The critique commented that Dr. Shipka and Atty. Powers "relevant topics are given mature YSU become a state institution. have agreed not to release specific Dr. Shipka said that there are treatment" in the editorials and information concerning issues un• that the news staff writes "like still many issues on the table that der current negotiation. have to be se.ttled including pros." ON THE RIGHT TRACK - Mr. John Vitco (left), operating The OEA became the sole several proposals that the OEA The ACP is a national organ• engineer for the Charles Shutrump Construction Company, and Bob bargaining agent for the faculty as university ization of over 1,000 college and has presented t0 the Hobart, Junior secondary education, discuss progress on the a result of a election held last negotiating team headed by (Cont.