DOCSLIB.ORG

The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic. While 1968 began with their retreat with a spiritual advisor, the Maharishi, this year begins with their appointment of a heavyweight financial advisor, the American businessman Allen Klein. Their spiritual goals have been supplanted by the desire to resolve some intractable fiscal problems. Making sense of it all, (even providing a sounding board for increasingly media -aware stars), were the writers of the New Musical Express and Melody Maker. This is the world of The History Of Rock, a monthly magazine that reaps the benefits of their extraordinary journalism for the reader decades later, one year at a time. In the pages of this fifth issue, dedicated to 1969, you will find verbatim articles from frontline staffers, compiled into long and illuminating reads. Missed one? You can find out how to rectify that on page 144. What will still surprise the modern reader is the access to, and the sheer volume of, material supplied by the artists who are now the giants of popular culture. Now, a combination of wealth, fear and lifestyle would conspire to keep reporters at a rather greater length from the lives of musicians. At this stage, though, representatives from New Musical Express and Melody Maker are where it matters. Mutilating plastic dolls with John Lennon. Meeting a rail -thin David Bowie, hearing his views about skinheads. Preparing for the Hyde Park concert with Mick Jagger. Join them there.As Mick says: "It'll blowyour mind." HISTORY OF ROCK 19693 1969 $1 MONTH MON Contents News 3nBlind Faith Fairport 6The Beatles get anew member, lAr Eric Clapton joins forces 52Convention Allen Klein. We meet songwriter with Steve Winwood - but for an The folk-rock band Randy Newman and the group uncertain length of time. How will turn tragedy into Yes. A new menace- "new mods" he commit to a group, wonders triumph with a - are profiled. Clapton, when he can't even couple of classic commit to a hairstyle? albums. How long lbDylan can the band stay 12The man's Nashville sound 3aFleetwood Mac together, though? and his workwith Johnny Cash II Peter Green and band Melody explained by musicians and return from en eventful Frank Zapp Maker VEGAS producer Bob Johnston. American tour, and enjoy the 60and FORsI success of "Albatross". Captain Beefheart = Dusty Springfield Frank comes to London for JOHN The inside track on her 4n Small Faces/Humble Pie an inflammatory trip with the Hundr, 16 thousa new record Dusty In Memphis lAr Steve Marriott and Ronnie Mothers, and then afterwards dollars and its follow-up, recorded with Lane part ways, but as Marriott in the company of his new fora Gamble &Huff. puts it, "two good things" will signing, Captain Beefheart. come of the Small Faces split. give Singles His is Humble Pie. The Who 20Peter Sarstedt reviews 64Pete Townshend develops,their the singles, and the debut Led Letters explains and launches his long - Zeppelin album is reviewed. 45Pete Townshend leaps to talked -about rock opera, Tommy. side the defence of RayDavies, Spike "Some of the songs are bloody The Kinks Milligan on his "plastic guru" and hard," comments Roger Daltrey. of the 22Ray Davies defends his other correspondence. story. "Plastic Man" single and talks InSingles about downsizing from his vKeith Moon reviews the country pile to a terraced house. 46'Simon &Garfunkel win newwaxings ("Can I have that MM POLL WINNERS a Grammy for "The Boxer", while one?"). There are new albums bypage CONCEI we meet Jethro Tull and guitarist DrJohn and George Harrison. FESTIVAL HALL,LONDON, 9 four THIS SATURDAY. 13 2 The compelling pianist John Fahey. Mick Jagger heads SEE YOU T and singer brings her devastating to Australia to play iron -helmeted 70The Beatles presence to England. villain Ned Kelly. Ringo charms on his film set, while John Lennon enthuses in anAustralian hospital.An about Beatle creativity. "We could interviewwithAllen Klein: "I am Serge Gainsbourg put out a double album a month..." ruthless," the Stones/Beatles and Jane Birkin - page 118 manager confesses. 8nJanis Joplin uThe singer arrives in 9QLed Zeppelin London in a frazzled state, but puts JimmyPage and band take in an explosive performance with onAmerica, and triumph at her Kozmic Blues Band and gets Camegie Hall. theAlbert Hall dancing. "Ain't this all so silly?" Stones 104111311ingKeith Richards and Creedence Charlie Watts look back on Hyde 8 Clearwater Revival Park and forward to the release John Fogerty phones in from the of their new album. "Abetter play," USA, where he imagines his music ponders Charlie. taking place "In Louisiana, in 1807... before computers." n nntn n in onaiin U A coup by young 8fiRolling Stones promoters on the Isle Of Wight VBrian Jones has left The brings Bob Dylan to the UK Rolling Stones. Nonetheless, the mainland for the first time band prepare to play Hyde Park, since 1966. A "super -session"? with a new guitarist, MickTaylor. "Great," says Bob. "Great..." News Singles 94Brian Jones is dead. 116Mick Taylor reviews the Marianne Faithfull is recovering singles. Meanwhile, there are IffER - RIC CLAFT111 E III avo.. ..: 47 'w E WHIN nano (.1 ArkAri RT AT PM. 'HERE new albums from Fairport ftDavid Bwrir, Convention, Crosby, Stills & Nash 12wAvoyageinto and... The Beatles. outer space with the "Space Oddity" hitmaker. Arts News labs. Strong opinions. 118 BBC won't budge on There's more to this singer of their long and winding "Je T'Aime", and we get a trip inside than being good-looking, road. Are they drifting the walls of San Quentin prison in he explains. apart or simply four people too the company ofJohnny Cash. 13Aoiling Stones talented to remain in one place? "'In the wake of shows in "Do they buy it because it's worth 132Singles America, reported to have been it," wonders a self-questioning 122 Fira°sshb%gOit% Jimmy Page reviews selections chaotic, the band returns to the UK John Lennon. and The Hollies from releases new and old. to play live dates. Mick Jagger is not The harmonising trio gain a new Meanwhile, Eric Clapton amused by the crowd's reaction. 1 Letters member, Neil Young. In the UK, introduces Delaney& Bonnie, uJohn and Yoko respond the "He Ain't Heavy" hitma kers while a review of the new John to theMelody Makerreview of their can't stop talking about their Lennon and Yoko Ono album 138-he Beatles most recent album. And farewell, former colleague, Graham Nash. causes amusement to the artists. The band approaches the end Fairport Convention... On it Time Inc. (UK) Ltd, 8th Floor, Blue Fin Building, no Southwark St, London SE1 OSU I EDITOR John Mulvey, whose favourite song from 1969 isA Sailor's Life by Fairport Convention DEPUTY EDITOR John Robinson Can't Find My Way Home by Blind Faith ART EDITOR Lora Findlay Time And Love by Laura Nyro PRODUCTION EDITOR Mike Johnson Wild Eyed Boy From Freecloud by David Bowie ART DIRECTOR Marc Jones Everybody's Talkin' by Harry Nilsson DESIGNER Gary Payne You Can't Always Get What You Want by The Rolling Stones PICTURE EDITOR Kimberly Kriete Girl From The North Country by Bob DylanCOVER PHOTO Alan Messer at Rex Features www.badcocksgallery.com THANKS TO Helen Spivak MARKETING Charlotte Treadaway SUBSCRIPTIONS Sonja Zeven PUBLISHING DIRECTOR Ed Beale MANAGING DIRECTOR Paul Williams COVERS PRINTED BY Polestar °recycle lime Inc. Wheatons TEXT PRINTED BY Polestar Chantry I WWW.UNCUT.CO.UK HISTORY OF ROCK 1969 I 5 minv000 MOTS MST W.I.. PI* 0.%1T 1969 ' momokol M um kb FLEETWOOD MAC, DUSTY SPRINGFIELD, BOB DYLAN AND MORE 8 6 I HISTORY OF ROC April28, mitiq: Allen Klein takes questionsfrom reporters with John and Yokoat the Apple off ices onSavile Row, London "The Beatles asked... Mr Klein accepted" MM FEB 8 ISUI1111g Stones manager Allen Klein takes on a new client... The Beatles. ROLLING STONES BUSINESS managerAllen Klein is to take over the business affairs of Apple, The Beatles' company. In a statement to MM on Monday, a spokesman said: "The Beatles have asked MrAllen Klein of New York to look into their affairs and Mr Klein has accepted." This means that Klein, the man who has steered The Rolling Stones to international success, is the secret businessman that The Beatles want to streamline their organisation and put it on an economic footing.
Load more

Recommended publications
  • Fleetnotes Via Fmlegacy ! Sept
    1982 Fleetnotes via FMLegacy ! Sept. 4, 1982 – Orlando, FL Loverboy, John Cougar (no Mellencamp yet) and John Waite (playing his big hit ‘Change’) opened for The Mac. A fan recalls John Cougar riding on Kenny Aranoff’s shoulders during ‘Hurts So Good’. During the Loverboy set, it was so hot that security had to spray the crowd with firehoses. When the Mac played Gypsy virtually the enKre crowd lit their cigareLe lighters. Stevie didn’t finish the !song because she was too emoKonal that night. Sept. 5, 1982 – San Bernardino, CA The band closed the third and final day of the US FesKval by playing their Mirage set. The order of arKsts on the bill was as follows: Grateful Dead, Jerry Jeff Walker, Jimmy Buffet, Jackson Browne, and then Fleetwood Mac. This was also the last Kme that Mick Fleetwood saw Stevie’s friend Robin Anderson, who later passed away from leukaemia. She was very ill at the show and had to be !helicoptered out of the venue. Bootleg is circulaKng. Second Hand News The Chain Don’t Stop Dreams Oh Well Rhiannon Brown Eyes Eyes of the World Gypsy You Make Loving Fun I’m So Afraid Go Your Own Way Blue LeLer Sisters of the Moon !Songbird Sept. 10, 1982 – Norfolk, VA !Men at Work opened for The Mac. Bootleg is circulaKng. Second Hand News The Chain Don’t Stop Dreams Oh Well Rhiannon Brown Eyes Eyes of the World Gypsy Love In Store Not That Funny Never Going Back Again Landslide Tusk Sara Hold Me You Make Loving Fun I’m So Afraid Go Your Own Way Blue LeLer Sisters of the Moon !Songbird Sept.
    [Show full text]
  • Michael Murphey Blue Sky · Night Thunder Mp3, Flac, Wma
    Michael Murphey Blue Sky · Night Thunder mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Blue Sky · Night Thunder Country: US Released: 1975 Style: Country Rock MP3 version RAR size: 1660 mb FLAC version RAR size: 1398 mb WMA version RAR size: 1491 mb Rating: 4.7 Votes: 278 Other Formats: DMF MP4 MP3 DXD ASF MMF AIFF Tracklist Hide Credits Wildfire A1 4:47 Written-By – L. Cansler*, M. Murphey* Carolina In The Pines A2 3:54 Written-By – M. Murphey* Desert Rat A3 3:53 Written-By – M. Murphey* Wild Bird A4 2:24 Written-By – M. Murphey* Blue Sky Riding Song A5 3:32 Written-By – M. Murphey* Medicine Man B1 3:49 Written-By – J. Murphy*, M. Murphey* Secret Mountain Hideout B2 3:56 Saxophone [Solo] – Tom ScottWritten-By – J. Murphy*, M. Murphey* Without My Lady There B3 2:33 Written-By – M. Murphey* Night Thunder B4 2:46 Vocals – Tracy NelsonWritten-By – M. Murphey* Rings Of Life B5 3:18 Written-By – G. Nunn*, M. Murphey* Companies, etc. Copyright (c) – CBS Inc. Phonographic Copyright (p) – CBS Inc. Pressed By – Columbia Records Pressing Plant, Santa Maria Manufactured By – Epic Records Manufactured By – CBS Inc. Mastered At – Customatrix Published By – Mystery Music, Inc. Published By – Nunn Publishing Credits Arranged By – Michael Murphey* Backing Vocals – Jeff Hanna, Jimmy Ibbotson Banjo – John McEuen Bass, Backing Vocals – Michael McKinney* Design [Album Cover Design], Photography By – William Matthews Drums – Harry Wilkinson Engineer – Jeff Guercio Engineer [Assistant] – Mark Guercio Guitar – Sam Broussard Guitar, Backing Vocals – Richard Dean Keyboards, Arranged By – Jac Murphy Mandolin – Jerry Mills Photography By [Inner Sleeve] – Gary Thomas Producer – Bob Johnston Technician [Technical Assistance] – Frank Lee Notes This release was pressed by Columbia Records Pressing Plant, Santa Maria denoted by "S" in the runout.
    [Show full text]
  • Autobituary: the Life And/As Death of David Bowie & the Specters From
    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan Electronic version URL: http://journals.openedition.org/miranda/13374 DOI: 10.4000/miranda.13374 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jake Cowan, “Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13374 ; DOI: https://doi.org/10.4000/miranda.13374 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Autobituary: the Life and/as Death of David Bowie & the Specters from Mournin... 1 Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan La mort m’attend dans un grand lit Tendu aux toiles de l’oubli Pour mieux fermer le temps qui passé — Jacques Brel, « La Mort » 1 For all his otherworldly strangeness and space-aged shimmer, the co(s)mic grandeur and alien figure(s) with which he was identified, there was nothing more constant in David Bowie’s half-century of song than death, that most and least familiar of subjects. From “Please Mr. Gravedigger,” the theatrical closing number on his 1967 self-titled debut album, to virtually every track on his final record nearly 50 years later, the protean musician mused perpetually on all matters of mortality: the loss of loved ones (“Jump They Say,” about his brother’s suicide), the apocalyptic end of the world (“Five Years”), his own impending passing.
    [Show full text]
  • FOSIL News & Views 25Th February 2021
    FOSIL News & Views 25th February 2021 [email protected] Medici.tv Cornwall Libraries is now subscribing allowing free access to all library members for this Classical genre resource. Please have a look and share with friends, family and library members. This will be promoted via the Cornwall Libraries web page and social media platforms, with the service declaring they are ‘delighted to provide another resource for our customers – especially during this current lockdown’. Follow the link for more information and access: https://connect.liblynx.com/wayfless/medicitv?lcard=cornwall Medici.tv only needs a library card number for permitted access – no downloading or registration needed. You can watch live events and recorded Operas, Ballets, Concerts, Documentaries and Masterclasses from around the world. Why not give it a try and let us know your thoughts? Malcolm Price (1939-2017) - forgotten first beatnik folk musician in Cornwall Acknowledged as the first beatnik folk musician to visit Cornwall by veteran folkie Wizz Jones, Malcolm Price is almost forgotten these days. He was a pioneer of the flatpicking style of guitar in the UK and a huge fan of what we would call ‘Americana’ today, especially its early country roots. Melody Maker called him “the champion of old-timey music” and he was an inspiration to many. Malcolm started his musical journey on harmonica, but this was soon traded for a guitar and he joined the new skiffle craze of the mid-fifties, playing in clubs around Kent. In 1957 he witnessed Ramblin’ Jack Elliott and Derroll Adams at the Blues and Barrelhouse Club, Soho, run by Alexis Korner and Cyril Davies.
    [Show full text]
  • Heavy Metal and Classical Literature
    Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 ROCKING THE CANON: HEAVY METAL AND CLASSICAL LITERATURE By Heather L. Lusty University of Nevada, Las Vegas While metalheads around the world embrace the engaging storylines of their favorite songs, the influence of canonical literature on heavy metal musicians does not appear to have garnered much interest from the academic world. This essay considers a wide swath of canonical literature from the Bible through the Science Fiction/Fantasy trend of the 1960s and 70s and presents examples of ways in which musicians adapt historical events, myths, religious themes, and epics into their own contemporary art. I have constructed artificial categories under which to place various songs and albums, but many fit into (and may appear in) multiple categories. A few bands who heavily indulge in literary sources, like Rush and Styx, don’t quite make my own “heavy metal” category. Some bands that sit 101 Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 on the edge of rock/metal, like Scorpions and Buckcherry, do. Other examples, like Megadeth’s “Of Mice and Men,” Metallica’s “For Whom the Bell Tolls,” and Cradle of Filth’s “Nymphetamine” won’t feature at all, as the thematic inspiration is clear, but the textual connections tenuous.1 The categories constructed here are necessarily wide, but they allow for flexibility with the variety of approaches to literature and form. A segment devoted to the Bible as a source text has many pockets of variation not considered here (country music, Christian rock, Christian metal).
    [Show full text]
  • Rock in the Reservation: Songs from the Leningrad Rock Club 1981-86 (1St Edition)
    R O C K i n t h e R E S E R V A T I O N Songs from the Leningrad Rock Club 1981-86 Yngvar Bordewich Steinholt Rock in the Reservation: Songs from the Leningrad Rock Club 1981-86 (1st edition). (text, 2004) Yngvar B. Steinholt. New York and Bergen, Mass Media Music Scholars’ Press, Inc. viii + 230 pages + 14 photo pages. Delivered in pdf format for printing in March 2005. ISBN 0-9701684-3-8 Yngvar Bordewich Steinholt (b. 1969) currently teaches Russian Cultural History at the Department of Russian Studies, Bergen University (http://www.hf.uib.no/i/russisk/steinholt). The text is a revised and corrected version of the identically entitled doctoral thesis, publicly defended on 12. November 2004 at the Humanistics Faculty, Bergen University, in partial fulfilment of the Doctor Artium degree. Opponents were Associate Professor Finn Sivert Nielsen, Institute of Anthropology, Copenhagen University, and Professor Stan Hawkins, Institute of Musicology, Oslo University. The pagination, numbering, format, size, and page layout of the original thesis do not correspond to the present edition. Photographs by Andrei ‘Villi’ Usov ( A. Usov) are used with kind permission. Cover illustrations by Nikolai Kopeikin were made exclusively for RiR. Published by Mass Media Music Scholars’ Press, Inc. 401 West End Avenue # 3B New York, NY 10024 USA Preface i Acknowledgements This study has been completed with the generous financial support of The Research Council of Norway (Norges Forskningsråd). It was conducted at the Department of Russian Studies in the friendly atmosphere of the Institute of Classical Philology, Religion and Russian Studies (IKRR), Bergen University.
    [Show full text]
  • Still on the Road 1971 Recording Sessions
    STILL ON THE ROAD 1971 RECORDING SESSIONS JANUARY 6 New York City, New York 1st A. J. Weberman Telephone Conversation 9 New York City, New York 2nd A. J. Weberman Telephone Conversation MARCH 16-19 New York City, New York 1st Greatest Hits recording session AUGUST 1 New York City, New York Bangla Desh Concerts SEPTEMBER 24 New York City, New York 2nd Greatest Hits recording session OCTOBER 5 New York City, New York David Bromberg recording session 30 New York City, New York Allen Ginsberg TV program 31 New York City, New York Jamming with Ginsberg and Amram NOVEMBER 4 New York City, New York George Jackson recording session 9-17, 20 New York City, New York Allen Ginsberg recording sessions Still On The Road: Bob Dylan performances and recording sessions 1971 1885 A. J. Weberman Telephone Conversation New York City, New York 6 January 1971 Notes. Telephone conversation between Bob Dylan and A. J. Weberman. Full conversation printed in The Fiddler Now Upspoke, Volume 1, Desolation Row Promotions, page 137. Unauthorized Releases (The release is unauthorized and is not associated with or approved by Bob Dylan or his current recording label) Released in the UK on THE CLASSIC INTERVIEWS VOLUME 2: THE WEBERMAN TAPES, Chrome Dreams CIS 2005, 1 August 2004. Mono telephone recording, 2 minutes. Session info updated 28 May 2012. Still On The Road: Bob Dylan performances and recording sessions 1971 1890 A. J. Weberman Telephone Conversation New York City, New York 9 January 1971 Notes Telephone conversation between Bob Dylan and A. J. Weberman . Full conversation printed in East Village Other, 19 January 1971 and reprinted in The Fiddler Now Upspoke, Volume 1, Desolation Row Promotions, page 137.
    [Show full text]
  • Legendary Musician Dave Mason Plays at the Colonial
    Press Contacts: Rebecca Brighenti, (413) 448-8084 x11 [email protected] www.BerkshireTheatreGroup.org Christina Riley, (413) 448-8084 x15 [email protected] www.BerkshireTheatreGroup.org For Immediate Release, please: Monday, September 16, 2013 Legendary Musician Dave Mason plays at the Colonial Pittsfield, MA– Rock and Roll Hall of Famer, Dave Mason and band will perform at the Colonial on Wednesday, October 9 at 7:30pm. Tickets to Dave Mason are $25-$45. Contact the Colonial Ticket Office at 111 South Street, Pittsfield by calling 413-997-4444. Tickets can also be bought online at www.berkshiretheatregroup.org. Ticket Offices are open Monday-Friday 10am-5pm, Saturdays 10am-2pm or on any performance day from 10am until curtain. All schedules and prices are subject to change. With a career spanning nearly 50 years, Dave Mason is an accomplished producer, performer and songwriter. A member of the Rock and Roll Hall of Fame for his work with the band Traffic, Mason has penned over 100 songs, including “Feelin’ Alright” and “We Just Disagree.” Throughout his career Mason has worked with some of the most influential bands and musicians in rock and roll. He performed on The Rolling Stones’ Beggar’s Banquet, George Harrison’s All Things Must Pass, Paul McCartney’s “Listen to What the Man Said” and Jimi Hendrix’s Electric Ladyland. Five highly successful albums for the CBS/Sony label followed, four of which received gold album certification in the US. His next album Let It Flow sold millions of copies and contained the major Mason classic "We Just Disagree.” In addition to performing to sold-out audiences and being a permanent staple in record collections and hearts of fans around the world, Mason’s unique guitar work can be heard on many landmark albums and songs.
    [Show full text]
  • Updates & Amendments to the Great R&B Files
    Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the
    [Show full text]
  • Giving America Back the Blues
    GIVING AMERICA BACK THE BLUES OVERVIEW ESSENTIAL QUESTION How did the early Rolling Stones help popularize the Blues? OVERVIEW The Rolling Stones ultimately made their mark as the nonconformist outlaws of Rock and Roll. But before they were bad boys, the Stones were missionaries of the Blues. The young Rolling Stones — Mick Jagger, Keith Richards, Brian Jones, Charlie Watts, and Bill Wyman — were white kids who hailed from working- and middle-class Britain and set out to play American music, primarily that of African Americans with roots in the South. In so doing, they helped bring this music to a new, largely white audience, both in Britain and the United States. The young men who formed the Rolling Stones emerged from the club scene fostered by British Blues pioneers Cyril Davies and Alexis Korner. These two men and their band, Blues Incorporated, helped popularize the American Blues, whose raw intensity resonated with a generation of Britons who had grown up in the shadow of war, death, the Blitz, postwar rationing, and the hardening of the Cold War standoff. Much of the Stones’ early work consisted of faithful covers of American Blues artists that Davies, Korner, and the Stones venerated: Muddy Waters, Howlin’ Wolf, Slim Harpo, Jimmy Reed. The early Stones in particular helped make the Blues wildly popular among young Britons. As the Stones’ fame grew and they became part of the mid-1960s British “invasion” of America, they also reintroduced the Blues to American listeners, most notably young, white audiences with limited exposure to the music. But almost from day one, the Stones were more than a Blues cover band.
    [Show full text]
  • Karaoke Book
    10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO.
    [Show full text]
  • The Festival at Central City Park
    THE FESTIVAL AT CENTRAL CITY PARK Presented by Drew Exposition FUN IN THE PARK: The Festival at Central City Park is the heart and hub of the Cherry Blossom Capital of the World. The Festival at Central City Park features 10-days of magnificent midway rides, exciting exhibits, spectacular shows, incredible headliners and fantastic food. You’re sure to make lifelong memories when you enjoy $400,000 worth of free entertainment with a $5 admission. Children under 10 are FREE! Event Hours: March 22-31 : 10:00 am-10:00 pm Admission: Two convenient entrances: Round Building at Central City Park Presented by Cricket Wireless Willie Smokie Glover Road $5/person; Children 10 and under FREE! COMFORT STATION: Presented by Ingleside Baptist Church The Comfort Station provides separate areas for diaper changing, a quiet space for young children, and for nursing mothers. Location: Next to Round Building CONCESSIONS & VENDORS March 22-31 Central City Park Come enjoy your favorite festival food such as corn dogs, gyros, cotton candy, funnel cakes, kettle corn and much more! Also onsite are caricature artists, henna tattooists and face painters. ROUND BUILDING AT CENTRAL CITY PARK Presented by Cricket Wireless March 22-31 10:00 am - 10:00 pm Central City Park Yoshino Cherry Tree Sale Keep Macon-Bibb Beautiful Commission returns to Central City Park’s Round Building to sell the official Yoshino cherry trees. The cost of a tree is $10.00. For more information, contact Pam Carswell at 478-330-7054. Cherry Blossom Gift Shop Visit our Gift Shop in the Round Building for all your Cherry Blossom Festival souvenirs.
    [Show full text]